Why Ask Me To Recommend Kids Anime?

Originally I wrote this post in response to a question I’d been asked regarding kids’ anime. I was asked of my top picks for the season which anime I’d recommend for kids, which kind of stumped me because to be perfectly frank I wouldn’t recommend any of the anime I watch these days for kids.

Karandi Shrug

(Keep in mind, this post is not becoming a tirade against people who think anime is for kids or an extended rant– I’m simply explaining why I found it hard to answer this question.)

That isn’t to say there aren’t great kids anime out there, but I’m not a child and I don’t watch things that are particularly kid friendly. The other reason I wouldn’t make a recommendation for a child is I don’t actually know what the parent of said child deems appropriate for their child.


For instance, are they okay with stylised violence or do they want something that resolves issues through discussion? Is it okay if girls have visible curvature or do you consider that unnecessary in a children’s show? What about themes? Drugs, mind control, hypnosis, death, life, relationships, good, evil, magic? Which do you find appropriate? And how would I know?

Karandi Disgusted Transparent

I can’t answer those questions for someone else. And I am not a good judge of what is and isn’t appropriate for the simple reason that my own viewing as a child was never particularly censored by my parents. That isn’t to say they ignored what I watched, but it is more that they would tell me what was in something and warn me if they thought it would scare me, but they allowed me to decide what I would watch.

Of course, they certainly steered me around things that would probably have crossed too many lines, but from a reasonably young age I became a massive fantasy and B-Grade horror fan.

Magic and spells and characters who faced death and monsters and incredibly fake blood filled the screen and I learned to love predictable and dependable narratives where good would ultimately triumph and villains would lose for the simple reason that they were villains. The fact that sometimes losing meant being thrown from a cliff and bursting into little pieces (Tremors) or getting struck by lightning and being completely destroyed (Willow) didn’t really concern me as a child and still doesn’t today because of course that’s what happens in stories.

Karandi Great Idea Transparent

And that was the clear line. What happens in movies and television was not reflective of reality. “It isn’t scary, it’s just TV.” “It’s a movie, so everything will be fine.” That was the message I got over and over again. A lot of what I watched wasn’t exactly kid friendly but nor was it particularly scarring (with the possible exception of ‘It’ – the original).

So when faced with the what anime is appropriate for kids to watch question, I kind of shrug. It entirely depends on the parent and how they frame the viewing experience and what the child has been exposed to previously.

My stance on censorship is entirely prosaic. All media should be clearly labelled with what it is and what it isn’t. Ratings aren’t overly helpful. Did that get a high rating because of foul language or because someone is going to get torn in half and blood is going to drip across the screen? There’s a real difference in which one I’ll sit through.

I have the DVD of Jormungand and it is restricted MA15+ in Australia with the helpful note that it contains strong animated violence. Yet I would argue that it is totally appropriate for teenagers because while it has strong violence the themes and questions it raises about arms dealers and child soldiers are an excellent discussion point. I’m certain others disagree with that view and that’s fine. That’s why labels are helpful.

What even makes something kids anime to begin with?

I’ve mentioned before that my earliest anime included Astro Boy and Sailor Moon, both seen as reasonably acceptable kids viewing. However, looking back, Sailor Moon gets pretty dark. She kills her enemies. Reduces them to dust. The scouts and Sailor Moon are in constant peril. Serena’s boyfriend is kidnapped, brainwashed and set against her. Ultimately she is forced to all but kill him (which effectively wipes out any memories he has of her) in order to save him. That’s a harsh line up covered in pastel colours and pretty sparkly moon wands.

Is Sailor Moon a kids' anime? Seems pretty hardcore when you think about it.
Punish, turn to dust. Shrug.

Then there are parents who protest their kids engaging with Harry Potter because of the magic theme. How many anime, particularly kid friendly anime, involves magic as a central plot point? Card Captor Sakura and Shugo Chara, both anime I would probably recommend for younger audiences, are heavily steeped in magic.

And Shonen anime is full of violence. Stylised and sanitized at times, but extreme violence nonetheless. Yet people would argue that a lot of those stories are kids anime. Most of it makes Wile E Coyote’s antics in Road Runner look pretty tame and let’s be honest, anything involving dynamite is pretty dangerous.

