This is part of a series of re-posts of older reviews on 100 Word Anime. The original review came out in June 2016 and can be found here.
This review was initially written in a style I very quickly dumped and that was separating out the characters, plot and setting under heading and discussing them in isolation. While I haven’t really changed my view on this anime, I have restructured the review quite significantly.
This is a series I’d rewatched even before my first review and I noted that while the show remained ridiculously fun, the flaws of the series become far more glaringly obvious when the pretty shining colours and wow factor are less distracting and you already know the outcome of the games (though you kind of new the outcome in the first place it was more how they were going to pull it off).
It is worth noting that realism is not what this anime was going for. All of the characters are complete and over-the-top parodies of human beings (even though the vast majority aren’t human). And while this isn’t necessarily a bad thing, it does make it hard to feel sympathy, empathy, or anything else for the characters. This problem was actually made worse when I finally got around to reading the first light novel hoping it would perhaps shed some light on some of the character’s back stories (note, it doesn’t at least not in volume 1).
And just when you think Sora and Shiro aren’t so bad afterall, Shiro’s outright lack of human emotion will punch you in the gut or Sora will follow up a truly brilliant dialogue with a panty joke or something equally jarring from the flow of the show.
That said, there is something amazing about these characters. My personal favourite is Izuna, who unfortunately doesn’t come along until close to the end but is actually the character I found the most sympathetic.
Jibril has some shining moments (anyone who values libraries and knowledge automatically gets some brownie points) and her adaptability is something to behold. But, those moments are contrasted with their attempts at using Jibril for comedic purposes that mostly fall flat. She was at her funniest when recalling the previous wars when she apparently single-handedly wiped out many elves. That was some pretty dark humour being thrown around in that scene, though that’s fairly consistent within No Game No Life. A lot of what you will be amused by within the context of the anime is actually quite dark and problematic when taken out of that context.
The plot here is really where some people will start to drift away. They tell us early on that Blank will NEVER lose. Seriously, they weren’t joking. Doesn’t matter what the situation or odds, these two are going to find a way to win. Whether you find the incessant rationalisation and explanations for how they managed to win charming and amusing or just pretentious will really determine how much you enjoy the story here.
More importantly, it kind of cuts off just as it’s getting interesting. They are progressing toward their stated goal but still have a long journey ahead of them and that’s it. Game over. Or, anime over. Perhaps we’ll eventually get a follow up, but for now, we’re left with Blank ready to start on their journey to challenge Tet (the god of Disboard) and yet we don’t get to see that journey.
There isn’t really anything resembling a subplot in this. There are supporting characters and something about a potential rebellion in Elven Garde but mostly this just serves as more fodder for explanations about how Sora manipulated the situation to win. What back story there is revolves around the previous King who lost a lot of Imanity’s (Humanity’s) territory to the War Beasts, and again, it isn’t a subplot so much as another piece of a long and convoluted explanation of victory.
However, where the characters might be questionable in how they are presented and the plot will only work provided you enjoy watching how they win rather than feeling any tension about whether they will win, the visuals are distinct, to say the least. Even on a rewatch, Disboard reamined beautiful.
Okay, the colour palette is a little on the insane scale but it is supposed to be a fantasy world ruled by a god who thinks games are the best way to solve conflicts so we can probably let that go.
The music works but is reasonably forgettable and the voice acting is neither particularly good or bad. Shiro’s voice annoys me because it feels like everything she says has been put through a filter and is just that little bit too high and whisper like. Maybe this was supposed to make her sound cute but it drove me crazy by the end of the series. Fortunately, Shiro doesn’t talk anywhere near as often as Sora.
There’s fanservice here. Lots of it. Bathroom sequences and female characters losing their clothes for some fairly flimsy plot points. While bathroom scenes aren’t by themselves a problem their lack of purpose in this case is. It seems at times the entire plot just screeches to a halt while they chatter about random things while covered in suds. Could they at least talk strategy while showering? And seeing Sora using his phone to try to get photos of Stephanie in the bathroom is just all kinds of creepy.
Despite all the problems this series has that keep it from being a must watch, I like the set up and enjoy the games that are played. I like that the characters aren’t just proclaimed to be smart but they actually are planning ahead and have a vision of what they are trying to accomplish. The value of knowledge in this anime is expressed over and over again and that is something to be celebrated. That and the whole thing is so over the top and fun. While it won’t be for everyone, you can do a lot worse than No Game No Life.
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NO GAME NO LIFE – SHIRO 120CM BIG TOWEL