Fairies are fun to see in stories because there’s so many variations and forms on the idea of what a fairy is. From The Seven Deadly Sins to Amagi Brilliant Part, fairies show up over and over again. This list are my favourite appearances of fairies in anime (not necessarily best anime).
As always, I’d love to know your take on the list so please leave me a comment with your favourite anime that includes fairies.
While starting his new job, Arata finds himself dealing with creatures called Anothers and as the only one who can understand them he ends up having to negotiate with these beings on numerous occasions. One of my favourite groups that turned up from time to time throughout the stories were the little fairies that lived in the park. Whether they were mad because the humans messed up their offerings or allowing themselves to be bribed for directions with cookies, these little creatures were always cute when they showed up.
I genuinely couldn’t have made this list and left The Ancient Magus’ Bride off of it. This one gets points for being very detailed in its folklore and taking a more traditional approach to fairies and their rules. While they may not be as cute as some of the other entries, the attention to folklore here gives this one a well-deserved place and while the anime ended up dragging on a little bit, the magic and magical creatures were definitely a highlight and worth watching for.
This may well be one of the most hated of all the SAO arcs and yet while the end of this arc brings us a psycho villain whose motive and actions are entirely flawed, the game that this arc is set in looks beautiful. The different fairy races that the characters can choose from, the flight mechanics, and the magic are just brilliant and I’d honestly love to play this game (provided it wasn’t being run by a made person using it to test mind control on people).
Here’s a different kind of fairy. These ones I’m never really sure if they are actually fairies, leprechauns, or something else entirely but it is a fun take on the story and the girls are all quite fun to get to know. Used to fight beasts with magic weapons and slowly losing control of their powers or losing their memories, the story here is tragic and yet quite compelling for the most part. If only the mid-season had managed to hold up its end this one would have a lot more discussion around it.
How on Earth could I not have put these adorable and incredibly creepy fairies as the number one on the list. The story takes place as humans are declining and fairies have returned. The main character has the job of liaising with the fairies as they pursue new entertainments. They latch on to any idea and go crazy with it but just as quickly move onto the next thing (kind of like watching the progress of the internet in fast forward really). Whichever way, these little guys are a must see.
And that’s my list this week but be sure to let me know what your favourite anime with fairies are.
Thank-you for reading 100 Word Anime. Join the discussion in the comments. Karandi James
I remember back when Sword Art Online had just begun. I remember the first episode of the Aincrad arc and just how quickly it seemed to pass by and how heavily the bombshell at the end of that episode fell. I remember rapidly skipping to the next episode (it came out before I could stream things as they aired but that meant I could binge) and I remember just how absorbed I became with the characters and the story and just how much fun the whole viewing experience was.
Admittedly, the entertainment of the very first series from 2012 shouldn’t really have all that much to do with whether or not this story arc from 2018-2019 is actually any good, nor should I compare them and expect that to be the same. Kirito has grown as a character since then, the technology has moved on, and almost all the other characters we spend any length of time with in Alicization are completely new. It is its own experience but not stand-alone. The events in the real world do require pre-existing knowledge of the franchise to make sense so even if I wanted to give Alicization a clean break from the seasons of SAO past, it wouldn’t really be doable.
Could someone totally new to the franchise start with Alicization?
Sure. They’d miss some context for things but mostly I doubt that would change the overall viewing experience. Except perhaps that a new viewer would go in without any expectations of Sword Art Online and so some of the disappointment I faced while watching Aliciation wouldn’t have played a factor. Maybe a new audience member could just enjoy a romp in the new world with the new cast and not wonder what happened to the cool and reckless Kirito before he ‘grew up’ and became the boring, moralising and largely passive protagonist we encounter here.
I know. I just called Kirito boring. I didn’t think I’d ever do that. Lots of other people did even back in Aincrad but I always really liked Kirito as a character. Alicization was the killing blow though.
Part of this is because Kirito spends a large part of Alicization seemingly mentoring Eugeo. Being pushed into a mentor or teacher role means that he does need to explain and sermonise and take the high ground in order to lead by example. It also means standing back at times and taking the background role to let the student grow. And honestly, given the context of Alicization, which I’ll get to in a bit, Kirito moving into that role makes perfect sense, but it isn’t interesting.
