Top 5 Anime Confessions

Tuesday's Top 5

As much as I love a good horror anime, I will admit romance is a great binge worthy genre and is definitely appropriate when you are just in the mood to relax and be carried on a wave of emotions. However, with romance anime come confession scenes and a lot of these really stand out. Today I’m counting down my top 5 favourite anime confession scenes and I’d love to know what some of your favourites are.

By the way, there are definitely spoilers below particularly for numbers 4, 2 and 1. You’ve been warned.

Honourable Mentions:

Just the one honourable mention because I’m certain I will get plenty of others in the comments. I’m throwing Kokoro Connect in here mostly because of how grounded the characters were about the love triangle that actually resolved into an actual relationship with all of the characters properly acknowledging their feelings.

Kokoro Connect Confession

Number 5: Rascal Does Not Dream of Bunny Girl Senpai

This one is representative of all those anime that shout their confessions aloud for the world to hear. It is a standard trope and yet Bunny Girl Senpai, in its usual fine form, managed to make this scene the climax of its first and strongest arc with Sakuta running outside the classroom and shouting his love for Mai at the top of his lungs at the building. I’m still left wondering why he didn’t end up in more trouble for that stunt disrupting all those classes but it certainly got the point across even if Mai didn’t actually accept the confession until nearly a month later.

Sakuta shouts his love for Mai at the School - Rascal Does Not Dream of Bunny Girl Senpai

Number 4: Full Metal Alchemist Brotherhood

What is more adorable than two dorks falling in love and fumbling their way through it? Full Metal Alchemist Brotherhood gave us brilliant characters and action with a fairly epic scale plot but it was this scene at the train station right at the end, where Ed finally confesses to Winry (proposes actually), that really hit home for me and left me feeling like I’d just watched something incredibly special (okay, there were other moments in the show that did a similar thing but this has the advantage of being the point the show leaves us on). So happy this moment happened and so happy that Ed was true to Ed in how he did it.

Ed from Full Metal Alchemist Brotherhood confesses to Winry

Number 3: Dakaichi

This one if it happened in reality would probably be a little bit on the creepy side (okay, hold the little bit – it would just be creepy) but as a well delivered line in an anime this one near stopped my heart and I wasn’t even a big fan of Junta. However, when he stares right at Takato (and at the audience) and declares ‘I want you’ there is no doubt that this is a clear and straightforward declaration of love and one we don’t get very often in anime where so many characters blush and stumble their way through confessions. Seriously, this one can give you shivers. Now if we just take away the lack of consent earlier and the possessive nature of this relationship we could have one of the most beautiful love confessions ever.

Dakaichi - Episode 1 - Junta

Number 2: Chuunibyo Demo Koi Ga Shitai

Again, what is more adorable than two dorks in love? You have to admit, this particular moment between Yuuta and Rikka, or rather the Dark Flame Master and the Keeper of the Tyrant’s Eye is spectacularly adorkable. hiding behind their personas, or in Rikka’s case for awhile her umbrella, this sequence under the bridge is one of those moments that just leaves you wanting to hug both the characters and never let them go. Sure, they’ve still got a long way to go, but seriously this moment was absolutely delightful.

Chuunibyou Confession between Rikka and Yuuta

Number 1: Angel Beats

This one is notable for a couple of reasons. Firstly, it doesn’t happen at either the beginning or the end of the series but is more of a mid-season moment. Secondly, it isn’t the main character confessions that stopped my heart cold, it was actually the support characters, and one in particular who prior to this had mostly been comic relief, who really stepped up and delivered a scene that can literally melt your heart. As Otonashi is trying to help Yui cross over, after a lot of mucking about she admits she wanted to fall in love but no one would have loved her because she was home-bound when she was alive. Normally you would suspect the main character would reassure her that someone would love her but Otonashi freezes and in that moment Hinata steps up to the plate delivering one of the most unforgettable confession speeches of all time and over-ruling any objection she might have. He plans out how they would have met and how their relationship would have gone. He declares he would have stayed with her. He takes away all her fears and ultimately helps her find peace. It is beautiful. Absolutely beautiful.

