Feature – I Want To Be The Very Best

I’m actually not writing a Pokemon post but I just felt that those words, I want to be the very best, really summed up what I wanted to discuss this week. I want to look at the motivations of anime protagonists and this idea of being the best.

Pokemon has this concept at its core but it doesn’t really look at the darker side of this theme so while the song beautifully encapsulates the theme, I’m going to look elsewhere for today’s discussion.

So many anime feature protagonists who are obsessed (and obsessed is definitely the correct word for it) with being the strongest, the smartest, the very best. This obsession is seen in every action they take and really defines them as a character. And while it might seem really great that at least they have a clear goal, what we see more often is an inability to accept failure, to lose gracefully, and to work with and cooperate with others.

Not actually taking a swipe at ambition or being driven. Both are fairly necessary to self-improvement. More concerned with the extreme levels some anime characters take it to.

The two main examples I want to look at are Ichigo from Bleach and Light from Death Note. That said, there are thousands of examples of anime characters out there that would have fit the bill. Definitely going to hit some spoilers during the discussion.

Who is becoming the very best?

Kurosaki Ichigo

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We meet Ichigo as a normal student (who can see spirits). While he has the usual male teenager attitude problems he really has no main goal or focus in his life that is apparent. He gets into fights over petty issues (knocking over a vase of flowers left for a dead girl) and he doesn’t really get on with his father, but otherwise there is really not a lot to Ichigo.

Then Rukia comes along, and after his family are endangered, Ichigo accepts power from Rukia to protect them. Even then, Ichigo has no real focus or drive. He outright refuses when Rukia tells him he has to work as a death god and defeat hollows. He tells her that other than keeping his family safe he doesn’t care.

She takes him to a park where a spirit is being attacked. She tells him not to save the spirit unless he is willing to save all spirits. Ichigo runs in and saves the spirit. While he still tells Rukia he hasn’t accepted the job, from that point on he pretty much never refuses.

Ichigo needs to be the very best

What we see over the rest of the first season is a transformation. Ichigo goes from reluctant hero to someone who is quite driven to prove his strength. Every hollow, soul reaper, or other individual who mocks him just fires him up more. After Rukia gets taken back to Soul Society, Ichigo’s obsession is complete. He has to be stronger. He has to save her. Even though his friends accompany him, he pretty much ignores them and focusses entirely on his goal.

In the process, Ichigo does get beaten. And each time he laments. No, this can’t be happening. No, I need to be stronger. No, I can’t stop here. While each time it is seen as somewhat inspirational, human will overcoming all obstacles, what it ignores is the lesson about understanding limitations or finding new solutions to problems. Ichigo has one solution. Charge in and swing your sword around. When that doesn’t work, swing it harder. More power.

By the time Ichigo goes to rescue Orihime from Hueco Mundo we see he has become an extremely isolated character. Again, his friends accompany him, and again we see how little regard he has for them. At least during the early stages of this campaign his friends force him to acknowledge their growth and strength but then they get sidelined once again. Even Orihime herself is told not to contribute to her own rescue.

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Ichigo is, by his own choice and actions, a lone wolf. More importantly, though he has goals outside of power (save the girl, stop this villain, return to this place, etc) these goals are regularly delayed in the pursuit of more individual power. Ichigo becomes obsessed with being the one who saves the day and genuinely does not rely on anyone else to accomplish anything. He takes the world on his shoulders and then plays the tragic hero card of being weighed down by all of these responsibilities.

Yagami Light

We also meet Light as an ordinary student. He also seems pretty directionless but is mostly just annoyed at a world he views as rotting. However, at this point in time, he has determined that he can’t do anything about it and so has basically given up.

Then the Death Note falls into his hands.

Light - wants to be the very best

From that very moment, Light realises exactly what he has and it is as though all of his ambitions come to life in one moment. He decides he wants to shape the world by removing all criminals. Unlike Ichigo, Light is extremely flexible in the approaches he will take in achieving his goals. For Light isn’t about being the strongest. He is definitely all about being the smartest.

If it were just against the police, the story would have ended pretty quickly with Light achieving his goals and ruling over the world as its new god. However, Light is matched against L, the mysterious, genius detective. Both of these characters strongly believe they are a force of justice and that they cannot be beaten.

