The Moment You Fall in Love Review

Overview:

Hina’s fallen in love with an upper classman but then he graduates and goes to highschool. She follows along a couple of years later but still can’t approach him. Meanwhile, her childhood friend and neighbour only has eyes for her and has also enrolled at the same school. And just about everyone else in the show has a crush on everyone else.

Review:

In case you were thinking from the overview that this does not sound like my kind of thing, you’d be right. But every now and then I am in the mood for a sappy romance and this seemed like it would be a good use of my Sunday evening. I wasn’t exactly wrong but I wasn’t exactly right either.

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For sixty minutes, this is going to feel longer. Much, much longer depending on your taste in music. I’ll get this complaint out of the way first because it is the biggest one. You get around five minutes of story and then the music starts and you get a montage. There’s a study montage, a pining over the girl next door montage, a working together montage, a anything that my vaguely be a development in the story montage. While these musical interludes are all interrupted for a few lines of dialogue, mostly you’ll just listen to the music and watch characters go through the motions of telling a story. Whether this charms you or bores you silly will depend on whether this soft rock poppy music does anything for you or not. I was kind of on the fence. It wasn’t hideous enough for me to mute it but neither was I enthralled and the visuals were okay but not rich enough to make up for the long periods of time these scenes took up.

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However, if that isn’t going to be an issue and if you happen to like love stories told through music, you will probably enjoy the rest this has to offer. The characters are all pretty standard as are the developments. It is pretty obvious from the start who Hina is going to end up with in the end but watching her work through her emotions is still enjoyable enough. She cries a lot though. And part of me kept wondering if I was supposed to care more about her sadness but it was more just kind of another step on a fairly predictable journey so I didn’t really feel that emotionally invested in it.

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I didn’t mind child-hood friend and neighbour. He’s also pretty stock standard in terms of a character but of all the characters in the story he’s probably the one I’ll actually remember next week from this story. That said, he needs to ditch his friends. What is it with anime boys having that sleazy friend that they get embarrassed by but they never seem to tell them where to go? Do these characters actually hang around people who deliberately make them uncomfortable for a reason?

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I was also pretty happy with how the classmate developed. At first she seemed the typical rival/troublemaker existing only to throw a spanner in the works. While she doesn’t get a lot of development (sixty minutes and most of it taken up by montages), she actually has a nice turn around in her character arc and its kind of sweet. Part of me wanted her to get a happy ending out of this as well.

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Basically, this isn’t doing much more than a lot of other romances and while it is doing it okay, it isn’t great or mind blowing. Certainly not a terrible way to spend an evening by neither is it something I’m going to really think about in the future.

If you’ve had a chance to watch it I’d love to know your thoughts.

The Moment You Fall in Love is available on Crunchyroll.


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Kuromukuro Series Review

Overview:

Kennosuke is a samurai who lived 450 years ago when ogres attacked his home and killed/kidnapped his Princess. Trapped in some sort of suspended animation, he is woken when the ‘ogres’ return and finds the world is a very different place.

Review (there’s a few spoilers):

I haven’t watched a lot of anime on Netflix, mostly because there isn’t very much available in Australia, and most of what is there is already available on other services. Still, I’ve tried a few now of the Netflix originals and for the most part found them watchable, bingeable even, but not overly remarkable. Kuromukuro doesn’t do much to buck the trend there.

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In all seriousness, I actually finished a watch of this series in very quick order and then had to go back and rewatch bits for the purpose of review. Mostly because what this story does right is keeps you wanting more at the end of each episode. Things are happening. The plot continues to drive forward. It doesn’t matter that it is predictable and gimmicky, it just keeps driving onward and you get to the end credits and you are jumping straight into the next episode because anything else just seems silly.