Angel Beats - Yui passes on after Hinata's confession

And there we have it, my top 5 favourite anime confessions. So now it is your turn. Confess. Which anime confession made your heart go doki doki?

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KIMI NI TODOKE ORIGINAL MOTION PICTURE SOUNDTRACK
	KIMI NI TODOKE ORIGINAL MOTION PICTURE SOUNDTRACK

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Tuesday’s Top 5: Things I Learned From Anime Last Year

Tuesday's Top 5

It’s been an interesting 12 months as an anime reviewer and I love thinking back about all the shows I’ve watched and the lessons I’ve learned, or at least been reminded about. These are the top 5 things I learned from anime last year but I’d love to know if anime taught you anything, or reminded you about something you shouldn’t forget.

Please note: There may be spoilers below.

Honourable Mentions:

  • Don’t try and take on the mafia alone: Banana Fish
  • When summoning a demon lord from another world, be sure to read the label properly otherwise you might end up with an otaku gamer or a loli and neither one is exactly what you would be after if you decided to summon a demon lord: How Not To Summon a Demon Lord

Number 5: How my immune system works from Cells At Work

This one is pretty obvious when you think about it, but watching Cells at Work each week reminded me about all that high school biology stuff that I promptly just stopped thinking about after graduating. I also learned about a couple of cells I’d previously never heard of. While my primary reason for watching anime is not educational, when an edutainment like Cells at Work comes along that is informative and fun and adorable, you just can’t pass it up. The only problem is every blood test I get now I worry about the millions of Red Blood Cells that just found themselves torn from their home.

Number 4: Longer running stories need to work harder to keep me interested

I kind of already knew this with Bleach being the only really ‘long’ running anime I ever fully completed. My Hunter x Hunter watch has stalled so incredibly close to the end and yet I just haven’t finished it, and otherwise Soul Eater and D Gray Man are probably the only other two long anime I’m a massive fan of. But last year this became really clear to me as Black Clover got cut from my watch list thirteen episodes in (though it may have been the shouting and not the episode count that lead to that), GeGeGe no Kitaro was abandoned even though I didn’t dislike the show, Attack on Titan was on notice until it delivered a fairly strong third season and even My Hero Academia that I’d previously really enjoyed just felt a bit tired.

It probably says more about my attention span than the anime, but the larger episode counts seem to make me want more from the anime and expect more from the story and when I don’t find it I seem to lose interest. Then we have the new Sword Art Online series with its mammoth four cour run announced before we even started and while initially excited I’m finding that it feels like they’ve stretched out content to fill those episodes rather than having enough content for it to begin with (though we’ll see what they do next with it). Either way, last year very much reminded me that I prefer my anime with 11 – 13 episodes and a conclusive ending.

Number 3: In relationships communication is key.

Again, this is something I already knew but we certainly had a tonne of examples of why this was important last year. Just looking at the Autumn season we can see that Nanami and Yuu would have been better off if Yuu had been more open about how she felt early on and even after she resolves to do something, she still doesn’t actually talk to Nanami about it directly instead taking a round about route (Bloom Into You). Takato and Junta from Dakaichi could have solved their break-up drama in a heart beat if either one had actually consulted the other before taking action. Then we have Sakuta and Mai (Rascal Does Not Dream of Bunny Girl Senpai), the one couple that mostly communicated beautifully and managed to navigate around so much relationship drama and yet Mai still didn’t tell Sakuta it was her birthday and he had to find out second hand from her younger sister. If anime taught me anything last year it was definitely to talk to your partner, whoever they may be.

Number 2: Heroes come in all shapes and sizes

While not from a specific anime, there were so many different kinds of heroes from so many different shows last year. My personal favourites included traditional heroes such as All Might from My Hero Academia, but also encompassed characters such as Hina from March Comes in Like a Lion and Yuu from Bloom Into You. Big or small, saving the world or reaching out to a friend, there were so many different heroes to choose from that surely there was someone a viewer could look up to last year.