What I find interesting about Light and L, is that through L’s analysis of Kira’s personality (the pseudonym given to Light on the internet after the criminal murders become common knowledge) the audience are told clearly the flaws of such driven ambition. He’s childish and a sore loser. Because of this, he will make mistakes.

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Much like Ichigo being unable to accept it when he loses a fight, Light cannot accept being challenged or talked down to. He has an arrogant personality, which he usually keeps in check, but when playing the role of the villain it is given free reign and the results are disturbing.



What we can also see from watching Light, is that once again pursuit of a single goal will leave you very isolated. While he does attempt to save his sister when she is kidnapped, he ultimately sacrifices his own father in pursuit of his goals. His only ‘friend’, L, is actually his rival that he keeps close only so that he can one day kill him. Misa, the owner of the second death note, is a convenient tool that he uses and he never once actually thinks of her as a girl-friend or even a friend, though he will certainly continue to maintain the illusion so that he can control her.

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The bottom line is because Light is obsessed with becoming the best, he has cut his ties to others. However, it is this approach that leads to his downfall. L fails to defeat Light, but his successors manage it because while they are seemingly working independently, their coordinated attacks corner Light very effectively. On the other hand, even though Light has compatriots, they do not act without his instruction and so he cannot get the same leverage from them.

So, while striving to be the very best might be an admirable goal (most Olympic athletes would probably agree that it is) it becomes clear that characters who lose themselves to that goal are fairly tragic figures. Finding a balance of striving to move forward while still maintaining human connections would probably be more advisable.

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Of course, we could always just ask Saitama from One Punch Man if becoming the best is actually worth it. I wonder what he would say.

What do you think of characters who want to be the best?


Thank-you for reading 100 Word Anime.
Join the discussion in the comments.
Karandi James


Why Writing Smart Anime Characters Isn’t Easy

Smart Anime

There’s smart anime characters, and then there are geniuses who surpass all others, but it isn’t always easy getting these characters right.

Genius characters in fiction aren’t new. They’ve appeared in detective stories, fantasies, psychological dramas and so on for a long time and while we remember the Sherlock’s and Moriarty’s who seem to have gotten the balance just right, many characters and their ‘genius’ are largely overlooked and quickly forgotten by those who encounter them.

Which seems odd given even a mediocre action based character can remain pretty entertaining just so long as he hits things hard enough (and the audience cares about why he’s doing it). So why are smart characters harder to write and have work well for the audience?

Random aside, earlier this week I ran a poll on Twitter to find out who my followers thought the best smart anime character was. Despite Lelouche getting an early lead, Light came back in the end and stole victory by the skin of his teeth. Though I will point out that there were a lot of comments for Senku and then Yang Wen-Li.

Light, L and Ryuk - Death Note
There’s genius and then there’s evil genius.

The reason I most recently started thinking about this issue again is my recent viewing of Moriarty the Patriot (Yuukoku no Moriarty) where I found Moriarty was a really well written character who I quite enjoyed but the anime as a whole suffered because of the efforts made to make him appear so much smarter than everybody else. The characters Moriarty interacted with and manipulated were at times blindingly stupid or at the very least incredibly naïve.

One particular character, having already murdered someone, just accepted Moriarty’s advice about next steps without actually thinking anything through himself. And while you might argue that the character in question was distraught by the events that had unfolded, a more appropriate reaction might have been actually just stabbing Moriarty (which would have upset his overall plan enormously).



Likewise, other characters follow along with plans seemingly without ever considering their own actions and while I’m willing to accept that given the era a general lack of educational standards there’s almost nobody in the anime even acting with what one would consider an average amount of thought; and all so that Moriarty could really rise above and shine with his incredible intellect that seemingly predicted all manner of events, circumstances, and human psychology.

Sebastian Moran from Moriarty the Patriot
First rule of being a support character when there is a genius protagonist – don’t think.

Part of this probably comes about because, let’s be honest, most of the authors are not super-criminal geniuses themselves. While they have the advantage of pre-planning and controlling all the narrative variables, ultimately the ploys and plans delivered by these genius characters were concocted by someone who was probably just hoping not to trip over their own logic and tangle their narrative in a knot.

