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That Time I Got Reincarnated as a Slime Series Review

Posted on March 14, 2022March 5, 2022 by Karandi

That Time I Got Reincarnated as a Slime Episode 9 Rimuru in the cave

Ready for the slime of your life?

Here we are with another isekai anime and this one just comes out in the title and says its about That Time I Got Reincarnated as a Slime (you know, because that happens a lot).

Another normal, ordinary, totally average guy who is killed by a totally normal knife wielding running man before being reincarnated as an over-powered blue slime in a world resembling a standard generic fantasy setting where he will begin building an empire and have plenty of adoring subjects because he is awesome.

So, if you don’t like isekai or over-powered protagonists it is probably time to duck out of this one. Because, this anime is utterly unashamed of what it is and while we have the gimmick of the protagonist being a slime, there isn’t a lot that really distinguishes it in terms of plot or setting.

That Time I Got Reicarnated as a Slime knows what it is and doesn’t really try to go beyond that.

Where That Time I Got Reincarnated as a Slime does manage to distinguish itself from similar isekai adventures is that the protagonist seems utterly without a goal for the majority of the story. Sorry, I’ll correct that. He has goals but mostly they revolve around making his life easier, and usually making life easier for those who follow him.

There’s no grand plan of fighting some powerful evil, trying to return home, or really anything else. Just short term goals that get accomplished in bite sized arcs as this essentially slice of life, empire building story kind of rolls itself out.

That Time I Got Reincarnated as a Slime Episode 11 Rimuru

As such there is never any real sense of urgency or that there are any real stakes in anything that happens. I kind of found this very off putting and frequently found it hard to invest a great deal emotionally in this show.

While I never overly disliked it, I think if Slime had suddenly had production issues and been delayed a month, I may not have even noticed. It just kind of existed and while I was watching it I usually had a casual good time with an occasional smile, the occasional enjoyment of a particularly good dialogue exchange, and very rarely an interesting fight, but mostly it just kind of passed by.

For people who prefer their stories low-key and don’t mind watching characters just kind of drift and do what they do (so people who don’t really mind slice of life in general), Slime probably offers a rare fantasy opportunity that isn’t all about slaying a demon lord or achieving some grand goal. In a sense it reminds me, vaguely, of something like Restaurant to Another Universe in that you have what appears to be a standard fantasy setting without any of the epic plot trappings that usually accompany it.

That Time I Got Reincarnated as a Slime Episode 16

In a sense, if Slime had chosen to simply occupy the space of a slice of life in a fantasy setting, I probably wouldn’t have watched it at all because I already know such a premise doesn’t really interest me. However, Slime does at times have hints of a larger narrative and certain arcs seemed to push that forward.

In those moments I found a genuine enjoyment rather than a casual like of the show. Shizue’s arc in the first cour was the true highlight, hitting some fairly decent emotional notes, filling in our knowledge of the world, and progressing the idea of a villain Rimuru may have to face at some point. All and all, it was pretty solid. There are other arcs, or bits of information within some of the other arcs that also build on an overall narrative idea, but they are scattered and hardly a focal point.

That Time I Got Reincarnated as a Slime Episode 6

With that it entirely comes down to your viewing preferences and whether you need a driving narrative as to whether this anime will grab your interest.

However, if the basic premise and set up is what you are looking for, That Time I Got Reincarnated as a Slime offers a fairly beautifully presented quality viewing experience. In almost all episodes the visual and animation quality is maintained with none of the mid-season or late season mistakes, glitches, and just rushed efforts that other anime sometimes face.

Rimuru is as charmingly depicted in episode 23 as episode 1 (though early in the series there’s a weird CG visual used occasionally for Rimuru that just seems out of place with the rest of the visuals of the series – quite possibly deliberate but I felt it was weird).

That Time I Got Reincarnated as a Slime Episode 1

One thing I did find bizarre was that the anime would introduce monster characters who would have quite strikingly non-human appearances and then after Rimuru gave them a name they would ‘evolve’ and have a more human appearance. I mentioned this in one of my episode reviews, but it felt like an utter waste to take such distinct looking characters and morph them into generic fantasy boy/girl with vague monster appendages.

It felt like a loss for what could have made this anime visually far more memorable than it ends up being, even if it is a pretty anime that is easy on the eyes.

From a sound point of view everything works. Character voices serve their purpose and Rimuru’s voice acting is perhaps the character’s most charming point. He’s easy to listen to, fairly emotive, and the contrast between his inner and outer tone at times is spot on and nails the humour of a situation. Other characters are either good enough or quite interesting, and the background music and sounds do their job but don’t stand out as overly memorable.

Overall though it is the characters that I find to be the weakest element of this anime. Not because they are not good characters. Individually, each character is perfectly fine and they even play well off one another. The problem is that other than Rimuru, no character really sticks around long enough to have much impact. Even characters who stay in the story, after their introduction and brief moment in the spot-light, get shunted to the background where they occasionally fill screen space or make a comment, but kind of cease to develop as actual characters.

That Time I Got Reincarnated as a Slime Episode 10 Lizardmen

For me, in the absence of a driving plot, I really needed more from the characters and their personal journeys. I needed something to make me want to invest emotionally in this anime, and tragically the characters just couldn’t fill the void.

Admittedly, the characters are largely quirky and cute but when the vast majority of names are forgotten before the series has even been a week completed, and you genuinely don’t know what even half of them are trying to do or accomplish and you generally have no sense that any of the characters are motivated to do anything beyond serve Rimuru, it really makes it hard to care about what happens to any of them and Rimuru is so over-powered (and if he wasn’t, Milim sure is), that it is hard to visualise harm coming to any of them.

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Again, it comes down to whether or not you care about any kind of tension or emotional stakes in your story or whether you just want to chill. That Time I Got Reincarnated as a Slime would be a very good anime to just chill to.

That Time I Got Reincarnated as a Slime Episode 19 Gobta

Before I wrap up, I do want to discuss the episode count. At 25 episodes, this anime took six months to air. That’s a long time investment for episodic watching and I will admit, I was weary of it by the end. It didn’t help that the final arc, despite tying in fairly beautifully with Shizue’s arc from the first half of the season, was undeniably one of the weaker stories delivered.

However, what makes it worse is the anime actually finishes at episode 23 and then we have two extra episodes. Episode 24 actually is better than anything the second half of Slime gave us and just made me wonder why we hadn’t seen more like that. That probably isn’t what you want your bonus material to do. 24.5 is just padding. Poorly executed recap. A poor excuse of filler to pad out a 25 episode count that was unneeded.