The sacrifice of Kirito’s spirit and character, though a significant blow to my enjoyment of the franchise, possibly could have been rationalised as Eugeo is actually an interesting character to watch grow. While never as interesting or dynamic as Aincrad’s Kirito, he wasn’t a bad substitute. However, Eugeo’s character arc comes to an abrupt and fairly pointless and ridiculous end by the end of this half of Alicization. So ultimately I watched Kirito help another character grow at the expense of being entertaining in his own right and then that character isn’t going to do anything because they are already finished. Or at least, finished enough as I don’t doubt SAO’s ability to come up with rubbish reasons for this not to be the end.
This isn’t the first time Kirito has had someone he’s mentored and helped has died. The Moonlit Black Cats, particularly Sachi, were a large part of his character growth in Aincrad and Sachi’s death left emotional scars that Kirito had to work really hard to overcome.
The problem is that Eugeo’s character had pretty much 20 something episodes of mentoring and then before he surpassed his master he died and his death hasn’t seemed to amount to anything, though perhaps they’ll capitalise on it in the next half. All I know is that it left an incredible taste of dissatisfaction in my mouth.
For all that I’ve just attacked the characters, I’m now going to back up a bit and actually look at the fundamental problems in Alicization as a series. Keep in mind, there are some really great moments throughout the 24 episodes. Sequences where one character or another really rises up and does something cool and dramatic and for a moment you can just get swept away. So I am not saying there’s nothing good about Alicization.
However, what really hurts Alicization, other than the time difference between events in the real world and the events in underworld which results in Asuna and the others getting bare minimum screen time and an absolute lack of audience buy in to the event in the real world…
Okay, the time thing probably needs its own section because it was a really unnecessary contrivance that really hurt the pacing of the real world events. With the large gaps of time between when we even saw characters in the real world and how little progress that plot made over the course of a whole season, because events in Underworld move fast, it just isn’t a very effective way to tell a story, particularly in a season spread over more than six months. Perhaps binge watching would alleviate some of this issue but honestly, at times I all but forgot what Asuna and the others were even doing so the dramatic final for them really had next to no impact.
Right, so what really hurts Alicization, other than all that stuff, is the way they execute the story. The idea behind Alicization is actually really interesting with souls being digitalised and raised within a virtual world. The pseudo-science techno-babble explanations of the how and the why don’t really help here but the concept is cool. The problems within that world where those in control of the command codes are corrupt and others are forced through the Taboo Index to essentially obey those of higher standing within the world.
I mean, it isn’t terrible original if we put it in the context of a dystopian kind of story, but it works and there’s a lot of potential ideas for exploration and so many potential paths for the story to take.
And while Alicization does take some interesting paths and does explore some of the concepts, it does it in an incredibly poorly conceived manner. Where large chunks of information are given to us through forced exposition in the form of incredibly long and artificial sounding dialogue exchanges between characters, and a lot of that information is either repetitive of previous bits of information, or just so abstract that it will make no difference whether the audience has it explained or not, it just doesn’t make for interesting viewing.
Imagine you were watching some kind of fast paced sporting tournament and every now and then the competitors stopped, poured out some cups of teas, and sat around discussing their motives, training methods, and the history of their coach. Then they just get up and start competing again.
Alright, Alicization wasn’t that bad, but the analogy is kind of apt in terms of the enjoyment in viewing.
When you throw in the fact that Kirito and Eugeo set out from Eugeo’s home town to find Alice and end up enrolling in a school and just happily training for a few years (happily may be an exaggeration) and it doesn’t seem like they are in any kind of hurry to achieve their goal, the pace of this story seems all over the shop and goals that drive characters seem to do so selectively. Even once they get to the tower and begin facing off against Integrity Knights, it is very hard to care about these characters as antagonists and their motives for fighting, or not fighting, are really hard to swallow sometimes. As is Alice’s rapid decision to work with Kirito when they were hanging outside of the tower.
