A Decade of Anime 2017

Anime of the Decade

Here we go and 2017 was the very first year I covered a whole year of seasonal anime on the blog. It was a big year but more than just watching lots of anime I was actively working to watch anime outside of my comfort zone. That meant there were a few odd titles that cropped up in my watch lists and some of them ended up being well worth the watch.

Some notable titles that didn’t make my final list include KADO (if only this one had ended as well as it began because that ending should be noted as one of the worst anime endings ever), WorldEnd, Princess Principal, Land of the Lustrous and Recovery of an MMO Junkie. Depending on your tastes in anime, all of these titles offer fairly good viewing but still didn’t manage to make the list.

The Rules:

No. 1: No sequels of any kind.

No. 2: Only one anime from each season which gave me 4 picks from each year.

No. 3: Other than 2019 anime, no matter how brilliant an anime was if I hadn’t rewatched it since it aired then it didn’t make the list. If I don’t like it enough to watch it more than once then it doesn’t deserve to be on an anime of the decade list.

Incidentally these anime are not the technical best anime of their seasons but are the ones I would pick if I could only watch one anime from that season. They are anime I loved, for whatever reason, and felt deserved to be remembered.

Best anime 2017 edition

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With its jazzy introduction, striking character designs and a plot that is woven throughout its entire run-time, ACCA was an anime that got my attention early in its season and held it all the way through. While not as thrilling as some anime and certainly light on action preferring instead to progress the plot through subtle character interactions and world build through food and clothing, ACCA still ended up being great fun full of colourful characters.

Of course the best thing about it is a very conclusive ending. The character lives go on but the central plot has been resolved in a satisfying manner and the point that needed to be made is made.

Where ACCA may fall down a bit is that it is a slow burn with small pieces of the puzzle gradually coming together. It isn’t a style of story telling for everyone and the more subtle characterisation isn’t overly attention grabbing though for those who stick around you will be rewarded with characters who have quite a lot of personality and depth bubbling away under relatively sedate exteriors. Honestly, I just really enjoyed this anime and could do with one like it each year.

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Sagrada Reset


Okay, I probably do need to defend this choice. This was an anime dropped by a lot of reviewers and I know my early episode reviews (particularly in the middle of the first cour) were not exactly flattering of this incredibly slow paced and awkward little story.

Actually I was downright critical by the end of the first cour and ready to drop the show. However, given I did make it to the end of the 24 episodes while this was airing I came to the conclusion even then that Sagrada Reset had an amazingly well structured narrative. You just don’t realise it until you watch the end of the series and see how every little piece does come together and even the seemingly most random and pointless conversation or object actually does have some purpose.

On rewatch, identifying all these little points along the way is actually very satisfying and while the stilted dialogue and very stilted characters are still a little hard to take, there’s definitely some merit to this one.

Ultimately, Sagrada Reset has flawed execution of what was a fairly ambitious narrative. While it does at times try to be cleverer than it is and it certainly could have presented the entire package with more enticing characters and visuals, having now watched this more than once

I do feel its an anime that will do better outside of seasonal viewing only it more or less vanished from discussion before it was even done airing. While there were certainly better anime in 2017, Sagrada Reset is one that has drawn me back numerous times since and despite my initial negative reaction to it I’m now in a place where on reflection I can say I’m very glad I watched it.

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Made in Abyss


There’s only one thing that stops me declaring Made in Abyss a masterpiece but it is a pretty bit thing. Largely it is that this season that aired in 2017 feels like a prologue to a story we still haven’t gotten to see. It is adventurous and fun with some fairly tense and dark moments as well as quite a dose of the grotesque, sharply contrasting with the pretty cute character designs, and yet the narrative really does feel like we are still just getting started when the anime comes to an end. Although these episodes have done a brilliant job of making you want to uncover the secrets in the abyss so some excellent points there.

Visually, this one is a work of art and the design of characters, creatures, and settings are truly spectacular. Work in some brilliant sound design and you have an anime that sets the right tone with sound and visuals more or less every scene and it is amazing what a difference that can make to immersion within a story. Honestly, Made in Abyss is just good and if it actually ended it would be one of those unmissable anime titles.

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Girls’ Last Tour

best anime 2017

The year that was 2017 closed out with this quiet gem of an anime, Girls’ Last Tour. This was an anime of contrasts. Cute female characters against the bleak end of the world setting. The upbeat opening song which included the girls dancing and even dabbing and then episodes where they declared things like making friends with hopelessness. The girls have no destination and merely travel looking for whatever they can find in order to keep eating and living. As they have no goal there’s no arrival at the end and the story is broken more into half-episode stories where the girls find or interact with something new and then they move on.

