Friday’s Feature: Strong Female Character?

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I’ve mentioned before that I am a huge fan of Joss Whedon’s work. As a teenager in the 90’s it was more or less impossible not to get on-board the Buffy bandwagon, and it was such a great bandwagon to be on. A female character who was reasonably attractive, had street smarts (though struggled at school), was articulate, and for the most part didn’t end up in ridiculously revealing outfits (after they got over the season 1 mini-skirt thing). Buffy kicked butt, literally, and was such a great character. Add in Willow, who also took the geek girl role and made it something empowering, and Cordelia, who proved that just because you are vapid doesn’t mean you can’t help save the world, and the story was full of these amazing characters that gave a range of ways to be feminine but not helpless.

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One of the things that occasionally bothers me about anime is the lack of female characters that I can really get behind. Part of that is probably the genres I prefer to watch as I know there are more female characters in other genres, but at the same time, it seems odd that whole seasons can pass without a single female character that I actually like or admire. Female characters are there and sometimes they are doing the over-sexualised thing, the damsel in distress thing, or just come off as pretty useless and dead weight to the script. Worse, they exist just to be a love interest or to rotate around a central protagonist who is usually male.

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That said, I find the statement that we need more ‘strong female characters’ to be a little bit mis-leading. Not every female character needs to be strong. Imagine how boring a show would be if every character was ‘strong’. And it isn’t as though every male character out there is strong. There are some pretty despicable depictions of masculinity to be found even in shows where there are some fantastic male characters. And that is more my point. What we need are more diverse female characters to be shown.

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Shiaryuki from Snow White With The Red Hair is an excellent example of this. She isn’t a ‘strong’ character in that she doesn’t wield a sword and she isn’t a martial artist. Yet when you read descriptions of her, her strength always comes up. She has a strong moral character, strong willpower, strong belief in herself and in her actions, and so she gets the label of strong female character. And while she is an excellent example of a different kind of female character, neither the hero nor the damsel in distress (though at times moving through both roles), I think labelling her strong kind of minimises how interesting she is as a person.

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See the strong label puts Shirayuki on the same stage as Erza and Buffy and at the end of the day, if we made this a test of strength, Shirayuki isn’t exactly going to hold her own in a fight against these two. She has a different kind of strength of character and is exceptional, but she isn’t a fighter and we wouldn’t want her to be. Though, while we’re on that note, Erza might be exceptional in her magical and physical strength but with where I’m up to in Fairy Tail it seems her personality is fairly fragile. And that’s fantastic that she is more than just stoic and tough because if that was all there was to her, strong as she might be, she’d be pretty boring.

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However, I’m going to move away from red-heads for a moment (otherwise people might think I’m biased towards female characters with absolutely beautiful and stunning scarlet hair) and look at the cast from Princess Principal. This cast is kind of what I am talking about when I said earlier I think we need diverse female characters. None of the members of the squad in Princess Principal are useless and none of them are one-dimensional. Each comes into the squad with back-story, with some skills, some weaknesses, some baggage and motives, and they all contribute to the team. None of them fall into a single descriptor such as damsel-in-distress or childhood-friend (though those descriptors can be applied it isn’t the sum total of their character at any point) and as such the cast are really interesting to watch and the girls are characters I really enjoyed seeing on the screen. They all get moments where they can be strong, and other moments where we see them in a less desirable light as they crumble under emotional pressure, hesitate, or make poor decisions.

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And that is where a show like Orange kind of annoyed me. Of the three females who had significant screen time, two of them had almost no development as characters. We don’t know their backstory or their motive, and mostly their interactions could have been cut down to a single character (there was no real reason for two of them as they didn’t add anything all that different from the other – lovers of these characters will now hate me). And Naho as a main character could be summed up as ‘nice, shy girl’. There really wasn’t much else to her. Sure she wanted to help the guy but that was kind of coming from the nice attribute and she wasn’t overly effective at actually helping him. One could argue that the male friend ended up doing all the actual work that succeeded at anything and Naho was merely the catalyst for him to act because he didn’t want to see her unhappy. Basically, I didn’t dislike these characters (well, I did dislike Naho) but I didn’t find anything appealing or memorable about them either and I only remember Naho’s name because I kind of prodded at her in my review of Orange and I can’t remember the other names at all.