What it comes down to is you’d get a moment of excitement or interesting interaction and then Alicization would hit the breaks to explain something to you and just when things got going again it would do the same. With the narrative pacing off the characters really needed to step up to sell some of these exchanges only they didn’t. Outside of Kirito and Eugeo, barely anyone got any screen time and the few who did didn’t really draw me into the story so much as just existed within it.
The music is workable but doesn’t give anywhere near the sense of excitement that I found in the score in the original series. Visuals work fine and the various attacks are pretty cool to watch. Eugeo really wins out here with his sword being exceptionally beautiful and its attack leads to some really interesting effects. Kirito is less lucky and because he gets limited time to go crazy with his sword there are far less moments where he just looks super cool on screen in Alicization. However, overall, Alicization is kind of average to look at. Character designs work as do settings but very little of it is stand out or amazing.
I really did want to like this latest Sword Art Online. I was excited about the return of the franchise and to be honest, my love of the original has meant that subsequent iterations get a lot of leeway. However, Sword Art Online Alicization is not just not good, it is openly obnoxious at times as it drags the audience along and through unnecessarily long sequences and seems to care little about making any character actually more than just another plot point to be resolved. The end results is I didn’t have much fun watching it and realistically, if it hadn’t had the SAO connection, I’d have dropped it after the first cour rather than persevering through all 24 episodes. What’s worse than holding on 24 episodes? Watching 24 episodes for the thing to end on a cliff-hanger.
Honestly, I can’t recommend this. For those newer anime fans, I still think trying the original SAO is worth it despite the online hate factory for it, but Alicization is a lesser show in almost every way imaginable and while there were many readers of the light novels proclaiming that Alicization would fix the narrative issues with SAO, I think Alicization the anime just found new and improved ways to annoy an audience.
Thank-you for reading 100 Word Anime. Join the discussion in the comments. Karandi James
While I’ll get to reviewing the episode in a moment, I just want to look at the opening act of this episode which addresses the fight between the Senator (only barely introduced a few episodes ago) and Eugoe (no longer brainwashed), Kirito and Alice. Mostly because there was a lot of build-up around a character only just introduced, a cliff-hanger as the fight got started, and then we spend the opening scene rewatching his power up. Only to essentially one shot kill him. Alice distracts his flame creation with little difficulty, Eugeo diverts attention from Kirito by half-heartedly attacking the administrator causing the senator to look away, and then Kirito light beams him to death. The end.
In the words of the Administrator herself, that was boring.
All that build up and a week’s wait and nothing. Barely even a whimper.
Then without any further discussion, the Senator’s body is flipped against a wall and promptly forgotten. Discarded as the bit character he was but he essentially served no purpose. None at all. Not even a cool fight sequence and diversion. Literally he just put the breaks on the story for a build up that never delivered.
Following this the episode gets back into exposition and sermonising mode. They did at least draw parallels between whether the game world and reality are similar in asking whether humans live their lives in fear of being reset by some unknown creator, so points for thematic linking back to the original SAO. However, again, this is a lot of back and forth covering content we already knew. The only real take from this is that Eugeo now knows Kirito isn’t just someone from his world (which I’m left wondering why Kirito hadn’t told Eugeo this by this point, but whatever).
However, the Administrator then decides to reveal her ultimate weapon that will replace the incredibly flawed system with the integrity knights. It is shiny and golden and really large. So cool. In a matter of seconds it impaled both Alice and Kirito and left them bleeding on the ground and Eugeo shaking in his boots.
Of course, after a spider vs sword golem moment that makes about as much sense as it sounds like it should, Eugeo stabs the special dagger into the floating platform and somehow that lets the Cardinal appear. In an instant Kirito and Alice are healed, we get some more exposition while the Administrator just kind of floats and gloats, and then the episode ends.
This show makes me want to face palm so badly almost every week at this point.
Nothing is having any consequence at the moment. Eugeo brainwashed – fixed next episode. Senator guy is really powerful – killed in one shot within minutes. Kirito and Alice stabbed and bleeding – instantly healed including their clothes and bloodstains.