This one snuck up on me as I did not expect it to have the impact it did. Ten minutes watching the girls make music with tins and raindrops was actually truly wonderful because of how the visuals, sound and characters interact. More dangerous situation where the girls faced crumbling infrastructure or came across other survivors added a bit of variety into what was essentially a two girl story. While Girls’ Last Tour isn’t a perfect anime, it is one full of amazing moments that are each worth watching. If you missed this anime in 2017 you definitely need to give it a shot.

Anime of the Decade

2017 is done and I have two years left before I’ve covered the whole decade. However, before we get to 2018, let me know what your picks from 2017 were.

Thank-you for reading 100 Word Anime.
Join the discussion in the comments.
Karandi James

Check out my favourite anime from each year over the last decade:

The Promise of Later

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There’s a definite trend for anime that start slowly or have a lull in the mid-section to be defended by staunch lovers of the source material using the phrase ‘it gets better’. Usually with a ‘trust me’ thrown in there as well. This is “the Promise of Later” and I’ve kind of used it myself with Saihate no Paladin because such an epic story needs time to get up and off the ground.

So often times it is actually quite correct in that the story does find its feet and pick itself up. However, does that actually make the story any better in the first place if the only way to defend it in the early days is to argue that something better is coming?

I guess we could point out that viewers these days are fairly impatient beings and with so many anime available to them each season it is easy enough to simply not want to play a waiting game. Why wait for one title to ‘get better’ when another title simply is ‘better’?

Endro Episode 8

Now, I know I am an impatient person. Given I’ve suggested things like skipping the first 100 pages when reading To Kill a Mockingbird as you won’t appreciably miss any of the plot by doing so, though you will lose a lot of character and world building. I guess it depends why you are reading the story in the first place and whether you really get immersed in all that set up or just keep turning pages to see when the ‘plot’ might appear.

But yes, that book tried my patience to no end and even though the trial and the message in the second half of the book are actually pretty solid, I really felt like I wanted the time spent reading the opening act back.

However, I’m perfectly happy to wait a reasonable length into a series with an interesting premise for it to find its feet even if the opening act isn’t exactly blowing me away.

Does the promise of later sway your decisions?

Of course, that results in me watching quite a number of anime that just never find their feet and end as boringly as they started, or worse, they go in weird directions and just kind of implode. Caligula would probably fit into this category. I didn’t drop it even though there were plenty of poor episodes early on and plenty of warning that it was going to be a mess. However, I wanted to give it time to find its way and finish its set up. Too bad it never got any better.

Caligula Episode 11

Yet there comes a time during a season where you have to wonder if the time being sunk into watching is actually going to be worth a later payoff. In the case of Sakurada Reset, it turns out it really was. Now, I still don’t fully recommend Sakurada Reset to any but the most avid anime fan given there’s a lot of set-up time and I very nearly walked away from the anime mid-season. But…

See, there’s that ‘but’.

It gets better.


The ending of Sakurada Reset was one of the most satisfying narrative conclusions I’ve seen in anime and while it isn’t the best, by any means, I felt that all of the set up time, the weird stilted dialogue, the seemingly disjointed stories, and the general frustration felt while watching individual episodes of the story, were worth it for that ending. Everything came together in a way that so few shows manage and it just felt like reaching the summit of a mountain and getting the most gorgeous view imaginable.

Still, if someone else were to watch the first few episodes and tell me they dropped it, I would fully understand. I would try to argue that they should be more patient and give it more time because it is quite the slog to get through and I remember how tiresome some of those mid-season episodes were.

Run With The Wind Episode 4

There’s also Run With The Wind, that has built up to a second half that is truly unmissable. Yet would I blame anyone from walking away in the first half? When I hated one character entirely for a large chunk of the first cour, didn’t really connect with a lot of the others, and found the training sequences less than compelling and it was really only direction, visuals and sound design that really kept me hooked (and Prince as he has some of the coolest lines imaginable).

I really can’t say that everyone is going to think that the ending is worth it (particularly as we aren’t yet at the end). What I will say is I am super glad I kept watching because wow that has been one of the best emotional payoffs in a long time from anime.

Run With The Wind Episode 7 Prince

But I’ll turn my attention to Sword Art Online Alicization. I was really looking forward to more SAO, and not a spin-off without Kirito, but genuine SAO. Alicization as an arc has been talked up by those who have read the source so much so even though I tried to go in with reasonable expectations, there was this sense that what was coming should be amazing.