I was going to review season 1 and season 2 separately (given Netflix so nicely insists they are 2 different seasons and labels them as such) but given episode 13 (final episode of season 1) ended with one of the main characters getting run through with a sword and being critically injured and that’s where it ended I kind of just kept watching. Even though I knew that’s why they did and even though it annoys me when stories pull those cheap emotional stunts to make you wait for the next episode or season. This show got away with it not annoying me because all of season 2 was already sitting there but if I’d had to wait 6 or 12 months there’s a good chance I’d have never gone back to it.

So other than my petty dislike of being overtly manipulated as a viewer, what works in this show and what doesn’t? Let’s go for a plus/minus approach.

Plus +

The cast works really well. Okay, every character is actually a walking archetype at various times but they also get small moments where they get to be real humans even if only momentarily, and there are enough cast members that none of them really hang around long enough to get too painful. I liked the dynamics of Yukina’s family, I liked her group of school friends, I liked the UN office workers and researchers, and I liked the soldiers. They all just kind of did what they needed to do. Are any of these characters going to make my favourite ever list? Not a chance, they are pretty forgettable. But, within the context of the story they are in they work remarkably well.

Plus, I really enjoyed the romance element that came into it later on. It was kind of clear from the start they were going to go there, but it was actually kind of sweet when that part of the story got moving.

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Minus –

The villains are all but cape wearing, cackling clichés. And no, they aren’t quite that bad but they get close at times. Initially one of the ‘ogres’ gets killed by Ken and then they said another, single warrior against him. Then they have this weird honour thing where they can’t return if they don’t win and they like one on one battles (though using puppets to pin your enemy down apparently doesn’t count as cheating). It’s all kind of depressing because it reminds me of Beryl’s minions in the 1990’s Sailor Moon and the main villain is about as useful as Beryl really. Turns out he isn’t the actual big bad because he’s also just a cog in the works of a much grander plan. Whichever way, there wasn’t really much satisfaction to be found from overcoming these villains because they were pretty much basic plot points derived from other stories and they weren’t particularly interesting. The only ‘villain’ who gets some points is the clone of Princess Yuki and that’s only because it ties in nicely with Ken’s story and Yukina.

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Plus +

While the fights are not using the smoothest animation ever, they actually give you a feeling of speed and you feel some real concern for the pilots at times (even though it becomes obvious fairly early on that this show isn’t interested in permanently knocking off any of its main cast even when they deserve it). As a result, the fights are pretty fun to watch even once the outcome becomes inevitable.

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Minus –

How many clichés can you pack into a single show? While this show probably isn’t the worst offender ever for this, some of these just felt so unnecessarily tacked on. We had the pool scene, because high school right, and yes the transfer student who is actually a 450 year old samurai, and the school festival of course, the overlooked love interest, the cosplaying best friend, the useless female teacher (hate that one), the teenage mecha pilots, the hot springs trip, the doppelgänger, the 450 year old machine that still somehow works perfectly, the internet obsessed guy, and so on. While some of these were used well within the context of this narrative, others, as I said, felt really unnecessary and like they existed just because the writers were told to make an anime so they did. Clichés aren’t always bad, but some of these just weren’t needed.

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Plus +

I kind of like how this ends. Yeah, there’s still plenty of story out there but it really feels like they brought things to a close. Particularly given the five year time jump (which doesn’t seem like enough given the changes but we had a dialogue line of explanation on that one) which gave us insight into what everyone had done and was doing and really gave the series a sense of closure. Such a rare feeling with anime.

Minus –

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Okay, this one is a minus I don’t normally point out or worry about and most people won’t care, but I found the sub-titles to not be great on this one. I’m aware subs don’t always direct translate and the people who sub things think about the intended meaning and flow and all sorts of other things (or at least if they are good they do, some terrible subs just direct translate everything whether it makes sense in English or not). However, there were a few instances in this where I had to wonder if the sub-title was making it less clear what the intended meaning had been. My Japanese isn’t great so I usually assume that the subs are closer than what I’ve translated and the problem is on my end, but there were a few times where I actually went back and re-listened because what I was reading was definitely not conveying the idea the same way I’d heard it. Again, the problem could definitely be on my end but it was a distraction from my viewing.

