Three Big Lies We Tell Ourselves in the Face of Love


Bloom Into You is full of characters who tell themselves lies – but are these lies we tell ourselves?

Watching Bloom Into You, despite finding Yuu’s struggle to reconcile her rational mind and her feelings fascinating and beautifully nuanced in the way it is presented, really makes me frustrated. I’m watching a character who is clearly genuinely in love with another, who has opportunity after opportunity to act on her emotions with few genuine obstacles, and yet time and time again, she creates a barrier between herself and the object of her affection.

Bloom Into You Episode 5

It almost makes me wonder how they’ll play it at the end. If the end up together, Nanami probably deserved better than being strung along by Yuu for so long before Yuu finally accepted what was true from nearly the beginning. If they don’t end up together, than Nanami will be Yuu’s one-who-got-away and she’ll have nobody to blame but herself and her own self-deception and indecision. Either way, while it might seem sweet and it certainly keeps the story moving, the reality is that if this romance were not a fictional construct, this would be a really bad place for the characters to be in.

While it might seem fine to see it as only a work of fiction and to dismiss these characters as exaggerated for affect, these characters, like many others in anime, really do seem to echo their creators and when it comes to love, you have to admit, people do some pretty silly things.

Bloom Into You Episode 3

So Yuu represents the first big lie that people tell themselves. It isn’t love. Yuu is hardly the first anime character to convince herself that what she is feeling isn’t love. She joins a long list of anime characters who insist that they just like the other person, or worse, that they are just playing around. For Yuu, she’s convinced herself that she admires Nanami for all of her outstanding qualities, but that is normal. It isn’t love.

We see a more extreme case of this in Ririchiyo Shirakin who not only doesn’t really she is feeling love (or at least strong like) but manages to self diagnose herself with potential arrhythmia. Now, I’ll admit that most people are at least aware enough of their own emotions to understand that they aren’t genuinely feeling ill when they get that tightness in their chest or their heart goes doki-doki, but Ririchiyo is a fairly special case in terms of being unaware of how to deal with emotions.

inu x boku uniform

And when we ask why do characters do this and make statements about how dumb it is and why can’t they just be honest… You start to think why don’t people in real life. Why aren’t people honest about how they feel?

Which actually brings us to the second great lie that people tell themselves. I’m fine the way things are. This one is illustrated through Sayaka in Bloom Into You. As Nanami’s friend she wants more but for various reasons has decided that she’s fine with things the way they are. She isn’t honest at all about what she wants from Nanami but still feels jealous when she sees how close Nanami is getting to Yuu.

Bloom Into You Episode 6 Sayaka

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So why wasn’t Sayaka just honest about how she felt? 

Because, like most sensible people, she was afraid of losing what she had. It wasn’t so much that she was fine with things, but more the loss of what she had was more than she was willing to gamble. If she’d thought she’d had a sure chance, she might have made a move, but there’s no certainty in love. And with Sayaka’s background, can you blame her? Dumped by her former senpai who then made her feel twisted and wrong about her sexual preferences, Sayaka isn’t exactly wanting to dive head first into another relationship. She’s got plenty of reason to doubt and more than enough reason to try to hold onto what she has.


But, Sayaka isn’t alone in this. In fact, she shares this trait not only with many anime characters and people, but she also shares this trait with another Sayaka. Sayaka Miki from Madoka Magica who uses her one wish to save the one she loves and allow him to play his violin again but in all the time he was hospitalised, despite visiting him, talking with him, being with him, Sayaka never once confesses how she feels. And then her friend announces that she’s going to confess and Sayaka is left in an absolute state of turmoil which more or less leads to her downfall. 

So could Sayaka Miki have confessed? Was she fine the way things were? It is kind of too late to know but these characters represent the very real fear people feel about being open and honest with their feelings and the very real potential downside of holding off too long.

Bloom Into You Episode 1

Finally, Nanami gives us the third type of lie people tell themselves in the face of love. Even if you don’t love me back, I’m fine just loving you. One sided, unrequited love makes for excellent story fodder but the reality of it is pretty crushing over time. No matter how generous a person is, pouring love and affection toward another and receiving nothing back is exhausting and for most not something that can be sustained (most, not all). Nanami tells Yuu it is fine if she doesn’t fall in love. Later she tells Yuu not to fall in love with her. Yet despite that, Nanami keeps pushing the relationship forward wanting more and more from Yuu.

No matter what Nanami says her actions speak louder than her words. Her request of Yuu at the sports carnival, that Yuu initiate a kiss, speaks volumes. Nanami wants Yuu to reciprocate. She doesn’t want to be holding up a one sided affection. While she rationalises and says that she’s fine just being in love, ultimately what she wants is more than that.