First few episodes had their moments. They got me into the story and established characters. There were sufficient cool and nostalgic moments sprinkled in. Yep, this was SAO and I like SAO and Kirito was back doing his thing. It wasn’t like Aincrad which hooked me from episode one and dragged me into a story that I ended up loving, but it was certainly a promising beginning.

Sword Art Online Alicization - Episode 2 - Kirito

Then we just kind of meandered along. Stuff has happened to be sure but if the recap episode after episode 18 was anything to go by, not enough to justify 18 episodes worth of viewing. And as more and more chinks in the poorly paced and exposition heavy narrative become completely impossible to ignore, the defence that is being mounted is ‘it gets better’.

How much better and will it be worth the time commitment? Well only time and personal judgement will answer that.

Will I drop Sword Art Online Alicization? Probably not. I like Sword Art Online and much like Cardcaptor Sakura Clear Card, nostalgia will get this show a lot of life-lines and keep me watching and hoping.


But if I was asked whether or not someone should start Alicization, would I actually recommend it?

Right now the answer is absolutely not, unless you happen to be a huge fan of SAO and just want more. There are significantly better written and better executed shows airing right now and while Sword Art Online Alicization remains a watchable experience there is very little I could point to that would be something I could recommend to anyone who isn’t a Kirito fan already.

The argument ‘it gets better’ just seems a little hollow here.

Ultimately, each viewer is going to make their own decision about how much time they are willing to give something. Whether they will stick with something for the long haul or whether they will cut their losses early. Each viewer will decide whether the promise of something better later is worth what they are watching right now. But I am interested to know from my readers how you feel about the ‘it gets better’ defence and whether you feel it has merit as a means of recommending someone continues to watch something or whether you are someone who drops things fast when they don’t deliver.

Leave us a comment below and lets get the conversation started.

Thank-you for reading 100 Word Anime.
Join the discussion in the comments.
Karandi James

Sagrada Reset Series Review: Why An Interesting Premise Isn’t Always Enough



Sakurada is a town where the majority of the people have power. One specific power each that can be used under specific conditions. Most of these powers are harmless and fairly useless individually, but this is still a point of concern for those watching over the city. Kei’s power is that he doesn’t forget anything including time even after the world is reset by Misora. By combining their powers they are going to work to help people.


Sagrada Reset (or Sakurada Reset) is a fairly interesting anime. That will probably be hard to believe if you spend even five minutes doing a google search on it and see the parade of reviews of the first, second and third episodes and then see that the internet went pretty silent on this title as a large number of viewers dropped this and moved on. However, this is a 24 episode anime and one that the writers clearly intended people to watch the whole of rather than receiving instant gratification each and every episode, and to be honest I’m really glad I watched this through to the end, despite my own stated desire to drop this show mid-season.

There are plenty of shows where the whole is greater than the sum of their parts and some of those actually manage to be decent week to week, so I guess the question I’m left with is why was Sagrada such a frustrating viewing experience when stretched out from April to early September?


For a lot of the reviews I read of the early episodes, it was the characterisation and pacing that was killing the show. The characters were compared to robots, androids, lifeless dolls and pretty much anything else that has about as much personality as a brick. It wasn’t even that much of a stretch. These characters do spend a great deal of time sitting very still with limited movement other than the occasional head tilt, talking in a manner that to the average listener sounds grossly unnatural. To be precise, the characters are ridiculously precise in a way that no-one ever is when speaking. It is an odd experience listening to them and there isn’t much visually happening to distract you.

That isn’t the same thing as a criticism though. Certainly it isn’t natural, but natural is probably not what anyone intended to go for with these characters. So for the first three episodes, I found these characters fascinating. Not actually good characters or terribly real, but interesting in that unique, what-are-they-doing kind of way. Admittedly, by mid-season, some of that charm had worn off and what I was left with was stilted characters who I will admit now were developing (as evidenced by where they end up) but it was happening so slowly that it was almost imperceptible until you actually reflected back.  Kei in the final episodes isn’t the Kei we met early on despite what the other characters might say and Misora, the emotionless robot girl herself is almost getting close to real person status by the end and you can’t really put your finger on when that transformation occurred because it has been a slow build of a myriad of tiny changes.


Basically, the characters won’t work for everyone and none of them are going to end up on my character of the year list, but I am going to remember them because they don’t fit into the average moulds I’m used to seeing marched out onto the screen in anime. Again, not sure if that is positive, but it isn’t a criticism either. It just kind of is and different people in the audience will respond to them differently. For a lot of people that response is to turn the show off.