Karandi Bored Transparent

For parents with kids watching anime, the best thing you can do is look the anime up yourself and view the online images. Is that appropriate for your child to be watching? And that is a decision only you can make because you know what you want your child to view and what you would prefer they didn’t.

Now, censorship is always a prickly issue so I’m certain there are some big opinions out there. Please have at it below but remember to respect the views of others.

Also, list the anime you think should be labelled as kids anime and why because I’m sure plenty of people out there would love the recommendation.

Thank-you for reading 100 Word Anime.
Join the discussion in the comments.
Karandi James

My Hero Academia Season 2 Series Review: Shining the Light on Heroes and Villains



There’s no denying that season 1 of this show made me sit up and take notice when I picked it up mid-season after reading many positive reviews. The second season continues Midoriya’s journey (as well as the rest of the students’ journies) to becoming a hero.

Earlier I covered some of the ideas in this series in Friday’s Feature: Not a Character, an Idea.


With the exception of Bleach (which even I’ll admit isn’t all that great when you break down the story) I’ve never been much for straight shonen action shows. I can’t stand the shouting, the long drawn out fight, the pointless arcs where a villain is built up to be beaten down, the random hero power ups, and all the other silliness that tends to infect those kinds of shows. Don’t get me wrong, I love a good action story, I just prefer something a little less aimed at teenage males. Surprisingly, My Hero Academia kind of has all of the qualities of a shonen story that usually annoy me and yet, much like Bleach before it, instead of turning me away it kind of manages to draw me in a little bit more with every ridiculous fight sequence.


The first season was utterly charming and just plain fun to watch, and season 2, despite launching into firstly a tournament arc, and then a training/power up sequence, before going into an exam sequence (all of which should have killed any fun or momentum for me) managed to not alone maintain that sense of fun, it also fleshed out a very real and meaningful dialogue around the nature of heroes and villains. All of this while characters continued to grow and develop and come to a greater understanding of themselves.


Now, there is nothing new to be found in My Hero Academia. We have seen each of these characters before and asking the question of what makes a hero is pretty much story-telling from cave-man days. So it isn’t the novel content that is keeping me fixated. It is all about the delivery.


This world and these characters are bright and larger than life. Their actions, their ideals, their emotions, everything is heightened unapologetically and then dropped into a world is becoming more and more real with every point we learn about it. While we don’t have Quirks in the real world (or at least not that I’ve noticed), there is something extremely relatable about this social media, popularity focused society that has taken a noble calling (being a hero) and made it a vocation. One that is highly sought due to monetary rewards and social recognition. All of this makes for a very grand and highly energetic narrative even when not a lot is actually happening with the main characters. I’m pretty sure these students could make catching a bus entertaining at this point.


Part of this is because of the sheer number of characters and their diverse personalities. While some of the less important classmates are still pretty one-note, a lot of these characters have had their moment in the spot light and have started to become far more interesting as the series has progressed. My Hero Academia is very big on giving characters clear motivations for their behaviours and attitudes and ensuring the audience understands these. That way, when a character begins to change or grow, or even just acts out of character, it is immediately apparent and the impact is even greater because we’ve understood why that trait was significant in the first place.


It also helps that the characters are just fun to spend time with. Even Bakugo, the overly angry and shouty one, is always great fun on the screen. If he could learn to focus some of that rage he could be a truly awesome asset in the future, though at the moment he’s more of comic relief and occasional bringer of tension to an otherwise fairly happy group of kids.


This season saw Todoroki and Uraraka both gain ground as characters. Each had a number of moments to shine throughout the series and learned from their own actions and the actions of others to progress toward their goals. Seeing the these two characters finding their way and seeing how that changed their relationships with other characters in the story, felt very rewarding. Both kind of gained ground in terms of being my favourite characters from this show by mid-season.


