Here Are 3 Fantasy Anime Worlds Worth Remembering

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One of the best things about anime is its ability to transport the characters to literally anywhere that can be imagined and because of that we have a field of vibrant and amazing worlds, planes, realities, planets, dimensions, time periods, and so on to travel through. So fantasy anime worlds regularly take us to amazing and vibrant places (or standard pseudo-medieval western style kingdoms but we take the generic with the amazing).

I mean, I love fantasy novels but there’s no denying that fantasy movies have always been limited by what they can create on screen. While the modern era is overcoming this issue through computer generated worlds it has always been a challenge to really feel absorbed by a live action fantasy.

When done well, you can be completely absorbed by the world constructed by an anime. I’m only going to explore a few worlds that I’ve encountered through anime, but I’d love to hear about your favourite anime world in the comments.

Which fantasy anime worlds left an impression?

When I started thinking about the worlds anime had taken me to, I realised I remembered the ones that were visually striking, seemed to have a rich history and political world, and seemed more than just a gimmick for the story (meaning that it felt like life was happening there anyway and we just happened to be seeing one story that took place in amongst a whole range of stories that could have been told).

1. Disboard (No Game No Life)

Disboard is a fantasy anime world that definitely leaves an impression.

For the moment, let’s ignore the over-the-top and slightly psychedelic colour scheme, and the fact that the name of the world feels like the creators just gave up arguing about what to actually call it. What I like about Disboard is that everything in the world is decided through games and there are clear and known rules that everyone must abide by. Imagining a world where everything follows a very clear logic and all conflict has an established method of being solved opens up all sorts of possibilities.

For a fantasy anime world it is pretty well thought out if not quite as well explored as I would like.

Now our protagonists in No Game No Life, collectively known as Blank, set about ruling the world. Not so much because they really want to rule but more because they like to win and they thought it looked like a great game. But what else could someone do if they were transported into this world? Suddenly that scrabble game has a lot more riding on it than just pride.

I also love that the history of the world feels authentic. This world doesn’t just exist because our protagonists are going to end up there. The people here have been going about their lives, trying their best and succeeding or failing for a long time without them and that history has an impact on the events our protagonists encounter.

There’s also a sense that there’s so much more still to explore in this world when the anime comes to an end.


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2. Everywhere in Tsubasa Chronicles

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I’ve been told, by someone who could not stand this series, that this is worth watching just for the travel through multiple dimensions. Every few episodes we’re hitching a ride to a new world with its own rules and logic, but beautiful even while uncovering its host of problems. The biggest problem with the worlds in this series is you never get to stay long enough and you feel like you’ve really only scratched the tip of the iceberg when you are whisked away to another location.

That, and after awhile you have to wonder where are the worlds where things aren’t all coming to an end right when the protagonists show up (very much like the Sliders TV series way back when). Still, if you are after some truly gorgeous fantasy worlds (and some sci-fi ones as well), Tsubasa isn’t going to disappoint.

Admittedly, our characters really only do stay for a short period before they move on to another world, but that just leaves the audience wanting more. One or two of the worlds don’t get enough time to be more than a single town or location, but even then it never feels like that is all that exists. There’s a sense that there is a bigger world that our characters just don’t have time to explore.

On the other hand, the method of transportations and the reason for the dimensional hopping in Tsubasa isn’t great, but what if you could just up and go to another dimension for a short period of time and then return home? Would you?

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3. The world of Hitsugi no Chaika

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It may be pretty standard fantasy fair when it comes to appearance, a quasi medieval setting overlaid with a bit of magic and steampunk inventions, but the world Chaika travels through is fascinating (even if inconsistent). The magical creatures are varied and dangerous.

An array of magical powers are being used and magic power itself can be drawn from memories and remains, which has a whole extra layer of creepiness when you think about it. The world is recovering from a war but hardly at peace leaving an intriguing political situation to learn about and the landscape has enough variety to certainly keep you from getting bored.