Looking at another anime character, Linda from Golden Time tries very hard to wish Banri the best. She loved him but because of his accident he forgot her and she left to let him move on with his life. Reunited, she tells herself that she honestly wants Banri to have the life he chooses but deep inside it is killing her to see the boy she loved not know who she is and with Koko. Admittedly, the amnesia aspect of that makes it somewhat less relatable to the average viewer, but it is still an interesting love story.

Bloom Into You is a beautiful anime. The direction, the music, the characters are all beautifully put together. But where it gets a lift beyond just being another pretty anime about high school love is in its exploration of people in love and the lies they tell themselves. This is what makes this story and the characters compelling and brings us back week after week. That and it is just really pretty.

Bloom Into You Episode 6 Nanami and Yuu

Well, if you made it to the end of this ramble, I’d love to know your thoughts on love in Bloom Into You or in anime in general.

Thank-you for reading 100 Word Anime.
Join the discussion in the comments.
Karandi James

Puella Magi Madoka Magica Series Review: Make a Wish, Pay the Price


Puella Magi Madoka Magica Overview:

I’ve really touched on Madoka Magica before when I wrote a feature regarding the Strange Case of Madoka Magica but I’ve not yet written an actual series review so I figured it was about time.

For those that don’t know, Madoka Magica is about Madoka who is approached one day by Kyubey and offered the power to become a magical girl so she can fight witches and all she has to do is make a wish. If that sounds too good to be true, then you have probably been paying attention.

Madoka, unlike so many magical girls before her, takes her time to find out what being a magical girl means and to think about her wish before she decides to seal this contract. In the meantime, the other magical girls continue to fight against the witches and aren’t always coming out on top.

Puella Magi Madoka Magica Review:

My feature that I wrote about this show already touched on my thoughts of people calling Madoka Magica a subversive magical girl story. From my view Madoka is simply an origin story extended beyond the first episode for once and giving an outsiders view of what being a magical girl is like rather than subversive (mostly because our protagonist isn’t a magical girl for a large part of the series).

So I won’t be rehashing that argument here and will instead just give my thoughts on this series as it stands rather than trying to classify its genre and purpose.

Puella Magi Madoka Magica

The first thing that drew me into Madoka Magica was the art style used, particularly for the witches. While I get it isn’t appealing to everyone (and having heard it described as an eye-sore or headache inducing by some critics) I find the visuals of this anime to be fascinating.

Not beautiful because that isn’t really the right word for as many times the world depicted here is ugly and unsettling (intentionally so) and even the ‘normal’ world of Madoka is too clean and shiny, too orderly to really be considered beautiful. But it is the jarring contrast between the bathroom where Madoka and her mother prepare for their day and the sterile classroom environment to the realm the witches inhabit with their chaotic, cluttered and disorderly (somewhat nonsensical) appearances that really captured my interest in what was a somewhat mundane opening couple of episodes.


Sure the music is pulsating during the dream sequence opening and trying to ramp up tension, but you haven’t enough knowledge of the characters to really care about them at this stage and this sequence is more affective toward the end of the series once you know who these characters are and how they came into this situation. Madoka is also playing all the nice girl and unassuming protagonist tropes that she can in these early stages but mostly comes out feeling a little bland. So it is the visuals that really caught me and kept me watching the show.

Which is a good thing. Because by the end of the series, the characters have had time to win you over and even if you don’t agree with individual character choices or actions, you learn to understand what each girl is actually seeking and why they might have made the choice they did. You also fully realise the complete hopelessness of the situation all these characters find themselves in. That feeling of hopelessness is also accompanied by feeling helpless because in my case I couldn’t even bring myself to hate Kyubey for putting the girls into the situation.


Kyubey gets called evil a lot online and certainly he is the catalyst for all the woes faced by the girls however, his motives are never malicious. We interpret malice because of his emotionless demeanor and matter of fact attitude to the horror, but he actually doesn’t cause any of it. Kyubey has a clear job of collecting energy and the magical girl system is how that is done. He finds girls who have potential (more potential equals more energy so his targets make sense) and he offers them a choice. And that is important. It is always a choice.

Perhaps his method is coercive at times particularly when he offers a wish to a girl on the edge of dying or the like, but ultimately the girl chooses and makes the wish she wants. The one thing you might claim malice for is that Kyubey doesn’t explain exactly what the transformation to magical girl entails or what the end result is. Of course, the girls aren’t exactly demanding answers to those questions and you would think at least one of them would ask.


