Sagrada Reset Episodes 19 + 20: An Interesting Development

Review Episode 19:

Thinking about it, I would have to say that this was the best episode this show has so far delivered. What is kind of strange about that statement is that nothing that happens in this episode makes sense of is interesting if you haven’t sat through at least 17 of the previous episodes (the glass marble one is still making me scratch my head about why it existed). Still, this episode delivered and while I expected Misora to be targeted I probably should have paid more attention to the time frame for the show; both the time Kei and Misora have spent together and the time that Urachi can actually effect. I may have seen that development coming if I’d put the two together after the last episode. But I kind of like that sort of development that catches me by surprise but makes perfect sense.

This week we get a back story for Urachi and I like that they don’t spend too much time trying to make him a sympathetic character but do establish his goals and motives and it all kind of makes sense even if you do not want him to actually succeed.

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However outside of this, we finally get closure on why Soma Sumire died. No more speculation or half answers but actual truth and understanding. Also, the whole swamp man story from way back when returns which is a nice bit of cohesion for the series.

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The scenes between Soma and Kei this week are some of the best with Kei actually emoting in a genuine fashion for once and Soma finally not being the ‘witch’ but just a girl (or a copy of a girl) who isn’t going to end up with the guy she likes because she prioritized his happiness (maybe). It was kind of adorable.

Anyway, glad this show made a last minute attempt to pull itself out of a downward spiral and this second half has been really quite interesting, though probably not enough to offset how slow that first half was.

Review Episode 20:

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And we have entered what appears to be the final story with part one of five and abilities have been wiped from Sakurada with people forgetting them. However, Kei can’t forget and after one day of exploration he decides that abilities need to come back so he’s going to get Misora to reset.

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Of course, she’s been reverted to before she met Kei and has no reason to do what he says and more importantly has no memory of his power. Enter the photo that they were given which creates a replica of the place when abilities existed and then give a nod back to the fact that before Misora met Kei she just reset whenever she saw someone cry. Yes, the guy who has been pretty robotic all the way through has finally cried though to be honest I’m not sure if it was because of the situation or just because trying to reconcile all those different memories, both real and fake, just finally got to him.

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So, they now have two days to find a way to stop history repeating and abilities being wiped from Sakurada. On the bright side, even Kei acknowledges there isn’t really a reason abilities are needed and that he just likes it. I’d be kind of disappointed if they tried to pull some kind of theme of justice out of this at this point given all the way along we’ve been subject to the whims of the characters.

Looking forward to these final episodes.


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The Empire of Corpses Movie Review: Another Case of a Plot Getting Lost Amongst Literary Allusions and Sci-Fi Spectacle

Overview:

Watson, a student doctor, becomes obsessed with the idea of bringing back a human soul after his friend dies. Using his friend’s corpse, he begins experimentation using the work of Victor Frankenstein as a guide. When he is caught, he is sent on a mission to retrieve Frankenstein’s notes and then a whole bunch of other stuff happens.

Review:

I don’t watch anime movies very often but every now and then one comes out that I think I’d really appreciate watching. The Empire of Corpses caught my attention early on being set in the 19th Century and focussing on the idea of Frankenstein’s legacy having become a reality. Building the British Empire literally through the use of an army of corpses and corpse labourers is a fascinating idea and thinking about how that would change the world, and the sheer number of arguments it would cause in terms of morality,  is something that I thought I’d really like to explore. Unfortunately, this movie is interested in introducing those ideas but it isn’t interested in dealing with that reality. While the first half an hour or so sets up what looks like it will be an interesting moralistic tale about the subjective rights of the deceased and empire building, those ideas quickly get swept aside and make way for a convoluted and not entirely realised narrative that exclusively follows Watson’s obsession with death and scientific pursuits.

