Is It Okay To Enjoy An Anime When The Characters Act Questionably?

Questionable Feature

Are characters under some obligation to behave in an ‘appropriate’ manner in order for their stories to be enjoyed?

At first I thought the answer to this question was obvious. Of course characters in a story couldn’t all act in a way that necessarily matched the morality of the society that produced them (or individual groups within that society). To start with, we’d never have any villains ever again, unless you think someone chewing gum too loudly is villainous in which case perhaps we could have a plot about young teens ridding the city of petty annoyances.

However, when I stop trivialising the question I realise what people are actually asking is whether or not the protagonists, or the characters the audience is asked to sympathise with and somehow connect with, should behave in what someone believes is an appropriate manner?

More than that: Is it wrong to enjoy the story when they don’t?

Spoilers for Tensura 2, Horimiya and Mushoku Tensei: Jobless Reincarnation.

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As an anime fan who writes on the internet, I’m well aware that some commentators, reviewers, and groups can be quite vocal and vicious with their criticism. Not just of an anime they personally didn’t approve of, but of people who watch and/or enjoyed that anime.

Whether they accuse people watching the showing of being perverted, degenerates, idiotic or a whole range of other unflattering words, they cast judgement on anyone who would dare to find enjoyment in something they found offensive.

And you know, while I fully support their right to be offended and to choose not to watch what they don’t want to watch, I don’t support name calling or shaming people for what they enjoyed or liked to watch given someone else enjoying an anime doesn’t hurt anybody in the slightest.


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What I find even stranger finding a character decision to be a little questionable, or even outright morally wrong, doesn’t actually make the story worse by default. Certainly, it might rub you the wrong way and maybe it will throw you out of comfortable viewing mode and you don’t want to stick around.

That’s fine. I had a friend who felt that way about Terror in Resonance. She didn’t want to watch a story where the ‘terrorists’ and their actions were being given some justification. Didn’t want to stick around to find out why they were acting as they were or even to find out if the anime ultimately did condemn them or not. Her choice. But you know, she didn’t call me sick or a degenerate because I was fascinated by the story and the characters and wanted to know what lay behind their actions. I wasn’t pro-terrorist, but I did want to see what the overall story wanted to say.

Terror
I’m pretty sure they only caused this much damage once.

Three of the anime I’ve watched this year have had moments where the main characters have had me seriously blinking and wondering about their decisions and all three cases I mostly enjoyed the series they were in. I fully understand that one of them seems to have passed without comment by the community at large, another had a brief flare up of words and then slipped away, and the third seemed to really bring out some strong opposition and almost as vocal a defence.

That Time I Got Reincarnated as a Slime Season 2 – Not So Controversial

Part of me wonders why there hasn’t been more discussion around Rimuru’s actions in Tensura season 2. I mean, I guess part of it is the fantasy world is very removed, it is a second season so people are more or less acclimated to the series, it clearly isn’t intended to be taken actually seriously, etc, etc…

Yet, when faced with the death and injury of some of the people in his city of monsters Rimuru very quickly makes a call to transform into a demon lord in the hope of bringing them back to life and will gain the power to do this by literally slaughtering the entire opposing army.

slime s2 9
Nope – you are going to die.

It’s an abrupt decision given barely any digestion time, eagerly accepted by Rimuru’s followers, and acting upon with frighteningly swift and efficient brutality. This wasn’t a war. It was barely even a fight. It was open slaughter.

While some argument might be made that it was in retaliation for an act of heinous violence by the human army first, there is definitely a discussion about how proportional the response was particularly given no effort was made at a peaceful solution or simply defence. Rimuru went from harm-no-human to kill-every-member-of-the-army in less than a single episode and the audience seemed to largely be expected to support or endorse his actions.

Now would Rimuru have had any success at finding a peaceful solution?

Given the extreme hatred the church had of monsters and the callous attitudes of the nobles leading the army it seems unlikely.

Did every single soldier need to die? Were they all fanatics with a monster hating mentality or were some just soldiers who signed up to protect their country and feed their family who were ordered to march out? We’re not supposed to ask.

Is Rimuru right to pursue a resurrection of his people at the cost of all these souls? Again, we’re not supposed to ask. We’re supposed to be hoping a miracle occurs and not actually looking at the cost of it.

Does enjoying this mean you are a horrible person who would support genocide in real life? – That’s a firm no.