Meanwhile, the Administrator seems to just have whatever power they decide to give her which makes you wonder why she doesn’t just rewrite the world’s code to disappear the floor and send Eugeo, Kirito and Alice back to the bottom and ignore them. Why bother fighting at all? As to the Cardinal, who knows what she’s up to?
I’m almost all for letting the humans outside of Underworld hit the reset button at this point. It couldn’t make it any sillier.
Thank-you for reading 100 Word Anime. Join the discussion in the comments. Karandi James
Have you ever wondered why there are so many cool characters in a story with amazing powers and yet the protagonist is kind of just indestructible and has a big sword? I mean it is so boring and yet so many anime heroes genuinely do have the most boring powers.
In case it doesn’t become immediately apparent, this discussion is mostly me musing on something that has bothered me in a handful of shows that I’m now generalising across anime. It is not actually intended to be an overly serious post but honestly, I’ve been wondering this for awhile and of all things it was Endro that brought me back to musing about the powers given to a hero in anime.
For those who aren’t watching the pastel painted moe fest that is Endro, it is the story of a girl who wants to be a hero and defeat a demon lord, only she kind of already did but stuffed it up sending the demon lord back to the past and now the demon lord is her teacher as she learns to be a hero. of course she has a team of friends along for the ride and a Princess who has fallen in love with her, but mostly it is just a lot of fun and silliness.
Now, as one of the symbols that Julia Charldetto is in fact the hero she comes across the ‘hero’s sword’ and draws it out. In fitting with the colour scheme of the anime it is pink. And it sparkles. But basically we have a hero who swings a sword and whacks things.
Meanwhile, we have Seiran in her squad who is an elven priest and when all else fails can actually put her glasses on and is a crack shot with a bow. Then we have Fai who is more hand to hand and likes pummelling things and jumping a lot. Lastly we have Mather with her obsession with Cartado and an array of interesting magic to bring to the fight. All of these characters have really cool abilities and yet the hero in their story has a pink, shiny sword.
Now I’m not dismissing swords. Swords can be super cool. Just look at Hitsugaya in Bleach with Hyourinmaru and how cool that sword can be with weather controlling effects and ice dragons. Seriously, that is a cool sword. As is Rukia’s zanpakuto and dozens of other blades in Bleach.
But, do you know who has a less than cool sword? Ichigo Kurosaki. The hero of Bleach. His sword is really big. About the only time it kind of looked cool was when Hollow Ichigo was swinging it around by the wrap and attempting to pummel Ichigo with it. Actually, Ichigo vs Hollow Ichigo is just a fantastic fight to watch in general and Hollow Ichigo provides some great entertainment throughout the course of Bleach.
I love Bleach but lets agree Ichigo’s power is the most boring power in the story even if it ends up being the strongest.
Even when Ichigo steps up to the next level, his sword actually becomes less impressive and realistically, while he gets really fast and agile, and hits things even harder and faster, Ichigo’s power is the least interesting one to watch in Bleach (okay I take that back, there are worse powers in Bleach but when looking just at the main group of shinigami and Ichigo’s human friends, his power is just not that interesting by comparison).
Though, even if we move away from sword wielding heroes to a magical girl like Sailor Moon, what we see is a hero surrounded by characters with cool elemental powers that are showy and flashy, fairly versatile and interesting, and yet in season one she throws her head band and occasionally heals things. Even when she uses the Silver Imperium Crystal, other than a light show the power itself is not that interesting to watch. It might be the strongest force in the universe but that by itself doesn’t make it all that fascinating to watch as the bright pink light engulfs her enemy and thus ends the climax.
As the seasons continue, Sailor Moon upgrades from her Crescent Moon Wand to the Moon Sceptre and if nothing else she continues to get the absolute best accessories compared to the other scouts. The Moon Spiral Heart Attack is perhaps the longest one to get going of her general attacks and is so overblown in both the set up and execution that you almost have to laugh (actually, I was more worried Serena was going to trip over her own hair while doing the activation sequence) and yet realistically for all the increases in power Sailor Moon’s attacks remain much the same.
She’s very much a one punch and they are dead kind of hero and once she lets off her attack in most cases the battle is done. While the other scouts might be less effective in battle, at least there are some interesting possibilities for outcomes when they attack.