Mostly, this is a lot of fun, but there’s not a lot of depth and nothing much to take away from it. If you want to watch some giant robots smash each other with samurai swords, and a vaguely moralistic message about the general nature of human beings and organisations (and if you want aliens, ogres, and nanomachines thrown into the mix) then you’ll probably have a great time watching this. If you’re wanting something that requires a bit more thinking than maybe look elsewhere. Definitely a popcorn viewing anime but not memorable.


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Super Lovers Season 2 Series Review

Overview:

Super Lovers season 2 picks up with Ren and Haru pretty much where season 1 left off. Their relationship is in limbo. That said, Ren is actively becoming more aggressive in his pursuit of a relationship this season.

I reviewed Super Lovers season 2 week to week over on my patreon, however the posts are public so feel free to check out my episode thoughts here.

Review:

There’s not much to say about this show. Either you made it through season 1, in which case you would probably continue happily on to season 2, or you didn’t. Season 2 does bring some revelations to the table about the accident and the various decisions made by the parents regarding the various adoptions, but mostly its more of the same. Ren and Haru don’t communicate well, some problem ensues, both look like a hurt puppy for awhile, and then one or the other manages some gesture that gets them both back on track.

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The support cast remain more or less one note. In fact, this season they feel even more tagged on, existing only to offer the occasional commentary on the relationship or be an audience to Ren or Haru’s various crises. Even an additional cast member in the form of a cousin with a complicated relationship to the brothers (who doesn’t have a complicated relationship in this show), doesn’t do much to liven up the support cast.

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Jealousy plays a key role through most of the story. Both Ren and Haru are possessive and for me that is most problematic thing in their relationship. The age difference is a little cringey, the could be brothers but not biological is a little off-putting, the power imbalance given Ren is dependent on Haru certainly concerns me, but the possessive nature of their emotions is where the relationship really sours for me. It kind of ceases to be cute and becomes close to emotional abuse when they both try to cut off the other’s relationships outside of themselves. The only consolation here is that it isn’t one character doing to the other but both characters are acting in an equally possessive manner.

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Really, though the largest problem the series faces (not the relationship but the show) is that the plot is practically non-existent. We just kind of drift from moment to moment with these ideas strung together only by the tenuous thread of where Haru and Ren are up to in their relationship. Its like trying to plot something from someone’s Facebook relationship status and its about as coherent really. It’s got a job, fought with my ex, had a dinner party, totally in love, invited on a date,  fought with my soon to be ex, went to the beach, and so on and so forth. The story is not compelling.

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Overall, I probably could have just stopped watching this at any point. I’ll admit, I’m still a little curious about where the two characters will ultimately end up and there was nothing so unwatchably bad about this season that I actually wanted to quit, but neither was I in any rush as the next episode came out. My episode reviews ran about a week behind the release of the episode which gave me plenty of time to delay watching and find other things to do.


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Tsukigakirei Episode 1

Overview:

Shy girl on track team meets shy boy who wants to write after being assigned to the same committee.

Review:

This one is pretty much a nothing start. The character designs (well more the colour scheme) is a little bit obnoxious, but otherwise there really isn’t anything to complain about. There also isn’t a lot to praise either.

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The main character reminds me a lot of Naho from Orange (and I remember how much I liked watching her) but there’s nothing so far that’s really a problem. Mostly this episode seems to be setting things up. It’s slow but pretty standard fare. I’ll give it another episode though this one is not a high priority for continuing at this point.

Tsukigakirei is available on Crunchyroll.