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Strength comes in many forms and even then, strength isn’t necessarily the only character trait female characters are sometimes missing in stories. Rather than fighting for stronger characters, I think what is really needed is diversity. If there were as many female characters out there and as many types of female characters as male ones, than most of us would be able to find a reasonable selection of characters that we can connect with or find interesting. Not every female character has to save the world or even shoulder the entire emotional burden, but it would be nice if we could see female characters carrying more roles than the traditionally assigned ones in stories. Or even if they have to carry the traditional role of mother and house-wife, at least let them do it with their own touch on the role so that it feels like they are a person and not a stand in for an understood convention.

As always, I’ll turn this over to the readers and ask you what you think.

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The Master Guide to Drawing Anime: Amazing Girls : How to Draw Essential Character Types from Simple TemplatesFThe Master Guide to Drawing Anime: Amazing Girls : How to Draw Essential Character Types from Simple Templatesimp

Avoiding the Paradoxes of Time Travel or Plunging Headlong Into Them with Sagrada Reset

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This post was written after watching the first three episodes of Sagrada Reset and while it discusses those episodes everything in this feature will be pure speculation and opinion. I really don’t know if Sagrada Reset will avoid the paradoxes of time travel or not at this point.

Keep in mind this post is not trying to tell you that Sagrada is an amazing, must watch anime given there are a lot of issues so far with it as an anime. It is however, looking at the premise of the show and how it is dealing with, or not dealing with, time travel.

And then episode 4 came out and a lot of my speculation has already been tossed out the window. On to the next lot of theories then, still, this was where I was after episode 3.

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Previously I wrote a feature article focussing on the use of time travel in Orange and essentially the fact that no matter how I looked at it, even if the mechanism they used for time travel worked, it made no sense that the future versions of a person would actually take the actions they took. As a result of how time travel played out I essentially found the basic premise of the show flawed because the character in the future assumed that changing the past would create a parallel timeline where her past self could experience the different version of her life while future self continued to live her current existence.

There was no evidence to give the character confidence this was how time travel would work other than one off hand spur of the moment discussion by a science teacher back when she was in high school For all she knew she was undoing her entire future life and the life of her child.

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Essentially, while I like science fiction, and quite enjoy stories that use time travel as a mechanism, I find these stories tend to by and large fall apart once you step back and actually question the internal logic of them. Even Terminator makes very little sense given the AI has figured out how to travel through time and sends only one machine with a specific target rather than sending an army to hit multiple targets simultaneously.

Assuming there’s an energy consumption reason behind that decision, taking out Sarah Connor is still a really pointless move. Even assuming John Connor never exists it is highly unlikely that no human would stand up in his absence. John Connor became the leader of the resistance, but if he hadn’t been there, someone else would have become the leader and maybe they would be more effective.

Let’s be honest, if no one had ever tried to kill Sarah and then John, his childhood (assuming he existed at all given his father is technically also from the future) would have been completely useless at preparing him for the end of the world. Surely the AI is smart enough to draw these conclusions and to realise that given the machines seem to be winning in the future anyway, messing with that timeline is unlikely to tip things in the machines favour.

But none of that has anything to do with Sagrada Reset.

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To start with, Sagrada Reset is not using time travel. Nobody moves through time, the world is reset to a particular point (literally to a save point predetermined by Haruki). In the first episode she tells us that it changes nothing and no one can be saved because even she does not remember the reset until she tries to reset again to the same point (because clearly the same events would occur uninterrupted leading to the trigger that makes her want to reset) and she realises she can’t because each save point can only be used once and she can’t set a new save point within 24 hours of the old.

This made me interested in how this show would deal with time because it seemed like a neat way to avoid the usual time travel paradox  discussion without creating parallel worlds because she was literally destroying everything that had come after the save point and starting over to admittedly let events repeat themselves unhindered. This was more or less confirmed in episode three when we got this line from Kei who is the only character we know of who can remember events that have happened during the days that were reset:

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It’s an ugly way to put it but if the reset works the way Haruki has described then it is rather accurate. Meaning you are giving up the three days that have existed, erasing them from everyone’s memory, and starting over.

But then we have Kei who does remember what has happened and who shares that knowledge with Haruki in order to change events (although far more cautiously after the events of episode 2). All of this leaves the story open to be a fairly basic protagonist goes back three days to solve the mystery of the week kind of story without any further issues of concerns about the mechanism that allows that story to operate. This, by itself, would still be a fairly watchable premise and could even be entertaining if done well (though not particularly original – hardly a sin in the entertainment industry these days).

