Diva’s final song.
So many questions during this episode of Vivy and some of them aren’t overly helpful for the series. honestly, Antonio and Ophelia’s story, after two episodes of build up, was pretty underwhelming. The motive was kind of lame and while the fight sequence with Matsumoto on the roof was vibrant and energetic, overall it kind of became messy and was nowhere near as compelling as the story of Diva facing off with the TOAK guy. You know it is sad that after all these episodes I still haven’t really got his name.
What that means is that while Vivy, Fluorite Eye’s Song remains one of my favourite shows this season and so far this year, this episode was a bit on the messy side. We had the ordinary, Matsumoto fighting Antonio and Ophelia and the attempted tragedy of that story which mostly just kind of happened.
I’m still loving Vivy but that was a bit messy.
And then we had something that was a little bit over-dramatised as TOAK guy shouted his frustrations with the way AI’s and humans interact at Diva (a little weirdly considering he somehow became an AI in order to still be around in 40 years since their last encounter just to ask her a question) before the two fought it out resulting in a pretty awesome conclusion to the this particular three episode story.
Not because of the fight, though that was really fluid and the far more effective of the two conflicts this episode, but because of the internal discussion between Vivy and Diva. That was gold.
Honestly, this episode review is messy and I’m jumping back and forth a lot, but that’s because ultimately my thoughts on this episode are messy. Part of me really loved this episode but I know a lot of that is good will because of the series so far and because they pulled off a fantastic final act giving Diva a beautiful character moment.
Part of it is also because we now know this show will have 13 episodes and I’m actually kind of hopeful that we will see the overall narrative conclude. However, the realist in me knows that this episode was very much hit and miss with some character beats landing and other flying wide off the mark and a lot of the run-time being taken up with some cool visuals that ultimately had little substance.
One thing this episode did do well was make me intrigued about what is next. What will Vivy do after these events and how will Matsumoto change now that he knows his vision and knowledge of the future is not infallible? What are the implications of the TOAK guy having technology that shouldn’t exist and who was responsible for his revelation? Is there actually another AI from the future pushing things in a different direction, which of course would explain why every time Vivy and Matsumoto have succeeded something else happens to push AI technology forward?
From an individual episode point of view, this one is fairly ordinary, as was episode seven. When taken in the context of the series, so far I have little to complain about as Vivy: Fluorite Eye’s Song has remained pretty compelling viewing this season and so far any perceived failings or plot holes have at the very least had attempts at addressing them giving us a Sci-Fi story that while not mind-blowing remains intriguing and the action and animation have remained pretty gorgeous to watch even if at times they rely on being very bright and messy.
I’m looking forward to the next episode and the next stage of Vivy’s journey.
Images used for review from: Vivy: Fluorite Eye’s Song. Dir. S Ezaki. Wit Studio. 2021.
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