Ajin Series Review – Interesting But Not Quite There

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Anime that have come out on Netflix have been very hit and miss for me. So when I first saw reviews for Ajin while I was curious, I didn’t rush into viewing it. When I finally did watch it, I very much enjoyed it, after I got over the visual style. I’m going to be honest, the character animation is creepy and while that works for the Ajin and villainous characters, even the human characters are just kind of creepy to watch.

The story initially focusses on Kei Nagai who is a studious and fairly detached student. We see his fractured relationships with friends and his family and then we see him get hit by a truck and not die. Kei has found out, at the same time as the witnesses, that he is an Ajin, someone who cannot die. That would be kind of cool except that the Ajin are more or less treated as monsters and hunted down where we see them being experimented upon. The rest of the story involves Kei trying to evade capture and we meet other Ajin and various agents trying to track down Ajin.

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While the exposition at the start of this anime is at best clunky, once the story gets moving this is quite the fascinating ride. Despite an opening sequence showing us a conflict in Africa where an Ajin is overpowering a small armed force and is then taken down with tranquilizers, the anime still felt the need to add a lesson at school where students were told about Ajin as if it were the first time they had ever discussed it and asking questions that they should have already had the answers to if Ajin had been known about for as long as they had.

It’s not an impressive way to segue from battlefield to Kei’s everyday life about to be interrupted by this war between human and Ajin.

This is something the story will suffer from a number of times throughout the first season. They tell us information multiple times and many characters feel the need to spell out or explain things that you would think should be obvious to the person they are explaining it to and the dialogue at times exists only to fill things in for an audience who probably already put it together and is now wondering just why the show is bothering to tell us something so obvious.



The story also doesn’t offer anything particularly new in terms of Kei’s narrative arc. He finds out he’s Ajin. He runs. An old friend that he’d broken off contact with helps him and then Kei leaves him behind because Kei believes that he can’t help him any further (Kei is incredibly logical – some might say cold, his sister calls him a jerk). Kei finds other Ajin. They betray him. He’s captured by the government. Oh, they do horrible medical experiments. He escapes. Etc, etc. You could more or less predict the next step in the sequence but that didn’t make it any less engaging to watch.

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Ajin works because of the cast of characters and its pacing. The action sequences are spaced out far enough that you don’t feel like you are getting whiplash but the quiet moments in between don’t feel like they are dragging. And while you may not like the characters, they all come across as real people who have issues of their own to deal with even while they are thrown into this situation. It would be nice if they were fleshed out a little more but they each offer something to the story and they don’t out stay their welcome.

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And yes, this anime does go for shocks in a few places. You have main characters who can’t actually die but they don’t regenerate until they are fully dead. Cue scenes of dismemberment and excessive pain, as well as Ajin facing a need to kill themselves in order to overcome some damage. If you’re squeamish, this probably won’t work for you. The medical experiments performed upon various characters, even when just alluded to are on the disturbing side and are supposed to be. The way human’s treat Ajin as monsters, and so many Ajin behave monstrously, is a pivotal point in the story and while it isn’t a new idea it is well used by this story.

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I do need to come back to the animation and character design. Much like other anime I watched on Netflix, such as Knights of Sidonia, I really dislike this particular style. At least in Knights the characters were supposed to have undergone adaptation to live in space so the fact that their facial expressions and the way they moved was creepily smooth and unnatural didn’t really interfere with immersion. Ajin doesn’t have that luxury and so the appearance of the characters is at time jarring.

Another gripe, though this one is entirely petty, is Izumi Shimomura’s appearance. Mostly because from the first scene she was in I just kept seeing Ennis from Baccano. And I know that isn’t really a legitimate criticism of Ajin but it was distracting for me. See below we have Ennis and then Izumi. Spot the differences because there’s creepy similarity.

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Like long lost sisters.

Anyway, in case it doesn’t seem like it, I actually really enjoyed watching Ajin and I happily dove into season 2. Because, let’s be honest, there really were a lot of loose ends left at the end of season one. If you’ve watched Ajin, let me know what you thought. If you haven’t and you have Netflix you should definitely check it out.