Honestly, I have no idea what this world is called as I don’t recall it being mentioned in the anime (specific locations are named but I don’t know about the world), but of all the similar fantasy worlds out there, this would be my pick in terms of interest. It’s a shame the second season of this anime lost the plot a bit because this one had so much potential and even though the plot kind of fell over, I still think this is a fantasy world worth exploring.

Other anime worlds I’d love to see include Soul Society (Bleach), anywhere in Full Metal Alchemist, the world in Sunday Without God, and as long as I had a lot of protection, the world from The Irregular at Magic High School.

So what about you? What anime worlds have caught your eye?


Thank-you for reading 100 Word Anime.
Join the discussion in the comments.
Karandi James


The Reason Anime Fans Should Care About Banned Shows

Censorship Anime

“Censorship is telling a man he can’t have a steak because a baby can’t chew it.” – Mark Twain

I really should have learned during 2020 that spending any length of time on news feeds was just going to have me stumble across something that would just really make me feel annoyed in general. There’s no actual target for my annoyance. It is more an irritation at the fact that despite things forever being in a state of change, a lot of that change isn’t necessarily for the better. Today, let’s discuss banned shows.

At the start of 2021 I read a whole bunch of articles where people were calling to ban ‘Grease’ (the movie with John Travolta and Olivia Newton John) over its sexism and homophobia. While I’m not going to deny either of those issues exist with the movie, if we start banning all media from former eras that doesn’t necessarily align with our current values, we’re right back to the catholic church plastering fig leaves over naked statues just because they didn’t necessarily agree with depicting the naked human body.

Now, if people choose not to watch Grease because of its outdated mentality (or just the fact that it is a boppy musical in which a clear bunch of adults pretend to be teenagers and the overall resolution seems to come about after both main characters discard their whole identity to appease the other) I have no issue with that. People certainly do have the right to not engage with a movie with high pitched wailing and 50’s fashion should it offend them.

They also have the right not to have their kids watch it. What they shouldn’t be able to do is remove something from history or retcon it so that it no longer has any resemblance to its former self, thus making it impossible to actually discuss how movies and their messages have changed over time (or not depending on which modern movie you look at). Or even just to stop other people getting some enjoyment out of it, should they choose to.

Should we care about banned shows?

Amazingly enough, in high school I was in a school production of Grease and somehow still manage to not actually believe in the roles and attitudes that are inherent within it and also don’t feel that non-consensual sex is okay. Who would have thought that exposure to an idea doesn’t necessarily indelibly imprint it upon a person when they are surrounded by other media and family, friends, educators and a whole bunch of other things that provide alternative view points.



Which brings me to the recent news headline about Russia banning Death Note and other ‘violent’ anime (link below).

Now, on reading the article it seems more that the court has ruled to block steaming of the shows on particular sites rather than actively seeking out and destroying copies of the works and there’s potentially a whole bunch of other things going on that I know nothing about. Let’s be real: I’m not an expert in the Russian legal system nor on the nuances of censorship in that country, nor do I really want to jump into an extended conversation on Russian politics.

However one quote provided in the article as a reason for the ban stuck with me as worrying with Death Note being apparently described as, “potentially dangerous for a modern child”.

And here is where I just have to shake my head.

The anime named in the article, Death Note, Inuyashiki, Tokyo Ghoul, Elfen Lied and Interspecies Reviewers, could ‘potentially’ be ‘dangerous’ to a child but are children actually the target market for any of these anime? And if we flow to the next step does that mean all modern media needs to have zero chance of ‘potentially’ causing harm in all potential viewers? What would that do to modern movies and TV shows in general even outside of anime.

While this article is about one decision from Russia and expanding it to a global ban on adult media is kind of a ridiculous over-exaggeration, anime fans do need to at least perk up and pay attention. What anime are restricted in their countries and what laws have been discussed and proposed that might effect anime distribution?