What got this show stuck in my head were the other complications and mysteries that have crept into the story or been hinted at. We’re only three episodes in and yet there’s an almost endless stream of questions and possibilities.

Episode 2 saw Kei use a reset for an almost trivial reason. I guess from his emotionally stunted point of view it made sense to approach the situation that way but from anyone else’s point of view it was a lame reason to ask the girl you just kissed to reset the entire world.

As interesting a discussion as that might make as to the true nature of Kei’s character, what makes this moment more than just a minor blip in the story is that after the reset one major thing has changed and that leads to a character’s death (at least she’s reported as dead – let’s be honest, this is clearly setting up a mystery and the girl died off screen so there is every chance for a return later in the series with a faked her own death story).

Putting aside conspiracy, she’s not dead, for just a short moment, this made me draw the conclusion that someone other than Kei must remember the reset and have intervened to change events.

Somehow this anime may not be avoiding paradoxes in time travel but instead may be finding new ways to explore them.

Which of course made me question the original conclusion I’d drawn and I realised that both options were possible and weren’t actually mutually exclusive which raised even more possibilities further down the track, and none of that addressed the potential of the character not even being dead.

So let’s go back to how the reset works, or at least how it is explained which could be highly suspect anyway given if it worked the way Haruki describes why on earth would she even know she had the power because technically any memory of it should be wiped from her own mind.

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Now this is where I wish my Japanese was better to know how accurate a translation those subs are but the implication here is that if things are being rearranged to a past state there’s no guarantee that some mistakes won’t creep in to the reconstructed version of the world. Particularly when literally everyone and everything is being rearranged. It would seem very unnatural for it to fall perfectly back the way it started.

If we then assume the robot or android analogy they made in episode 1 was meant to be something more than a throw away thought bubble then we could see Haruki and her power essentially like the save function in a computer game. Save before you face the boss and should the battle go south reload and try again. In some games the boss will always repeat the same attack patterns allowing you to learn how to overcome it. This would be the way she describes her power working.

However, in other games, while the boss will still attack you the sequence of attacks may not be exactly the same each time and you may even have a random encounter before you get to the boss fight that didn’t show up in the previous iteration.

So I guess that leads me to wonder if this story is leading us down the path of discussion about whether events are preordained (in which case they would repeat identically without interference) or whether they are more random (in which case even if the reset was perfect anything after the reset could potentially change though most people would be inclined to repeat their actions simply because without any change in the stimulus provided there would be little reason for them to react differently).

Meanwhile, none of this gets us any closer to knowing if there is another person who remembers the loops and is interfering or whether the power itself is something else altogether.

Now let’s go full conspiracy theory on this show just for the fun of it.

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My current working theory is that after the Bureau was confronted by Kei and forced to give up on securing Mari because the mother stayed behind, they somehow realised that Haruki and Kei were messing with time but weren’t sure exactly how, or maybe the figured it out but wanted some more details.

The next time Kei and Haruki reset, the Bureau used its influence to make one critical change and removed Soma from the picture (either by killing her, convincing her to leave town and then faking the news story as her memory would be gone anyway, or because she was already working for them in her capacity as class rep – which incidentally explains how the Bureau knew about the power in the first place given Soma was the one who put Kei and Haruki together – they simply asked her to disappear). Possibly this was a field test to determine whether or not Haruki really was unable to reset the same period of time.

We then get a two year time leap where it is strongly implied that Kei and Haruki have used the reset and developed a working relationship, though Kei apparently isn’t keen on using the reset easily anymore, and now the Bureau is directly monitoring them through the creation of a club at their highschool and the known Bureau representative being the club advisor.

This time they seem to be testing the three days and the save points by setting up the ridiculous scenario with the run-over/kidnapped cat.

Evidence for this includes the advisor knowing when the save points are and Kei reporting the use of a reset to him, the timeline for the cat getting killed and the request that Kei and Haruki help, the suspicious actions of the girl who requested help in the first time line where she’s following their investigation and then in the second where she’s clearly waiting for them to show up (thus confirming they travelled through time and thought something would happen at the bakery), and the advisor’s strange request that Kei not reset time until three days had passed even though they had a new save point.