Thank-you for reading 100 Word Anime.
Join the discussion in the comments.
Karandi James


A Decade of Anime 2015

Anime of the Decade

What a year 2015 ended up being. There’s so many fantastic titles that came out in this year and so many anime that I have watched and rewatched again and again. Anime 2015 is a year worth remembering.

With so many great titles to choose from even Death Parade, My Love Story and GATE, all of which I love, couldn’t manage to land a place. The first season of Food Wars also deserves a mention because it was actually a fantastic season and it is more the later seasons that wore thin however it also didn’t make the final list. So let’s get into the anime that did make the cut.

The Rules:

No. 1: No sequels of any kind.

No. 2: Only one anime from each season which gave me 4 picks from each year.

No. 3: Other than 2019 anime, no matter how brilliant an anime was if I hadn’t rewatched it since it aired then it didn’t make the list. If I don’t like it enough to watch it more than once then it doesn’t deserve to be on an anime of the decade list.

Incidentally these anime are not the technical best anime of their seasons but are the ones I would pick if I could only watch one anime from that season. They are anime I loved, for whatever reason, and felt deserved to be remembered.

What were my favourite anime 2015?

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Assassination Classroom

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2015 opened with a bang as it brought us the story of the yellow octopus teacher threatening to destroy the world unless one of the students in the E Class at a certain school managed to assassinate him before the year end. Yes, that glorious insanity is Assassination Classroom and it is an anime I fell in love with. The comedy works as does the high energy. The teacher mentoring the students and helping them find themselves and their confidence is a little trite and fits the overall story.

Not to mention watching the kids wracking their brains to come up with increasingly complex assassination plots is pretty entertaining and it is great when they very nearly pull them off (actually it is pretty fun even when nothing works).

I will admit, I have more merchandise from this anime in the form of stickers, keyrings and the like then I should and honestly I just really enjoy it. While I’m not the biggest comedy fan the mix of action and comedy here tempered with a bit of drama just hit the spot and I absolutely loved watching this anime. Just letting you know though that if you continue on to the second season, be prepared to cry before the end.

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Is It Wrong To Try To Pick Up Girls in a Dungeon

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If you don’t already know about my undying love for this series then you clearly have not been following my blog for long. And while the long awaited season 2 was a little bit on the flat side it doesn’t diminish just how much I loved watching Bell growing stronger and exploring the dungeon in season one. DanMachi gave us one of the best one on one fights ever when we watched Bell take on the Minotaur and honestly this series is just all manner of fun.

This is also a series I’ve now seriously gotten into the light novels of which if why I’m desperately hoping for a third season. I love Lily, Welf, Hestia, Bell and really all the characters in this story and I love seeing them overcoming the odds even if it is at great cost. What I also like is that the series manages to put the characters in some pretty tight spots and build tension but it always remembers to have fun.


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Snow White With The Red Hair

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This is a glorious fairy-tale style anime about Shirayuki who runs away from her own kingdom to avoid being made a concubine to a prince and ends up… well falling in love with a prince. Still she gets to make it on her terms and works hard to earn a place as a healer in the castle so that she can be near him. Snow White With The Red Hair is just beautiful to watch and is full of fantastic characters who surround the central duo who are both great to watch. Zen and Shirayuki are awesome together and they really sell the fairy-tale.

In this case season two is every bit as solid as season one was so be sure to watch on and then, like the rest of us, you can be sad that there is no season 3 yet even though it feels like there really needs to be at least one more season. Then again, spending even a second longer with this cast would be great so we’ll take whatever we can get.

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One Punch Man

One Punch Man

This is one of a very small number of anime included on this list that I’ve only watched the twice. Largely because the nature of the anime doesn’t really lend itself to multiple viewings. That said, One Punch Man is worth watching once so if you’ve never given it a go you definitely should. From the hard hitting OP to the hilarious central character as well as some pretty amazing animation, One Punch Man is an anime that really leaves an impact.