Getting onto recommendations, it isn’t as though this was a bad anime. There are huge numbers of fans, massive amounts of merchandise available, and realistically there’s nothing inherently broken about the story. While it doesn’t suit my viewing preferences, it functionally works and at times even I found it very entertaining and at its worst I just found it kind of empty but watchable. So for some this will be highly entertaining.

That Time I Got Reincarnated as a Slime Episode 18 fanservice

My honest opinion with this one is that there are better isekai anime out there with better journeys and characters. Then again, I prefer something that has clear direction and characters that grow and learn so perhaps Slime and I were never meant to be. Still, I wouldn’t actually tell you to avoid this one. It can be good fun and is nicely made. Give it a try, by the end of episode 3 you should have a rough idea of whether this works for you, and maybe you’ll find a show to fall in love with.

However, I’d love to know your thoughts on That Time I Got Reincarnated as a Slime (the anime) so please share in the comments below. And you can check out my thoughts on season 2 here.

Images from: That Time I Got Reincarnated as a Slime. Dir. Y Kikuchi. 8Bit. 2018.

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Karandi James

My Roommate is a Cat Series Review – It has a Cat in It, Enough Said

Posted on March 11, 2022March 5, 2022 by Karandi

My Roommate is a Cat Episode 2 Cute Moment

When My Roommate is a Cat, or Doukyonin wa Hiza, Tokidoki, Atama no Ue (what a mouthful) premiered, reactions were clearly split. The first episode by its very nature turned part of the audience away which is kind of a shame given this story ends up being one with a lot of heart and a dramatic climax that feels earned.

My Roommate is a Cat Episode 5 Haru and Subaru

My trepidation going into My Roommate is a Cat was the slice of life label on it. I’m not the biggest fan. Couple that with the bright yet bland promotional image of all the happy smiling characters and the jumping cat and basically I thought I was going in to something that was going to bore me to tears before I’d just stop watching and walk away.

However, the thing that was annoying a lot of first episode viewers was actually the thing that caught my attention and dragged me into the story.

And that was Subaru.

My Roommate is a Cat is more than just a cute cat, it is also Subaru.

As a central character I kind of understand why a lot of viewers didn’t like him and even why a few outright hated him. Another anime character with dead parents. Starting with a funeral sequence to garner sympathy for a character we don’t know or have any reason to care for. And then there was his general attitude. He was rude to his editor and really to everyone in the first episode. So yes, I get why a lot of viewers didn’t like him.

My Roommate is a Cat Episode 1 Subaru — Blunt – but given the circumstances potentially justified.

I didn’t like him either. But I understood him and felt a bit of a connection. Subaru is socially awkward and anxious. He doesn’t like interacting with others and when forced out of his comfort zone his defences are up. That comes across as rudeness but is really a self-defence.

I actually blamed the editor in the first episode more than Subaru. When he should know his writer well enough to know that meeting him in a public place was just going to set him on edge. For me the sequence established Subaru’s character beautifully and the underlying issue he was going to need to face and so while I agree that Subaru wasn’t a nice character, I was intrigued from episode one.

Then there was the cat.

My Roommate is a Cat Episode 2 Cat on Keyboard — My cat would love to do this but knows the keyboard is an absolute no-go zone.

While Subaru may have been the repellent for a lot of potential viewers, the as yet unnamed stray cat was the lure. Adorable and standing in for every cat everywhere in mannerisms, the eventually named Haru stole the show.

Interestingly enough, when Haru was rude or cagey or defensive people found it adorable and yet Haru and Subaru are literally two of a kind. That’s why the two form such a strong bond as they both grow over the course of the series.

However, most slice of life anime know these days that you do in fact need some kind of gimmick to keep people watching and clearly My Roommate is a Cat isn’t relying on the cute girl factor, although Nana is kind of cute. No, the gimmick in My Roommate is a Cat is that each episode tells the events twice. Once from the human point of view and then from the view of the cat. Mostly the cat view is a brief few minutes at the end of the episode but some episodes give more time to Haru’s perspective particularly toward the end of the season.

Yes, Haru isn’t just a plot device to inspire Subaru’s character growth. Haru is a fully fledged character in her own right going through her own healing character arc alongside Subaru. While I’ll admit that some of the cat sections added little in some episodes, they were always cute, and at times they did offer some interesting insight and certainly allowed Haru the growth she deserved within the story.

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There’s little more to say about the plot given each episode is just another day for the man and the cat who are now sharing a house. Various events occur, the characters react, learn something and we move on. It is slice of life and it does that well providing some very calm and occasionally amusing viewing.

What sets this one apart from so many slice of life anime though is that it did offer a climax that I felt was emotionally rewarding. I’m not going into detail here, but it brings the story of Subaru and dealing with the loss of his parents as well as moving forward to a satisfying conclusion and really consolidates the relationship that has grown between Subaru and Haru throughout the series. I couldn’t have asked for more from the final couple of episodes and just loved it.

Visually it works well enough. I’m not really into the colour scheme being used and it is all just a little bit bland really, but given the subject matter and tone the visuals work well enough for that. The animation for Haru is perfect and I’m sure if you are a cat lover you will see your own cat in her at various points, but there’s a lot of sitting and talking in this anime and a lot of very still sequences with little movement so while the animation works it isn’t exactly awe inspiring.

My Roommate is a Cat Episode 8 Subaru and Haru

However, I do have to mention the OP. Unknown World is an incredibly infectious song and I found myself happily bobbing along to it most weeks and occasionally even replaying it just because it made me smile. I also really enjoyed the imagery used during the opening as it fit the tone of the show perfectly even if it wasn’t the most exciting ever. I definitely recommend giving the OP a listen to even if you have no interest in My Roommate is a Cat.

Still, for cat lovers this is a must watch. For people who enjoy slice of life anime, this one works well enough. If you are looking for a character who is slowly opening himself up to new experiences and working through issues of social awkwardness and anxiety, there’s plenty to enjoy here. While My Roommate is a Cat is a far from perfect anime, it was a delightful intrusion into the season and ended up being one I looked forward to each week.

Images from: My Roommate is a Cat. Dir. K Suzuki. Zero-G. 2019.

