Overview:
Sakurada is a town where the majority of the people have power. One specific power each that can be used under specific conditions. Most of these powers are harmless and fairly useless individually, but this is still a point of concern for those watching over the city. Kei’s power is that he doesn’t forget anything including time even after the world is reset by Misora. By combining their powers they are going to work to help people.
Review:
Sagrada Reset (or Sakurada Reset) is a fairly interesting anime. That will probably be hard to believe if you spend even five minutes doing a google search on it and see the parade of reviews of the first, second and third episodes and then see that the internet went pretty silent on this title as a large number of viewers dropped this and moved on. However, this is a 24 episode anime and one that the writers clearly intended people to watch the whole of rather than receiving instant gratification each and every episode, and to be honest I’m really glad I watched this through to the end, despite my own stated desire to drop this show mid-season.
There are plenty of shows where the whole is greater than the sum of their parts and some of those actually manage to be decent week to week, so I guess the question I’m left with is why was Sagrada such a frustrating viewing experience when stretched out from April to early September?
For a lot of the reviews I read of the early episodes, it was the characterisation and pacing that was killing the show. The characters were compared to robots, androids, lifeless dolls and pretty much anything else that has about as much personality as a brick. It wasn’t even that much of a stretch. These characters do spend a great deal of time sitting very still with limited movement other than the occasional head tilt, talking in a manner that to the average listener sounds grossly unnatural. To be precise, the characters are ridiculously precise in a way that no-one ever is when speaking. It is an odd experience listening to them and there isn’t much visually happening to distract you.
That isn’t the same thing as a criticism though. Certainly it isn’t natural, but natural is probably not what anyone intended to go for with these characters. So for the first three episodes, I found these characters fascinating. Not actually good characters or terribly real, but interesting in that unique, what-are-they-doing kind of way. Admittedly, by mid-season, some of that charm had worn off and what I was left with was stilted characters who I will admit now were developing (as evidenced by where they end up) but it was happening so slowly that it was almost imperceptible until you actually reflected back. Kei in the final episodes isn’t the Kei we met early on despite what the other characters might say and Misora, the emotionless robot girl herself is almost getting close to real person status by the end and you can’t really put your finger on when that transformation occurred because it has been a slow build of a myriad of tiny changes.
Basically, the characters won’t work for everyone and none of them are going to end up on my character of the year list, but I am going to remember them because they don’t fit into the average moulds I’m used to seeing marched out onto the screen in anime. Again, not sure if that is positive, but it isn’t a criticism either. It just kind of is and different people in the audience will respond to them differently. For a lot of people that response is to turn the show off.
The second major criticism of the pacing is a harder one to discuss. The pacing is incredibly slow. Even with a two year time-skip by the time I got to the end of this show’s run it felt like I had been watching it forever. Part of that I think will be solved now that the full show is released and I intend to revisit this show and binge it in three or four blocks to see if that makes the pacing any more tolerable. With the pacing as it is though… Well, you have to either be really interested in the premise or find the characters really fascinating if you are actually going to push through with this one particularly during the first twelve episodes. Fortunately the second half definitely hits the accelerator and while it is still fairly measured, it isn’t making you want to pull your own hair out anymore.
But these aren’t the only issues the show suffers from. It also suffers from a main character whose motives and actual personality are murky. He isn’t the good guy trying to save the world because he can. He isn’t on any kind of ego trip. He doesn’t necessarily want to be the best. He openly admits he is being selfish and that his own goals don’t have any higher meaning other than they are what he wants to do. Basically Kei Asai is the central figure of a story and his actions do drive a lot of the plot but those actions regularly have no significant meaning behind them. There is the motivator of trying to undo the death of Sumire Soma from early in the story, but most of the missions Kei undertakes for the Bureau have no direct connection to that event and it is hard to see what benefit Kei is seeking from his actions sometimes. That made it hard to care whether he succeeded or not, a lot of the time.
Misora isn’t much better. Particularly early on. She seems so empty and useless as a character, her entire identity defined by how Kei sees her. It would be very easy to rant about female characters lacking agency but when we see the entire journey Misora takes, while it doesn’t make her earlier character all that palatable, it makes it hard to get on a high horse about character development. Misora arguably has the most development as Kei, despite changes that you would expect from the life he has lived, doesn’t gain anywhere near as much in terms of personality as Misora does from the events and experiences.
With the two central characters being hard to care about or rally behind, it keeps the audience at a distance from the show. There’s limited investment in the events and in their outcomes early on. Not to mention, Misora’s Reset ability is overwhelming and it is hard to imagine something coming along that she couldn’t fix despite the early blunder where a Reset had already been used making it ‘impossible’ to fix Soma’s death.
Yet despite all these potential criticisms and deal breaking flaws that the show exhibits, there is one thing that having watched it from start to finish that I am very happy with. This is a planned and fully cohesive story. With one exception (that I’m hoping does tie in and I just missed it), every one of the earlier stories and events that Kei and Misora go through in that first half of the series is utilised and drawn back into the central plot as the show moved into and through its final arc. Conversations and ideas that felt meaningless, bewildering, or tacked on and then forgotten, suddenly serve great purpose and come together to make an ending which is rich in meaning and purpose and feels genuinely rewarding. Part of the reward is that you succeeded in the endurance test of not dropping this show, but the other part is that what you are seeing is actually satisfying story telling.
It is the kind of thing that is seen far too rarely in anime. As a medium, anime is there and then gone. One season is quickly followed by another and so many shows come out that viewers take one or two looks (and a lot follow a three episode rule) and make their choices. So shows stack their ideas and displays of prowess and frequently forget the greater narrative leading to stagnating middle-seasons and convoluted or messy endings (or worse, a non-ending). For everything that Sagrada Reset has against it, that ending alone made it worth my time.
But, I wouldn’t have gotten there if I hadn’t been drawn to other aspects of the shows. The main draw for me was the premise. The town of Sakurada was interesting and the way powers could be combined and used for unexpected purposes was enough of a novelty for a slowly moving plot to keep me coming back even at the mid-season point where I seriously considered letting this show go from my line-up. The interactions between the students and the bureau also gave me hope that this story had some greater purpose or meaning in store for us and ultimately it did do something with those ideas even if it was never quite what I expected. And that was the other part of the show’s charm. It never quite went the direction I thought it might go but it never did anything that you could consider overly crazy with its narrative. Everything was logical and methodical and while that may not sound all that appealing, I quite appreciated it.
I will put a warning on this anime though if you are triggered by acts of self-harm. Kei has very little sense of self-preservation and some of his tactics and moves are quite underhanded and on at least two occasions violent. So while this show is not a gore fest or anything of the sort, those scenes are confronting, more so because the rest of the events are so benign.
This isn’t an anime I will recommend because the vast majority of people are not going to like it. However, it you’ve got the time and you like to see something that takes a slightly different approach (not a radical reinvention or innovation but just not exactly the norm), then this is worth watching. If you make it through to the end you’ll probably gain some satisfaction though whether you end up feeling it was worth the time it took to get there is something only you can decide.
Thank-you for reading 100 Word Anime.
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Karandi James