I will definitely give a shout out to Genos as one of my favourite supporting characters. Sure he ends up the butt of a lot of jokes, and in pieces a lot of the time, but you have to admit he’s pretty cool and if Saitama wasn’t around, Genos would probably have stepped up as an awesome hero.

Anime of the Decade

That was 2015 but now it is over to you. What would your picks from the year have been? Also, remember to join us tomorrow to check out 2016.


Thank-you for reading 100 Word Anime.
Join the discussion in the comments.
Karandi James


Check out my favourite anime from each year over the last decade:

A Decade of Anime 2014

Anime of the Decade

2014 gave us some interesting anime titles. Lord Marksman and Vanadis came out and while it certainly won’t earn a spot as the best of the year, it had an interesting approach to narrating its battles which absolutely rubbed some viewers the wrong way but I found interesting. 2014 also gave us the amazing No Game No Life however as the story is still totally incomplete it just always misses out on making any kind of best of list. Without a conclusion, it is quirky and fun but just doesn’t quite measure up. So what did make the list? Let’s see and then I’d love to know what you would have picked from the year.

The Rules:

No. 1: No sequels of any kind.

No. 2: Only one anime from each season which gave me 4 picks from each year.

No. 3: Other than 2019 anime, no matter how brilliant an anime was if I hadn’t rewatched it since it aired then it didn’t make the list. If I don’t like it enough to watch it more than once then it doesn’t deserve to be on an anime of the decade list.

Incidentally these anime are not the technical best anime of their seasons but are the ones I would pick if I could only watch one anime from that season. They are anime I loved, for whatever reason, and felt deserved to be remembered.

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Noragami

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Quite literally the only thing wrong with Noragami is that there is no third season. I loved this anime when I first saw it. It was so energetic and fun but had its darker moments. The characters are great and the cast gets better and better as the show progresses. Revolving around Yato, a poor and relatively unknown god who takes on wishes for 5 yen pieces, Noragami is a story that goes in some unexpected directions but builds up a world with a rich mythology, some great action sequences, and the music is awesome.

Forget best of the Winter, Noragami was the anime that dominated my 2014 with multiple rewatches. It’s still a go to anime for me when introducing some of my friends to anime. I absolutely love this anime and I would love to see a third season of it at some point.

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The Irregular at Magic High School

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Yes, I already know a lot of people didn’t like The Irregular at Magic High School and certainly the anime has some problems. That didn’t stop me from falling in love with this anime enough to watch it again with a friend and then help that friend make a costume to wear at a convention based on the girls school uniform. Honestly, while this anime isn’t the best story the basic concept of the fusion of magic and technology is actually very cool. There’s also some pretty interesting applications of magic within the story and the militarisation of magicians is actually fairly plausible within this setting.

With the story broken into distinct arcs it is easily digestible and I found it very fun spending time with the students as they learned new way to use their magical abilities in each situation. The Irregular at Magic High School isn’t for everyone but I thought it was a bit of fun.



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Terror in Resonance

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Terror in Resonance isn’t an easy story to watch given it focuses on two teenagers engaged in acts of terrorism in order to bring a government conspiracy around human experimentation to light. That said, the story doesn’t quite go far enough and the end result is one that teeters on the edge of providing social commentary around a lot of issues related to modern terrorism without actually making any kind of statement. It leaves the viewer with an uneasy feeling.

While this series starts strong and ends reasonably well as it wraps up its loose ends and gives characters closure, the mid-season is where the weaknesses of the story really become apparent. Despite that, it is still an anime worth watching as it takes on some fairly big issues and presents a slightly different perspective. All and all, this is an anime that remains relevant in the current political climate and even though it doesn’t quite nail what it might have been going for it at least makes the audience think a bit.

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Your Lie In April

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I am not the die hard fan of Your Lie in April that some viewers became however I certainly appreciated this anime for what it is. And what this anime presents is a beautifully packaged emotionally wringing story of a boy who is lost and the girl who helps him to find himself and a path before the tragedy unfolds. There’s nothing new in terms of the plot with so many stories having done a similar thing before, but with the presentation of this particular story they have done a spectacular job.