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Points therefore must be given to Watson’s characterisation. He really does follow the mould laid out in Mary Shelley’s Frankenstein perfectly. Pursuit of answers and science at the expense of anything and then the horrible realisation of what his pursuit has wrought but still an attempt to justify the actions and to bring some good from what is in this case a steaming pile of corpses. If the movie was seeking only to bring the tale of Frankenstein to a new era through a story that could almost be seen as a very late entry sequel it may have even been successful as Watson’s links to Frankenstein are incredibly clear and his relationship with Friday, the corpse he has brought to life, is definitely the high light of this film.

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But why stop at just referencing Frankenstein? Why not reference any and every classic work and character from the era, even when it makes zero sense to do so? Also, why restrict the story to just one location and setting when we can trot around the entire globe? Let’s deal with a former American President visiting India, the Russians attacking various groups through the use of exploding corpses, a trek through Afghanistan, skip on over to Japan where we can get some cliché culture before exploring a lab, and then we’ll just jump across to America before getting back to the Tower of London. The whole movie is so incredibly cluttered with unrealised ideas and most of them end up being fairly pointless.

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The entire Russian influence is one of the most pointless aspects of the story. There are Russians attacking our main characters, but they meet with a Russian who is going to guide them to where the notes might be in Afghanistan. We’ll meet another Russian scientist who will point out the horror of the research (and in so doing will turn his actual living friend into a living corpse before having the corpse do the same to him) and then somehow this becomes the point that everyone will remind Watson about later on that they died for something. None of this ends up feeding in to the overall narrative where we end up with The One (Victor’s original creation that could talk), using Frankenstein’s notes to try to create a soul in an android and trying to transfer his own mind into the mind of Friday because apparently Friday’s corpse has been well taken care of. In case you got lost there, don’t worry, it doesn’t actually make any sense while watching it either.

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And this brings me to one of the most maddening points of the entire movie. The final half an hour. Let’s just ignore the fact that they were on a quest to retrieve the notes, which turned into destroy the notes, which turned into Watson’s obsession with copying the notes before destroying the notes, and then they had to retrieve the notes when they got stolen again. Let’s just ignore that. It isn’t relevant. And we’ll ignore that midway through the story we suddenly had characters who could influence corpses by sound, either voice or stamping their foot. Why and how this works is clearly unimportant to anyone writing the story so we’ll just let it go. I’ll even ignore the fact that somehow our main group of two guys, an automaton girl and a shuffling corpse managed to get through a heavily armed military installation in order to get to the final confrontation even if that doesn’t end particularly well for the corpse and the girl as they end up at the centre of the whole thing.

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What I won’t ignore is that until this final part there was an attempt to at least make corpse technology look like a technology. Out of place in the time period technology, but technology. This final sequence forgets all of that and instead we suddenly have green lights floating about and random blue crystals growing over things as organ music plays. It is all visually spectacular and all completely fantastical gobbledygook with no grounding in anything that could be considered reality even within the reality constructed by this movie. It is like they just ripped up their own rule book and went for broke. Including, after one of the character cuts the power, smashing some keys on an organ manages to repower up the device momentarily. I’m really willing to suspend disbelief during a film, particularly one about reanimating corpses in the 19th Century, but there is suspension of disbelief and then there is swallowing bull and this movie crosses the line far too much in the final sequence.

Not to mention, even after it is all done and we get an aftermath, the story only deals with Watson and Friday. We do not get to see how the world has changed after the night the corpses that were relied upon as labourers went crazy and the sheer mass murder of civilians. You would think that there should be some significant social reform going on but why bother letting the audience know about any of that. It’s clearly just background noise.

Anyway, I bought this film on sale and I’m glad of that because full price would have been asking too much. I’m also glad I watched it with someone because the two hours would have felt really long if I didn’t have someone to help me make fun of the sillier moments in the narrative. Not to mention it was nice to know it wasn’t just me losing track of what was going on at the end. It just does not make sense.

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So do I recommend this?