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One Week Friends Series Review

Overview:

Hase has been interested in Fujimiya for awhile but when he finally finds the courage to ask her to be friends she bluntly rejects him and then runs away. Later, he finds her on the roof and for a week they start to talk and get close before she starts to push him away again. Turns out Fujimiya forgets her friends every single week (total reset). After learning this, Hase becomes more determined than ever to make friends with her, every single week.

Review:

I often wonder where writers for manga and anime get their information about how amnesia works. While it isn’t totally impossible someone would forget part of their memories each week, nor is it totally impossible that they would just forget what aspect of their life, but to forget just one specific set of memories every single week on the exact same day is probably pushing the notion just a bit for the sake of a cheap plot device. And it is a cheap plot device. They can go through the same sequences of events over and over, the conflict is built right into the premise, and there’s all sorts of things that can go wrong for the main pair. Everything about this story is designed to make you feel for their plight but the question remains of whether or not it succeeds.

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One Week Friends succeeds at being an interesting take on the troubles of teen friendship. Why do people make friends? What stops them from being friends? How much work does it take to actually become a friend? And at what point are you friends rather than just acquaintances?

It also succeeds relatively well at being an okay slice-of-life drama thing with the gimmick of memory reset just being the device that stops us from getting too gushy as Hase and Fujimiya get closer and closer.

Where it fails to succeed is at making either of these main characters actually likable and as a direct result while there is interest in the premise the actual steps on their journey kind of lacks emotional impact.

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Hase is too nice. He just is. He wants to be Fujimiya’s friend for whatever reason. I know he explains it and he justifies it to his friend (particularly when his friend points out that this particular friendship is more trouble than it actually seems to be worth at the time), but I never buy his attachment to Fujimiya other than he’s the nice guy who can’t leave the puppy out in the rain. The side-effect of not really getting his drive is that some of his actions become questionable. For instance, when Fujimiya loses her journal (in one of the most contrived ways to ramp up tension in a story I’ve ever seen) and also knocks the sign on her door that tells her to read her journal down, Hase ends up spending days looking for said journal in the long grass by the river where he’s convinced (despite a lack of any evidence) she must have lost the book. There’s optimism, there’s plot convenience, and then there is sloppy writing that we’re supposed to forgive because isn’t it sweet how they made up.

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Conversely, Fujimiya is just kind of dull. At first she’s stand-offish and you get that she goes through the pain of forgetting people each week if they get close to her and her friends act all horrified the next week when she can’t remember them so it is easier to avoid people.That part of her character is totally understandable and is by far the most interesting part of her character. Once she starts with Hase though she quickly becomes just a nice girl. She’s incredibly passive, allowing the uncertain Hase to drive almost every encounter and step they take as she works toward recovery of memories, and mostly she does not seem all that interesting. Instead, Hase and Fujimiya start doing all the usual high school things as though they are dating but they are just friends. Hase asks her to be friends each week. It’s all very, “What’s the point?”.

Saki and Shougo as support characters fare better but Shougo is pretty laconic so while he does drop a rare gem of a common sense line of thought into the story he is far too often silent and merely watching the action. Saki is irritating in every way as a character but she balances out Shougo and her appearance in the story very much helps make Fujimiya just a little bit more bearable so all and all she’s kind of a necessary introduction to the cast.

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I’m not going to talk about the trauma that caused Fujimiya’s condition or how this story resolves but to be honest there are better shows out there if you just want to watch someone’s heart get stamped on week after week. There are better shows for manipulating the audience with contrived plots, and there are better shows for developing teenage characters. Other than the gimmick itself of memory loss there’s just nothing here that is new or fresh or interesting.

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That doesn’t make this bad. If you ignore the limited possibility that anyone could have such a condition, the story plays out as it needs to and moves along at a slow but steady pace. It isn’t particularly flash but it gets the job done and there are some good scenes that genuinely make you think. So it isn’t bad, but it isn’t great. Your enjoyment will largely come from whether you find Hase’s relentless desire for Fujimiya’s friendship appealing and whether you accept the overall premise that the show lays out before you.