I actually did enjoy this sequence though I felt Slime missed out on the opportunity to really explore the moral quandary here. Then again, people don’t tune in to watch Tensura for moral quandaries that might lie therein. They watch to see Rimuru bounce about, enjoy being held by various women, and occasionally devour monsters while getting another power-up.

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Horimiya – A Brief Splash

When I’d only watched the first 3 episodes of Horimiya for my watch or drop post, I started to see a few arguments and comments online regarding a particular line by Horimiya that some people found homophobic. Basically, Hori tells Miyamura that if he leaves her it wasn’t allowed to be for a guy.

Horimiya 7
Not a character reaction to the line – just representative of some of the online comments.

Now, whether people in the thick of this one who were watching week to week found it was a little more intense, from my point of view there seemed to be a whole bunch of people voicing their opinion one way or the other as to whether the character was homophobic or not and then it just kind of disappeared off my radar. While there might still have been comments in my twitter feed connected to it, I didn’t really notice.

I actually didn’t have too much of a conflict with Hori’s statement. It was ridiculous and illogical but I think she was genuinely flustered and it wasn’t something she repeated or reinforced – more something that was blurted out in the heat of a moment and then the story moved on.

Now, while her ‘no guys’ statement could definitely be seen as reinforcing standard relationship views and excluding other communities (and it would probably be more offensive to people who had life experience here) it didn’t feel to me like the anime was pushing an agenda and more that a teenage character in the anime had said something that wasn’t great in one of her less than amazing moments.

Actually, Horimiya caused me more concerns with Hori herself encouraging her boyfriend to verbally and at one point physically abuse her. Largely because if removed from the sweet premise of the anime with two characters who genuinely care for each other, Hori could get herself into an actually abusive relationship if her partner took advantage.

Again, the anime wasn’t taking this darker view of the issue or trying to encourage people to act in a particular way, but you could certainly view the series and that aspect of Hori in a concerning light. Again, while I definitely thought about the issue, considered the implications outside of the anime for people in the real world, and I did wonder if perhaps the anime could have just left that part out, I also continued to enjoy watching Horimiya.

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Mushoku Tensei: Jobless Reincarnation – Ouch

Gear up your pitchforks and placards or get your best defence slogans ready because this one caused a stir. I’d raised my own concerns about some of the creepiness of Rudy in my watch or drop post and placed this one at a maybe for completing.

I wasn’t concerned whether anyone else enjoyed it or not but for me Rudy as a character wasn’t someone I was finding it easy to get behind so while there were a lot of aspects to the story I kind of enjoyed, I was a little conflicted. That said, I’ve now finished Jobless Reincarnation so have read a number of other reviews of the series. They are diverse to say the least.

Jobless A 3
I don’t think the internet waits for later, Zenith.

This one has had the main character called a pervert and a paedophile and a whole bunch of other less than pleasant things. Viewers of the show have been called degenerate in some tweets and reviews, particularly if they dare to claim anything less than utter disgust with the title. And all of this because a reincarnated middle-aged man looks at girls?

Well, not really. He goes a bit further and there’s a few scenes that do hit me personally as being quite uncomfortable viewing even though the anime doesn’t want you to think about it. It really wants to play it off for laughs and usually has a slap-stick moment of Rudy getting kicked or punched afterward, though occasionally he just kind of walks away with a creepy grin on his face.

However, while there are those howling about this anime and its poor taste, there are also those singing its praises as being a different kind of isekai, for its world exploration, for the way magic is handled. And all of these aspects of the story are actually pretty praise worthy. So we have an anime that with the exception of several main characters and their treatment of women is actually pretty good but the way some of those men treat or talk about women is pretty… well let’s just go with triggering for some.

Basically, enjoyment of this one will depend where you land. I enjoyed the series but not as much as other isekai anime that I’ve previously watched and loved because I couldn’t form much of a connection with Rudy. I don’t like him and I don’t like some of his choices. Plus, that grin of his really does creep me out.

At the same time, I actually understand why people would drop this one and decide it wasn’t for them. Equally, I get those who accept that Rudy isn’t a perfectly nice human being who is always nice and respectful to others and just watch the anime for what it is and enjoy it. While I get these two groups probably won’t really see eye to eye, I also think that they can keep their criticism to the anime itself and not to the other viewers.

So, Is It Okay To Enjoy An Anime When The Characters Act Questionably?

I’d say absolutely. Sometimes characters who act questionably are needed to really make the audience consider their choices. Sometimes it drives the narrative. Sometimes it is just a throw away action that while it might open a significant discussion around how particularly ideas and groups are represented in stories, it isn’t actually the central point of the anime so shouldn’t necessarily be enough to condemn the entire rest of the story.