That’s tough because I know I’ll probably rewatch this next year at some point. It is bad, terrible in fact in terms of story, but there’s enough ideas and the like here that I wouldn’t mind another watch. It also looks really good with some great atmosphere. Not to mention, its a zombie anime and I like bad horror stories. So, no, I probably wouldn’t recommend it but it isn’t a completely unwatchable, fling the disc out the window kind of movie. That’s not exactly high praise but its the best I can manage for this one at the moment.


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Sagrada Reset Episodes 17 + 18: Too Late To Save It But Things Are Finally Moving

Review Episode 17:

It is a shame it has taken 17 episodes to get to this point where finally the audience is given some insight into how such a town came to be and what its purpose might have been. Though, outside of that, the story continues as Kei tries to correct everything he sees as wrong even though no one else seems to even care what is going on the Bureau continues to either be a faceless entity or represented by the sub-group who are clearly pushing a personal agenda that may or may not be problematic (I can’t see the future so what would I know).

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Overall, Soma seems to still have things going her way but we’re still in the dark as to what it is she’s trying to ultimately accomplish. It would be nice if there was some clarity around that soon. As always, I find the idea of this show more interesting than its reality.

Review Episode 18:

That was actually a really good episode. Not just good compared to everything that had come before it, but just great to watch. You finally feel like there’s some pay off from watching through all the very stilted conversations this show has thrown at you.

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The character motives still remain a little murky and at times you just have to wonder how they think things will be better if they succeed, but at least all the little incidents are starting to make sense as to why we sat through them (except the girl in the glass marble – that one is still a mystery).

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There’s one more part in this particular arc and I’m really looking forward to it now. I still don’t actually think I should recommend this for people to watch. As a viewing experience it is still kind of lacking, but at least I’m starting to feel like it has been worth sticking it out.


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KADO: The Right Answer Series Review: The Higher They Rise, The Further To Fall

Overview:

One day a giant cube appears off the coast of Japan, swallowing a passenger plane. Turns out a visitor from the anisotropic (or outside of the known universe) has come to Earth to give us some gifts. One of the passengers on the plane is a negotiator and he begins the process of communicating with and negotiating with zaShunina as the world is inevitably changed.

I reviewed KADO week to week so if you are interested in my individual episode thoughts, click here.

Heavy spoiler warning on the following review.

Review:

Two thirds of this show is absolutely brilliant science-fiction. There’s no excess, no silliness, no teenagers in giant robots, no random power ups for the sake of it, no actual fighting, but just new ideas and humanity reacting to those ideas. Here’s an unlimited power source. Okay, who is going to control it? What are the economic implications particularly for countries that rely on the export of fossil fuels? Are there any risks? It’s smart and incredibly thought provoking and while it may not be the most exciting thing to ever grace your screen, it is compelling and it was distinguishable from so many other first encounter stories. Yes, we’ve had peaceful first encounters before, but they are few and far between. Even with the nagging feeling that the benevolent zaShunina was up to something, and even if he had turned out to be evil, this show could still have maintained the tone that had really set it apart from the other anime in the Spring season.

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Alas, it was not to be. The final third of the story plunges us headlong into conflict, introducing a second anisotropic being, before going into a finale that really just needs to be scrapped and rewritten (more on that later, be warned about heavy spoilers coming). Previously, I wrote a feature about anime that end badly and some of the ways that anime manage to stuff up their endings. It is a frequent problem with anime in that resolutions seem to be really hard for them to get right. I’m not expecting a happily ever after for all involved but I would like my endings to make sense and that is where KADO failed completely. Somehow I left that option off the list of ways endings annoy me but KADO has definitely made it clear that this is worse than pulling a power of friendship card.