Number 1: Definitely ignore the pre-season hype and judge shows for what they are

Whether it was going in with too high an expectation, possibly considering passing on something because of no expectations, or just not enjoying something because I wanted it to be something else, last year taught me the value of taking things as they are and not as I wanted them to be. Then again, even going into Darling in the Franxx with no expectation would not make me like it anymore. But perhaps Clear Card would have been better received if I wasn’t endlessly comparing it to the nostalgia fuelled image I had of Cardcaptor Sakura. And consider some shows I ended up really enjoying, such as Rokuhoudou Yatsuiro Biyori that wasn’t even on my radar and from the description of it doesn’t seem like my kind of story I really just need to try each show on its own merit. So this year I am as much as possible going into shows without expectations, watching the first episode (or as much as I can stomach) and giving them a go. That said, W’z still isn’t getting more than 5 minutes of my time.

Right, so what did you learn last year while watching anime?

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COWBOY BEBOP – EIN FULL COLOR MUG CUP
COWBOY BEBOP - EIN FULL COLOR MUG CUP

Rascal Does Not Dream of Bunny Girl Senpai Series Review

Bunny Girl Senpai - Episode 1 - Mai Sakurajima and Sakuta Azusagawa

He’s Met His Dream Girl Just As She’s About To Disappear, And That’s Just The Start Of Their Problems

Rascal Does Not Dream of Bunny Girl Senpai is one of those incredibly weird series that seemingly come out of nowhere and captures the attention of an incredibly fickle community. As the series progressed, more cracks appeared in what was a fairly solid narrative beginning and more mixed reviews began to appear, however by and large this one swept a wave of positive buzz as it aired in Autumn. So, did it deserve all that praise?

Absolutely.

Rascal Does Not Dream of Bunny Girl Senpai Episode 6 - Sakuta

While I won’t even try to argue that this series is perfect (I doubt such a creature as a flawless anime narrative actually exists), nor will I say this series will work for everyone, Bunny Girl Senpai is a fascinating look at adolescence and the emotional problems that plague individuals. While thematically it doesn’t really do a whole lot with this idea other than provide supernatural analogues for the usual high school drama, what it does do is provide characters that connect with the audience, dialogue that enthrals, and for the most part provides bite size arcs that are easily digestible and very palatable.

And now I’m hungry.

Rascal Does Not Dream of Bunny Girl Senpai Episode 12 Kaede

The first arc, that introduces us to the titular Bunny Girl, Sakurajima Mai, is undoubtedly the best the series has to offer and outside of being a little bit dialogue heavy (so those who are after fast paced action are out of luck), there’s very little to fault in these opening three episodes. Mai and main character Sakuta quickly develop a chemistry few anime can even dream of presenting and every scene with these two on screen together becomes a delight to watch. Whether it is Mai offering to shove Pocky up Sakuta’s nose or friendly banter between the two, watching these two never gets old.

Bunny Girl Senpai Episode 2

It also helps that Mai’s problem and supernatural mystery is pretty compelling and the ‘scientific’ explanation provided for it is solidly linked enough to at least make for an interesting thought experiment. Basically, there’s nothing to complain about in these opening episodes and by the time the first narrative draws to a solid close most viewers will be well and truly on board with wherever these characters choose to take us.

Which is probably a good thing. Because while each of the stories that follows is interesting in its own way, the writing remains pretty tight, and the characters fairly delightful, none of them manage to quite strike the same gold that the opening does.

Rascal Does Not Dream of Bunny Girl Senpai Episode 6 - Sakuta and Tomoe

Part of the issue, outside of the bunny girl outfit not making much of an appearance (though I’m not sure I was watching for that anyway) is that the supernatural/pseudo scientific phenomenon are never quite click or are as clever or compelling as the first arc. I was particularly disappointed with the second arc when they introduced the idea of Laplace’s Demon and then more or less utterly ignored the possibilities of that and gave us a basic time loop story. Admittedly, it was a well done time loop story but they could have done so much more with that concept. Every arc after watered it down further until Kaede’s story didn’t even get a vague scientific explanation or comparison and so it was more just weird and inexplicable things happen and Sakuta tries to fix them.