When you throw in the music and the performances with the wonderful visual metaphors that appear while they are playing it really becomes something quite unforgettable. Even the most jaded of viewers will probably be moved by either the characters or their music at some point while watching. For everyone else, bring lots of tissues because you are going to cry buckets when this one ends.

Anime of the Decade

With that we bid farewell to 2014. I’d love to know your favourites from 2014 and on Monday we’ll continue looking at the anime of the decade starting at 2015.


Thank-you for reading 100 Word Anime.
Join the discussion in the comments.
Karandi James


Check out my favourite anime from each year over the last decade:

Top 5 Anime About Police

Tuesday's Top 5

Watching Cop Craft this season got me thinking. I love police procedural stories and I love buddy cop action movies with a bit of comedy and yet I don’t come across these kinds of stories in anime very often. Whether it is Bones, Castle, NCIS, Lethal Weapon or any of the myriad of TV shows and movies I’ve watched, I thoroughly enjoy them for some good popcorn viewing. So I decided to see if I could figure out which 5 anime that have police as a central focus in some way I have enjoyed the most. This was actually harder than I thought at first because it turns out I just don’t watch that many anime about police.

As always, I’d love for you to share your favourites in the comments, and in this case I’m really keen to hear your thoughts because I’d love to find some more police focused anime to get around to watching.

Number 5: Psycho Pass

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Okay, I actually really love this one but technically not actually police but a part of the Ministry of Welfare Public Safety Bureau. But a rose by any other name still gives us a down and out detective tracking down the criminal who he knows is out there because he can see his fingers in so many crimes but cannot prove it. For all its sci-fi and dystopian trappings, Psycho Pass is at its core a police procedural story with the new kid on the block getting drawn in over her head in a case that will shake the foundation of the country. Very cool story with very cool guns.

Number 4: Psychic Detective Yakumo

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I always thought the title of this one was a bit misleading. Yakumo isn’t actually a detective. He’s a moody college student who tries to avoid people. However, he does actually see ghosts and a detective who saved him when he was young regularly drops by to seek advice on whatever case he is working on. The detective himself has a bit of a reputation for solving these weird crimes and in fairness the detective isn’t a slouch and doing nothing on his own, but Yakumo is definitely the one who solves most of the cases and there’s very little police work involved given mostly it involves Yakumo just asking the ghosts where the evidence is.

Number 3: Death Note

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This one is a little bit weird because even though Light’s father is in the police and initially it is the police trying to track down Kira, very soon the Japanese police drop the case leaving L, an independent, and a small group of former police on the job. Again, there isn’t a lot of standard police work going on as L and Kira both prepare to play some fairly elaborate mind games, but there are still some tense moments in the game of cat and mouse.

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Number 2: Terror In Resonance

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The story here primarily focuses on the terrorists and their plans, however early on in the story they send taunting videos to the police with riddles to solve. Shibazaki, an older and jaded detective who learned earlier in his career that it didn’t really pay to seek the truth out, unravels one of the riddles and then becomes obsessed with seeking out the truth behind the terrorists in this story. While he does play a secondary role, he is vital to the success of this story as he really is the only character looking clearly at the truth and wanting all the facts laid out.

Number 1: Darker Than Black

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Beginning with Misaki Kirihara, a section chief in a division that specifically looks after cases involving Contractors, Darker Than Black is a fun story with so many different factions. The police are only notable in that Kirihara is our main contact point with them and her narration bookends the series as it establishes the scenes and concludes the first season. She is a great character but her superiors seems more like they are under the thumb of the many other agencies playing in this anime, so again don’t expect a lot of police work going on here as by and large these guys are late on the scene. Still a very fun anime though.

And that’s my list this week but be sure to let me know what your favourite anime with police are.


Thank-you for reading 100 Word Anime.
Join the discussion in the comments.
Karandi James


B: The Beginning Netflix Anime Series Review: There’s Murder and Mayhem But What Comes Next?