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However, I shouldn’t start by reviewing the end of the anime. Despite the appalling conclusion we arrive at, there is plenty to admire about this show and I would still argue that for avid anime fans it is worth the watch. At the very least, the first two thirds are quite compelling and even when it falls apart, it is more the disappointment of it that hurts rather than the story itself. There are plenty of worse endings out there. While the disappointment you feel as the show veers away from being that must watch, must talk about show of the year to something far more average is palpable, overall the show remains above average as a viewing experience because even at its lowest point it is still perfectly watchable (just no longer brilliant).This one just feels much worse because of how much better it could have been and that’s really an unfair scale to judge it on (though it doesn’t take away that bitter taste in your mouth after you watch it).

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Visually KADO is impressive. I know some people hated the look of it and that’s fine. And yes, there are some scenes where the CG doesn’t sit quite right particularly in some character movements, though fortunately they don’t move a lot because there’s a lot of standing or sitting and talking (it was a show about negotiation for the most part). There are some really beautiful sequences and moments and at the very least it is visually striking. The characters are easily distinguished and the settings are appealing to look at. Overall, it is a visual feast for the eyes and while it won’t be to everyones’ tastes, it certainly worked for me.

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The music is equally grandiose and memorable. The opening theme is one of my favourite for the year (not sure if it is my favourite yet but it is certainly a contender) and throughout episodes the background music is suitably subtle or dramatic depending on the requirement. I really enjoyed the music in this series and felt it really added to the overall tone.

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For the first two thirds, I really liked the characters. I liked how the different representatives in the government and on the UN council were portrayed. I liked how average citizens, reporters, the military, scientists, and a whole range of people and their reactions came across as the world essentially changed after the arrival of the cube. Other than a small group, very few of these characters progress beyond being a stand in for a larger section of society but that is the role they’ve been given and they do it well. Shindo and zaShunina and their interactions were thought provoking and occasionally even amusing. As the central characters they really had a lot of work pulling us along through what was an otherwise fairly dry first encounter portrayal and they did it really well.

I also liked the themes and questions this show raised. The discussion about the wam being a gift to humanity and not countries was clever and thought provoking as were many of the observations by characters in the early stages of this anime.

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And then it all went wrong.

Keep in mind, that up until episode 12, they hadn’t done anything that could not be salvaged but a lot of eyebrows were raised when they revealed that one of the human negotiators was actually also an anisotropic being and wanted to send zaShunina away because she didn’t like him messing with the world. Then they had a fight between the two anisotropic beings that ended with Shindo getting severely injured and a really cliché anime encounter as the female anisotropic being first healed him and then got really embarrassed because she wasn’t wearing clothes. This was not good. First we’d moved away from negotiations to combat, we’d introduced another super being so they could have a fight sequence (no human could have) and then we went smack into teen drama territory. Where did the clever and intriguing writing go during this phase?

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Episode 11 tried to raise our hopes. Shindo had a plan. He reconnected with various characters who had assisted him throughout the series and humans worked on a solution to the problem. Okay, so we’re not just going to leave it to the super beings? Awesome. We might get back on track.

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Turns out, no (Final Warning – MAJOR SPOILERS BELOW).

The final episode delivers a mind-numbingly stupid twist.

In addition to the plan that the audience were let in on, a plan Shindo clearly knew was absolutely going to fail given the actual reveal, Shindo and anisotropic being number 2 hatch a second plan. Manipulate time, have a daughter, and have her deal with the problem.

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What?

Are you kidding me?

Now I could break into a rant here about feeling betrayed and all the rest but here’s the thing, just because this didn’t end the way I wanted it to or thought it might doesn’t actually make it bad. Certainly we’re left with questions and there’s a lot of logical gaps in how this concluded, and most certainly this isn’t exactly a satisfying ending when those of us who followed the show from the beginning followed it because of the different approach it was taking and not because we wanted to see super power beings babble at each other and then just end the fight. But, it does resolve the overall plot and given events in the final four episodes and zaShunina’s increasingly erratic behaviour in the final episode it kind of forced itself into this kind of conclusion.

I still think though if you are going to bring in time manipulation have the future daughter show up about twenty minutes earlier so that Shindo doesn’t die a completely pointless death. That wouldn’t make this ending any easier to swallow but at least wouldn’t make it a complete waste of space.