The second major criticism of the pacing is a harder one to discuss. The pacing is incredibly slow. Even with a two year time-skip by the time I got to the end of this show’s run it felt like I had been watching it forever. Part of that I think will be solved now that the full show is released and I intend to revisit this show and binge it in three or four blocks to see if that makes the pacing any more tolerable. With the pacing as it is though… Well, you have to either be really interested in the premise or find the characters really fascinating if you are actually going to push through with this one particularly during the first twelve episodes. Fortunately the second half definitely hits the accelerator and while it is still fairly measured, it isn’t making you want to pull your own hair out anymore.


But these aren’t the only issues the show suffers from. It also suffers from a main character whose motives and actual personality are murky. He isn’t the good guy trying to save the world because he can. He isn’t on any kind of ego trip. He doesn’t necessarily want to be the best. He openly admits he is being selfish and that his own goals don’t have any higher meaning other than they are what he wants to do. Basically Kei Asai is the central figure of a story and his actions do drive a lot of the plot but those actions regularly have no significant meaning behind them. There is the motivator of trying to undo the death of Sumire Soma from early in the story, but most of the missions Kei undertakes for the Bureau have no direct connection to that event and it is hard to see what benefit Kei is seeking from his actions sometimes. That made it hard to care whether he succeeded or not, a lot of the time.


Misora isn’t much better. Particularly early on. She seems so empty and useless as a character, her entire identity defined by how Kei sees her. It would be very easy to rant about female characters lacking agency but when we see the entire journey Misora takes, while it doesn’t make her earlier character all that palatable, it makes it hard to get on a high horse about character development. Misora arguably has the most development as Kei, despite changes that you would expect from the life he has lived, doesn’t gain anywhere near as much in terms of personality as Misora does from the events and experiences.

With the two central characters being hard to care about or rally behind, it keeps the audience at a distance from the show. There’s limited investment in the events and in their outcomes early on. Not to mention, Misora’s Reset ability is overwhelming and it is hard to imagine something coming along that she couldn’t fix despite the early blunder where a Reset had already been used making it ‘impossible’ to fix Soma’s death.


Yet despite all these potential criticisms and deal breaking flaws that the show exhibits, there is one thing that having watched it from start to finish that I am very happy with. This is a planned and fully cohesive story. With one exception (that I’m hoping does tie in and I just missed it), every one of the earlier stories and events that Kei and Misora go through in that first half of the series is utilised and drawn back into the central plot as the show moved into and through its final arc. Conversations and ideas that felt meaningless, bewildering, or tacked on and then forgotten, suddenly serve great purpose and come together to make an ending which is rich in meaning and purpose and feels genuinely rewarding. Part of the reward is that you succeeded in the endurance test of not dropping this show, but the other part is that what you are seeing is actually satisfying story telling.

It is the kind of thing that is seen far too rarely in anime. As a medium, anime is there and then gone. One season is quickly followed by another and so many shows come out that viewers take one or two looks (and a lot follow a three episode rule) and make their choices. So shows stack their ideas and displays of prowess and frequently forget the greater narrative leading to stagnating middle-seasons and convoluted or messy endings (or worse, a non-ending). For everything that Sagrada Reset has against it, that ending alone made it worth my time.


But, I wouldn’t have gotten there if I hadn’t been drawn to other aspects of the shows. The main draw for me was the premise. The town of Sakurada was interesting and the way powers could be combined and used for unexpected purposes was enough of a novelty for a slowly moving plot to keep me coming back even at the mid-season point where I seriously considered letting this show go from my line-up. The interactions between the students and the bureau also gave me hope that this story had some greater purpose or meaning in store for us and ultimately it did do something with those ideas even if it was never quite what I expected. And that was the other part of the show’s charm. It never quite went the direction I thought it might go but it never did anything that you could consider overly crazy with its narrative. Everything was logical and methodical and while that may not sound all that appealing, I quite appreciated it.

I will put a warning on this anime though if you are triggered by acts of self-harm. Kei has very little sense of self-preservation and some of his tactics and moves are quite underhanded and on at least two occasions violent. So while this show is not a gore fest or anything of the sort, those scenes are confronting, more so because the rest of the events are so benign.


This isn’t an anime I will recommend because the vast majority of people are not going to like it. However, it you’ve got the time and you like to see something that takes a slightly different approach (not a radical reinvention or innovation but just not exactly the norm), then this is worth watching. If you make it through to the end you’ll probably gain some satisfaction though whether you end up feeling it was worth the time it took to get there is something only you can decide.

Thank-you for reading 100 Word Anime.
Join the discussion in the comments.
Karandi James