However, the real spot-light this season needs to go on All Might and Midoriya’s relationship. If growth along a journey was the theme for the season, Midoriya truly personified this as he fought hard to gain control of his ability and also really considered why he wanted to become a hero. Early in the season he loses a fight in the tournament to Todoroki, not necessarily because he couldn’t win (although arguably at the time he couldn’t) but because he needed to help Todoroki. Midoriya chose a tournament loss to ensure a greater victory, helping a friend. And that more or less defined who he was. But, there are greater dangers coming and All Might is trying to prepare Midoriya for those. We see the greatest change in Midoriya, spurred on by Bakugo, when he actually strikes All Might during the exam. Season 1 Midoriya couldn’t have even tried to strike All Might. This transition from idolising All Might, to working to surpass him as a symbol of justice, is just another step on the road for Midoriya though for the audience, there’s the added tension of kind of suspecting All Might’s time is more limited than Midoriya knows. All Might is definitely holding back from telling Midoriya everything so that is one puzzle piece we’ll all be waiting for in the next season.


Turning our attention to the villains, we see the Hero Killer rise up during this season and his impact on both the narrative and the characters is enormous. Even other villains are launched into renewed vigour because of the Hero Killer’s actions. For me, this part of the season was by far the strongest and most interesting. Mostly because the rest of the season focused on the growth of the future heroes but didn’t really give them a real world challenge to face. Though, the final episode this season leaves little doubt as to where the story is going.


To begin bringing things to a close, I wasn’t overly thrilled with the openings this season. They worked and they definitely grew on me after several episodes, but initially I was kind of underwhelmed by them. Also, some of the fights in both the tournament and the exam arcs just felt like they were there for the sake of completion rather than for adding anything into the story. But these are minor complaints when considering the season as a whole.


Season 2 gave me more of what I loved about season 1, and continued to grow both the world and characters in an  immensely satisfying manner. While I would have liked a little bit more from the narrative as we seem to be moving very slowly forward, this is a minor nit-pick to what is a fun series to get into.

I’d love to know your thoughts on My Hero Academia so be sure to leave me a comment below.

Thank-you for reading 100 Word Anime.
Join the discussion in the comments.
Karandi James

Knight’s & Magic Episode 12: Are We Sure Ernesti Isn’t a Villain?



I had a lot of time for thinking while watching this episode, mostly because other than super dramatic music and various bits of magic zipping across the screen not a lot was going on in the first half. The fights may look visually impressive for the first two or so passes, but as Ernesti circles the ‘Drake’ and we get the same animation of its lightning defense etc, it all just starts looking a bit samey and I kind of tuned out what was going on until Ernesti hit the ground. Points for the ‘villains’ for finally knocking him out of the sky.


What I started thinking about was Ernesti’s character and how he pretty much exhibits every characteristic you would expect of a B Grade villain. He chuckles gleefully when he destroys his enemy or creates a new machine designed to kill. He has no qualms about stealing his comrades machines if it is convenient to him. He has no loyalty to the actual rulers of his country and really would sell his loyalty to whoever would give him the access he wants to innovate with his robots, and don’t threaten the future of that robot design or he’ll take it very personally.


That made it much harder for me to actually care about the villains and their actions given I don’t know enough about them to care personally, and their actual fighting style has been practical and not as underhanded as Ernesti’s.

Anyway, there’s one more episode of this and it is another show I’ll be glad to see off my watch list. The narrator of this show is getting my vote for most annoying character of the season.

Thanks for reading.

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Karandi James.


My Hero Academia Episode 36: And So They Fought



If this wasn’t the second last episode of the season, you would swear it was a filler episode. We get the match ups of most of the characters we don’t really care about (Uraraka is the exception here but her match is over and done in almost an instant). While there’s certainly merit to seeing some of these classmates in a fight, and some of the teachers that previously had been been in the background, there’s no plot progression and the main characters are sidelined quite literally, taking the role of commentators rather than participants.


That isn’t to say the episode wasn’t fun or that there weren’t some cool moments to be found here. However, from a strictly plot point of view this episode gives us very little. Nother is really revealed about the characters that couldn’t have been surmised prior and none of this is leading to anything except Midoriya and Bakugou’s fight against All Might which of course doesn’t start until the final minute of the episode (almost as if the writers were worried we would suddenly stop watching without that bit of a cliff-hanger).


All and all, as part of the overall feeling of My Hero Academia, this episode works, but it is hardly one of the better showings we’ve had from this second season and I think most of the tournament episodes earlier in the season were stronger than this.

Thanks for reading.

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Karandi James.