The show is actually a victim of its own earlier episodes. It set a tone and standard for its plot that the second half utterly failed to live up to. Most of us went in expecting nothing because we hadn’t even heard of the show until it started, and then it was amazing. It was well written and interesting and seemed to be heading somewhere a bit different. It just couldn’t hold onto that for a full 12 episodes. Pretty much everything after the introduction of the Sansa is questionable as to where this started going wrong. But, if I take away the expectations I gained from those first episodes and just look at the second half, this is still one of the better shows I watched this season. So for all that I want to rant and cry foul at such a travesty of an ending, stepping back I realised that while I am hoping for a fan-fiction ending that actually does the show justice, this is still not the absolute piece of dribble it could have been. It isn’t as though it all becomes a pointless dream sequence.

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But that then makes me wonder what the point of the ending was. Was that supposed to be a touching ending?

We had an incredibly pointless and avoidable death, followed by a dull and pointless chase and fight sequence, followed by dialogue that did nothing to answer any of the actual questions that people are sitting there thinking about. Where did the clever and thought provoking writing go? Where did an emphasis on dialogue and negotiation go? Hey, here’s a plan. It still sucks but might have worked a bit better. Why doesn’t future daughter actually try talking to zaShunina rather than turning him into pretty coloured lights? I might have believed her as Shindo’s daughter or legacy then. Some sort of compromise could have been reached once she showed up given zaShunina finally had someone who could stop him. Of course, future daughter is really an incredibly stupid plot device in the first place so it would have been better if Shindo had just figured out how to actually get zaShunina talking again given that would have actually fit the tone of the show.

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Basically, I’m annoyed because this show got my hopes up. It was so good. It was great. And then, it wasn’t. It doesn’t invalidate the good things earlier in the series. It doesn’t mean that this is a show that should be avoided at all costs. What it does mean is that you have to go in knowing that the ending won’t be as satisfying as you would like and just accept it for what it is. It is a science fiction that almost got it right but, despite its name, ultimately missed being the right answer.

Sorry that this review kind of flip flops around. I kept having to delete sections as I just went in to full rant territory because I was so disappointed by that ending.


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Sagrada Reset Episodes 15 + 16: Why is there no restore power?

Review Episode 15:

I’m going to get this out of my system first: Why didn’t Misora tell Kei what she learned in the dream world? He reset it out of existence and because he didn’t know about it, it’s gone except for Soma’s malicious comment at the end. She may not have trying for malice, but telling someone they erased a crucial character development point from the girl they just admitted to liking is malicious no matter how you want to spin it.

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Okay, this episode ends the whole dream world story though to be honest the resolution was pretty much believe in yourself and reach out to friends or whatever and even the show itself didn’t really seem to care in the end about what happened to Michiru so I doubt we’re supposed to either. It really feels like this whole arc was just an excuse to get all the other players into place.

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This show is still incredibly slow even when it packs that much information into an episode the pace of events feel like they are crawling, but I kind of need to know what Soma is up to, so next episode here we go.

Review Episode 16:

This episode starts a new story arc and I must say this one has started in a pretty interesting manner. Then again, this show has never had a problem with intriguing ideas, it is more delivery and characterisation that it falls flat in.

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Soma is playing a fairly dangerous game by the looks of it and she’s most definitely dragging Kei (and by default, Misora) into the mess. From a relationship side, Kei finally actually spoke to Misora and made sure she saved after that point so for once he won’t reset their relationship progress out of existence. That’s a step forward. Too bad it took 16 episodes to get there.

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Okay, I am going to finish this show. I was thinking of dropping it now the new season had started but I can’t help it. I’m curious and want to know how this ends.


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The Matrix Movie Review: What is acting? How do you define acting?