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Overview:

The anime series, B: The Beginning, came out on Netflix and styled itself as a task force (known as the RIS) working a double murder that involved a notorious serious killer known only as ‘Killer B’. However, things soon take a turn for the strange when a military vehicle is stolen and taken for a joyride, poisonous gas is developed and used to threaten hostages, and other unsolvable crimes occur.

Review (Probably some spoilers – just warning you):

I think B: The Beginning wants to be a lot of things and I’m not sure it actually succeeded at any of them, at least not in any meaningful way. It is fun enough if you do just want to watch the mayhem unfold before they then painstakingly explain how clever they’ve all been for the last two episodes, but realistically there isn’t enough groundwork for any of it to have any effect. After finishing the last episode I pondered for awhile about what my overall opinion of this series was. Because, while I didn’t particularly like quite a lot of it, I didn’t exactly dislike the viewing and finished it off in three consecutive days of binge viewing and it wasn’t just so I could review it.

While I was pondering I actually sorted my main issue with the whole thing out, and that was that it just felt too similar to other shows I actually liked a lot but it didn’t manage to really hit on what made those stories work. I’ll admit that problem is entirely my own, but it helped me understand what I didn’t like about this show and why, even though it is definitely watchable, I probably won’t go for a second round. And that means this review is going to do something I normally don’t do, and it is going to rely heavily on comparisons to explain the points I want to make. It isn’t really something I like to do as I feel each show should be judged on its own merit (or lack of it) but it is a way for me to sort my mixed thoughts on this show.

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Terror in Resonance

The first and obvious comparison would be Terror in Resonance. Stylistically these shows are quite similar and the tone of the later episodes of this most definitely strikes a Terror in Resonance vibe. As do the kids being used as experiments, the burning down of the lab, and the central character, Keith Flick who is incredibly reminiscent of Shibazaki. Where B: The Beginning falters to capture my attention and interest in the way Terror in Resonance seemed to, was that it didn’t seem to have anything to say.

Whether you agree with the actions and ideas presented by Terror in Resonance or not, the show gets you thinking about the world and about the way the media manipulate events, about the decisions of governments and large institutions, about relationships between countries, and about the actions of those who are labelled radicals or terrorists. B: The Beginning doesn’t seem to have anything to say unless ‘murder is bad’ is somehow a message that I missed under all the cool trapping and laughter of those committing incessantly, or that you should always work in a ‘team’ which is definitely a sermon from the second act of this story but doesn’t really ground itself on anything substantial other than the team working together for about three seconds before Keith goes off on his own again.

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But despite the heavy and easy comparison to Terror in Resonance, that actually didn’t feel right to leave it there. Sure there are some parallels, but B has it’s own kind of edge that Terror in Resonance never aspired to taking itself far too seriously at times (though when dealing with terrorists who have a potential nuclear device I guess you should have some level of solemnity to your tale). And then it hit me. B is kind of what would happen if K was somehow crossbred with Terror in Resonance only about a third of the connecting plot points got dropped out of both shows.

K Project 4
K

Once I realised that I understood the excessive fight sequence full of flash and grandeur (even if they only seemed loosely connected to the narrative) and the shifting tone between frantic and snail crawling exposition. See, K was all about the style and presented its supernaturally charged characters in the coolest light possible, even when they were just thugs. It gave each action sequence flash and bang and a sense of movement. Essentially what we see during the first two episodes of B. The trouble is, that B doesn’t have an interesting enough lead on the supernatural side to pull it off and the villain ultimately has no plan of note other than death to the protagonist.

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To a degree though, B works. It does get your attention in the early episodes, even if it is the hyperactive child shrieking at you for attention kind of attention. In fact, the show’s format reminds me very much of how most of the other characters describe Koku’s actions. He was screaming out that he was there but no one was listening. B declares it is here as it splatters blood across the screen, constructs incredible acts of violence, and generally does everything possible to grab the dark and edgy label that seems to be a flavour of the last couple of years (surely we’re ready for sunshine and rainbows again, or at least a dark and edgy that doesn’t rely just on making all the characters we meet horrible for every second of screen time).