My Hero Academia Episode 33: All Might’s Hesitation



This episode certainly continued with the idea of social media and looking at how Stain’s influence is spreading in the world of heroes, at least those ideas were running around in the background and permeating the set up for what is apparently to come. I’m glad I spent some time on this idea in my last Feature and I’ll hopefully revisit the idea later particularly if it remains a prominent theme here.


However, My Hero Academia doesn’t like to dwell or hold its narrative hostage to its themes and as a direct result while this idea is still sitting there and bubbling away just waiting to explode onto the centre stage again, our hero students are back in class and training. All Might is also ready to reveal more about the past to Midoriya but this is where things took an unexpected turn.


Not in the story itself. That was pretty stock standard villain and hero origin material to be honest, though like most of the generic points in this anime it managed to be very enthusiastic and dramatic in the delivery. No, the surprising part was that All Might blinked. That’s the best way to put it. He realised Midoriya still didn’t understand something fairly critical and yet hesitated and then chose not to explain it.


It will be interesting to see if that omission comes back to bite them in later episodes. So, you can probably gather that I am still very much enjoying this show and hopefully it can continue strongly.

Thanks for reading.

If you enjoyed this post and like the blog, consider becoming a patron to support further growth and future content.



Karandi James.


My Hero Academia Episodes 31 + 32: Ideas Really Are Bullet Proof


Review Episode 31:

I”m going to have to write a feature for later in the week on this one because there’s a lot coming through in this episode. It’s called “The Aftermath of Hero Killer Stain” and that’s exactly what it gives us. There’s no simple he went to jail the end scenario here. What he did, what he stood for, how he was captured, all of it has taken on a life of its own fuelled primarily through main stream and social media and now it’s almost become a movement in its own right and that is going to be pretty hard to stop.


The easier part of this episode deals with the three boys, Midoriya, Iida and Todoroki, as they recover from their fight and also get a lecture about actually following the rules and realise there are consequences. Some of these are direct in that they won’t be recognised for their efforts because they’d also have to be punished so they are just going to pretend Endeavor took down Stain (isn’t that culture exactly what Stain was fighting against). Some are less direct as their mentors are facing pay cuts and other penalties for not properly supervising them. Iida is also now facing the possibility of long term damage to his arm due to injuries sustained, though they had a very shōnen way of dealing with that trauma so he’s kind of taking it on as a reminder of what a hero should be (that issue also needs its own post but I’ll probably never get around to writing it).


But it isn’t all doom and gloom. We get an impossibly cute phone moment between Uraraka and Midoriya which will leave you smiling forever even as everything else in this story seems to be taking a turn for the darker. Gran Torino telling All Might he needs to come clean with Midoriya certainly got my attention. Unfortunately, it looks like next week is going to plunge us into some silliness and side stories as we see how the rest of the kids did on their internships. I hate to say it but I have zero interest right now and would really like the main plot to progress.

Review Episode 32:

I was kind of right about the zero interest. The story presented here was actually a really good story but because it had nothing to do with the actual plot I just couldn’t stay invested in it. First we bounced around and checked in on most of the other students of note and their internships. And can I point out, that the only female hero who has interns that we see is not doing anything vaguely heroic. It would have been nice for at least one actual female hero to be doing something heroic (though at least some of the female students are).


However the majority of this episode is spent with Tsuyu and her internship.


As I said, it is a pretty good stand alone story of a student learning the daily grind of a hero before getting a call to action. It has everything it needs, but what it really does is breaks the flow of the story that I actually want to see. I get the impression if I owned this series on DVD, this would be one of the perpetually skipped episodes that I’d come back to at the end to watch as a stand alone.


Looking forward to the next episode.

Thanks for reading.

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Karandi James.


My Hero Academia Episodes 29 + 30: The Boys Are Back Together


Review Episode 29:

I remember back when the tournament arc started the reason I was disappointed with that was because tournament arcs just can’t do high stakes for real. The worst that will happen is they’ll lose (although My Hero Academia managed to put its own spin on that with Midoriya doing some permanent damage to his hand). Well, the internship is definitely making up for that. I wanted real danger and stakes, here they are, and watching Iida, then Midoriya, and then Midoriya backed by Todoroki facing the real world Hero Killer is truly spectacular and everything I could ever want from this show.


Midoriya and Todoroki have both come so far to who they were back in the tournament arc, and Iida is having his moment now where he can choose whether he’s going to grow as a hero or really just fail as a hero. I’m hoping he steps up because this is a generation of kids who really could change their world once they got over their own baggage. Loved this episode and looking forward to the next.