Madoka Magica is a series that at the time felt fairly unique. It took all the sweetness and light of a magical girl story and turned it on its head, not just to say ‘hey we can do dark’ but to really explore the characters and how they would react when pushed to their limits and the choices they would make when they found themselves cornered. It ultimately was a deeply satisfying watch though probably one that won’t be as good now as it was when it was released.

A lot of what made Madoka truly feel unique has since been cloned a number of times so now it will just be one of many such shows (though arguably the execution is Madoka is pretty solid and that may help it still stand above the crowd).


I really enjoyed this series and fully recommend at least watching once to most anime fans even if it isn’t your usual kind of genre. The influence of the series is unmistakable and it is a fairly decent narrative in its own right. With interesting visuals, good character relationships and development, and a story that isn’t totally eye-opening but still manages a few surprises, Puella Magi Madoka Magica is well worth the time it takes to watch.

Don’t ask me about the movies, I haven’t seen them.

Thank-you for reading 100 Word Anime.
Join the discussion in the comments.
Karandi James

Tuesday’s Top 5: Uses of Dream Sequences in Anime

Tuesday's Top 5

Previously I looked at the best uses of phones in anime and this week I’ve decided to turn my attention to dream sequences. My criteria wasn’t that these were the best dreams but the best use of a dream sequence to serve either the character development or the plot. This is strictly my opinion so as always, I’d love to know what would be on your list.

Please Note – There are spoilers below.

Honourable mentions to Ouran High School Host Club and Card Captor Sakura.

Number 5: Madoka Magica


Madoka Magica uses dreams in a similar fashion to a lot of magical girl stories. Our main protagonist starts by having a dream of fantastical and terrible events before waking in the mundane real world where she is decidely ordinary. However, what sets this particular story apart is the nature of the dream itself. Madoka is seeing alternate realities where she has lived through the events to their conclusion before Homura has rewound time start over to try to change the outcome. This makes the events of the dream fairly significant to understanding the eventual outcome of the story and gives it a bit more weight on rewatching than just a cool battle sequence to start events off.

Number 4: Another


This one is as straight forward as it comes and yet very affective. Kouichi has started to get to know Mei and as a result has been ostracised by his friends (okay is being deliberately and entirely ignored). It makes sense that he is starting to have fantasies and dreams about the one person who is talking to him still. However, other than showing that the two are forging a bond, this dream sequence also gives the audience a space to take a breath. Another is continuously hitting its audience with a dark and gloomy atmosphere with each scene dripping in over the top seriousness, so this brief moment of respite, even though it is a dream, is welcome and also the calm before the horror that follows. All and all, it works well within the narrative.

Number 3: One Punch Man


I’ll be the first to admit I’m not the biggest fan of One Punch Man but I did appreciate what they did in the dream sequence where we see Saitama energised and enthused in a way we rarely see him reality. What does a man who can defeat everything in One Punch actually want? Clearly, he wants a decent fight. Seeing his character quite literally come to life in the dream made the contrast with his everyday incredibly flat emotional state so incredibly clear and just made him a much better character because you could see he wasn’t bored and disinterested by choice. He genuinely wanted to feel alive. There just wasn’t anything left to challenge him.

Number 2: Sailor Moon

Moon Kingdom.jpg

Like Madoka, Sailor Moon also begins with a dream sequence where Serena dreams of the destruction of the Moon Kingdom as well as the guy she thinks she’s going to fall in love with. However, revealing their past lives isn’t the only thing dreams are used for throughout Sailor Moon. Villains attack characters through their dreams, the dead communicate with the living, future selves send dire warnings, and prophecies for the future all come through dreams. Then again, the entire show is about protecting the dreams of people so it makes sense that the idea of dreams is returned to again and again. Overall, remove the dreams from Sailor Moon and you wouldn’t have much of a show left.

Number 1: The Melancholy of Haruhi Suzumiya


The climax of season 1 (broadcast order) sees Kyon and Haruhi stuck in a closed space she created where the two characters get to spend some quality time together and may or may not reveal some fairly interesting points about their developing relationship. However, what I like about the sequence is that after it is over Kyon wakes up from a dream but the next day at school Haruhi has her hair up in a pony tail (a direct reference to something Kyon had said in the ‘dream’). They never actually confirm whether this is a dream or an actual alternate reality that was created and nothing more actually needs to be said. Whether it was a dream or a reality, the impact on the characters has been clearly established without further explanations. Also, when you place this story in the appropriate place from a chronological point of view it makes Kyon’s actions and acceptance of some of Haruhi’s worse moments a bit more believable even if the guy is still a little bit of a doormat who really needs to tell her to stop a lot sooner.

So that is my list of top 5 uses of dream sequences. I’d love to know your favourite anime dream sequences so be sure to leave me a comment below.

Thanks for reading.

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Karandi James.