Kirito kind of bucked this trend in Sword Art Online (at least in Aincrad). While his sword style was a bit weird to begin with, it was always fun to watch. This only got better when he demonstrated his dual wield ability which was unique in the game making his ability actually one of the more interesting in the story.
However, Sword Art Online decided to kick its own hero when they introduced magic in Fairy Dance, and Alicization has taken the Bleach approach where swords aren’t always swords. Suddenly, Kirito isn’t looking all that crash-hot even in his own series, though he is still one hero who kind of breaks this trend of having the most boring power going.
Actually, there are plenty of cases where the hero does have a cool power or hidden ability. The problem is, with a lot of these powers they are so OP that they kind of instantly end fights once they get going or can’t be used because of the general scale of destruction. So even when a hero has a very cool ability, its use outside of final battles is pretty minimal meaning we’re watching a hero fight at less than full capacity in a lot of fights and it doesn’t always make for engrossing viewing, particularly when you know that they can pull out another power if things get really tough.
For instance, Bell in Is It Wrong To Try To Pick Up Girls in a Dungeon has a very cool attack. Admittedly, I like Bell’s fighting style anyway where he relies on speed and his fairly small knife, moving around his enemy and wearing them down rather than just smacking them really hard once. Bell’s fight against the Minotaur is still one of my favourite fights ever and for all that there are stronger warriors in DanMachi, Bell is actually just great to watch in action.
But, his Argonaut Skill is definitely an overpowered skill, tempered by the long time it takes to activate. In order for Bell to get a decent strike in with it, he requires a lengthy interval in which his companions are likely to get splattered if they aren’t careful. While the results of this attack are fairly spectacular, it essentially boils a fight down to the flies buzzing around an enemy and distracting it long enough for Bell to get a decent fly-swat and one punch end the battle.
Is there a solution to this? I mean, we want our heroes to win their fights and having a fairly unstoppable attack more or less guarantees it. Though, such a large scale attack usually ends up looking much the same as every other large scale attack. The personality and distinction of an ability is washed away by the effects given to promote the size and scale of the attack.
Anyway, as I said at the start, this wasn’t an overly serious post. I’ve just been thinking through anime heroes and wondering why more of them don’t have unique or interesting powers and why so many end up with giant swords. I’d love to know your take on anime heroes and whether they have interesting powers or not so leave a comment below.
Thank-you for reading 100 Word Anime. Join the discussion in the comments. Karandi James
Kirito and Alice are finally back inside the tower after far too many episodes hanging off the edge. Amazingly enough they didn’t even make us watch the final stretch we got to actually just be at the top with Alice realising that Kirito had carried her the rest of the way. But, no time to rest because they need to track down Eugeo.
Through a bit of magic they track down the sword and find the leader of the knights but no Eugeo. I think the bit with the knight turning into stone was meant to be emotional but honestly we barely knew the guy and he didn’t leave much impact other than yet another obstacle so this was mostly just an on the way to the actual final act.
They then go to the senate and act all shocked by the horror of how people are treated by the administrator, bit late now really to be worried about that. Then Alice and Kirito find the clown guy, they all babble a bit, the clown explodes, only doesn’t, and runs away leading them to… Well, we found Eugeo.
I’m just going to point out, I really like Eugeo’s new look. It is definitely working for him. Now, do I think he has a chance of beating Kirito in this fight? Not really. Do I really get why Eugeo wants to fight Kirito other than generic brainwashing motivation? Nope. And why isn’t Alice getting involved if they really want to stop the Administrator because surely it would make more sense to dump Eugeo on his backside and go actually do the thing they need to do and then deal with it later, but hey, I’m pretty sure we’ve all wanted to see a serious Eugeo vs Kirito moment so logic be gone because we’re getting that fight. Also a tease about Kirito dual wielding again before that got snatched away from us.
Honestly, this episode progresses things along. I’m not really sold on Alicization and how this story is rolling out or its pacing, but this episode was fairly competent and had enough interesting moments in it. Plus, did I mention they set up a fight between Eugeo and Kirito? That on its own might be worth the price of admission (watching twenty episodes to get here) if they don’t exposition us to death mid-fight, have some silly interruption before they get serious, or unless Kirito just beats Eugeo down in one swing. In which case it would all be a fairly pointless build up to nothing.