If that sounds like I’m complaining, I’ll take it back. All of the stories remain very well executed. Comparing even the weakest of the arcs, which was probably Nodoka’s story toward the end, with most other anime that aired in 2018, and it is still a very well told narrative. However, when a series feels like it is in a slow slide downward in quality, it does leave the audience feeling a little disappointed as they see diminishing returns.

Bunny Girl Senpai Episode 10 Mai in idol performance

While we’re looking at flaws though, I’ll throw in the usual issue with high school anything and that is the absent parent syndrome. They go to a lot of effort to make adults in general pretty absent from the narrative. They appear enough so at least they aren’t completely gone from the story, but as usual we have teenagers with remarkably little adult supervision in their lives. I find this narrative conceit quite frustrating and it is a trope that endlessly repeats in anime.

Anyway, let’s look at the positives, of which there are many.

Bunny Girl Senpai Episode 8 Fireworks

The opening song is fantastic and distinctive. I’m not the biggest fan of how it starts visually, but it ends up being quite the entertaining opening. Though the sheer number of sequences from the opening that end up appearing in the final episode in one form or another is a little heavy handed. Still, it is hard to complain about a song that is that great.

Visually, the whole anime works very well. There’s the occasional animation that doesn’t quite work, but for the most part this one is gorgeous to look at. I already mentioned the dialogue is solid and the chemistry between the characters is amazing.

Rascal Does Not Dream of Bunny Girl Senpai Episode 3

Basically, this one was a solid anime from the year and one that I had a great deal of fun following week to week. The announcement of a movie to follow excited some but mostly just made me accept early on that it probably wasn’t going to resolve things solidly in the series, which is more or less what happened. I’m not the biggest fan of anime series that go with follow up movies (probably because I’m not the best at actually following up on movies when they come out).

Still, I’d highly recommend checking out Bunny Girl Senpai. There’s certainly some fun to be had here and the characters are fantastic to spend time with.

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SEISHUN BUTA YAROU WA BUNNY GIRL SENPAI NO YUME WO MINAI 1/8 SCALE PRE-PAINTED FIGURE: SAKURAJIMA MAI
SEISHUN BUTA YAROU WA BUNNY GIRL SENPAI NO YUME WO MINAI 1/8 SCALE PRE-PAINTED FIGURE: SAKURAJIMA MAI

Tuesday’s Top 5: Anime From 2018

Tuesday's Top 5

Alright, here we are. The last top 5 list of 2018 anime titles and it is the list of my favourites for the year. This list was brutal to make because as much as the Spring and Summer seasons didn’t really work out for me, 2018 started strong in Winter and the Autumn season is one of the best I’ve seen. Now, I haven’t included any anime from the Autumn season that are incomplete on the final list here so Run With The Wind, That Time I Got Reincarnated as a Slime and several others weren’t considered. Otherwise, anything that aired and finished in 2018 that I watched was considered and there were still a lot of strong contenders because there are shows that were technically amazing but not really my style and shows that were just great fun, but not technically impressive. Trying to balance it for a top 5 list was incredibly hard but I’m happy with the final list.

Previously I’ve just done my favourite anime as part of my best and worst of the season posts so this is the first official top 5 list of best anime from a year. No surprise though that Yuri on Ice took out my favourite anime of 2016 and March Comes in Like a Lion took out best anime of 2017.

On that note, I’d love to know what your picks for the year were so please leave a comment below.

Honourable Mentions:

For 2018 my honourable mentions go to two shows that I really loved and had great fun watching, but both are fairly riddled with problems in terms of visuals, presentation, pacing, and narrative. That said, that didn’t stop either one being fun. For 2018 my honourable mentions go to Hakata Tonkotsu Ramens and Spiritpact Season 2.