Then it tries to segue into actual plot and that’s where it comes off the rails a bit, not unlike a train that somehow managed to land in a somewhat precise pattern and aren’t they glad the killer chose a sign that train carriages could actually form. Totally coincidence I am sure. Leaving beside all the comparisons, it is the plot that really drops the ball for this show because there are two central conflicts and while there is a connection and the characters, clues and mysteries intersect, their resolutions are essentially independent and neither ultimately feels like the actual climax or big finish because they’ve both been fighting for your attention and as a result you don’t much care about either.

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Koku wants to know his past, about the people who destroyed the institution, and to find a girl. There is always a girl. This story is full of supernatural characters, a very K like ancient tablet that has been deciphered and has some impact on his powers (though don’t expect that to be explained), and I’m guessing there is kind of a revenge goal in their somewhere but Koku isn’t exactly articulate in explaining what he is after and it wouldn’t matter anyway because it all comes down to rescue the damsel in distress. It isn’t a particularly satisfying narrative arc on its own, the powers just kind of exist and once you learn a bit more about Koku and what is going on you kind of realise exactly what the outcome of that plot-line will be so you just then wait for it to play out. Which it does, in cut sequences of bloody action which break up some of the driest dialogue I think I’ve endured for a long time between a protagonist and antagonist.

And this takes us to the second story involving the detectives. Because as much as their solving the crimes does involve a lot of the supernatural goings on, ultimately they do nothing about that part of the story. They track down the human element behind it all, and if you were paying even vague attention early on you will know precisely who the culprit is as soon as Keith mentions there are two culprits and sends Koku after one of them. It is another case of lack of options for suspects making it more or less impossible to miss.

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We then get what could have been an interesting attempt by the detectives to set up and ensnare the culprit but the story isn’t really happy with the whole power of team work dynamic and decides to overthrow it for a final attempt at tragedy. After that attempt essentially ends in failure, Keith takes the final clue (or signpost however you want to look at it) and tracks down the perpetrator and then calmly leans against the wall in front of a projector showing images of the killer taking out previous victims, including Keith’s sister, while he holds a conversation with the killer. There is no sense of tension or drama in this scene and any attempt at a serious tone is unhinged by the constant cuts to Koku and his fight sequence or the other detectives racing to the scene.

Anyway, it does wrap up and we see the next steps for the country and characters. There’s plenty left open that could still be explored should they want to do a sequel, but the current situation is done and you have a sense of closure.

This isn’t a train wreck by any means but nor is it particularly well done. It has elements that could be quite interesting, tones that I appreciate in other shows, and ideas that certainly could have merit, but ultimately it feels largely empty. I’m drafting this mere hours after watching the final episode and already details are escaping me because there’s nothing to ponder or consider and nothing to take from the viewing. And while that is fine in and of itself, and some people won’t see that as a negative, for me it feels like this show just missed its mark.

Anyway, if you’ve had a chance to watch it, I’d love to know your thoughts so leave me a comment below.


Thanks for reading.

Karandi James

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Terror In Resonance Series Review – Why motive matters.

Terror in Resonance Overview:

Two terrorists who go by the name of Sphinx send menacing videos warning of impending attacks on Tokyo and then carry out acts of terrorism.

However something is strange as Terror in Resonance sets up its tale. In all the chaos and explosions no one is killed. For one detective, there is now a race against time to figure out what is going on and what is behind these attacks. For the duo known as Sphinx, it’s a race against time to get their message across.

For others, it’s a race against time to stop that message at any cost.

That said, it was my pick for favourite anime from the Summer 2014 season.

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Terror in Resonance Review:

We’ve seen a lot of these movies, series, books, etc of late that seem to look at the underlying causes of terrorism and what makes someone villainous. These stories look at motive and reason and also the injustices that exist in the fundamental structures inherent within society that so many people accept without question. They make us think for a moment and then we carry on with our lives with very little changing.