Sitting back and looking at the eighteen episodes we’ve traversed so far of Sword Art Online Alicization as Kirito recalls events for Alice as they sit on the edge of the tower kind of made me really think about this series. Recap episodes are always hit and miss on their own. They are seldom needed and seldom interesting (occasionally an anime like Kimi ni Todoke shows us the gold star of recapping where we get an entirely fresh perspective on one of the supporting characters), but most often they just make me skip them. In this case, I decided to watch the recap because part of me has felt like maybe I’m just missing something in this series given all the hype about this story before it started.
However, the recap episode makes it abundantly clear I’ve missed nothing. In eighteen episodes an incredibly small amount has actually happened and we can probably point our finger at the exposition for that. The pacing of Alicization isn’t so much slow as it is incredibly uneven. The first episode was almost entirely Alice’s abduction and then Kirito getting injured which sets up why he’s in the Underworld but that is one long introduction for information we could easily have been given through other characters later. In fact, we have been given this same information over and over again.
Alice was taken from the village. Eugeo recalls this event to Kirito in pretty much the next episode when they meet after Kirito is injured. Asuna hunts down where Kirito has been taken after his injury in episode 5 and we could easily have found out how he was injured in that episode which would have made for a great opening to the episode, and sped up how fast we got into the main story. What is actually happening to Kirito is explained in this episode as well so practically nothing out of episode 1 ends up being overly needed even though it wasn’t a bad episode in and of itself.
This series lurches forward in leaps and bounds and then stalls. We skip time as we leave the village with Eugeo and Kirito and then end up at the sword school. In the intervening time Eugeo has been taught by Kirito how to fight with a sword (and wouldn’t that have made the more interesting story then introducing their senpais who essentially teach them one thing and then graduate the school and leave the story – I do assume we’ll see them again but really). Same as at the village though, a whole lot of general chit chat and nothing happens before things finally escalate and ultimately Kirito and Eugeo are arrested and transported to the next set piece which is the tower they are currently climbing. But the pacing doesn’t improve as we get whole episodes of chatting and flash backs followed by some plot progress to move back into exposition.
To say I’ve been largely disappointed with how Alicization is playing out would be an understatement. I like Sword Art Online as a franchise and I really like Kirito as a character. Some of the best moments early in Alicization were when Kirito was allowed to just be Kirito. However, this new and older (I will not say wiser) Kirito talks way too much and has moved from being an enthusiastic gamer and supporter of virtual reality to an almost sermonising elder. Part of that is his teaching Eugeo and Kirito having to assume that mentor role, but part of it has been fairly poor handling of his character and a lot of what made Kirito fun is lost in the process. Where’s the guy who would happily chill and take a nap just because he liked the weather or even the guy who feared for his own life? We had a small glimpse of fear when he was fighting goblins but since then Kirito has been pretty flat emotionally.
I do like Eugeo’s character and I like how he is growing and developing. That’s probably my favourite part of Alicization so far and the most recent episode where we saw Eugeo fight on his own for the first time was actually pretty great.
But these small moments of victory and enjoyment aren’t enough to overall off-set how slow this series is moving, how even the pacing is, and just how ordinary the story has become. I know someone will jump in the comments and tell me to wait because there’s good stuff coming and the light novels do this, that and the other, but even if Alicization did pick up now, could I honestly recommend someone sit through the previous 18 episodes?
At this point I’d be more inclined to tell them to watch the recap and pick it up from there and that’s only assuming the story does ever pick up.
The focus this week is tightly on Eugeo facing the leader of the integrity knights (and former village legend) alone. This is the first time we’ve seen Eugeo on his own without Kirito’s guidance, and he’s up against a tough opponent. it’s a fairly great character moment for the Eugeo as we see his choices this far up the tower.