Number 5: Banana Fish

An emotionally wrenching journey this anime definitely knew how to hit its audience in the feels. Okay, logically nothing in this story makes sense and contextually it is dated even if they did do a patch job to move it into the modern era. However, these characters have charm and make it very easy to get behind them and want them to succeed. While seeing Ash do his Rambo act might be unrealistic it is certainly satisfying. The subject matter won’t be for everyone with sexual assault among other confronting issues taking a central role in the narrative. All and all though, this was an exhilarating ride to go on this year.

Number 4: Attack on Titan Season 3

Honestly, I wasn’t expecting this one to show up on my best of the year list. And yet, Attack on Titan season 3 managed to give us some fairly solid character work and some pretty impressive plot development given how stalled both seemed during season 2. I ended up really enjoying what we got of Attack on Titan in 2018 and while I know the second part is coming out next year, this season was enough to get me interested in this franchise again.

Number 3: Bloom Into You

An anime I went into with very little expected of it. However after a fairly ordinary start, Bloom Into You very quickly won me over with its very solid direction and visual symbolism. It is an incredibly impressive telling of what is a fairly ordinary story but the amount of thought and care put into the execution of this one definitely makes it one well worth the watch. I’m still not a huge fan of Yuri and high school romance in general, but I would firmly recommend this one to anyone because it is fantastically presented.

Number 2: Rascal Does Not Dream of Bunny Girl Senpai

No surprise that this one made the list. It took a lot of reviewers by surprise with its strong dialogue and clever writing. While not a flawless series, this one managed to balance its supernatural elements as stand ins for the normal stresses and anxieties faced by teenagers in high school in a manner that was both relatable and charming. With a cast of characters that were superbly written and thoroughly enjoyable to spend time with. Other than the animation used for characters running this anime can almost do no wrong and what few complaints I have about it definitely come up sounding fairly petty. It’s a wonderful story and one that you should definitely check out if you haven’t.

Number 1: March Comes in Like a Lion Season 2

Okay, anyone who follows my blog is not surprised by this. As much as Bloom Into You and Bunny Girl Senpai were solid late entries for 2018, they just couldn’t shake my love of March Comes in Like a Lion. It is every bit as visually impressive as Bloom Into You and the cast of characters are every bit as charming and relatable as those in Rascal Does Not Dream of Bunny Girl Senpai. As tough a decision as these three made it, March Comes in Like a Lion season 2 comes out ahead because I just can’t imagine it being any better.

There it is. My Top 5 anime from 2018. Now I’d love to know yours.

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TENSEI SHITARA SLIME DATTA KEN 1/6 SCALE PRE-PAINTED FIGURE: SHION SWIMSUIT GRAVURE STYLE
TENSEI SHITARA SLIME DATTA KEN 1/6 SCALE PRE-PAINTED FIGURE: SHION SWIMSUIT GRAVURE STYLE

Tuesday’s Top 5: Male Anime Characters from 2018

Tuesday's Top 5

In 2016 the wonderful Allen Walker from D Gray Man Hallow topped my list – and yeah that was an incredibly biased decision because I just love Allen. 2017 saw Rei from March Comes in Like a Lion take the list (well deserved). 2018 had a plethora of fantastic male characters, though if you read my list of favourite female characters from the year you probably have a fairly good idea of who is going to end up on my list here. As always, I’d love to know who your choices are for best male anime characters from 2018.

Honourable Mentions:

It kind of hurts but Kirito from Sword Art Online Alicization has only gotten an honourable mention. While he still has plenty of episodes, his showing in 2018 was okay but not his best work (poor guy). The other character I want to give an honourable mention to is Lin from Hakata Tonkotsu Ramens. He was great fun but not quite memorable enough to land a spot on the top 5.

Number 5: Okabe Rintaro from Steins;Gate 0

As much as Steins;Gate 0 didn’t quite click for me in 2018 one thing I did appreciate was seeing Okabe’s character after he had hit rock bottom and tried to rebuild his life. The Okabe who gave up on saving everyone and just tried to make the best of things. Seeing that Okabe finally find the motivation needed to fight back again despite the hardship it was going to cost was perhaps one of the most rewarding character arcs for the year.