Of course, it is also okay not to enjoy the anime because of the questionable character actions. That really depends on your own tolerances, trigger points and experiences, and you’ll make the decision for yourself about what you did and didn’t enjoy and why.

But what shouldn’t be okay is taking an issue with someone else for enjoying something just because you didn’t. By all means, discuss your view, put forward your reasons, write your own article or make your own video explaining why something is a problem, but leave the name calling out of it.

Be sure to share your experiences with an anime where you haven’t necessarily agreed with the choices made by a character or a time when you got called out for enjoying something someone else found offensive. Let’s have an open and respectful discussion.

Images in this article from:

  • That Time I Got Reincarnated as a Slime Season 2. Dir. Y Kikuchi. 8bit. 2021.
  • Mushoku Tensei: Jobless Reincarnation. Dir. M Okamoto. Studio Bind. 2021.
  • Horimiya. M Ishihama. Cloverworks. 2021.
  • Terror in Resonance. S Watanabe. MAPPA. 2014.


Thank-you for reading 100 Word Anime.
Join the discussion in the comments.
Karandi James


That Time I Got Reincarnated as a Slime Season 2 Series Review

Slime Season 2 Review

That Time I Got Reincarnated as a Slime escalates quickly.

Those who read my review of season one of That Time I Got Reincarnated as a Slime know that while I enjoyed it, I did find it a little bit pointless and that even the second half of season one already seemed to be suffering from diminishing returns. The lack of high stakes, or at times any kind of sense of urgency, meant that while I didn’t mind what I was watching, I also had limited investment in the story and probably could have walked away and not lost sleep wondering what happened to Rimuru and friends.

As I binge watched season 2 of That Time I Got Reincarnated as a Slime, I found myself contemplating a couple of points in throughout the 12 episodes, most notably a particular decision Rimuru makes as well as the lack of any kind of concrete ending given a 2nd season part 2 will probably come out in July, but largely entire sections of this anime passed without much need for comment or even consideration.

Shion and Shuna - the girls of That Time I Got Reincarnated as a Slime
Don’t get me wrong, the characters remain cute and colourful.

One of my least favourite arcs in season one was when Rimuru ventured away from his growing city to teach a group of kids, more or less at the behest of the dead Shizue. That the first couple of episodes here continue to deal with Rimuru tying up his duties as a teacher and there’s even less reason to care now that he’s essentially served his purpose and is just trying to hand over to someone else, isn’t a great return for the fantasy series.

While there are a few bread crumbs sprinkled throughout these early episodes about political tensions and Rimuru’s lack of understanding about the implications of his actions in creating new trade alliances, it isn’t enough to really make things feel like we’re moving along. It also separates Rimuru from his core group for large parts of these episodes and the kids just aren’t charming enough, or at least I don’t think so, to make up for it.



The story in season 2 of That Time I Got Reincarnated as a Slime definitely takes a turn for the more interesting after the return to the dwarf kingdom and an episode of drunken revelry with the girls in the bar.

Finally all the threads of other demon lords stirring mischief, the human kingdom that had been built up to be ‘too greedy’ (apparently its only defining character trait other than stupidity and short-sightedness) and the church that generally has issues with monsters, begin to move and it is from that point on that this season actually seems to be churning through content too fast.

From early episodes that felt like we were on more or less permanent pause to episodes that have declarations of war and decisions of mass extermination made in a single instant, the pacing in this second season of That Time I Got Reincarnated as a Slime is jarring to say the least.

slime s2 14
Yes, like someone mashed two different things together and they didn’t quite mesh.

Now don’t get me wrong, there are some great ideas and moments along the way and Slime remembers what it is best at, and that is being a bit of fun to watch. Even mass-slaughter is fairly laid back and almost effortless for our protagonist once he sets his mind to it and as long as you don’t think too hard about those left dead in his wake you almost get a happy ending at the end of it.

We also get some more characters who had been transported from Earth (not reborn like Rimuru but just kind of dragged over) and they are an obnoxious group of over-powered fools who barely have one personality between them. They are built up very briefly and act as a catalyst for the events that follow but ultimately amount to nothing being quickly disposed of and forgotten by the narrative and the characters in it.

I kind of wonder what the point was and whether they were supposed to provide some kind of contrast with the more contemplative Shizue or whether they were generally just poorly written characters. Either way they left little impression in the grander narrative of That Time I Got Reincarnated as a Slime.

