Fruits Basket 2019 First Impressions

It’s finally getting a reboot, but has it delivered on fan expectations?

Another remake of a classic and like previous ones (the Sailor Moon reboot and the Cardcaptor continuation), I cannot help but be excited while at the same time feeling a little wary about what the results might be this time around. I’m pleased to say that episode one retains all the charm of the original anime series, with superior character designs and animation in general, and it even toned down the silliness of the fan club. So, you could say so far so good.

Fruits Basket - The Prince's Fan Club

In point of fact, it is a gorgeous first episode. Very screen capable as it introduces the core cast and establishes their base line relationships. The music and sound should also be applauded as being very affective and overall this is a first episode that manages to deliver for anyone who is already a fan of the franchise and has been wanting to see the reboot.

Fruits Basket - Tohru and Hanajima

What it perhaps doesn’t do so well is have any real hook for those new to the story. The happy girl down on her luck is a trope seen many times (even before the original Fruits Basket anime) and Honda Tohru here works well enough but isn’t charming enough on her own to be a selling point within this first episode, nor pitiable enough to invoke any kind of empathy. Instead she’s very much just being set up in her role which those who know the story will anticipate her growth and development but those who don’t will simply see a fairly standard and maybe not-so-interesting lead character.

Fruits Basket - Honda Tohru

Likewise the mystery of the Soma’s is established here and I’m very keen to see this version of the anime as the original really dropped the ball here (leaving me with a read the manga conclusion which I certainly did but I’d love to see the story actually play out in anime). But again, I’m not certain this first episode really does justice to where this story will go.

Fruits Basket - Yuki and the rats

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Is a beautiful but by-the-numbers opening necessarily a bad thing?

Not really. It was a wonderfully pleasant introduction to the series and the conclusion with the ‘reveal’ for the handful of people who didn’t know all works quite well. However, most of my excitement here is still coming from my general anticipation of what is coming rather than what was delivered in episode one. Everything here works but it isn’t anything exceptional.

Fruits Basket - Honda and her mother.

Here’s hoping this adaptation grows into the charming and emotional experience this story could easily become and at this stage I’m still very optimistic. I did however take a lot of screen caps because it is really good looking.

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Top 5 Anime I’m Anticipating For The Spring Season

Tuesday's Top 5

I was asked by DMWonder on Twitter whether I was going to do a anime I’m looking forward to post for the Spring season. As a general rule I just kind of wait until the season starts because when I do look ahead, I get excited about an anime and then realise it didn’t come out somewhere I could watch it anyway which leads to disappointment. That or I get hyped for something that then fails to deliver and again, disappointment.

So to avoid disappointment, I have taken the bury head in sand approach to seasonal viewing and while it is impossible to avoid hearing some of the titles coming out as other bloggers and anime fans on twitter share their thoughts on the upcoming season, I don’t go digging for more information until the season starts. Still, after I was asked this question, I got curious.

To make a not so thrilling story shorter, I went and had a look at MAL’s list of what was coming out in the spring and so here we are with me listing the top 5 anime I’m anticipating. If they don’t come out on services I use or they suck, I never made this list. Just saying.

However, though a lot of my readers have already shared their lists on their blogs, I’d love to know what Spring titles you are looking forward to, so be sure to leave us a comment below.

Honourable Mentions:

There are a few. These are titles that I kind of thought might be interesting but until you see how the first episode goes there’s really no way to tell. On this list I’ll add: Kimetsu no Yaiba and Fairy Gone. Both look like they could be really interesting, but they could also both fall completely flat depending on how the ideas come together.

Fairy Gone

Number 5: Shoumetsu Toshi

I don’t know what it is that is really grabbing my attention about this one. Maybe it’s just the opening line of the synopsis where it says a city just disappeared. Whichever way, something about this one kept grabbing my attention. That said, it lists a game as its source and that may or may not be a problem, but I’m still going to be hopeful about this one.

Shuometsu Toshi

Number 4: Mayonaka no Occult Koumuin

Alright, this one is just asking for it to flog big time, but the write up on this one looks interesting and that supernatural label always gets my attention even if I sometimes regret it after the fact. Throw in youkai and potential exorcists and you at least have me looking for your first episode ready to enjoy. Whether I will or not remains to be seen but this one seems like it should be right up my alley.

Mayonaka no Occult Koumuin

Number 3: Bungo Stray Dogs Season 3

While this isn’t one of my favourite franchises, Bungo Stray Dogs has enough fairly awesome moments (particularly the start of season 2) to keep my attention. Visually it is always a spectacle and the powers are really cool. While I’d like a bit more from the story some times and find the focus on Atsushi a little less than thrilling when there are so many better characters in the show, I must say I still had a bit of a smile when I saw this was coming back.

Bungo Stray Dogs Season 3

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Number 2: Attack on Titan Season 3 Part 2

Weird that I thought I’d be dropping Attack on Titan when season 3 started. But part one of this managed to get me really excited for the story again and even made me appreciate a lot of the characters more and so here I am getting hyped for a part two. Let’s hope it holds up because this one has got a lot of hype around it and just being okay won’t really be enough to stave off disappointment.