Review Episode 30:


Once again, My Hero Academia has left me completely speechless and just sitting as the credits play staring at the screen in silence. This episode was go, go, go with the exception of one fairly necessary flashback sequence for Iida.


We finally got to see Endeavor actually act like a hero and it makes a pleasant change given our only previous encounters with him made me really question this world’s definition of hero. We also got to see the conclusion of the fight between the Hero Killer, Todoroki, Iida and Midoriya and that was a fantastic experience. Yet, even when the show delves into the darker side of this world, the watching experience remains one of fun and entertainment. This is a show that balances itself well and always remembers what it wants to give its audience. Fantastic episode, looking forward to what comes next.

Thanks for reading.

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Karandi James.


My Hero Academia Episodes 27 + 28: Time For a Power Up


Review Episode 27:

No surprise that most of this episode focusses on Midoriya’s meeting with Gran Torino and learning a little bit more about his power. The other kids get a look in as we see the start of their internships and they realise reality is quite different from their dreams. That said, I have to wonder why Gran Torino just had to be the cliché mentor character. Small, acts crazy, and gives obscure advice rather than actually clearly explaining a process. I get there is some joy in seeing Midoriya figure it out for himself, but surely that is time that could have been spent on something better.


Compared to some of the episodes that have come before it, this one is neither particularly good or bad, but it does progress the story and the new opening is kind of interesting (I’ll see if it grows on me after a few more episodes).

Review Episode 28:

Please tell me that they aren’t really going to kill Iida. It seems a little dark but crazier things have happened I guess.


Anyway, Midoriya continues training and he’s on a train to Tokyo when a villain and a hero crash into the side of the train leading to Gran Torino launching himself into the fight. Midoriya is still on the train though so I wonder if he’s going to jump into the fray or watch from the sidelines.


The other kids are mostly being tortured by their mentors, in the usual way that interns are tortured as their ideals are crushed and ground into dust by the reality of the day to day job.

Overall, this was a pretty intense episode by the end and while I’m not sure what the villains are up to with this attack as it just seems like unplanned chaos, the hero killer has been pretty entertaining and seeing Midoriya figure out his quirk a little bit more has been great. I love how they are leaving it fully open for him to continue evolving so we can’t really criticise later power ups as a plot cheat.

Thanks for reading.

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Karandi James.


Attack on Titan Season 2 Series Review


Attack on Titan Season 2 Overview:

Continuing on from season 1 after the fight with Annie, Attack on Titan Season 2 sees the scouts trying to investigate when reports of titans inside the walls come in. Then we spend a lot of time running around and screaming. It is attack on titan after all.

Attack on Titan Season 2 Review:

Attack on Titan Season 2 was very much like season one for me in that I really loved the first half and let myself get swept away with it, and then in the second half the nagging feeling that this show can’t remember that it is actually supposed to have a plot started kicking in.

The difference being that season one started with that incredible titan attack sequence that just blew me away and sucked me straight into the story whereas season two’s first episode, while it had its own charm, just isn’t going to stack up. The other major difference being with half as many episodes, things derailed a bit faster this time round then last time.

Attack on Titan Season 2

Before I get into the positives, of which there are many given despite my complaints I’m still watching this show and still actually hopeful season 3 will come out next year as announced, I am going to go through my major issues with this season.

The first is the pacing and the way plot points are introduced and dealt with. Attack on Titan does not have good pacing. It didn’t in season 1 and it hasn’t fixed the issue in season 2. The Beast Titan makes an appearance early on, we get one other appearance and then he vanishes until the tease right at the end of the series.

Delaying information is a fine tactic for building suspense when done right. Something like ACCA did it very well. But in this instance we don’t have any clues or ideas and there’s no reminders of this particular plot point. It just kind of appears and then goes and nobody even seems to mention it thereafter.

Much like the titans in the walls who seem important only no one seems to be in much of a rush to deal with that issue. Or what happened to Annie? Or the key from last season? And when did Eren actually become the hope for humanity? Stuff happens or is said but nothing is built on.