Just last year Australia (prior to the whole global pandemic thing that more or less stole all the attention) had a senator wanting a child abuse anime review citing Eromanga Sensei as a key example of anime that essentially should be illegal. The implications of that for which anime could be released in Australia would have been huge had the discussion gone any further and it isn’t as if these attitudes have disappeared in Australia, there’s just been other things going on that have dominated headlines in the last year.

And the really important question to ask: Does banning an anime actually protect children?

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I’ve discussed censorship on the blog before and Irina and I posted a discussion around Censorship in Fireforce a while back. My view hasn’t changed on this issue. 100% there should be warning labels on media so that people can make informed choices. That’s why classification boards exist.

Children do need some protection so that they aren’t exposed to ideas they aren’t ready to process and that protection needs to come from families making those informed choices and basic age-restrictions on the purchasing of certain things, though admittedly with digital media it is getting harder to age restrict things when you ultimately rely on the consumer ticking a box that claims they are old enough to access it.

Banning something in its entirety doesn’t actually make it go away but it does take away opportunities for actual regulation. And if simply banning a few TV shows and movies could stop people being violent, sexist, homophobic or anything else the world would be a much simpler place.

I would genuinely like to believe that the world will eventually move on from the current prevailing idea that silencing ideas and removing certain themes somehow enriches us. I personally wouldn’t show a child Death Note nor would I recommend it to a parent who asked me if their child should watch it. However that doesn’t mean that there isn’t any value in Death Note. It genuinely asks the viewer to evaluate their own concept of ‘justice’. It demands that we consider the implications of receiving a god-like power. It also makes some harsh commentary on the bystanders in society who don’t stand up and take action.

Anime fans, fans of free artistic expression, should care when any work is banned. And they should know why it was banned and what else has been brushed neatly under the rug because the current people in power don’t believe it gels with their moral compass.

Now, after I drafted this article, I had a quick chat with Irina and discovered that she was also working on a post around censorship within anime. That’s now available on her blog and you can find it here: Is Censored Anime Better Than None At All?


Thank-you for reading 100 Word Anime.
Join the discussion in the comments.
Karandi James


What Crunchyroll’s Most Popular Anime List Reveals About Fans

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I’m still shocked that My Hero Academia is no longer the global darling.

If you haven’t yet checked out the article on Crunchyroll or seen the infographics on about a dozen other blogs, here’s the link. Now assuming everyone has had a scroll through it let’s take a look at what this tells us about the most popular (or at least the most watched on Crunchyroll) anime from 2020.

Dissecting Crunchyroll’s Most Popular Anime List

Firstly, just from looking at the colours, it became clear that My Hero Academia’s strangle hold on the community has finally left after four seasons. That isn’t to say people aren’t still watching it, and given it is still the most watched show in a number of regions it is still pretty popular, but really the universal shine it used to have has kind of come down a bit. I would suggest that this demonstrates some fickleness in the community, but really Boruto, Black Clover, Attack on Titan, and Re:Zero are all either returning or long running anime.

Observation: Despite anime fans being seemingly fickle, their is some fierce loyalty to well known franchises.



Now the summation of how many countries each anime topped is available at the end of Cruncyroll’s article. However, it should be noted that Black Clover (87 countries) and Jujutsu Kaisen (71 countries) very much eclipsed even their next closest rival which was Boruto (only topping 32 countries). Colour me surprises given I dumped Black Clover early on and to be honest, even seeing this massive popular support isn’t enough to convince me it is worth going back and listening to Asta screeching. However, Black Clover has a hold on quite a selection of Europe and shares popularity with Jujutsu Kaisen in the Middle East and Africa.

Full disclosure, I haven’t watched any of Jujutsu Kaisen yet. It’s been firmly recommended to me as an anime I need to catch from 2020, but as it hasn’t finished airing yet, I’m leaving it on hold for the time being. So all I really have to go on is the genre tags and surprise-surprise both Jujutsu Kaisen and Black Clover are tagged as shounen and action anime. Black Clover has an additional fantasy and magic tag whereas Jujutsu Kaisen has the supernatural and school tags associated with it.