Number 4: Takato from Dakaichi

Alright, if you’ve been following my collaboration with Arthifis on Dakaichi you will know I’ve been seriously loving Takato’s character since the beginning. While there’s a lot in Dakaichi that is easy to dismiss or would make you raise an eyebrow, Takato has been a highly entertaining main character. I love watching him when he is working as an actor and seeing him slowly get in touch with his emotions in his real life. For everything that doesn’t work in Dakaichi, Takato has been a shining character for the Autumn season (or at least one that I’ve really enjoyed watching).

Number 3: Sakuta from Rascal Does Not Dream of Bunny Girl Senpai

Sakuta has been one of those characters who comes along who on the one hand I feel he’s pretty ordinary, on the other hand this is how you write an ordinary character and make him shine. Solid writing, great interactions with the support cast, and just enough personality and sass that he doesn’t just fit solidly into the nice guy forgettable role, and Sakuta is someone who has easily carried his show (admittedly with a bit of help from a fabulous supporting cast).

Number 2: Ash from Banana Fish

It was a hard toss up as to whether I was going to pick Ash or Eiji for the list, but Ash wins because I just love seeing him rise up time and time again. Ash may be incredibly overpowered given he’s ridiculously smart, strong, and shrugs off bullet wounds and being stabbed more or less instantly. He might be straight out of an 80’s power fantasy, but he is definitely fun to watch and when he’s with Eiji his soft and fluffy side comes out (as much as one exists). Really enjoyed spending time with Ash this year and while I might have wanted him to have more happy moments, I can’t deny that I was always entertained by his journey.

Number 1: Rei Kiriyama from March Comes in Like a Lion Season 2

It’s the second year in a row but Rei Kiriyama remains my very favourite male anime character in 2018. His interactions with Hina, his match against Souya, his support of Shimada, and just his own growth as a character, returning to his foster home to face some of the past, all of these moments have seen Rei moving from strength to strength. For a character who still has a long way to travel in regards to dealing with his own mental health, Rei continues to be inspirational and relatable and someone I just want to see more of.

That’s the list for 2018 but I’d love to know who you would have picked for your top 5 male anime characters.

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CHARACTER VOCAL SERIES 01 HATSUNE MIKU 1/8 SCALE PRE-PAINTED FIGURE: HATSUNE MIKU SYMPHONY 2017 VER.
CHARACTER VOCAL SERIES 01 HATSUNE MIKU 1/8 SCALE PRE-PAINTED FIGURE: HATSUNE MIKU SYMPHONY 2017 VER.

Why Is The Number of Light Novel Adaptations A Problem?

Light Novel Rage

It’s becoming a fairly standard cry each and every season. “There’s another light novel adaption with all its tropes and cliches.” And then fans of the source get defensive, those who dislike light novel adaptations start throwing out every poor adaptation ever as evidence that the entire idea of adapting a light novel is fraught with peril, and then there’s everyone else who is sitting on the fence and wondering if this light novel adaptation is going to be interesting, a train wreck, or an interesting train wreck.

So is there a problem with the number of light novels getting an anime adaptation?

I will admit, there’s a lot of generalisations about light novels and anime adaptations out there. Just watching season after season it is easy to buy into the idea that the anime industry is actually being taken over by light novel adaptations or that somehow they’ve become almost the staple source of adaptations. I certainly believed there were a lot more than it turns out there actually are.

So I decided to look into this a little bit. Just doing my own quick count on MAL for the anime that aired in 2018 (not continuing series) I found that unsurprisingly Manga remains the main source of anime adaptations. In fact, when you include web manga and 4-koma manga in the mix it accounts for nearly 50% of all source material for anime airing in 2018 that MAL includes in its seasonal pages (I’m totally open to the fact that this is not the be all and end all definitive source of information regarding this but it probably is a reasonable enough representation for this discussion).

What I was surprised to discover was that original anime accounted for 21% of anime in 2018. While I knew Zombieland Saga and one or two other titles were anime originals, I was unaware of just how many other original anime came out.