Let’s get it out of the way, the fight is not as dynamic as some of the fights we’ve seen in Sword Art Online. As much as Kirito is the one who originally trained Eugeo in swordplay, Eugeo isn’t Kirito and for that I am glad. It means his style isn’t identical even though there are clear parallels. So where Kirito would go faster, harder, and straight into the fray, Eugeo is happier to leave some distance and take advantage of his sword’s abilities.
Which is where I will sing the praises of this fight sequence. Eugeo unleashing the sword and not just doing that and being done but then taking full advantage of sword, the environment he was in, and lastly, his own age to ensure his victory in the fight. It is pretty, it is well thought out, and with the exception of an interruption when we get a flash back to the cardinal to hit us with some exposition that was actually kind of unneeded at that point, the pace of this fight is very well done. It is an enjoyable visual spectacle in its own right and hearing Eugeo explain just why he dislikes the integrity knights clearly, in his own words, without interference from Kirito, is a great moment.
That actually leaves the interruption at the end of the fight leaving a slight sour taste because not only is the character who literally bounced into the room clearly not a character we can take in any way seriously, it seemed kind of cheap to take the decision of how this fight would end away from Eugeo. Not to mention this bouncing ball of annoyance seemed more like a character who would drop into a Hunter x Hunter fight rather than Sword Art Online.
In case we thought they’d forgotten Alice and Kirito though, the final moments of the episode have them chilling and sharing steamed buns on the ledge outside the tower. It is pretty reminiscent of Kirito and Asuna sharing bread with cream in Aincrad but otherwise doesn’t have much going on. I mean, Kirito reminds Alice about her sister but given they then end the scene before that goes anywhere I guess we’ll deal with that next week.
For all the readers of the light novels heralded Alicization as the arc that would ‘save’ or ‘fix’ SAO, I have to say 13 episodes in and the anime is not impressing. Mostly because where exposition dumps occurred in earlier seasons of SAO, due to the limited number of episodes given to a particular arc, conversations had to wrap themselves up and get to a point. However, Alicization being given a massive episode count from the beginning, is really just stretching out fairly thin subject matter and delivering episodes like this one that you could literally just fall asleep during.
If you think I’m exaggerating, I hate to disappoint. Almost three quarters of this episode is given to Kirito listening to the Cardinal whatever as she drones on about the Administrator and her failed attempt to beat her that ended up with her trapped in the library. Admittedly, they do show some of the action, but it doesn’t take away from the fact that the events are being narrated to us which kind of takes any kind of excitement out of the sequence.
Wait, I forgot she also states that her plan is to destroy all the copied souls inside underworld except for like ten that Kirito can pick and then she asks for a hug in the most awkward manner possible made only more awkward by Kirito’s continued lack of ability to pick up on the cues of those around him.
This episode is SAO at its absolute worst including absolutely everything that I do find tiresome about the franchise in one twenty minute episode with no relief to be seen. Even Eugeo and Kirito dramatically walking side-by-side through a door into a hallway at the end ready to start their climb up the tower couldn’t save this from being an absolute snore fest because to be honest I’m getting a little over waiting for things to actually kick into gear. It feels like Alicization has been making me wait a lot and now the pay-off is going to have to be huge if it is going to undo some of the general apathy I’m starting to have toward this series.
I won’t drop Alicization. I know that. I loved Sword Art Online and I will stick with this franchise no matter where it goes at this point. However, I would be lying if I said I was actually still enjoying Alicization at this point. My enjoyment kind of peaked at episode 4 and given how many episodes we still have to go, that might be a very bad thing unless the anime starts turning things around.
Sword Art Online Alicization continues to do what it does best – give us a short but reasonably interesting action sequence followed by a lot of sipping tea and talking. Oh boy.
It isn’t that the information conveyed in the second half of this episode isn’t important. It kind of explains the fundamentals of how Underworld got to the state it is in and why it is a little messed up. Though, to assume that only one of the original four humans passed on the idea of ambition and that no soul after managed to just figure out it wanted more is kind of overly simplistic and we could open the whole nature vs nurture argument on this one but let’s just shrug and go along with the logic here that whatever you are taught as a kid sticks.