I also felt that the love triangle that developed with some of Rimuru’s followers was actually a pretty lame addition that really didn’t contribute much other than a few irritating character moments where friends briefly turned their attacks on one another. If given more time to be fleshed out maybe this sequence could have felt more genuine or more emotional, but largely it felt like another plot point stuffed into an attack on a city that was already overflowing with other character moments.

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For all that the pacing kind of feels like it is rushed, from the decision to go to war, through the various character battles around the city, to Rimuru’s actions in the enemy camp, the final few episodes have a lot going on (almost too much) but they are kind of mesmerising.

As the dust settles and this season came to an inconclusive ending that seemed to be introducing yet another conflict and then just abandoning it for a break until July, I realised that while I might be continuing to pick fault with this series but I am very much invested in Rimuru’s city building efforts and I kind of want to see how all of this will play out and how other cities will react to the newer and more aggressive policy of the city of monsters.

slime s2 17
That’s a different look, Rimuru.

While I still don’t see particularly high stakes for our protagonist, and given their unwillingness to part with core cast members in these 12 episodes of That Time I Got Reincarnated as a Slime I don’t really think there’s anything too much to worry about, but I am curious as to how it will all come together.

Visually, season 2 remains the bright and colourful affair of season one. While action isn’t this anime’s strong point, it does do enough for decent fight sequences and the magical attacks, barriers and other bits and pieces remain suitably impressive. The character designs are where this anime really is working hard because despite the excessively large cast, they still manage to make most of the characters pretty distinct.

Equally, I really did enjoy Rimuru’s self-reflection on his new state of being. Previously he was essentially a human who occasionally bounced around as a slime. After the events here he finally realises that he is one of the monsters in this world and thinking of himself as a human isn’t a luxury he can afford if he wants to make the right decisions. It would be great if his character continued to become more aware of themself and the world they are now in.

Overall, That Time I Got Reincarnated as a Slime isn’t my favourite isekai story, but it is one that has some enjoyable moments along the way and doesn’t seem to be going out of its way to step on too many toes. And yes, I will watch Season 2 Part 2 when it is done.

Images used for review from: That Time I Got Reincarnated as a Slime Season 2. Dir. Y Kikuchi. 8bit. 2021.


Thank-you for reading 100 Word Anime.
Join the discussion in the comments.
Karandi James


Which Isekai Anime Is Superior At Handling Character Death?

Handle Death Feature

Between Season 1 and Season 2 of That Time I Got Reincarnated as a Slime something changed with how the story handles death. But is either approach superior?

Spoilers Ahead for That Time I Got Reincarnated as a Slime Season 2 and how it goes about handling character death.

You know, I started with a really clear impulse to write when I began this post. I’d watched a lot of season 2 of That Time I Got Reincarnated as a Slime and I mostly felt just a little bit annoyed at the drastic shift in the way they chose to address death in season 2 compared to their efforts in season 1 and compared to an anime like Grimgar of Fantasy and Ash. Then I let time do its magical thing and started thinking through the situation a bit more. Ultimately, I realised that while death was handled differently, the purpose was also different.

slime s2 16
Good luck. He has the protection of being a protagonist in a long running comedy anime.

Here’s where spoilers will get fairly serious for those who haven’t yet watched season 2.

Rimuru is ambushed and almost killed by Shizue’s friend who is no mood to listen to a monster. However, at the same time as Rimuru is being waylaid, his nation of monsters has come under-attack by the combined forces of a nation that is ticked off because they are losing trade and the holy church because the church doesn’t like monsters.

The motives are pretty stock-standard and poorly explored and while the balance between nations being disrupted was a theme built up over more than one episode, ultimately the story just kind of throws any complexity this plot line may have had away and goes for setting up a table of near-moustache twirling villains who are evil because they aren’t on the same side as the protagonist.

What is a little different this time around is that because Rimuru isn’t around to more or less instantly over-power these enemies (and because of some interesting choices in terms of exploring Rimuru’s choices being influenced by his former human life which are actually really well handled), the monsters actually take a number of losses including a whole bunch of background characters, one peripheral character who we knew enough to be sad over their death, and one actual main character in what is a relatively well built up revelation when Rimuru arrives back in town.

slime s2 9
Comically over-the-top bad guy and soon to be forgotten villain.