And that’s a lovely theory that essentially the Bureau are orchestrating the whole thing in order to find a practical way they can utilise this combination ability of Kei and Haruki. The only issue is the hole in the wall thing that showed up in episode 3 at the moment won’t slot into that theory at all.

Basically, more information is needed. To be honest, I’m kind of going to have to finish this show at this point, no matter how bland the characters may be at times or how dialogue heavy the episodes may get while pacing continues to be hit and miss. I may end up really hating this story by the end, but right now I just need to know. Time travel without time travel. What kind of narrative paradox can you create?

If you’ve been watching Sagrada Reset, what do you think?


Thank-you for reading 100 Word Anime.
Join the discussion in the comments.
Karandi James


Orange Series Review

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Overview:

Ten years ago Kakeru committed suicide. Now his friends, feeling regret, send letters to their past selves in an effort to save him.

I reviewed this week to week so if you are interested in my thoughts on individual episodes click here.

Review:

For those following week to week, it is no surprise that there are definitely aspects of this show that annoyed me. That said, it is actually quite a nice drama and if you are into teen romance between emotionally stunted characters with possible mental health issues you will probably find a truly touching story to follow. That said, I’m probably not the intended audience which might be why I became progressively more annoyed with the characters and plot.

My main issue will always be Naho and Kakeru themselves. You can argue that they are supposed to be flawed characters suffering from various issues (depression, social anxiety, etc) but that doesn’t stop them being irritating to watch. One or the other may have been fine on their own as an exploration into characters with mental health problems but the two together, dominating the screen time, are hard to take and mostly you just want to slam their heads together and tell them to hurry things along. Or maybe that’s just me being callous but the issue is that these two are not engaging to watch (for me at least). Sawako in Kimi ni Todoke has a similar mentality to Naho but I never found her to be quite this frustrating and possibly that was because she was partnered with someone significantly more outgoing (even if he did have his own issues to deal with).

The second issue that comes between me and actually enjoying Orange is the plot. The time travel explanation is rubbish and I still fail to see why (if you could send a letter to the past) you would openly work to undermine the life you have (especially in Suwa’s case). you could argue they are being selfless or maybe we could argue that the characters don’t believe it will affect them because any changes will occur in a parallel world but they don’t know that. It is a theory and speculation. They gambled the life of their future child on a theory that could not be proven ahead of time. The more they discuss and explain time travel (particularly in the last couple of episodes) the clearer it makes it that they did not know what the consequence would be but decided to do it anyway.

My final issue will always be the lack of development for any character outside of Naho and Kakeru. The friends exist to be friends. And while they all get to show up smiley and happy in the pictures, the bottom line is it always comes back to Naho and Kakeru while everyone else put everything on hold.

With those issues on the table I do want to point out some positives.

The story is complete in and of itself. No looking for answers elsewhere, no wondering about the outcome. They have a goal established in episode 1 and they work towards it until episode 13 and then the situation is resolved (whether you like the resolution or not it is resolved).

Neither Kakeru nor Naho actually do a complete 180 and are magically cured of their issues by the power of friendship or through sheer determination. You know what, they aren’t just going to get over it. They are going to slowly take steps forward and backward and may or may not eventually move on or maybe they are going to deal with issues their whole life. I actually liked that they treated their issues with this sort of respect. You can’t get over social anxiety just because you want to. And Kakeru isn’t just going to get over his guilt and subsequent depression just because he has friends and a few good times. While these characters may not be good together, individually it was great to see both of these characters and the way they were dealt with by the narrative.

Visually, Orange is a mixed bag of soft and pretty followed by some occasionally terrible animation. Don’t look too closely at background characters and mostly it won’t bother you. Thematically the story works well and while I’m still annoyed at the time travel treatment there isn’t a lot more you could ask for in thirteen episodes.

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Recommendation: For those into drama and romance that aren’t put off by slow moving stories or awkward characters. I’m not the biggest fan of the show but I can see why it appeals to others. And I can see why it would be irritating to some.

 

 

The Flawed Premise of Orange And Why Naho Should Have Thrown The Letter Out

That title: “The Flawed Premise of Orange and Why Naho Should Have Thrown the Letter Out” really sounds like I’m getting ready to dump on Orange.