The problem is more that once again Sword Art Online looks at the most boring method of delivering information to its audience. First the episode sends Eugeo away to have a bath because he got wet during the fight and that means Kirito doesn’t have to worry about keeping any secrets about not being from Underworld and can have an open conversation. That’s fine and fairly necessary if we’re going to learn what we need to learn. But why then do we need to watch Kirito and the Cardinal whatever sitting drinking tea while she slowly narrates events? Surely they could have shown the audience what happened and let us experience it rather than just telling us that this happened.
Admittedly, it would have needed multiple episodes to show us that kind of flash back. If only they had some more time in this series. Oh wait, they wasted half of last week on a conversation between Eugeo and Kirito that added nothing to either character and just delayed the fight until the end of the episode. And previously… well we could trim minutes more or less everywhere from this series.
It isn’t that I’m not interested in this story. I actually really like the ideas so far. It is more that the execution and the pacing have been lacking. Even the brief moments of action haven’t been enough to break this up or make it overly exciting to view. There’s a lot of potential in this story, but I’d struggle to recommend this given 12 episodes in and it still feels like we’re setting things up and unless you are already a big fan of the series, listening to all that exposition isn’t going to be high on a viewers list of priorities.
There are so many anime that cram a million ideas into eleven or twelve episodes and fans end up saying, ‘that was good but I wish it had more time’. When Alicization was announced we also got the announcement that it was going to run for four cours which is a massive length of time in seasonal viewing. That was kind of exciting. Having that much time meant the story didn’t need to rush through things and the story could be planned out and paced well.
Unfortunately, eleven episodes in and I have to concede that it isn’t what we are getting. While I have no idea what happens in the source material or what needs to get covered (nor do I really want to), as an anime viewer, Sword Art Online Alicization is missing the mark over and over again. There are exciting moments but they are scattered far and wide and the narrative in-between is anything but exciting. Not even the nostalgia of being reunited with Kirito (a character I actually quite like) is enough to keep me from starting to wonder if maybe they could have given this story a much tighter edit and produced something far more engaging to watch.
Episode 11 is a great example of what this series has consistently done wrong. It starts with Eugeo getting knocked down by Alice which is a fine enough transition for us given he was all stunned that he was seeing Alice, so no problems there. Then we see Eugeo and Kirito chained to the dragon mount about to be flown to the citadel. No issue. However, let’s delay the journey we started so many episodes ago yet further by having a tearful farewell from the pages who also hand their swords over to Alice.
You know, they could have just had the swords already strapped to the mount, handed over by the school, if they really needed viewers to know that Eugeo and Kirito would in fact get their swords back. This whole sequence was more amusing than emotional and to be honest I’m not sure how invested we’re supposed to be in the pages given they’ve been used strictly as plot devices up until now and with the scene change it is hard to know whether we’ll ever see these characters again.
The sequence in the cell works well enough though just when they are about to escape, Kirito decides to question whether Eugeo is ready to go against the church. Again? Really? Hasn’t this issue already been clearly established and put to rest? It really feels like a rehash at best and bloat at worst and it adds nothing.
Jump a few minutes later to the boys pausing in the rose garden for a heart to heart. Again, it adds nothing to either character. It adds nothing overall to the plot. Every part of this conversation feels like we’ve heard it before and it is neither interesting at this point or particularly relevant to the current situation.
Finally, we get to the end of the episode where they encounter a knight who has apparently been waiting for them in the garden and they all get ready to fight.
So all those overly long pauses and conversations were just trying to time it so the episode could end on this cliff-hanger rather than getting to this fight this episode. Seriously? And while it wouldn’t be a problem if they had kept the conversations fun and interesting, instead we just feel like we’ve heard it all before.
The cut to Asuna was also pretty bland and while we did gain some new information from that, again it was given in the least interesting way possible outside of text scrolling across the screen so no excitement to be found there either.
There isn’t a lot more to say. Sword Art Online Alicization has a potentially very interesting premise that it has so far managed to drag out the execution of to the point where it is almost actually distracting and even as a fan I’m finding myself losing focus mid-episode because not enough is happening. While early on this could be forgiven as setting its scene, we’re now nearly one cour through the show. There’s no excuse at this point for still feeling like we haven’t even finished setting up.
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