What I found particularly interesting about Moriarty the Patriot is that ultimately it uses the same device as Death Note to ensure that there is some balance in the cast (though realistically Moriarty was always going to given the literary inspiration). That is, both anime introduce a character foil to ultimately oppose them in order to provide some sense of conflict into the story, and both anime end up having a genuine friendship, or at least respect, forming between the two characters despite their oppositional moral stances.

L from Death Note
Yep, he’s a genius.

Of course, Death Note had the same issue of the vast majority of the cast (particularly all the policemen and people investigating who were not L) were pretty much unable to add 2 and 2 together consistently (though some in Death Note did at least get the occasional moment of intelligent dialogue just to ensure we didn’t write them all off as incompetent).

However, outside of the detrimental effect smart anime characters frequently have on the intelligence levels of their supporting cast, other issues emerge. Code Geass fans will know how incredible Lelouche’s ability to plan and outwit his opponent is. Why we even start off the series with a chess game won from a more or less unwinnable position within moments just to show-off how smart he is.

Of course, Lelouche is one of those characters who very quickly goes from being a driven and smart character to being a super-human who seems to have pre-cognitive abilities because a lot of what he pulls along the way in his story is just so far-fetched it defies actual belief. It’s a lot of fun, but you can’t for a moment take him seriously as an actual person because ultimately he’s a step ahead because he is and he conveniently always seems to get the information he needs at just the right moment.

Lelouch Lamperouge - Code Geass
Alright, genius and drama queen.

Okay, in fairness, things do go wrong for Lelouche at various points in the story, usually because despite being a genius he is a teenager and sometimes doesn’t quite think before he speaks or plan things quite all the way through and his opposition has some god-level intel at times as well so really let’s just throw Code Geass entirely into the realm of fantasy and call it a day.

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With difficulty balancing out a cast to make your smart character seem smarter without crossing into the realms on unbelievable some writers actually go the other way (and this is where we get a whole lot of forgettable supposedly genius characters). When I reviewed Makai Ouji: Devils and Realist I kind of pointed out one of the things that really didn’t work for me about the anime; the main character being ‘brilliant’.

My main point was that the audience is told again and again, by William, teachers, other students, the anime synopsis, that William is brilliant and yet I couldn’t point to one decision or action William takes in the entire anime that actually seemed to demonstrate it.

Of course, some anime try to get around these problems and largely succeed by simply making their super-smart character really, really quirky. I’m kind of feeling Ed from Cowboy Bebop but there’s a lot of these characters who the writer seems to have balanced their abundance of brilliance in one department by making them more or less non-functioning humans in others.

Professor Stein in Soul Eater with his obsession with dissection would be another example of a character whose overall intelligence and competence is balanced out by a fairly debilitating character quirk. However, on that note I actually thought of an anime that went with the quirky genius model and kind of pulled it off.

Steins;Gate - Kurisu and Okabe pose in their lab coats.
Yep, Steins;Gate.

Probably the only reason Steins;Gate works is the majority of the core cast are brilliant in their own way, and those that aren’t genius’ all have a particular personality trait or skill set that is necessary to make the plot continue to churn along. That, and Okabe is a fairly erratic character who keeps getting pulled up short by Kurisu. Kurisu meanwhile constantly needs to be pushed out of her comfort zone by Okabe in order for things to progress.

Still, it seems that a lot of writers do have a difficult time balancing their cast when building it around a genius. Or worse, they diminish their genius character in order to make the cast dynamics work but then the core personality trait they seemed to be aiming for is more or less abandoned.

Despite the difficulties, when it is done well, these smart anime characters (or any work of fiction really) definitely leave an impression. What that means is we will probably continue to see writers play around with this particular archetype with varying degrees of success.

Before finishing I did just want to share a link to my list of top 5 smart anime characters. Realistically, Moriarty from Moriarty the Patriot deserves a spot but I just haven’t figured out where on the list he should go. But I would love to know who your favourite smart anime characters are so be sure to give them a shout out in the comments.

Images used in article:

  • Moriarty the Patriot. Dir. K Nomura. Production I.G. 2020.
  • Death Note. Dir. T. Araki. Madhouse. 2006.
  • Code Geass. G. Taniguchi. Sunrise. 2006.
  • Steins Gate. Dir. H. Hamasaki. White Fox. 2011.