I’m not actually suggesting there is something wrong with Naho as the protagonist of Orange or of time travel as a fictional concept. Mostly because the whole point of fiction (particularly sci-fi and fantasy) is to ask ‘what if’. What if you could go back and change all those stupid things you did as a teenager?

As a story concept it works so let’s leave that alone.

However, while watching Orange and reading various reviews and discussions about it, I couldn’t help but think how stupid and arrogant future Naho is.

And then, once I realised that some of Naho’s advice may very well lead to Kakeru not dying and Naho and Suwa not getting together, leading to Naho not having her very upbeat future baby, I started to really get annoyed at future Naho.

Yeah, you might have regrets now, but if you rewrite history via letters to your past self and you undo the existence of your own child, isn’t that going to be a pretty big regret?

Naho, won’t you miss your child?

Although, I guess that’s always an issue with time-travel fiction. Every change will have ripples so essentially as soon you start tampering with time you are accepting that the time line you are currently in is more or less coming to an end. Wow, I wonder if future Naho really hated her life that much?

The girls from Orange - Naho holding the jacket.

This isn’t Terminator. Future Naho isn’t trying to stop a world destroying war or save the future of humanity. It isn’t Dr Who where she’s meddling in events in the lives of other species and planets and mostly just undoing the stupid messes she created by messing with time in the first place.

This is a girl who as a teenager missed some opportunities (due to being an introvert) and now in all of her adult wisdom feels that telling her past self to ‘fix’ things will… Okay, I’m really unclear about what she hopes to accomplish. Undo past regrets by creating all new ones I guess.

Certainly helping Kakeru is a noble goal but everything else these characters have done and will do is going to change because of this. And aren’t regrets part of what shape people in the first place? Is undoing something just because you decided you could do it better reason enough to risk your future child?

Time travel and the chance to do something over are perfectly fine plot points and plot devices but Orange opens a whole series of questions about the actual motivation behind it. What does future Naho seek to accomplish and why can’t she, like most people have to, learn to live with the regret and take the lessons on board for the future?

By redirecting Naho’s actions, she’s simply robbing her past self of the opportunity to learn whatever wisdom she feels she has in the future.

All of this makes me wonder what I would do in this situation and the bottom line is I would never attempt what future Naho is doing.

That isn’t to say there aren’t situations that I wouldn’t have liked to see go differently, and looking back I can see how I could have easily done things differently, but if I changed it I wouldn’t have learned what I did from the result I got. Essentially I wouldn’t be the me I am today. And while I’m pretty sure I could be a better me, I could also be a lot worse.

And how would I know which lessons I learned from which events are actually the critical ones for making me who I am?

Just smile Kakeru.

When we were in school, we had to write a letter to our future selves that the school then had posted to us after graduation. I remember when I got mine that I rolled my eyes thinking what on earth would past me have to say that was in anyway relevant to who I was today.

Turns out, past me is not someone I should rely on for advice, because she is a sarcastic pain in the neck. The letter was an A4 page with no greeting or sign-off or anything else. If the envelope hadn’t been addressed there really wasn’t anyway to know who had written it. There was only one message on the letter, written just off the centre of the page.

“Figured it out yet?”

To which my honest answer will always be no. No, I don’t know if I’ve made the right choices or if things might have been different or better or worse or anything else. No, I don’t know if there was ever anything else I could have done. No, I don’t want to waste my time thinking about what could have been when I have to keep thinking about what is and where to from here.

So if past me is unreliable when looking to the future, I somehow doubt future me has any particular insight into what past me should have done in any given situation. Even the letter itself. Should past me have written something more profound or meaningful? What would that have accomplished?

The letter was perfect as it reminded me of who I was then. It reminded me of the hour I spent at that school camp staring at that stupid piece of paper and thinking that the entire activity was just plain stupid. It reminded me of how much I hated doing things that I didn’t think were worth my time, which is why I ended up writing anything and just stuffing it in the envelope.

That letter made me realise how much I’ve grown and changed, and how much I’ve stayed the same. Because part of me still wants to write a mocking and sarcastic statement on a page and walk away from things I think are pointless and that is always going to be part of me. And part of me wonders if maybe giving into that temptation is causing me to miss out on something else. And I will always wonder.

Naho, throw the next letter out.


Thank-you for reading 100 Word Anime.
Join the discussion in the comments.
Karandi James



Thank-you for reading 100 Word Anime.
Join the discussion in the comments.
Karandi James