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Karandi James

DanMachi Series Review

Posted on March 11, 2022March 11, 2022 by Karandi

is it wrong to try to pick up girls in a dungeon season 2 release date spoilers for danmachi e1436273064961

DanMachi Overview:

DanMachi is one of those rare fantasy anime that actually isn’t an isekai (though at times it feels like it should be).

In a fantasy world, Bell Cranel wants to be an adventurer and wants to meet the love of his life in a dungeon. With the divine blessing of his Goddess, Hestia, Bell is going to work hard to become strong, and let’s be honest, this is one of my favourite series ever.

DanMachi Review:

Alright, I avoided this anime when it first came out. The name “Is It Wrong To Try To Pick Up Girls in a Dungeon?” was kind of an instant turn-off and I just had this image of the most generic harem comedy in existence and wasn’t going to go near it.

No idea why I ended up watching the first episode of it, but I do know that I then watched the entire show in the space of an afternoon. For all that it isn’t a perfect series, it is a delightful bit of fun and highly addictive viewing.

Is it generic fantasy? Definitely. You have dungeons and elves and minotaurs and you’ve got a whole pile of RPG elements thrown in with levelling up and stat scores and the like. It isn’t trying to break new ground in its world building but neither is it playing these things as a joke. While the feel of the show is light-hearted they’ve taken world-building seriously and the world you are presented with is a very functional setting for a story.

Do we have a harem? Not quite but pretty close. Bell does have a lot of admirers by the end but to actually describe this as a harem comedy would not do justice to either this or to harems because while there are certainly elements of harem here, that isn’t the main focus despite the title. There is one girl that Bell likes and he uses that like as a motivation to drive himself to get stronger.

While other characters flock around him and the usual comedy elements get thrown in, the story focuses very much on Bell developing as a character.

is-it-wrong-to-try-to-pick-up-girls-in-a-dungeon-noob-pulled-aggro — _{This is character development. Bell will definitely learn from this.}

So what works about this show? The comedy is a little bit childish and over the top at times, but it generally works and is amusing. Hestia in particular can usually make me smile. But then again, the idea of a Goddess taking on part time jobs to buy her hero equipment (or even dinner in the early stages) is pretty amusing in and of itself.

Pretty much if you don’t crack a smile during the first episode then this show isn’t going to work for you because from a tone point of view it isn’t really going anywhere and they are only going to get more excessive in their efforts to make you laugh.

Bell Cranel works as a character. Okay, he’s a bit bland as a character (generic self-insert cliché) but the story allows for him to grow and actually begin to make decisions and choices and to start to find out who he is. And unlike so many other characters he doesn’t discover he is actually an ego-maniac. He discovers that he genuinely wants to have an adventure and to protect his friends and he derives great joy from his small (and not so small) successes.

The interactions between the gods and the gods and their families work really well. I feel a little hypocritical on this point because they do a great job of massacring mythology in this and I’ve certainly criticised other shows for this previously, however I didn’t feel annoyed by the way they presented the gods in this show.

They also didn’t try to shove their version of mythology down your throat. It was more they had god like characters who happen to have the names of gods you may or may not be familiar with and as a result you may or may not like the way they are represented. That said, the interactions are great.

Bell’s party that slowly forms is fantastic. Originally hiring a supporter (who comes with a lot of baggage) before recruiting a smith (who also comes with a lot of baggage), these additional characters really help to off-set Bell’s general blandness and inject new energy into the second half of the series.

Welf Crozzo (the smith) is one of my favourite characters and my only complaint would be his limited screen time given how late in the series he is introduced.

Then we have the dungeon exploration itself which is just pure fun. Whether the characters are picking off small fry or facing up against a floor boss, the combat is visually entertaining and hits just the right balance between being dramatic and being over the top. Bell’s battle against the minotaur is one I will continue to love forever.

It perfectly brought together the previous plot points (Bell being embarrassed when he was cornered by a minotaur and being unable to fight against it as well as his desire to protect), it allowed for some critical character development and a bit of a power-up in the process before we moved into the final arc, and it was an awesome fight to watch. I loved every minute of that fight.

The biggest flaw might be that the final fight sequence isn’t quite as exciting as it needs to be. Bigger enemy doesn’t necessarily make for a better fight and it actually felt like all the clever moves and strategies that we’d see previous got tossed out the window as the characters threw themselves at the giant blob of a villain (little bit sarcastic but you get the idea).

Admittedly, it ends the way it needs to for Bell as a character, but as a viewer you gain little satisfaction. The Minotaur fight was a personal triumph for a character we’d grown to like and then this final fight was with a boss from nowhere and while it has its place it didn’t feel as rewarding. Worse though, it all just feels like a resting point for a continuation that has yet to come, though I guess we’ll see if it ever does (rumours say yes, but they’ve been wrong before – meanwhile I’ve well and truly read beyond this point in the light novels now and please give us another season).

Okay, I have to mention my other criticism which is the basic dress of every female character (even the armoured ones). Starting from Hestia on, they are not dressed for any practical purpose and while some of the male costumes aren’t any better there is at least a wider variety of clothes for males.

Is this show going to blow your mind and change the way you think? Probably not. What it should do is provide you with a few smiles, some exhilarating fight sequences, and a whole cast of cute and zany characters to chill out with for an afternoon. If that sounds appealing, pull up a chair and give it a watch.

Thank-you for reading 100 Word Anime.
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Karandi James

Maoyu Maou Yuusha Series Review: Understanding the Economics of War

Posted on March 3, 2022March 3, 2022 by Karandi

Maoyu Maou Yuusha Overview:

In Maoyu Maou Yuusha, fifteen years have passed since the war between humans and demons began. The hero seeks to end the conflict by killing the demon king but discovers its a hot girl who actually wants to make peace and help both demons and humans thrive economically. It is an interesting set up as the two form an alliance to stop the war and change the world, hindered by those who are quite content with the status quo.

Maoyu Maou Yuusha Review:

Maoyu is a strange little anime that kind of came out, got a little bit of attention and then disappeared from sight. I’d like to pull it back out from under the bed, dust it off, and remind people that this gem exists. Certainly it isn’t going to make any of the big anime titles tremble in fear because the audience for this is going to remain fairly small, but I have a deep respect for an anime that sets out to achieve a goal and succeeds admirably even if the story here is decidedly unfinished and there’s a number of obvious fan-service choices cluttering up some of the screen time.