Thank-you for reading 100 Word Anime.
Join the discussion in the comments.
Karandi James


Death Note Series Review: Not Quite Cat and Mouse

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Overview:

I seriously can’t believe I hadn’t reviewed this anime already. I was probably holding it off for a special occasion and the lead up to Halloween works for me. Plus, having watched the Netflix movie recently the anime was on my mind so I rewatched the first half of it again so now seems a good time to write this. What is it about? Light, typical high school genius, finds a notebook that claims that if you write someone’s name in it that person will die. Of course he tries it and then he thinks he can change the world by wiping out all the criminals. Enter L, the detective who is going to hunt down the killer that leaves no evidence. I examined the relationship between Light and L in a feature on conflict a fair while back but here’s the link if you are interested.

By the way, this review has spoilers. Big ones. Just warning you.

Review:

Just have to say straight out that I love Death Note. This was one of the titles that really hooked me as an adult anime viewer and is part of the reason I became such a fan of anime. That isn’t to say the series is perfect or that I don’t have issues with it, but in terms of showing me that anime could be more than magical girls or giant robots, Death Note perfectly hit the spot and made me start looking further afield for shows to watch and I haven’t really looked back since.

I’ll start with the main criticism I have of the show and then I’ll get to gushing about how amazing it is.

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The major criticism of Death Note is the story. It is incredibly juvenile when you sit back and actually look at the plot without the atmosphere and tone making it look far more sophisticated than it is. Teenage boy gets a book that can kill people and decides he wants to play god. Other teenage boy  wants to prove he’s the best detective in the world by solving the unsolvable. Fight, fight, fight (admittedly, this is a mental battle but it is on par with anything you would see in most shounen stories) and then one of the two is defeated.

And while that is pretty basic, it is incredibly rewarding to watch, only the story doesn’t finish there. They then introduce some new antagonists for the protagonist to face off against and mostly duplicate the steps from the first half, only with less enthusiasm and atmosphere, in what appears to be a desperate attempt to stretch content and not let the series rest.

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For all that Death Note is quite clever in some of the things it does, the plot is not one of them. At its core it is an incredibly obvious make the audience question what they would do in a situation type story. And once we establish that Light is not a very stable person given he rationalises the deaths of thousands fairly quickly (which could be a statement about a lack of emotional intelligence in geniuses but mostly just comes off as unhinged), it is clear that despite being the protagonist, Light is the villain of the story, responsible for far more deaths than any of the criminals he consigns to death.

There are also issues with some of the twists in the story as they attempt to make it look like excellent planning and genius skill level on behalf of Light and L, but the anime continuously falls back on coincidence to keep things moving. What if Misa hadn’t visited Light at the university when L stole her phone and then she was arrested? What if Light hadn’t just run into Naomi on her way to the police station? What if Rem hadn’t acted to keep Misa safe? There are so many moments where things happen by chance but the characters act as if they were all factored in. Though that is a problem any time a character is supposed to be a genius. Most writers aren’t so even if they try to think about what a genius might do in a situation it usually comes off pretty contrived.

So now that I’m done tearing the plot apart, why do I love this show so much?

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The challenge between Light and L is amazing. Okay, I know I said earlier it is pretty standard shounen affair with both declaring themselves to be the face of justice and becoming entirely fixated on defeating the other, but that doesn’t mean it isn’t great to watch. Despite the moments where these characters seem to slip up in their thinking, it is fun watching both characters try to find the tiniest chink in the other’s armour. Their natural attraction to one another, as someone who is thinking on their level, adds and extra dimension to the challenge, and even at the silliest moment (the fist fight while hand-cuffed still annoys me) these two characters are at their best when facing one another head on.

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I also just love Light as a protagonist. He’s so much fun to pick at and analyse. Did the book and the power make him crazy or was he always that way and the book gave him opportunity? There are arguments you can make both ways and evidence for both. I particularly love the scene with Naomi as Light is genuinely forced to think on his feet to deal with an unforseen situation. This is not the overly confident, maniacal laughing Light from the latter part of the series, but is the student still finding his way and looking carefully at all the angles and trying to find the best solution to his ‘problem’. That Naomi pushes him nearly to the brink before he succeeds is wonderful and there’s a real sense of tension in the entire exchange. My heart honestly fell a little when I realised Light had come out on top. I’d kind of hoped Naomi would find a way to be the first step to Light’s demise.