If you’ve seen this one I’d love to know your thoughts.


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Spiritpact Episode 10

Review:

I really wish we knew going in how many episodes an anime was going to have. I don’t know if this was the final episode or not, but it really felt like a season finale. Okay, we still have loose ends and plots drifting about giving plenty of sequel fodder, but this episode resolved a few major issues from this season. We now know why Tanmoku made Keika his spirit shadow and why he went to such lengths to keep him alive. Keika finally became useful and even found the sheath to the sword (and hey there was some purpose to earlier actions afterall).

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Tanmoku got his power back and let off some steam (I wonder why everytime someone uses massive amounts of power mountains end up looking like a crescent moon). Surely they’d just collapse. And then Keika and Tanmoku kiss right before Tanmoku passes out pinning Keika to the floor. All and all, this feels like a pretty satisfying conclusion even while I’d wonder if a season 2 was ever on the cards. However, I’ve been unable to find out if this actually is the final episode. I’d actually be disappointed if there were 2 or 3 more episodes. There isn’t enough time to really build up another threat and how do you top mountain destroying power?

Spiritpact is available on Crunchyroll.


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Dance With Devils Series Review

Overview:

Have you ever wanted an anime musical? Not an anime with a character who wants to be an idol and occasionally performs, but an anime where the cast just burst into song and dance? Well look no further because Dance With Devils takes a typical supernatural harem show and adds music.

Review (a few major plot spoilers here if you are concerned):

It should probably be noted up-front that I’m not the biggest fan of harems (though I don’t hate them) nor do I particularly like musicals (but again I don’t hate them). Mostly I watched this for the sheer novelty of seeing an anime musical and yes, it is novel, but it isn’t great.

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To put it simply individual songs with their accompanying visuals within this anime are quite good. I particularly liked the fight sequence early on where Rem defeated the enemy during his song because visually it was interesting. The story itself with Ritsuka being a grimoire that both devils and vampires are fighting over is also pretty interesting. Throw in Lindo, the kind-of-brother-who-also-has-a-massive-crush-on-the-protagonist, who is somehow a vampire and an exorcist, and you’ve got a fairly impressive list of ingredients to make an interesting narrative. The show then proceeds to squander most opportunities to do this.

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Part of the issue is it is a harem show so for the first half the series each episode kind of focusses on a different member of the student council as they get their introductory song and get to torment Ritsuka in a way that makes no sense given their overall objective (then again it is never particularly clear why the other members of the student council care one way or the other about the grimoire). This means a lot of the plot is just kind of put on hold even though initially we are under the impression that time is of the essence, you know given Ritsuka’s mother was kidnapped by vampires and might be being killed. And of course each member of the student council is a devil and a particular ‘type’. You’ve got the handsome flirt, the strong guy, the massochist, and then literally a dog. It’s all pretty stock standard.

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When we finally have the introductions out of the way things do take a turn for the more serious including a character actually being killed (which I kind of didn’t expect and the show gets points for actually upping the danger level) but the relationships between the characters just kind of drift back and fourth without progressing (which again is probably the general issue with harem stories because if someone just stopped dithering and actually made their feelings clear the story would probably end).

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For all of that, the vampires are probably the weakest part of this show. They really just exist to launch attacks and force the plot forward but they themselves get almost no development and their motives, while explained, aren’t particularly compelling or convincing.

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This is definitely a show for fans of harems, people who will watch anything with a vampire in it, or anyone who is just curious about how an anime musical looks. For everyone else, there are probably better harem shows and there are most definitely better supernatural shows out there. This is never unwatchably bad and there are some good moments to be found in

Kaichou wa Maid-Sama Series Review

Overview:

Misaki is the first female student council president at a school that used to be an all boys school but is now co-ed (with a very low female student population). She’s determined to reform the school and the boys in it and to encourage more female students. However, her family are quite poor so to help out she has a part time job working in a maid cafe and she does not want anyone from the school to know her secret. She’s managed to conceal it fairly flawlessly until Usui, one of the most popular boys in school, finds out.