Another problem, the first half of this season deals almost entirely with the side cast as each seems to get an episode focus and then once they are reunited the focus shifts entirely onto Eren and Reiner. And while some of these episodes are very good (more on that when I get to the positives), there isn’t really a lot of cohesion between these stories and when we eventually slam all these characters together only a few actually survive all these plots being crammed together to have any further relevance.

It kind of feels like most of those episodes exist only so you stop calling Sasha ‘potato girl’ and can actually distinguish characters from the support cast if you have never read the manga.


Honestly, the show really only knows how to deal with one thing at a time. There’s never any subtlety in the presentation and as a direct result when we are investigating the titans in the wall, that’s all we’re doing. When we are learning about Ymir’s back story, that’s all we’re doing. While some shows might get away with that, Attack on Titan Season 2 has created the problem of far too many ideas, and if it is only dealing with one at a time that means it has shelved everything else and the audience is just left waiting.

I think Eren’s basement got mentioned once in this second season. Season 1 it seemed like a big deal but apparently it isn’t a big enough deal that we actually need to mention it or even seem to remember it. And I know the basement comes back in later seasons, but it seems like this is a goal characters should at least remember they were heading toward. More importantly, once the action starts, all of the ideas kind of get tossed and instead we just get to see this show be cool action.


Of course my final major issue is our supposed protagonist, Eren. He says it himself that he hasn’t changed at all and while he might have said that in the midst of understandable depression and desperation, it really rang far too true. He hasn’t changed. He’s the same angry little kid shouting at the world and just kind of demanding that it fix itself in a way that benefits him. While he has had some development over the two seasons, he’s still just plain unlikable.

The fact that the other scouts seems to realise he is the single most irritating person in the world doesn’t help. It isn’t exactly surprising that his return to the main group at mid-season marked the down-turn in my enjoyment of the show.

So now that it sounds like I hate the show, I’m going to turn this around and tell you why you should probably watch Attack on Titan Season 2 anyway (if you haven’t already).


For all its faults with story and character, Attack on Titan gets one thing right every single time. It gets into the audience’s head and it moves the audience.

Whether it is the visual spectacle and tragedy of Mike getting torn apart at the start of the season, the horrified expressions on the young scouts faces as they realise that the older scouts (the only ones with weapons) have finally lost and are being eaten alive by titans, Reiner’s casual but show stopping declaration that he was the armoured titan, of the final episode of this season where they mirrored the death of Eren’s mother right in front of him yet again, this show manages to make you sit up and take notice.

It might be shock, it might be sadness, it might be anger, but while watching you feel these emotions surging through you and these images and the sounds stick in your head after the episodes are done. Plus, the titan tossing moment in the final battle was kind of fantastic. This season is worth watching just for the touching Eren/Mikasa moment in the final episode. As much as I dislike both of those characters, that was one excellently handled emotional point.


Part of this is due to the artwork. The world, the titans, and the characters while not beautiful (not the right descriptor) are perfectly suited to the story they are telling. There’s an enormous focus on character reactions to the horror surrounding them and this is told largely through their eyes and they are impressively expressive.

The titans this season no longer had the surprise factor that season one gave them, but they still managed to make them suitably creepy and devastating. Even the smaller titans were made incredibly terrifying, particularly when Sasha was facing off with one without and gear. There’s a few moments where the animation might be off, but this show is still incredibly impressive from a visual point of view.


The music also remains on point. It took nearly half the season before the theme song grew on me but it certainly did and while I still don’t understand the point of some of the visuals in that opening, I actually began looking forward to it as it framed the episode nicely. However, it is the music and sound-effects throughout the episodes that will really just drag you in. They aren’t intrusive but rather add to an immersive viewing experience. The show also makes fairly affective use of silence in the final episode which was a pretty excellent choice.


So pretty much if you are going to sit a pick faults with the storyline, you will most definitely find them. If you want to pull characters apart and look at whether they seem like real people or have real motivations or any kind of normal reaction to situations, you will probably find it fairly easy to fault this season. If you think too hard about all the story threads that seem to get pulled into the spot light for a brief moment and then tossed aside, you will absolutely be disappointed.

However, if you strap in and just watch, you will probably get swept away by the grandeur of the moment and watch some pretty cool fights and some really tragic deaths.