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Naturally Ryuk is another big draw to the show. His observations about humans and his general disinterest in the overall situation is quite entertaining. I would have liked him to have had a more active role at times given sometimes he seemed willing to help Light and other times he seemed obstinate for the sake of it. But still, as a Death God with no actual loyalty to Light, he was a pretty well done character.

I guess I should bring Misa up. She is kind of a necessary character for the plot to get going given without her mistakes they may never have gotten close to figuring out what was going on. Otherwise, most of her interactions in the story are pretty forgettable.

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The overall atmosphere and tone of the anime are wonderful. I love the use of symbolism and colour, even if it is in your face obvious most of the time (back to that idea of being a little juvenile). It just works beautifully at building tension and suspense. Also drama. How they manage to make a kid writing in a note book that intense is one of the absolute mysteries of the show.

The first opening theme is also fantastic. The second one however… well it isn’t a total train wreck is probably the nicest thing I’m going to say about that screaming drone with eye-hurting visuals. Of course, the second opening kind of coincides with where I usually stop watching because to be honest, after L leaves the story there is little real appeal in this show anymore. The end is worth watching the first time so you know how it ends, but rewatches allow you to just stop and not have to deal with the Mello and Near fiasco.

And that makes Death Note truly unique in that it is an anime I absolutely recommend even while admitting I don’t rewatch the end of it very often because it isn’t very good. That first half is pretty compelling and well worth trying if you’ve never given it a go.


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Death Note 2017 Movie Review: That Was… Different?

Death Note Live Action Movie

Overview:

So Netflix decided to do a live action adaptation of Death Note and decided in the process to Americanise it. I could write a review where I tear this apart because it is genuinely nothing like the original and they’d have been better off just creating all new character names and just saying this was based on the story of Death Note, but that isn’t actually fair to this movie. Yeah, it is nothing like the original. Character personalities, motivations, relationships are all totally different and most could not be favourable compared to the original characters. The characters are Americans for the most part. The whole story here is told in 100 minutes with sequel bait at the end. Got that out of the way. Now I’m going to review the movie.That said, it will be impossible to review this when I am a fan of the original anime without reference to it.

Review:

I really expected going in that I was going to hate this movie. I hoped I wouldn’t, but kind of knew deep down that no matter what Netflix did, I was not going to see it particularly well. I love the original Death Note. I love the clever play between Light and L and how that builds over half a season. I’ve watched Death Note movies before and the short run time always, always hurts the tension and the story. So imagine my surprise when I actually liked this movie. Admittedly, the first watch through I didn’t. I was too busy declaring that none of it was ‘right’ or the way ‘it should be’ but you know, that isn’t exactly fair. So I chucked my preconceptions out the window and watched it again without any thought of what it was supposedly adapting. And you know, there’s actually an all right kind of story going on here. It just isn’t the story fans were hoping for.

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See, this isn’t a psychological thriller anymore. What this movie focusses on is the horror and fear of being given power, thinking your are in control, and then seeing it all spiral horribly out of control. And from that point of view it works beautifully. Yep, Light isn’t anywhere as smart as the Light most people know and love. This character would definitely have benefitted from just having a totally new name and just be another random guy that Ryuk dropped the note for. That doesn’t make him a bad character. He’s an American teenager who has issues with the notion of justice due to his mother’s death and what he perceives as his father’s failings. He’s also seen injustice in the school system with how bullying is dealt with (or not dealt with). When given a taste of power, he uses it and some of his uses are incredibly reckless and not particularly well thought out because he is impulsive.

What this gives us is a much faster plot line. One that doesn’t set up a slow rise in the popularity of a killer who the public give a name to that he then assumes. Light chooses his own name and promotes it through those he kills. He builds a following and he does so quickly and with efficiency that allows us to move right into the phase of Light being pursued by L.

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However, before I get into that I need to address Mia. Mia is both a blessing and a curse to this movie. She provides a fairly decent plot twist, she drives the story forward when it might otherwise stagnate, she allows Light to not inner-monologue because he has a partner in crime more or less from the beginning. However, her own motives, other than apparently she gets off on killing, are never explored. We know nothing of her back story, her history, or anything about her other than she’s a cheerleader and now she thinks she has found a purpose. Also, she makes Light seem incredibly stupid because he basically reveals the note and all its secrets to her because he literally just wants to impress the girl. It is a cheap plot move and while it works at moving us forward you really don’t feel like that was a satisfying way for the story to get kicked into gear.