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It is actually easier to describe Maoyu by talking about what it isn’t. It isn’t a good vs evil fantasy fight between a demon king and a hero. It isn’t really focused on action at all despite the war setting. It also isn’t an actual introduction to Economics though I’ve seen it described as such. Certainly war and good and evil and Economics all come into play in this story, but while you might gain an appreciation for why war and Economics are intrinsically linked, you aren’t going to walk out the other side of this anime able to have a conversation on Economic theory.

Maoyu, for me, felt like a critique of war stories and how these stories all end with the heroes overthrowing the villains and then declaring peace and happiness when the end result of most wars is anything but even for the victor. It also felt like a critique of the real world and the way we continue to ignore real issues due to convenience and comfort. With these two ideas forming the base of the narrative, the story that unfolds is fairly average but the message it constructs is on point.

So what is a demon king (or queen) to do when the hero has come to kill them? Lay down their life? Fight to the death? Recruit the hero into a campaign of economic reform so that neither side needs the war to continue to ensure prosperity? Let’s take option three for a change and see what happens.

None of the characters in Maoyu are given a name. Each are referred to by their job or role. This makes it much easier to generalise the ideas of this story beyond the narrative itself and see these characters as placeholders for people/nations/ideas that we are familiar with in other narratives and in real life. It is a bit awkward at times and discussing the anime by talking about the ‘female knight’ or the ‘senior maid’ might seem a bit odd to someone who hasn’t watched it, but it actually works quite well within the context of the story.

However, it isn’t all smooth sailing. Of course they want to paint a romance into the story that sometimes just feels very contrived and convenient. There are also far too many complications introduced. While on the one hand this makes the setting more true to life with multiple factions both supporting and rejecting reforms, on the other it makes it impossible to bring to any kind of satisfactory resolution to the overall narrative within the anime.

Basically, it bites off more than it can chew in its run time and ends up leaving the audience hanging, which would normally be an automatic shelve the disc and never watch again point for me, but somehow this anime managed to make me not care so much about where it was going and more about the journey to get there. Still, a season two would probably help and it is also probably never going to happen.

The other point I will make is there is a lot of times where the characters will sit or stand and discuss farming or trade or politics. And I mean, a lot of times. So if characters sitting and discussing things isn’t what you are looking for, then this anime will end up being a firm pass. However, if you don’t mind that as long as you are interested in the topic being discussed, this won’t be an issue.

I really enjoyed this series for what it was and it just felt a little bit different. While I know it has a lot of similarities to Spice and Wolf, I found this one a little more engaging and liked the characters a bit more (sorry fans of Spice and Wolf). I’d have loved for this anime to get a second season but that seems very unlikely so I’ll just have to rewatch the DVD again and enjoy this odd little story.

I’d love to know your thoughts on Maoyu if you’ve seen it. If you haven’t, do you think you would watch an anime like this or does it sound like something you will firmly pass on?

Thank-you for reading 100 Word Anime.
Join the discussion in the comments.
Karandi James

Monthly Girls Nozaki-Kun Series Review: He’s Just Never Going To Get It

Posted on March 2, 2022February 25, 2022 by Karandi

Monthly Girls Nozaki-Kun Overview:

In Monthly Girls Nozaki-Kun, Sakura Chiyo has a crush on Nozaki but when she tries to confess she mistakenly tells him she is his fan. To her surprise he gives her an autograph. It isn’t until later she realises that Nozaki is actually a famous shoujo manga artist and she’s just been recruited as an assistant.

Surrounded by a cast of zany characters this show follows Sakura’s quest to get Nozaki’s attention and Nozaki’s ongoing search for manga inspiration.

Monthly Girls Nozaki-Kun Review:

Previously, Nozaki landed himself a place on the list of boring title characters. The guy is seriously dull as an individual having almost no variation in his expression or tone at any point and essentially just being the rock around which all the other characters interact in this anime.

However, just because I find the title character a little bit lacking doesn’t mean this isn’t a fun anime. The support cast for Monthly Girls Nozaki-kun are phenomenal and even Nozaki and Sakura’s interactions stay pretty fun even if they are repetitive with her making puppy dog eyes at him and Nozaki completely missing the point.

However, the show seems to acknowledge that its set up isn’t very original and often links the events in the character’s lives to the events Nozaki is using as inspiration in his manga. The reversal of gender roles from characters in reality to the manga works well as a point of humour with the Mikoshiba (Mikorin) being the unknowing model for the heroine of the manga he assists Nozaki to produce.

Monthly Girls Nozaki-Kun also seems to understand that a little goes a long way.

As a main character, Mikoshiba would annoy me. However, in the support role and with Sakura and Nozaki’s fairly deadpan reactions to his silliness, he works quite well at injecting some needed colour and energy into the series and doesn’t overstay his welcome.

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The same is true of the rest of the cast who slowly get introduced as the story goes on. When on the search for a Prince type character, Mikoshiba introduces Sakura and Nozaki to Kashima, star of the drama department and super annoying human being to the director even as it is clear he has quite the crush on her. Their antics deliver physical humour and liven up the screen with short bursts of action.

When looking for a side story, Sakura introduces Nozaki to Seo, a classmate where the gap between her angelic voice and her personality couldn’t be wider. Through a series of events that could only happen in a manga or an anime, Seo ends up on a date with Wakamatsu, a stressed out guy who can only sleep when listening to a tape of Seo’s voice even though Seo is actually the cause of his stress.

For a comedy anime that really is just a series of set ups and punch lines and repetition of its core jokes over and over, Monthly Girls Nozaki-Kun manages to keep things fresh enough through the slow introduction of new cast members and comedic elements, and through its overall set up of Nozaki being a manga artist which allows for discussions about the nature of some of the set ups which gives them slightly more impact.

While this one isn’t going to win my heart over for best anime ever or anything like that, it is a pleasant watch and while it might be a bit silly it never crosses a line into just ridiculous. The support cast each have their charming and annoying points but because of the range of characters the focus never lingers to long on any one of them and overall it is quite an enjoyable viewing experience.

I’d love to know your thoughts on it is you’ve given it a watch.

Thank-you for reading 100 Word Anime.
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Karandi James

Psycho Pass Series Review: No System Is Perfect But This Anime Is Pretty Fantastic

Posted on February 28, 2022February 25, 2022 by Karandi

Psycho Pass Overview:

With the introduction of the Sibyl System Japan finds itself at peace as those who would put the system at risk or might be a danger to others are identified by examining their mental state and passing judgement. Akane has newly been appointed as an inspector and now has the job of supervising enforcers as they hunt down latent criminals, however she soon learns that things are not as perfect as they might seem.