My review of season 1 finished like this:

It’s beautiful, fast paced, and dramatic and when it is at its best it truly shines and those moments will carry you over the slower bits. If we actually get a continuation that matches the feel and quality of season 1 then this could be a very memorable anime. Otherwise I think it is one of those ones that had its moment in the sun but without finishing won’t have staying power.


My thoughts have changed a little as season 2 was far better during the first half when it did finally focus on some of the more interesting characters. However, it still suffers from a lack of ending and without knowing where all these conspiracies and plot threads are going there’s little other than a wait and see mind set when thinking about how I feel overall about this show.

That said, I’d love to know your thoughts on season 2 if you’ve finished watching it. I know some of the bloggers out there loved this season a lot more than I did but some have been more critical please feel free to share your stance now that it has concluded.

Thank-you for reading 100 Word Anime.
Join the discussion in the comments.
Karandi James

My Hero Academia Season 2 Episode 25



What was that? Oh, that was my heart skipping a beat and me forgetting that I can actually breathe. We’re all good. Given this episode gave us a recap, reminding us how angry Bakugo is as a character all the time and a prep room confrontation between the two characters before we got to the fight and it was still all over before the 12 minutes mark, it has no business hitting me that hard. By the way, the next part contains major spoilers for the fight so go watch it first.

Are we sure that Bakugo isn’t secretly evil?

This fight was short but really, really intense. I think all the big shonen titles of the last twenty years could take a lesson from this. Stretching a fight over three, four, five episodes (half a season) does not make it more powerful. Getting the audience invested in the participants, having some emotional drive, and hitting hard and fast, that is going to knock the audience back in their chairs and have them wondering how many times they can watch it before the internet crashes.


Bakugo is angry for most of this fight. Like, furious. Almost manic would probably be the best descriptor. He isn’t angry at Todoroki. I’m somehow doubting Bakugo has actually seen Todoroki as a person yet given I don’t think he’s used his name once. No, Bakugo is angry at himself and the situation. Once again, Midoriya has beaten him at his own self-imposed standard and that is killing him just a little bit inside. And outside. He isn’t given to keeping his feelings to himself.


Todoroki on the other hand is emotionally torn in two. He wants to win and he knows he needs to use his left side. He is hearing Midoriya’s words from their fight and logically he understands their meaning and knows the truth of it. He actually does start bringing out his flames after Midoriya calls out from the stands, and then… Well then reality kicks in. A lifetime of trauma doesn’t just vanish because of one fight and a pep talk.


Before Bakugo’s attack even reaches him, Todoroki has conceded defeat and his flames have gone out. It means Bakugo has convincingly won the tournament but it means his actual victory, showing that he is better than Midoriya, has been snatched from his grasp.

I was kind of glad when they knocked him out before declaring him the winner. He actually looks really peaceful when he’s unconscious.


So, if all that happens in 12 minutes what happens for the rest of the episode?

We have an award ceremony where All Might shows once again he is a giant dork yet everyone loves him. Except maybe Bakugo. That kid does not know when to just let something go and I kind of love him for it. He might be a socially inept, explosively angry, bully at times but his genuine drive to always be the best is kind of admirable. A lot of characters say they want to be the best but they almost always succumb to being ‘nice’ or helping others. Bakugo isn’t hindered by the usual constraints put on protagonists because he isn’t the protagonist. This allows us to see the true personality of someone who strives to be better than other at any cost. Even if he wants to be a better hero which is kind of arguably a good thing.


We also spend some time with Iida and his family in the hospital before we head back to the classroom and the students are told they have a couple of days off class. It’s the final scenes here where we see the reflection and regrouping process these characters go through that takes this episode from being cool action to actually being another excellent building block in this story.

While we see numerous characters I’m only focussing on these two. Todoroki visits his mother. He realises he has to overcome his block on his own and he’s finally ready to take that first step. Midoriya on the other hand has taken Rescue Girl’s words to heart and has finally realised his reckless actions cause others to worry. He is also finally ready to go to the next level and wants to take that first step.

With that, the whole class is fired up and ready to get stronger and with the villains briefly being shown plus the condition Iida’s brother is in, it is clear it won’t take long before the students are going to be thrown back in the deep end.

Seriously brilliant episode of a show that has really delivered this arc well.

My Hero Academia is available on Crunchyroll.

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Karandi James.