Zombieland Saga Episode 2

Then we have games, light novels and other (which accounts for ‘other’ as listed on MAL and novel and visual novel adaptations) which all come in at close to 10%.

Huh.

I genuinely did not see that coming when I first decided to see if Light Novel adaptations were in fact becoming too prolific. While I knew manga adaptations would still be the highest, I kind of thought light novels would be second or third, or at least close to a large chunk of the releases, but it is actually only sitting at 9.1%.

Then when you look at the highest scored title on MAL for each season, you see that in every case it was an anime based on a manga. The only light novel adaptation that came close was actually Rascal Does Not Dream of Bunny Girl Senpai in the Autumn season.

Rascal Does Not Dream of Bunny Girl Senpai Episode 6 - Sakuta

So why do people think there are too many light novel adaptations or that light novel adaptations are ruining anime, or that they get too much attention?

One of the reasons might be how widely discussed these anime are, even if they aren’t scoring the highest for technical proficiency or story-telling. When looking at the number of members each title has in each season we start to see light novels rising significantly higher in popularity than their score rating would indicate. Winter 2018 see’s Violet Evergarden in the top spot with the Overlord sequel in third. Spring was dominated by manga adaptations so the only light novel adaptation that made it into the top 5 was the Sword Art Online spin-off series. Summer saw Overlord 3 and How Not To Summon a Demon Lord in the second and third spots respectively. Finally in Autumn all three top spots were taken by light novel adaptations including Goblin Slayer in the top spot, followed by Rascal Does Not Dream of Bunny Girl Senpai and Sword Art Online Alicization.

Following along on Twitter or just what gets reviewed on blogs, there is no denying that light novel adaptations are well watched each season. While they may not all rise to high critical acclaim they do generally entertain a wide audience and by and large they provide a bit of fun even if they don’t necessarily have depth. Then again, I was pretty stunned to find Violet Evergarden’s source listed as a light novel and I wouldn’t call Rascal Does Not Dream of Bunny Girl Senpai particularly shallow in terms of the emotional scope it tried to encompass.

And I can already hear some people arguing that those aren’t the light novel adaptations that are complained about. It is the other ones. You know the ones. The ones with self-insert protagonists that get transported to another world and live out some harem or power fantasy (or both).

Sure, we could look at The Master of Ragnarok and shake our heads in dismay at the state of the entire anime industry being reduced to that kind of light novel adaptation. Then again, we could see that as The Master of Ragnarok just not being very well written or produced as an anime and even by isekai/harem standards it ended up pretty woeful (personal opinion).

I kind of feel most people constructing an argument around whether there are too many light novel adaptations, or that light novel anime adaptations are somehow subpar, or who are arguing for light novel adaptations, all suffer from cherry picking the titles that support their argument. For every Master of Ragnarok there’s a Bunny Girl Senpai. And while isekai power fantasies may not be your personal thing, clearly they sell well so there’s definitely an audience out there for them. Declaring the entire genre trash or that every single story is the same is a little closed minded.

Admittedly, I’m not jumping up and down and saying that everyone should watch How Not To Summon a Demonlord anytime soon. There’s an audience for it though, and that audience greatly enjoyed it. Even some people who normally aren’t up for an isekai story full of fan-service and the like ended up enjoying Demonlord as it went about writing a story with fairly good pacing and combining its base elements to most entertaining effects.

How Not To Summon a Demon Lord Episode 7

So why is the number of light novel adaptations a problem?

I don’t believe it is. It is another source of stories same as other novels, games, manga, etc and when adapted well can lead to some truly interesting anime. While it might feel like there’s too many similar light novels being adapted we need to consider the fact that clearly there’s a market for that story if it keeps selling, some of the adaptations are actually pretty good (while some are fairly objectively terrible) and that maybe it just isn’t your genre. Someone who doesn’t like shoujo love stories would declare those all the same as well and yet a die-hard romance fan would argue that every single one is different because of how the characters are constructed and the combination of elements around them.