Psycho Pass Review:

I have to give Psycho Pass credit for taking an idea that has been used in so many dystopian stories before and yet it managed to make it feel nearly fresh. From the first episode this country controlled by the Sibyl System feels like a plausible future even as it reaches to shock its audience and to make us start to question notions of justice. That doesn’t mean that the show is flawless by any means as there are definitely some moments where I might have wished for the narrative to have had a bit more polish, but the overall experience of watching Psycho Pass is one that is greatly entertaining.

For me the introduction Akane gets to the job, while thrilling, seems very unlikely in such a world. To plunge someone into the field (short staffed or not) without sufficient training or supervision seems like a reckless way to destroy someone’s psycho pass if something had gone more wrong than it did. Also, Akane’s knowledge of how things worked seemed too lacking at times for her to have received any training even if it was convenient for the audience to have things explained from the beginning.

However, Akane is an excellent character and despite her use as a stand in for the audience early on in the series, she gains her footing and by the end of the series you will be very much right behind her. And she isn’t alone as Kougami is also a fantastic character in his role and Makishima makes for a truly excellent villain. The only problem is deciding which of these decidedly fascinating characters is actually the most riveting to watch when those two are both on screen.

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Some of the cases the characters end up on are not quite as thrilling as others, though ultimately all of them feed into the main narrative. The issue then is that the final reveal, while it works well enough, borders a little bit on the too fantastical to really feel as satisfying as I might have wanted. Certainly, it does work and it doesn’t contradict any of the internal logic of the story, but there’s definitely a moment of incredulity when you finally get there before you can take it in.

Kagari is the support character I ended up growing most attached to throughout the show’s run time and his role is quite interesting. Flagged by the system at a very young age he’s been detained most of his life, choosing the dangerous role of an enforcer to gain some semblance of freedom. While most of the time he doesn’t let his bitterness at this fate come through, there are one or two moments where Akane’s naivety breaks through his carefully constructed cheery persona and the resentment of one caged by an inherently flawed system comes through loud and clear.

Actually, Irina wrote a fantastic piece in honour of Kagari over on her blog so if you’ve seen Psycho Pass or are not worried about plot spoilers, definitely go check it out because he’s an awesome character.

Akane’s senior as an inspector, Ginoza presents another view of the system again. As someone with a parent that was flagged as a latent criminal, he lives with the pressure of not succumbing to the same fate while inner fears continue to eat away at him. And that fear wasn’t helped by his former partner also being flagged as a latent criminal. This makes his external personality quite cold at times even his responses to Akane’s youthful view is fairly understandable.

However Ginoza presents an interesting perspective on the system as someone who fights to maintain a system even while fearing the results of being on the other side of it. While he doesn’t take the path that many citizens have of medicating to a near comatose state in order to maintain his psycho pass, he acts as a bridge for the audience of someone walking a very fine line between ‘healthy’ and ‘criminal’ in this society.

This is a line that Kougami crossed. After the death of someone who was his responsibility he recklessly pursued revenge even though it damaged his psycho pass and ultimately he ended up an enforcer. However, unlike other characters, Kougami has gained a degree of freedom in being allowed to think of his revenge and to pursue it because he’s already a criminal in the eyes of the system. He also doesn’t bother with social graces and simply acts.

That said, he isn’t a simple character. Well educated and with a sharp mind, he pursues his goals with purpose and no longer has any real desire to answer to the system for his actions. While ultimately this will put him at odds with the Sibyl System, for Kougami revenge is more important as a goal and yet the enemy remains out of his reach.

Which actually leads us to the best part of Psycho Pass, and that is that it brings us a villain who is worth caring about. As the Sibyl System cannot judge him he feels excluded from society and as a result he acts out. But for the most part he does this via proxy. He sets up others who are discontent and gives them the means to act before sitting back and watching the show. Cold, manipulative, highly intelligent, and yet completely unbound by any kind of societal morals as the system has left him outside of it, he is a fascinating villain to watch in action.

Now, I should probably put a violence warning on this one. Given the first episode has a rape before they kind of blow up the perpetrator, it kind of sets the tone for the remainder of the series. I’m going to suggest that a story about law enforcement with the ability to use lethal force to neutralise targets in pursuit of a serial killer was probably never going to be overly peaceful, but there are some quite graphic moments that have a fair amount of emotional impact because of the believability of the society constructed.

However, if you are in the mood for a dystopian story with some action and gore and reasonably solid themes, Psycho Pass is definitely one to check out. It is one of those binge worthy series that just gets better with more watches.

Thank-you for reading 100 Word Anime.
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Karandi James

Devilman Crybaby Series Review: It’s Making A Splash But Does It Have Substance?

Posted on February 23, 2022February 12, 2022 by Karandi

Devilman Crybaby Overview:

In Devilmana Crybaby, Ryou, a teenage professor, tells Akira, his childhood friend, that demons are going to take over the world. They go to find evidence and Akira ends up fusing with Amon, a powerful demon, becoming a Devilman (demon with the heart of a human).

Devilman Crybaby Review – some spoilers:

There’s been a lot said about Devilman Crybaby already, but just in case you missed all the other blogs that have written about it, this is a Netflix anime that is not for the faint of heart. Whether it is the gratuitous violence and gore or the sex and body horror, this is definitely not for those who are squeamish about anything. Even my fairly high tolerance for fictional violence was pushed while watching this and it didn’t help that some of the imagery (the sex and body horror elements) ended up being a little disturbing. But if that doesn’t put you off, let’s discuss whether or not this show is living up to the hype surrounding it.

While I might be in the minority, I really didn’t enjoy watching Devilman Crybaby. From the start, the visuals just didn’t sit well with me as I didn’t particularly like the style. There are some really striking scenes where they do some wonderful contrasts with colour and the like, but it just didn’t appeal visually. Then again, possibly the ugly and overly simplistic art style fit with the nature of the story but it certainly wasn’t a selling point for me.

Then the characters came along and my issue is each one is very much one thing with potentially one twist up their sleeve. From the beginning Ryou is portrayed as lacking in human emotions so by the time the reveal as to why comes along you’ve mostly figured it out anyway and it isn’t in the slightest bit surprising. In fact, it makes some of his earlier actions in Devilman Crybaby a lot easier to swallow because it makes sense that no sensible person would suddenly start slashing random strangers with a broken bottle in order to collect proof of demons.