Looking at all the anime that made the list, the only one that didn’t get tagged as action is Re:Zero with shounen turning up in 5 of 9 titles and fantasy/supernatural/superpower turning up in 8 of the 9 (no idea about Onyx Equinox).

Observation: Despite the sheer range of anime genres and the apparent increase in diversity amongst anime fans, the mainstream anime watcher is still into shounen.

Crunchyroll's most popular anime list

This shouldn’t really be surprising given shounen anime is a prolific genre giving a range of titles, the anime tend of be based on popular source material so have a pre-existing fan-base, there’s often tie-in games movies and a range of merchandise associated with them, and let’s not leave out the fact that even viewers like myself who wouldn’t list shounen in my top anime genres occasionally enjoys a good power fantasy.

Despite the jokes people might make about it as a genre, there’s a real wide ranging appeal for a lot of these titles as they have large casts, epic plots, tend to blend high powered action sequences with some occasionally solid emotional nuances and provide ongoing character development through series of progressive arcs in which the audience grows more and more attached to the cast. While someone might objectively point out there are ‘better’ stories or anime that display the range of possibilities with animation better, often the examples they will use have a very niche appeal which makes them unlikely to top a most popular in any country list.

There are some differences globally though. The Asian market being dominated by Boruto with Black Clover getting almost no love at all. Unfortunately without information such as how many viewers there are in each region or knowing what second or even third preferences were, it is hard to draw any conclusions about distinct differences with the western and eastern anime market.

Realistically, what the 2020 most popular anime information Crunchyroll has released told me was:

  1. The ‘average’ anime fan is probably still male aged 16 to early 20’s. While there are definitely more female and older anime fans making their voices heard online, the market majority seems fairly clear.
  2. Long running anime is definitely not dead. While there are plenty of anime that only run for a season or two, the long running shounen format still has a large fan following and so this format of anime is going to continue to be made.
  3. Whether it was because it was 2020 or whether this is an ongoing trend I do not know, but clearly anime fans were after an escape or power fantasy. And who can blame them? 2020 seems like the perfect time to escape reality.
  4. Despite vast cultural differences, ultimately the most popular anime were the most popular across multiple countries with only Re Zero and Onyx Equinox taking top in 1 country each. Seems anime fandom has some universals which should make us feel all nicely connected in a year where so many of us have been alone.

Go anime!

Original Article on Crunchyroll: Feature: Explore 2020’s Most Popular Anime on Crunchyroll Around the World!. Author M Thomas. Available from: https://www.crunchyroll.com/en-gb/anime-feature/2021/01/14-1/explore-2020s-most-popular-anime-on-crunchyroll-around-the-world. 2020


Thank-you for reading 100 Word Anime.
Join the discussion in the comments.
Karandi James


Knight’s & Magic Episode 1: Exposition Much

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Overview:

A genius programmer and hardcore robot otaku is reborn into a world of knights and magic, where huge robots called Silhouette Knights roar across the land! Now reborn as Ernesti Echevalier, he uses his vast knowledge of machines and programming talents to begin to make his ultimate robot. But his actions have unexpected results…?!

– From Crunchyroll.

Review:

This one may become a generic piece of fluff that doesn’t amount to much, or it might end up being great fun. It is really hard to tell from the first episode given we’re meeting our main character in our world, seeing him die, and then following him over nearly three years as he decides he wants to be Knight (mostly because he wants to continue pursuing his hobby of robots even after being reborn). There’s a lot of exposition and voice over as well as a lot of blatant plot dropping conversations. The kind that just feel incredibly unnatural but they are telling us something that will probably be significant later on.

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Basically, this one is a wait and see. There’s some interesting things that might happen with either the Knight’s or the magic and while the characters have started out pretty stock standard they all have potential. Still, there’s nothing really remarkable about this first episode so I’ll give it another couple of episodes to get going before I decide.

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Karandi James.

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