Review:

This one is a fairly standard story with fairly standard characters and yet still manages to be a lot of fun (as long as you don’t think too much about any of it). We’re of course going well into cliché territory with the angry girl, the mysterious prince like guy, the maid cafe, the cross dresser, the delinquents, and pretty much any other stereotype you want to throw in to the scenario, yet at least this show managed to cover them with a bit of vibrancy and energy which made you feel like they were trying rather then just marching out a by the numbers script.

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Probably the weakest part of the story is the relationship between Misaki and Usui. While they have some truly adorable moments Misaki is just far too dense and Usui is just far too perfect at everything. Plus he continuously puts up with Misaki’s violent outbursts and just keeps hanging around regardless. This creates a number of issues. Misaki is at first built up as a fairly capable and independent character but by a third of the way through we seldom see her deal with any conflict on her own. Usui (either directly or indirectly) is the one actually solving issues, supporting her, or saving the day. The fact that Misaki usually gets the last word doesn’t take away the fact that she’s essentially the damsel in distress for the vast majority of the story. Also, Usui himself is originally shown as someone being continuously confessed to but by a few episodes in this aspect kind of vanishes from the story as well. The two characters just kind of revolve around each and fall into the pattern of Misaki encounters trouble (either real or something blown way out of proportion), Usui offers to help and is refused, Misaki then either fails to solve the problem or gets stuck over working, Usui does something either in the background or overtly, problem solved.

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That isn’t to say that they aren’t fun to spend time with, but they lack depth and anything interesting about them in the beginning is kind of written out of the by the mid-way point. Fortunately the show finds new and novel ways to mess up Misaki’s view of the perfect world she’s trying to create and so at least it doesn’t get too dull or repetitive.

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I will point out that Usui is very big on contact and at times it feels like he’s really cornering Misaki. Then again, given she’s studied akido, she probably could extricate herself from most of his advances if she really wanted to. Still, you might find one or two scenes a little uncomfortable.

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The support cast are fine. The other girls and guys at school have very little in the way of distinguishing personalities (even the three idiots who end up frequenting the cafe), but they serve the purpose as a background to Misaki’s various problems. The other maids at the cafe are a little more distinct but are still decidedly one note. The students from the rival school are also one note but at least serve the purpose of making you hate them. Misaki’s family are odd and in a way that is never explained or explored which feels like wasted potential really. So fine, but fairly forgettable.

I do have issues with the opening. That song is really grating and loud. It might not be so bad for others but I really found myself reaching for the skip every time an episode started.

There isn’t much else to say. There’s some funny moments, some touching moments, and some moments that just fall flat. If you like a standard kind of rom-com with okay characters but good pace and reasonable writing you should find something to enjoy here.


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Friday’s Feature: On Bad Romance in Anime

Last week I looked at some of the common elements of anime romances from the positive point of view. This week I want to look at some of the more problematic aspects of anime romance that seem to crop up again and again from personalities to full on stalking and imprisonment. As always I’d love to hear your point of view in the comments below.

01. The guy doesn’t just come off as being a bit of a jerk, he is actually a jerk. Maybe there’s a reason for his damaged and warped personality but what he does is emotionally destructive to his love interest. Yet somehow, we’re supposed to be convinced that the girl will put up with this and should actually pursue this character despite the emotional trauma she’s dealing with, and that this is romantic. While I know that there are many, many people trapped in emotionally abusive relationships it would be nice if so many romance stories didn’t glorify this. For a non-anime example we could most definitely point straight at Twilight. Edward is a controlling bully and his leaving Bella caused her to become nearly catatonic. This is not healthy. However, let’s go back anime and look at Wolf Girl and Black Prince. Whatever redeeming qualities Kyoya Sata may have or may develop later in the series he is a bully and the argument that Erika got herself into the mess with her lying doesn’t make it any better.