Akira, on the other hand, apparently has a very warm human heart. Let every character tell you about it, over and over again. Oh, Akira’s a crybaby? He cries for others? Oh, how empathetic. Over and over again Devilman Crybaby hammers you with this point and the real issue is Akira has no other personality trait other than his apparent abundance of empathy for others. Even his anger and rage later in the show is produced because of his empathy.

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The side characters are all much the same, with Miko maybe being the exception. They are introduced as one thing, if they are a more important character there might be a later reveal but the show isn’t spending a great deal of time on fleshing these characters out. They are stand-ins and place-holders for the rest of society.

Because Devilman Crybaby very much wants to make a POINT. It is a deep metaphor, a reflection of society and the social disharmony and disconnect of youth culture… And it wants to make sure you never forget it. Not for a single instant. Like Akira’s empathy and heart, let the anime tell you again and again about characters with broken dreams, feeling disillusioned, lost, unsatisfied, and how society doesn’t value those who work hard or genuinely feel for others.

Now, there is nothing wrong with being an allegory and filled with metaphorical characters and imagery, what takes the enjoyment away from Devilman Crybaby is while it wants to have that deeper message, it also wants to shock and titillate its audience. And it does this with as much subtlety as it constructs metaphor so large chunks of early episodes are given to the sabbath, to sex, and to violence between demons played out on scenes nearly too dark at times to really catch the detail of what is going on but with a plethora of squishy and unsettling sound-effects.

The balance is lacking and by the time the show switches into full allegorical mode none of the characters or ideas have really had a chance to be developed or to sit well with the audience because so much time has been given to extended sequences of sex and violence. So the show falls back on imagery we are familiar with from other stories and myths and to replaying ‘critical’ segments over and over again to once again hammer a point home that could have been made more easily with a bit more legwork in the earlier episodes.

Miki’s appeal on social media particularly bothered me. It felt so much like the writers wanted to directly state their message and simply put the moral into Miki’s typed messages. Miki’s subsequent death for sending out messages of peace and love lacked impact as it was mostly lost in a sea of other deaths and she hadn’t been built up enough for the audience to care. Therefore, Akira’s rage when he sees the result is understandable but not something the audience can share with him. We’re kept at arm’s length and in honestly her appeal was naïve at best giving me little reason to sympathise with the result.

The sudden gathering of an army of devilmen is also kind of convenient and simply allows for an overblown final battle which visually is a mess of colours, attacks, and spinning. There’s very little detail to that final fight, though one scene definitely gave me Evangelion vibes which was kind of weird.

Thematically, Devilman Crybaby is solid but for me the execution failed to engage. It was watchable, and had some dramatic moments, but without ever really getting an emotional response other than occasionally flinching at the visuals in earlier episodes. I get some people will have fun with this but it just didn’t work for me and I probably won’t do a rewatch at any point. Actually, if you just watch for the over-the-top violence and a story that pushes forward (even if it doesn’t get into much depth) this would kind of be the perfect watch, however I just found myself wanting more from it.

As always, I’d love to know what you thought of the show so please leave me a comment below.

Thank-you for reading 100 Word Anime.
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Karandi James

The Ones Within Anime Series Review – A Weird Genre Mix and Incomplete Ending Yet Still Kind of Fun

Posted on February 19, 2022February 19, 2022 by Karandi

What Happens When You Blend Gamers
With A Creepy Guy in a Llama Mask?

Incidentally, even once The Ones Within finished its run I still don’t know if the guy is wearing a mask or if he’s actually a human with the head of a llama. One assumes its a mask because of how it sits on his suit but it isn’t as though we ever see him take it off. That’s just one of many unanswered questions Nakanohito Genome leaves the audience with.

Normally I have a fair dislike of shows that finish in a completely open manner, seemingly oblivious to their own run time as the story just stops almost mid-sentence without any announcement of a continuation. In this case, that fact still makes it hard to recommend The One’s Within whole-heartedly, but it didn’t really detract from my overall enjoyment while watching.

What started as a weird little outlier for the season grew on me before stumbling a little and then picked up again before it all ran out of time and just stopped short of the characters achieving their goals or getting any real answers.

And for some this will be enough to not dip their toes into the water or even start The Ones Within. I can’t really argue with that logic. Incomplete stories abound in anime and with so little chance of ever being finished, why spend the time when there are other titles to invest those precious minutes in?

The One’s Within isn’t unmissable but there’s enjoyment to be had.

It isn’t as though Nakanohito Genome is some unmissable masterpiece. The story relies very heavily on randomness for its humour and the characters begin in a decidedly one note fashion and while they may grow on you by the end and the chemistry in the group works well enough, they are not deep by any means. Throw in the incomplete narrative and that’s three strikes against The Ones Within before it even begins.

With that being said, I had a lot of fun with this series over the Summer season. The first episode kind of had me a little concerned as I kind of got Danganronpa vibes (only with no where near the oomph) from it and I wasn’t the biggest fan of that franchise. Fortunately, The Ones Within progressed over the rest of its first half by kind of carving out its own weird style and there was just enough mix of mystery, random comedy moments, occasionally on point characterisation, and some interesting visuals to continue to draw me into the odd story of the group of gamers who were abducted or selected to play a series of games to earn views.

It is never really established if they would actually be killed but there’s certainly a number of threatening moments that the characters face and even if death isn’t on the cards, isolation certainly is. ‘The White Room’ is an ever-present threat and one that forms a nice catalyst for drama in the second half when one member of the team is finally isolated and the rest are racing against time to get him back.

The games themselves are equally ambiguous with it never being clear if this is meant to be a real world, a virtual world, or some alternate reality. Some of the games are very clearly just life versions of actual games where others have what appear to be genuine supernatural elements (or at least clearly impossible elements such as a ghost, giant panda, or the creepy plant things). You never really get a good grasp of where the kids actually are or what the mechanics are behind the whole thing though each ‘mission’ is kind of interesting in its own way and watching the group working together, or trying to, in order to overcome the challenges was largely entertaining.

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I mentioned the visuals earlier and I do want to return to that. While the animation isn’t great and relies very much on stills and pans, the art itself is incredibly diverse. The range of styles used to express mood and character throughout the series is really interesting and the way the visuals changed up various scenes kept each episode feeling fresh.