Overview:

Neo believes that Morpheus, an elusive figure considered to be the most dangerous man alive, can answer his question — What is the Matrix? Neo is contacted by Trinity, a beautiful stranger who leads him into an underworld where he meets Morpheus. They fight a brutal battle for their lives against a cadre of viciously intelligent secret agents.

– from unknown.

Review:

In 1999, when The Matrix came out, I was a teenager and I was becoming a fan of Keanu Reaves as I had really enjoyed him in Speed, Point Break, Chain Reaction and a range of other films (though he definitely had some real misses in the 90’s) so The Matrix was more or less designed to appeal to me.

And appeal it did.

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A dark and menacing future where humans had become enslave by machines but for a small group of freedom fighters who would enter The Matrix (which for a very convenient and quickly glossed over reason looked exactly like the modern world) to achieve a range of poorly defined objectives. Okay, my teenage self was not that discerning a viewer and the fight sequences coupled with the glossy leather outfits was pretty much all it took to get me on board with this one.

After the consecutive disappointments of both follow up films though, I kind of moved on and it was only recently when I had the opportunity to see this film again.

Visually, it still works. The designs chosen for the ‘real world’ compared to the simulated spaces the create for training compared to the actual matrix all fill their role and have their own kind of charm. There’s a lot of attention to small details in the sets and the spaces fill lived in (other than the training areas which are obviously supposed to feel a bit void of personality).

I didn’t really notice it as a teenager, but the sound design for this movie is horrible. I get the mix they were going for and the tone they were trying to strike but some of those sound effects just hurt the head and the thought of computers making any of those noises these days is kind of laughable. Though back in the 90’s days of dial-up internet I guess audiences were happy to swallow that because it was hard to imagine any sound more obnoxious than that one.

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However, for all that this is a visual feast and there are still some really interesting ideas being thrown about, the overall storyline is plagued by attempting to be overly complex for what really amounts to a man vs machine conflict and their reasons for actually entering the matrix don’t make a lot of sense when the real conflict is occurring out in the real world (I know they throw around a lot of fast words and fancy rhetoric but ultimately none of the conflict needed to be based in the matrix so Neo’s ability to seemingly control it by the end of this first is more or less a pointless gimmick – and that is yet another reason why I should stop watching sequels).

And of course, I can’t actually avoid the main issue I found with the movie, which of course are the performances. For a film packing some real star power the performances delivered here are about as subtle and nuanced as the woman in red is in the training area. Most characters have at most 3 facial expressions and tend to wear one the majority of the film only changing to one of the other two at minor climactic moments I guess to remind us they can actually emote. While we might excuse Hugo Weaving for this, given he is playing a program, the human characters can’t possibly hope to escape from scrutiny.

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Yet, for all that I’ve just kind of run the film down, the one undeniable point is that it is still fun to watch (providing the volume isn’t too loud). Scenes transition smoothly one from the next, usually with a sense of movement and purpose, and where logical leaps fail the audience a character is usually quick to swoop in with an explainer to sweep away any pesky questions you might have about what the point of something is (even if that explainer doesn’t really hold up under closer scrutiny). The fight sequences are still impressive, even if the special effects, once pretty cutting edge, are now just same old or even dated. And did I mention the number of very cool leather jackets in this film? The wardrobe alone is worth watching this film for.

I’d love to know your thoughts on this film and how you feel it has aged.


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Chronos Ruler Episodes 2 + 3: Why Is Kiri Trying to Save Victo?

Review Episode 2:

This episode gives us a lot of information but a lot of it could be considered disinformation so I’m kind of waiting for the next episode to confirm anything that we’ve been told. That said, Victo is a seriously annoying character. He may have had his time eaten and regressed but I cannot believe Kiri hasn’t actually tried taking his head off with his sword yet.