It’s only been since starting the blog that I ever began reading light novels, and what I’ve found from reading them is that there’s a huge range in the quality of writing and the stories being told in them. However, I started reading light novels because there were some anime adaptations that were based on light novels that I fell in love with and I wanted more of the story. Which kind of means the anime did its job at promoting the source and was entertaining enough in its own right (or else I wouldn’t have bothered). So while I get that some people don’t like light novel adaptations, and some people hate isekai, I don’t think it is ‘taking over’ anime or that it is too highly represented, or even that adapting light novels is a problem. Like with everything it is about looking at each work on its own merits, or lack of them, and the personal opinions of the viewer. So while some people will continue to avoid these titles, others will eagerly await the next announced title.

Not from 2018 but still an awesome light novel adaptation.

That said, I’d love to know your thoughts so leave me a comment below and you can also check out my pretty terrible infographic with my findings from spending an afternoon reading MAL below.

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Infographic - Anime By Source in 2018

Tuesday’s Top 5: Female Anime Characters from 2018

Tuesday's Top 5

In 2016 Yatorishino from Alderamin on the Sky took out my top female character. 2017 saw a tie between Hina (March Comes in Like a Lion) and Uraraka (My Hero Academia). This year the choices were really tough because there are some really solid choices as 2018 has given us some amazing female character. Here are my favourite female characters from the year but I’d love to know who your favourites are.

Honourable Mentions:

This year’s honourable mentions go to Nanami from Bloom Into You and Priestess from Goblin Slayer. These were both great characters and in prior years they probably would have earned a spot on my list. However, there were so many great characters this year so while I’m giving both of these characters a mention they haven’t made the top 5.

Number 5: Sakura from Cardcaptor Sakura Clear Card

Sakura has always been a great female character. While Clear Card wasn’t the strongest anime, Sakura’s character is still a fairly solid female in an anime. She is a strong character who faces some incredible challenges but remains sweet and optimistic. When I was young, I really admired Sakura and I think if I was still a kid I would have absolutely loved her in Clear Card. She definitely belongs in the top 5 list even if she doesn’t take it out like she would have once upon a time.

Number 4: Red Blood Cell from Cells at Work

This one probably shouldn’t be a surprise. Our favourite directionally challenged Red Blood Cell is all kinds of adorable but more than that she’s also driven and dedicated. For all that she freaks out when getting lost, at the sight of germs, and is inexperienced at her job, she’s also the one who sounds the alarm about Cancer and continues to do her job in all conditions. The most charming individual blood cell from a show full of truly charming characters.

Number 3: Yuu from Bloom Into You

It was a hard toss up between Nanami and Yuu for the spot on the list, but Yuu is the character who has grown the most over the run of the series. She’s learned a lot about herself and Nanami during the course of the show and by the penultimate episode she’s finally realised what she wants and is ready to take action. It has been a wonderful journey with Yuu this season and she definitely deserves recognition for being a solid female character this year.

Number 2: Sakurajima Mai from Rascal Does Not Dream of Bunny Girl Senpai

If only she had more screen time. Mai has been an amazing character. Sure, she was technically being rescued by Sakuta who is the main character, but she never lets herself be out shined on the screen. Mai is a solid character and highly entertaining. With the help of some well written dialogue and a great support cast, every scene Mai is in shines. Though that brings us back to wishing there was just more time where Mai was on the screen and not being sent away for some job or another.

Number 1: Hina from March Comes in Like a Lion Season 2

For the second year in a row Hina takes out my favourite female character, though this year she isn’t sharing the honour. She’s an adorable bundle of courage, resilience, and just solid character development and writing. If you ever wanted a character who could bring sunshine into your life just by being on screen, Hina is definitely your girl and I am hoping for more of her at some point because she is one character I can’t get enough of.

And that’s the list for 2018 of amazing female characters. That said, there are plenty that didn’t end up on my list so I’d love to hear who your favourites were.

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NENDOROID NO. 1054 MADE IN ABYSS: RIKO
NENDOROID NO. 1054 MADE IN ABYSS: RIKO