The revelation to Rimuru that his orders for the monsters not to fight humans, set out in season one, and his emotional distress at seeing the cost to those who have followed him is a poignant and really well-handled moment.

For about two seconds.

Then a minor character runs up and tells Rimuru a fairy-tale from their homeland about someone becoming a demon-lord and undoing the death of a friend.



I remember on first watching this sequence feeling like I’d just been kicked in the teeth.

Season one of Slime had shown that while for the most part this anime was laid-back Slime shenanigans with a lot of humour and bright colours and a few epic and over-the-top fight sequences thrown in to spice things up, it also could handle the meatier emotional moments.

Shizue’s death was a slow, quiet moment given the time it needed to sink in and having the right impact on Rimuru for the audience to really experience the full emotional spectrum that comes with death and remembering life. It was one of the best death sequences not for spectacle or blood splatter but just for facing the enormity and absoluteness that is death.

That Time I Got Reincarnated as a Slime Episode 6
I’m glad we met you too.

What season two did seemed to undermine that in almost an instant. If death could be conquered why did Shizue die? What does it matter if anyone dies if it can all just be turned back? Admittedly, there were a lot of catches to the potential resurrection and only a minor chance of success, but even that felt like it was trying to have its cake and eat it to. The story wanted us to think characters could die and wanted us to experience the emotions of parting, but also didn’t want to lose a fan-favourite character by actually consigning them to death.

How does another anime go at handling anime death?

One of my favourite isekai anime ever is Grimgar of Fantasy and Ash (I’ll wait, go watch it). While it isn’t a perfect story by any means, and reading on in the light novels it has actually done a similar thing that Slime is now doing in that the basic idea that death can’t be overturned ends up being overturned, kind of, in one instance, Grimgar set itself apart from other stories early on by giving a very real view of the danger and fear of living in a fantasy world as an adventurer where death could literally come at any moment and from the smallest of mistakes.

I really appreciated this narrative for not having super-strong and invincible characters who overcame anything. Every time they won anything it felt earned and they lost, a lot. And those losses always came with costs.

grimgar
Ouch!

So if I were simply to look at the three, Grimgar, Slime 1 and Slime 2 at how the death itself was played out, I’d most definitely find season 2 of Slime wanting. Grimgar absolutely nailed it with the early death of a character that seemed like he should have protagonist plot armour but unfortunately it wasn’t his story. And even Slime season 1 gave us something that was quite special in a season that I was otherwise in two minds about because while there were aspects that felt like they were really amazing, a lot of season one felt like down-time.

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But that makes little sense. See, after getting some time to think about my initial reaction and how I felt death had been cheapened, I thought more about the overall story and what the actual point of this particular moment was supposed to be. Slime had already done an emotional look at death and loss. We don’t need a rehash for season 2 of the same plot notes and if they’d left the scene without the other character interjecting we would have very much had a more or less same situation with different character.

slime s2 2
We do not do re-runs.

Instead, That Time I Got Reincarnated as a Slime season 2 (Tensura 2) chose to use character death first as a catalyst for Rimuru’s self-reflection on the fact that he is no longer a human. His human trappings had continued to drive his thinking and reasoning throughout the narrative so far and as the nation of monsters seeks to stand on its own he really did need to move on from that. This sequence most definitely put that into action.

More than that though, the character deaths served as a catalyst for Rimuru’s next actions and his decisions which deserve an entire post all on their own to discuss the morality of those choices and why it has been so interesting to see play out as it raises a number of not-very comfortable questions.

Really, it has seen Slime rise to its best yet.

slime s2 12
Everyone should underestimate you. You were useless and then thrown away in more or less an instant.

While I won’t forget that I felt annoyed that they almost instantly undermined the permanence of death I can’t help but be excited by where this has pushed the story and Rimuru’s character. So ultimately my initial question of which series did the better job of dealing with death was flawed to begin with. Death wasn’t the point here. It was merely a means to an end and while I’m drafting this I haven’t seen the end of the season, I’m really thrilled by how the final episodes of this series have unfolded so far and the possibilities being opened.

Images in this article from:

  • That Time I Got Reincarnated as a Slime Season 2. Dir. Y Kikuchi. 8bit. 2021.
  • That Time I Got Reincarnated as a Slime. Dir. Y Kikuchi. 8bit. 2019.
  • Grimgar of Fantasy and Ash. Dir. R Nakamura. A-1 Pictures. 2016.


Thank-you for reading 100 Word Anime.
Join the discussion in the comments.
Karandi James