And With This Monologue I do Progress the Plot

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During the Autumn 2018 anime season, it occurred to me that there are some narrative devices I just don’t take seriously anymore. They may have at one point served a valuable narrative purpose or been written with thought and care, but now it seems as though every example I run across is either tongue-in-cheek satirising itself or is just an example of lazy writing. That isn’t to say there aren’t good examples of them, but the problem is that when a narrative device is used well it almost seamlessly fits into the story in such a way that you barely notice its existence.

Some spoilers below.

However the villain’s monologue is a device that you just have to wonder if it has outlived its usefulness. Or perhaps it is more the case where you have to wonder if writers even try anymore. It is almost as though we get to that almost climatic moment and in order to just get to the smack down as fast as possible they have a character just narrate and vomit exposition at the other characters to tie everything together.

It almost reminds you of that moment in Space Balls where the characters after explaining something to one another turn to the camera and ask the audience if ‘everybody got that’.

Spaceballs (movie) - Everybody got that.

Though, I will make one correction to what I said earlier. It wasn’t actually a villain who decided to monologue and exposition dump that really got my attention last season (mostly because I stopped watching Index and to be fair every character in that show is prone to lengthy exposition). No, it was Mei from Release the Spyce.

Yes, Mei had revealed herself to be a traitor to the rest of her posse of adolescent female spies and gone to the enemy. And then – here’s the big reveal – it turns out it was all part of a plan to double-double cross and actually bring down the bad guys (like we didn’t all see that one coming given the strong themes about the power of friendship and the like).

Release the Spyce Episode 12

However, despite this being revealed in about two lines of dialogue, Mei then proceeds to explain how it came about and was planned and executed, eating up valuable screen time, giving the villain time to prepare her next move, and more or less killing any pacing the episode may have had (so the theory that a monologue gets you to the fight faster doesn’t hold weight in this example). It was a disappointing choice in a series that had great potential early on but never could figure out its tone or characters and then didn’t manage to deliver a climax memorable for anything other than this particularly poorly delivered monologue and a villain whose kimono like outfit was strategically slashed mid-battle.

Now why this particular monologue isn’t necessary comes down to a few points. Firstly, Mei’s motives and actions aren’t that complicated. There’s nothing revealed that is actually necessary to understanding the plot or gives more insight into the character. Sure we get some particulars about when the plan started but that’s largely unnecessary noise and could have easily been left out or revealed later. Secondly, these characters all the way along were about not making stupid choices in battles. And gloating to the villain rather than actually doing something is a stupid choice. It just doesn’t make any practical sense.

Now, if we were to compare that to something like Death Note where both Light and L get numerous monologues (both internal and external) we can see why the ones in Death Note work better. Firstly, it is a consistent narrative device throughout the whole series. Secondly, the information revealed and the insight it gives to the characters is usually not something the audience could determine otherwise. I mean, realistically L doesn’t give a lot away with his actions or facial expressions. His expository moments are highly necessary to provide some context.

And finally, Death Note uses the monologues and exposition to really push the tension and drama of a scene. It isn’t a delaying tactic nor does it break the mood of the piece. It sets the tone and drives the scene rather than hindering its progress.

The Incredibles (movie) - "You Sly dog! You had me monologuing!

Basically, monologues get mocked, a lot, in stories. And a lot of the time they should be. They are intrusive, poorly conceived and barely useful. Ready Player One is jumping to mind right now given the sheer amount of internal monologues we are subjected to as the world is explained to us as if we couldn’t just see it on the screen – fully understand why they were needed in the book but they certainly weren’t once the story was moved to a visual medium.

However, it is important to remember that occasionally when a character starts a monologue, there’s a real reason behind it and there might be a solid narrative purpose. Just because we see this device misused so often doesn’t mean we should throw it out altogether. It just means we need to think about how it’s being employed and whether or not it is doing its job.

And let’s remember: if it’s in an anime, the main job is to entertain us. So I ask, are you entertained? What anime monologues have stuck with you? Were they good, bad, or somewhere in-between? Share your thoughts in the comments below.

Thanks for reading
Karandi James
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March Comes in Like a Lion Episode 12

Review:

I’m going to get my complaint about the new opening out-of-the-way straight up. What is with that song? Visually, the opening is still really fascinating but the song just doesn’t match the tone of the show and while maybe it’s pointing the direction we’re heading all it really did was pull me out of the mood to watch the episode. Definitely skipping the opening from next week.

Otherwise, this week March is back with a really strong episode. I love that Rei is aware of the change in him but that he isn’t really sure how to deal with it so instead he focusses on the challenge he knows how to handle, the tournament. That said, it seems like Rei realises he can’t keep going like this and it will be interesting to see what he decides to do next.

March12b.JPG

Rei is the right kind of self-aware character. One where his inner monologue actually does help you to understand him and his view on the events around him (rather than simply narrating the obvious) and it forces you to question your own decisions and actions. Really loving this show still even though some of the comedic moments don’t do all that much for me.

March Comes in Like a Lion is available on Crunchyroll.


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Thanks,

Karandi James.

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