Of course there are plenty of other candidates out there for girls putting up with guys who manipulate them. Then again, we could easily turn that around and look at some of the truly horrendous girlfriends anime has given us over time.

02. Following on from number 1, we have the guy who wants a more physical relationship than the girl and is willing to push for it even when she clearly isn’t comfortable. While in comedies the guy in question will usually get slapped and dropped to the floor or beaten with a broom (hilarious, really) in serious romances what usually happens is the girl allows herself to be convinced. Generally speaking I avoid anime that goes down this road. One I did watch was Say I Love You. While it isn’t too far over the line, Say I Love You definitely hovers on that borderline during the earlier episodes before the relationship starts to balance out a bit. For the most part Yamato is a generally nice guy (with a couple of rough edges) who helps Mei out and seems to like her but he is definitely more experienced in relationship and at times he is clearly pushing for more than she is willing to give.

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Though mostly this is nothing compared to what happens to some guys in a lot of BL so maybe we should just be thankful for that and move on to the next point.

03. Anime romances tend to normalise stalkerish behaviour. Secret photo taking, finding out someone’s entire schedule, likes and dislikes of food, their home address and phone number, it seems nothing is off the table for some determined would-be partners in romantic anime. It would be an adorable display of affection if not for the creepy real world consequences of actual stalking. However this particular behaviour has been normalised to the point where it is now parodied in comedies and played for laughs. Momokuri last year with Kurihara took this to extremes and while in the show it was played cute and for laughs with Kurihara having no ill intentions, one has to wonder what would happen if Momotsuki had ever tried to break up with her. Of course, we see the far darker side of this behaviour in Mirai Nikki through the notorious Yuno Gasai who will genuinely do anything to keep Amano ‘safe’ including tying him to a chair and holding him in captivity.

This is probably my least favourite trope in anime romances.

04. The characters know nothing about each other but declare they are in love. How many times do we see the scene where the girl confesses to the guy having never actually spoken to him before? Why are you in love with someone you don’t know? There are so many assumptions being made here and it really makes me wonder how they expect a relationship to last when they can’t even speak to the guy properly. Of course, there are just as many male characters confessing to girls they’ve only ever admired from afar so this isn’t exclusively a problem of the heroine of the story. I love it when they follow this up with an internal monologue that says they’ve always been watching that person. Yeah, because that will tell you everything about them, or you are journeying into the stalker territory from number 3.

05. The girl starts changing herself entirely based on the guy’s preference. She asks his opinion on everything and ceases to actually make any decisions on her own. It is like being in a relationship was akin to lobotomising the character and suddenly their brain has stopped functioning independently. I know this one isn’t fair but a character who pretty much has no identity outside of her relationship is Belldandy from Ah! My Goddess. Realistically, what little we see of her before Keiichi makes his wish doesn’t really reveal much of a personality to start with (other than sweet) and then she’s bound by his wish for most of the rest of the show. In this instance it kind of works but I still find these sorts of characters frustrating.

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That’s it from me on bad romance trends but feel free to suggest your own or provide more examples of the ones above.


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Spiritpact Episode 6

Review:

Keika has apparently now been dead for 7 days so Tanmoku takes him back to his home where he gets to see hone is neighbours mourning him. While there are one or two throw-a-way moments, this episode continues with the character and relationship building we saw really take off last week. Intrigues and mysteries abound and while some information is revealed by the relatives later in the episode, what that information means is still pretty much being kept quiet from the audience.

spirit6

With the more serious tone becoming dominant, the relationship between Keika and Tanmoku sitting front and centre, and a mystery that seams worth getting into, Spiritpact is definitely getting better as it goes. And the ending of this episode really doesn’t allow you to walk away though I won’t spoil it.

Spiritpact is available on Crunchyroll.


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