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Outside of Kiri and Victo, we have a gambling town where everyone is desperate and a giant white horologue shows up and eats quite a lot of people’s time before Kiri and Victo give it a fight. Then a random girl shows up insisting she’s Victo’s wife and she essentially manipulates everything from that point forward. Not sure if Victo is just playing along for the fun of it and he’s actually aware of her less than honourable intentions, or maybe she actually is telling at least partially the truth. All I know for sure is that she’s a more annoying character than Victo (and what is with that outfit) and the two of them ganging up on Kiri was just kind of mean. I desperately wanted Kiri to push them out of the train.

Review Episode 3:

Well, that went well.

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I’m not really sure what the organisation was hoping to achieve but they kind of failed miserably at everything which more or less explains why they aren’t winning the war against the horologues. That and you have idiots who say stuff like this:

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Despite the poor comedy, terrible pacing, and generally bad writing, I found myself kind of enjoying this episode. Victo actually sort of took this seriously and ceased to be annoying for half an episode and then we may or may not have met the god of time. That could be kind of cool. Also, turns out that while Mina might work for the idiotic organisation, her enthusiasm for Victo was genuine.

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So, despite my misgivings that this is just going to end up being another waste of my time, I’m plunging on with this story and kind of hoping that Victo grows up (both literally and figuratively) and that maybe Kiri lightens up just a little.


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Chronos Ruler Episode 1: They’re Like A Less Useful Version of Dr Who

Overview:

I don’t have anything for this one. No write up on Crunchyroll where I watched it and I didn’t have any information going in. Basically two guys who can slow down and speed up time are fighting some demons who apparently eat human time and that’s all I’ve got so far.

Review:

This episode couldn’t really pick a tone. It didn’t know if it wanted to be a slapstick comedy at times, a dark and edgy fantasy piece, or an action story, and the end result is kind of uncomfortable to watch even while there are some good moments in amongst the clutter. Unfortunately this show is definitely giving in to the worst trait of so many fantasy and science fiction stories in that they are trying to be mysterious for the sake of it, and then our protagonists end up monologuing mid-battle to explain a whole bunch of stuff that could have been said ealier.

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Still, there could be something in this story so I’ll give it another episode or two. If nothing else, the time eating demons are kind of cool to look at and the time manipulation element is kind of interesting, even if they’ve made it clear no actual time travel is going to take place.

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Whether I stick this one out for the season really depends on how the story unfolds from here.


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Sagrada Reset Episode 14

Review:

This episode kind of took talk fest to a new level as we had various characters insist they are right and that they know some sort of truth and the audience is left wondering what the point of any of it is given everything of consequence occurs only within the dream world. If they are asking us to wonder about the validity of actions within the dream world and whether they are of consequence and whether this is real or not, I guess it works, but otherwise I’ve kind of lost track of what the actual plot of this story is.

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Next episode is the last in this particular story arc so I guess we’ll wrap up the dream world thing but whether that brings us any closer to knowing what this story ultimately intends, who knows.

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Part of me wishes I didn’t care what Soma’s plan was, what Kei is ultimately trying to accomplish and whether Misora ever develops an identity outside of Kei. A lot of me wishes that I didn’t care about the nature of the entire town and whether they ever explain any of it. This isn’t fun to watch but I’m continually compelled to watch just one more in the hopes of some sort of answer.


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Sagrada Reset Episode 13

Review:

Sagrada Reset continues to be a frustrating and yet intriguing watch. Once again, the delivery is pretty dull as characters have stilted and vaguely robotic conversations that don’t quite get around to telling us anything but sound like the should have a point.

Sagrada13

 

Still, the introduction of a power that actually writes a perfect script including resets and predictions kind of makes the whole witch thing completely pointless so I have to wonder where they are going with this. And clearly that is the plan with this show. Just enough intrigue to prevent anyone from actually cutting ties with it even while failing to be a satisfying viewing experience.

Sagrada13c

That said, I kind of hope the guy from the bureau attempts to take Asai Kei out because that would be kind of entertaining.

Looks like my own sense of curiosity is dooming me to continue watching this one into the Summer season.


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Karandi James.

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