Or in some cases people just avoid them because they don’t want to see terrorists given a voice in their fiction. They’d prefer them just to be the faceless villains and leave it there. And you can understand that if a story is glorifying the act of terrorism.

Terror in Resonance - the building falls.

Terror In Resonance (or Zankyou no Terror) follows Nine and Twelve, our teenage terrorists as they plan and act on their terrorist plots. However, what it doesn’t do is glorify their actions or make the audience feel these characters are the modern day Robin Hood’s. Their actions are acts of terrorism and destruction and while the characters themselves are cast in sympathetic lights at times, their actions are not.

That I think is what made me pay attention.

This isn’t the V for Vendetta story where we set off fireworks and have an orchestra playing while demolish a building. This is serious and the actions and their consequences are serious and playing it that way, it makes me actually want to know more about the two responsible and why they are acting the way they are. Not to excuse their actions, but just to understand.



And the picture that is painted as this series goes on is bleak even if it is a little predictable. Government experimentation on children and the ongoing consequences for those involved (who survived) sits at the heart but it is more the cover-ups and the way power is abused that drive our characters. And not just the would-be terrorists.

Even our detective in Terror in Resonance has been at the mercy of power battles within the government and department and while he still continues to try to do his job, it is obvious that he frustrated with the corruption surrounding him.

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Then we have Lisa. A normal school girl who has been swept up in events (or so we would say if we didn’t take a closer look). Lisa allows herself to be swept away by events and she does so at first with reckless abandon because she has given up on the society presented in Terror in Resonance.

Bullying, emotional insecurities and an unstable family life have pushed her to the edge. She is already ready to break but has no means of escape from this life. Her encounter with Nine and Twelve give her a slim ray of hope and she jumps on it.

Despite the fictional nature of so much of the plot so many of the themes are ones a modern audience will connect with.

If Nine and Twelve were actually blood-thirsty murderers this would be a truly terrible development but in this instance what we see instead is a girl learning the bigger picture of injustice in the world and slowly finding who she is and what she needs to stand for.

That isn’t to say that Lisa undergoes some amazing character transformation and comes out the other side a shining example of morality. Lisa simply has to put herself back together again and learn how to live in the world.

She very easily could have become a random victim of the violence or cover up, she could have become crazed with the idea of revenge of murder or direct action, and she could have simply been pushed far enough that she would end her own life. Instead, she faces the tragedy around her head on and learns to deal with it.

This is an ongoing mission and we end Terror in Resonance with Lisa’s journey only just beginning but the events of the story have left a lasting impression on her being.

Lisa in Terror in Resonance

Alright, I’ll admit the plot kind of flails at times. Too many coincidences, lucky guess and random events hold together what is meant to be a masterminded series of events. If you think about any of the encounters between Nine, Twelve, Five and the police you will find plot holes and be able to point excitedly and say, ‘see!’. 

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Certainly, by mid-way the plot is questionable but the ending of Terror in Resonance at least offers a clarity that is rarely found in anime.

And far be it from me to criticise anyone for criticising. I’ll admit plot holes are a problem, particularly in a piece that is built around mind games and the like.

However, I’ll defend Terror In Resonance on this point. I feel the themes and characters are by far the strength of the series and they shine. The plot is simply there to hold it all together and move us from one question to the next and to push the characters to the next part of their journey. That may be a terrible justification but it’s the one I’m going to stick to for the time being. And I’ll certainly accept that others don’t see it that way.

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The music and atmosphere of this show are perfectly matched. It sucks you right in and doesn’t let go. I find this series absolutely binge worthy.

In terms of a recommendation, I really feel this is a great story for discussion. There are so many views on the issues raised and as a conversation started it works very well. That said, it is dark and violent and at times distressing, so people who aren’t big on that should probably avoid. Also, it isn’t quite as clever as it would like to be at times (the airport scene being a great example of this).

If you’ve watched Terror In Resonance, let us know what you thought.


Thank-you for reading 100 Word Anime.
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Karandi James