Basically, this is Mia and Light’s story and how the power of the Death Note changes the both of them and ultimately changes their relationship throughout. The whole L and the police thing is a secondary concern to what is going on with Mia and Light. So if Mia had just been given some decent development, this movie could even be elevated from just all right to actually quite good and yet it never quite manages that because as much as this story wanted to take Death Note in a new direction, it couldn’t quite commit.

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So here is L. He isn’t L as you know him, anymore than Light is the character you know, but he is L. He is in hot pursuit of Kira and he leaves false trails and ruthlessly uses whoever he has to in order to track down the killer. But this is a far more emotive and unstable L (though I guess L was always a little unhinged) and by the end of the story the L we see has lost any ability to think clearly or logically. He is angry and grieving and his actions take on a rashness that we would never have accepted from the anime version, but here is works well because the story makes one fairly critical change early on.

When L goes on TV to goad Kira, Light doesn’t rise to the bait. Light’s core personality has been changed sufficiently that it makes sense for his character to not want to harm the innocent, even if they are calling him out (something this movie maintains throughout its entire run). Because of that change, there’s never really a cat and mouse game between the two. Sure, L is pursuing Kira and he figures out that Light is Kira, but Light’s issues are all around Ryuk, Mia and the morality of using the note itself. That’s where the story and the conflict are. L is basically side story material that may later get development should this ever get a sequel.

I have to say, while I don’t like any of these characters as much as the original cast, and the story is nowhere near as clever or interesting as the original, for a released on TV horror it works relatively well and can certainly keep you entertained for it’s fairly short run time. The deaths are at times an excessively gory and a few of the set ups will remind you of a Final Destination film, but basically everything comes together and the final confrontation and explanation is satisfying enough.

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When it comes to recommending this though, pretty much I recommend it to non-anime fans who like horror. If you’ve already watched Death Note, it is really likely that all this movie will do is annoy you. However, if you haven’t and you like the idea of guy finds book that can kill people, you’ll probably have an alright time with this. That said, given fans of the anime probably aren’t the best audience for this, the writers really should have just committed to new audience, new story and ditched the unnecessary remnants that just serve to clutter up an otherwise interesting plot. As an adaptation of Death Note, this is pretty terrible if you are after the tone or feel of either than manga or the anime. As an American teen horror movie with a bit of a supernatural edge to it, this isn’t dreadful and actually has some quite entertaining moments.

So, I’m surprisingly okay with this movie and wouldn’t mind a follow up. I just wish they hadn’t called it Death Note.


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Chain Chronicle – The Light of Haecceitas Episode 12

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Review:

Hey, after 12 episodes I finally spelt the name right on the first go instead of the fifth. There’s an achievement. Anyway, this ends pretty much exactly the way you would expect given the story so far. It’s never done more than be a standard sword and sorcery fantasy and the ending, in all its light show, sword clashing, dragon fighting glory is as standard as it comes, including the final boss having three forms to fight through before he was finally defeated. But hey, nobody really cared about the black king because we had to save Yuri.

Chain12

So yes, we even get a fight of good Yuri vs evil Yuri inside his head again, just in case we hadn’t already hammered that cliché into the ground. And while this show has always had a heavy light vs dark theme this episode really just hammered it.

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But the strength of bonds and friendship wins, because this is standard fantasy and don’t worry too much about anyone because you know we wouldn’t want the good guys to not feel like they had an outright victory.

Despite what might seem like a harsh episode review, I had a lot of fun watching this and I’m looking forward to writing a review of the whole series.

Chain Chronicle is available on Crunchyroll.


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Nazotokine Episode 11

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Nazotokine Episode 11 Review:

The movie finishes in Nazotokine, they go to work, and then a light show. As usual, Tokine gets excited and we end with yet another riddle. Part of me has taken to wondering if this wondering if this whole show is some sort of travel advertisement with the quizzes thrown in to break up the random segments of scenery and discussions by the girls about various events.

Honestly though the show doesn’t change. Week after week we get the same tone and formula without any real variation and it is definitely getting dull.

Nazotokine is available on Crunchyroll.


Thank-you for reading 100 Word Anime.
Join the discussion in the comments.
Karandi James