Ultimately, The Ones Within is incredibly flawed and yet it isn’t a disaster. More than that, if the characters don’t turn you away, there’s some fairly interesting development of the characters throughout and various pieces of the puzzle are revealed even if the overall picture still hasn’t formed. Basically, I enjoyed this. I do recommend giving the first episode a try if you are looking for something a bit different to watch, but for those who are time poor or who haven’t already watched most of the standard titles out there, this probably isn’t going to worth the time investment.

Then again, creepy llama guy is creepy and there was definitely a tone in this story that just clicked for me. I don’t know that I’ve ever been so divided in my opinion of any anime ever but this one was enjoyable despite its faults.

Thank-you for reading 100 Word Anime.
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Karandi James

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Images from: Nakanohito Genome [Jikkyouchuu]. Dir. S Oonuma. Silver Link. 2019.

Isekai Cheat Magician Anime Series Review

Posted on February 17, 2022February 17, 2022 by Karandi

Being Generic Is Not A Crime;
Being Generic and Boring However…

Isekai Cheat Magician is one of those shows where there is in fact truth in the label, though that seems to be a trend in isekai stories (light novels and anime) to simply describe the basic plot and use that as your title. I mean, I always struggled coming up with titles for stories but apparently if I got back into writing I could just put that concern to the side and write a brief synopsis and there we go – insta-title.

In seriousness though, generic isekai is something I quite enjoy. There’s something quite relaxing about genre fiction that doesn’t really aspire to be anything beyond its basic label and when wordanime.blog/best-fantasy-anime/”>watching with others isekai can work as it usually brings something to the table that everyone can enjoy. While I do enjoy more thought provoking fare inbetween my binge popcorn meals, I happily return to these fairly routine anime with a regularity that kind of indicates that I’m getting something out of it.

Despite that, Isekai Cheat Magician ended up being one of those anime that started out looking like something I would truly enjoy despite its limitations, for instance Kenja no Mago, and yet ended up being one of the more forgettable viewing experiences of the year. Which is actually a pretty impressive feat given this year’s viewing also included that happily dismissed Grimms Notes.

However, just in case you have never embraced watching an isekai before, let me run through the basic plot here. Mr Ordinary-Nice-Guy gets summoned by a Princess to another world where he naturally has the biggest, baddest magic power around but of course he won’t abuse his power but rather he’ll help the first people who take an interest in him because they are of course good and everybody who opposes them must be bad for reasons.

Our ‘twist’ such as it is for Isekai Cheat Magician, is that Mr Ordinary-Nice-Guy (Taichi) is with his female child-hood friend when the summoning circle appears and she, despite Nice-Guy pushing her out of the way, jumps back into the circle and gets herself summoned as well.

It’s fine. She also has super-powers and is actually smart so could probably have been the protagonist on her own but apparently the author wasn’t sure that his nicely written, well rounded female characters could carry a show and so tied them all inexplicably to the dead-weight and personality-less actual protagonist.

Alright, he has a personality but largely it consists of being dense and being nice in equal measure before occasionally punching something.

And let’s consider that for a moment. Despite being a cheat ‘magician’, and boy do they remind us of that a lot as he calls himself one at least once every second episode, or Rin (the childhood friend does), he largely uses his power to strengthen his body and punch things. They could have called him isekai-wannabe-fighter and the story probably would have turned out much the same except for his whole connection with the spirits who actually help him use the occasional bit of magic. Instead of spells and chants and really cool combinations of ideas we get a guy who glows and punches things.

Admittedly, it worked really well for Gon (Hunter x Hunter) but then again they weren’t trying to convince us that Gon was actually a magician.

Then we have Rin who actually does learn to use magic and carries a staff. At one point she uses a combination of magic spells to slow down an entire army and it is really cool to watch. She’s confident and self-assured, using her knowledge of science to combine with magical power to deliver some spells that are unknown in the world they’ve been transported to. Wow, Rin could carry this anime all on her own and join the list of female leads in isekai anime except that instead she ended up in this.

When she’s paired up with Myura, one of the inhabitants of the world who works to train them in magic, the two are really great fun to watch. Both are powerful but not unbeatable and both are observant about their surroundings.

Which makes these two characters getting sidelined so the chosen one can save the day in the final battle fairly unpalatable and is perhaps the worst offense of Isekai Cheat Magician (other than just being a bit dull).

Somehow all their tough and strong personality traits get evaporated and they end up more or less just waiting around while Taichi mops things up. It is most definitely a disappointing direction for their characters, though clearly it was inevitable. Even in earlier fights where Taichi was around they found reasons to almost damsel-in-distress them or they found ways to separate the group. Because, they can only be strong and self-reliant if the protagonist isn’t on the scene. That inconsistency kind of hurt.

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By the time we throw in villains who by and large aren’t even cliches they are so paper-thin in terms of the writing you almost have to wonder if there’s anything left to appeal about this anime. And the truth is, there are some nice moments between Taichi and Rin and then between Rin and Myura. Rin manages to bring out the best in the cast around her and when she’s bouncing off someone the scenes come to life.

Yet, that probably isn’t enough to salvage Isekai Cheat Magician’s plot that just feels like they didn’t know what to do beyond summon two characters and throw stuff at them, and characters who don’t actually have a consistent personality but merely respond as the plot demands at the time.

Isekai Cheat Magician isn’t creative enough to be called a train wreck. It just kind of is.

Isekai Cheat Magician has visuals that are adequate but certainly nothing note-worthy, music that is equally forgettable, and ultimately an unfinished story because while we have a fight in the final episodes the ‘true’ mastermind has yet to actually grace the scene, and honestly I’ll happily recommend dozens of other isekai titles before this one. That doesn’t make this one broken beyond repair and it certainly is watchable (at least if you’ve watched many other isekai stories). But there’s nothing here that makes this one something that needs to be watched and there are plenty of better anime that do more or less the same things.

A few glimmers of decent characterisation and a decent basic concept just can’t make up for the deficits of Isekai Cheat Magician. Characters introduced only to show off the power of the main character or to drag out the watch time really weigh the mid-season down, and the absence of any real threat makes it hard to buy into any of the tension. Not to mention, when they are flailing about for a real fight at the end they resort to zombies… Like really?

As with many titles I’ll have to say the greatest problem with Isekai Cheat Magician is wasted potential. The generic set up and storyline is used over and over because it is functionally sound, but only if the writers do something with it. Here it never went anywhere or kept trying to go somewhere but didn’t really know how to build up either the plot or the characters over a sustained period of time. So yes, I’d have to say Isekai Cheat Magician probably isn’t worth your time.

Thank-you for reading 100 Word Anime.
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Karandi James

Kanata no Astra Anime Series Review

Posted on February 16, 2022February 19, 2022 by Karandi

The School Trip That Will
Take Them Across The Galaxy

Kanata no Astra was an anime that seemingly came out of nowhere. I’d never heard of it and hadn’t seen any promotional videos or the like prior to the Summer 2019 season beginning. Turns out this was for the best because once this story got going it sucked me right in and was quite the enjoyable ride, more so because of walking into it absolutely blind. While it isn’t flawless, this was undeniably my favourite story of the Summer season and if it hadn’t been for the emotional connection I felt with Given, this anime would have walked away as my favourite anime of the season.

I know. High praise right off the bat.

That said, I will caution readers that though I’m going to avoid major plot spoilers as much as possible, given the nature of this story, with small bits of information revealed throughout each episode, pretty much anything I mention beyond the first episode would count as a spoiler. If you want to go in blind, just know this one is great and concludes its plot very nicely and that first double episode might start a bit slow but hang in their, it definitely finds its feet.

For everyone who is still with me, let’s talk about Astra Lost in Space.

This one is a fairly basic story following the voyage and return model where our kids, thinking they are going on a school camp, end up thrown to the other side of the galaxy though fortunately they find a functional space-ship (convenient that) and then they have to plot a route and make their way home. On the journey they learn a whole bunch of stuff about the world and themselves. Underlying this is the reason for them ending up in that situation which we will learn more about piece by piece as the journey progresses with all being revealed nicely by the end.

Still, it was really fun having a week in-between each episode to speculate.

We do need to start with that first episode though. Kanata no Astra begins and ends its run with a double length episode which adds to the overall cinematic feel this one seems to be striving for. Honestly, I probably could have done without the black bands that framed the screen for the majority of scenes however in key moments of drama, such as the rescue sequence at the end of that first double episode, that cinematic feeling really helps draw the viewer into the character’s situation and it works remarkably well.

What was a little less thrilling was the opening twenty minutes which is where the story lays its groundwork and introduces the characters. While the goofy comedy aspects on display in this part never go away, the rest of the story balances moments of tension with moments where the kids kick back and get to be kids. The opening sequence on the other hand feels like pure fluff despite the necessary introductions to the characters and the setting.

If I were to change anything in this series, it really would be this opening because I actually did pause the episode and contemplated walking away as my Summer watch list had been quite full. By the time I got to the end of episode one, all such thought were erased from my mind.

See, the characters in this story individually aren’t all that great or exceptional. In fact, most are pretty much characters we’ve seen many times before. The cast however is perfect together and as the group of kids face danger together, work together, clash with one another and then reconcile, they win the audience over and their plight becomes somehow more significant and interesting. Whether the story had ended up with a satisfactory ending or not wouldn’t change how fun the journey with this cast was even if individuals within the group annoyed me, they fit within the team.

The story also deftly introduced an additional character to the crew toward the end. Their integration only added to how solidly they had built these characters as the students we’d been travelling with interacted with, learned from, and responded to the new addition. There was some attempt at building up a few characters on Earth who were plot significant, though given the time frame this anime was working with, as well as the fact that the kid’s journey was by far the more interesting part of the story and the conspiracy was more interesting when the kids were speculating, this didn’t really go very far.

The one down side of all of this is the reveal of the traitor ended up being less of a reveal and more a confirmation of what you will have probably suspected for awhile. The character in question did feel off comparatively and there’s a lot of obvious flags along the way. I’d picked the traitor and then dismissed them because they seemed too obvious. While this isn’t the end of the world given their reveal is just one part of the mystery it is a point where more nuanced individual characters may have helped muddy the waters a bit more while still making this make sense.

Obvious red-herrings aside, there really weren’t any other candidates.

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Still, it isn’t as though Kanata no Astra wants you to be perplexed. There are clues in the OP and a number of moments where characters tell us important information. While it is a slow drip-feed of info it never really stops coming and if you put the pieces together, by the time most revelations occur you’ve got a fair idea of what’s about to happen and then it is the satisfaction of having figured it out. Or in one case, being miffed that you went the wrong way with your speculation (well, I can’t get them all right).

Anyway, I loved the sense of tension this series managed to build up at key moments. I loved how when the kids had some down time they really felt like teenagers who were finding their way to a friendship. The music was fantastic and I liked that when a character changed her hair in the show they changed it in the opening as well. I also found it great the number of times Astra didn’t play the OP at all because it was using every minute of its episode time.

In less deft hands this story could have felt bloated, rushed, or meandering depending on how it was delivered. Yet here it feels like every step of the journey has been carefully plotted out and given just enough time without lingering past its welcome. Critical conversations are framed by comedy or short action sequences and everything balances nicely. In short, this series is a genuine joy to watch. It’s a space exploration story with a group of characters you can enjoy spending time with but it has ongoing drive throughout the series giving it a sense of direction and focus that helps pull everything together.

Now I’ve actually watched the series twice already because I was watching the episodes alone to review them but about four episodes in I talked a friend into watching some of it and we soon caught up to where it had aired. After that I’d watch and review the episode and a day or two later we’d watch the episode together. It is amazing how many extra details you pull out of this on a second watch even if that watch is still with a weekly gap.

Kanata no Astra benefits from taking breaks and thinking things through.

On that note though, I don’t think I’d recommend binge watching more than two episodes of this at a time. This series seems to lend itself to that slower viewing experience of watching chunks of it and then contemplating before watching a bit more. Still, I’ll definitely buy this on DVD is it becomes available because this is one series I just had a blast with.

Just so it doesn’t sound like I’m heaping nothing but praise on this anime I will point out that it has a penchant for ending episodes on cliff-hangers, or building up to dramatic moments and then resolving them fairly quickly. In other anime I’ve found this can get quite annoying as it makes it feel like they are going for cheap TBC moments. For whatever reason I didn’t find the impact to be annoying in Astra and usually just happily waited for the resolution or accepted where the story went. That doesn’t mean it won’t be irritating if you find that particular narrative gimmick one that wears thin.

However, minor niggles aside, I’d strongly recommend giving Astra Lost in Space a go. Maybe it won’t work for you but I know I thoroughly enjoyed the story that was told here and there’s plenty of positives to take away from the series even if it ultimately doesn’t work for you.

Thank-you for reading 100 Word Anime.
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Karandi James

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