Attack on Titan Season 3

Number 1: Fruits Basket

I was completely in love with the original series of this, though always found the art style and the incomplete nature of the story a little frustrating. This was one that I looked up the manga online because I had to know what happened next but ended up realising there were quite a few changes. With all of that said, this one had been on my list of anime I wanted a reboot for, for a very long time and finally getting a reboot is incredibly exciting. I will definitely be watching this anime during Spring.

Fruits Basket

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They Can’t All Be Natsume – Nor Do They Need To Be

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As a reviewer I try to avoid comparison where possible between one story and the next (and previously wrote a feature about it – comparing apples and oranges), but it is kind of inevitable that comparisons will be made. Partly that is because similar characters or stories will remind you of the previous one though other reasons for comparing are to make a point clear, to point out the strength or weakness of a story, or to help your audience to really get a feel for what you are talking about by linking it to something they are likely more familiar with.

Still, comparisons aren’t always all that helpful. I recently went looking for some reviews of Kamisama Kiss online and found comparisons everywhere (I was curious about what people had said at the time it came out because that was pre-blogging days so I hadn’t really read any reviews of people who watched it when it first came out). On several occasions I found it compared to Fruits Basket or InuYasha and it seldom came out favourably.

While as a shoujo, the comparison to Fruits Basket kind of makes sense, the overall tone and feel of the stories are entirely different. I watch Kamisama Kiss when I want to just have a bit of a laugh and soak up some cute yokai vibes. Sure, it doesn’t really manage character drama all the deftly, but there is the occasional moment where it hits the spot, but realistically, you kind of watch Kamisama Kiss for the weird antics as Nanami learns to be a land god and the supernatural reverse harem that forms around her.

Fruits Basket on the other-hand I watch when I want to go through a bit of an emotional journey. I usually watch it when I’m feeling low and don’t know the reasons for feeling that way. Watching Fruits Basket and watching Tohru help others really helps process your own emotions and there’s definitely a cathartic effect as you see each of the characters she touches slowly come to terms with themselves. About the only complaint for the original series, other than the dated visuals, would be the lack of ending, which is why I’m super excited about the upcoming rebooted series. Whichever way, I wouldn’t have even thought of comparing it to Kamisama Kiss because in terms of why I enjoy it, it couldn’t be more different.

I can’t really comment on its similarity or dissimilarity to InuYasha because despite that one being on my watch list for a very long time, I’ve still yet to actually watch it.

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So as the title of this post suggests, recently I found myself comparing The Morose Mononokean to Natsume Yuujinchou. Actually, worse than comparing, I mostly pointed out that The Morose Mononokean couldn’t hold the emotional weight of something like Natsume. And that’s actually really true but it is more or less true of the vast majority of anime and not an actual complaint about The Morose Mononokean.

Now when watching these shows, comparisons do seem more or less inevitable. They both follow teenage boys who have the ability to see yokai. More importantly, the first season of The Morose Mononokean and Natsume Yuujinchou more or less follow the yokai of the week format where a new yokai is introduce, the main characters encounter it and it is either threatening or friendly, there’s a little bit of misunderstanding or a problem to resolve, then someone we fix things and we learn and grow from the situation. Rinse – repeat. Yokai of the week.

However, Natsume Yuujinchou, for all that it really is a monster of the week kind of story, has managed subtle and continuous character growth and built an impressive supporting cast that all feel like fully developed characters in their own right. Admittedly, it is now six seasons in, but it is still impressive how you barely notice the character growth until you go back to the beginning and then you realise just how much ground each character has gained. It is such a natural drip feed of growth and development that you really don’t even notice it but the results are there to see in how each season Natsume is that little bit stronger than he was and his relationships with those around him are that little bit deeper and more interesting.

Natsume Yuujinchou

In short, Natsume is pretty brilliant and you should definitely watch it.

The Morose Mononokean is not.

And that isn’t actually slapping it down. The Morose Mononokean season one was decidedly average in every way. It used the yokai of the week format well enough. The characters were entertaining and the back and forth between the two main characters was actually pretty entertaining. Visually it was okay, but they really did a great job contrasting the mundane world and the yokai world through the use of colours. Everything about it functioned, though it never delivered much in the way of an emotional punch and the characters remained more or less as they began, though a bit more of an understanding was forged between the two main characters.

In fairness, I don’t think it was really trying to pack much of an emotional punch. There are more ‘comedic’ moments dotted throughout, and Ashiya, as the protagonist, is quite the loud and reactive character responding to things with over the top expressions and shock rather than calm deliberation. The yokai frequently aren’t really given a voice and other than fuzzy, Ashiya isn’t really developing much in the way of a relationship with them and he wasn’t shunned or outcast so he doesn’t have to go through the emotional growth Natsume needed at the start of season one.

While that makes The Morose Mononokean a somewhat less compelling watch, it works as it is. Season two expands on the world building and the characters and it has become a much stronger story in its own right. It still has a vastly different tone and feel to Natsume, despite the surface level similarities in premise, but it really is its own show.

But telling someone The Morose Mononokean isn’t as good as Natsume Yuujinchou isn’t exactly helpful when it comes to reviewing, however true I might personally feel that to be. Nor is telling someone that it is similar to Natsume overly helpful because if someone starts it expecting another Natsume, they are surely going to be disappointed.

I think as a reviewer I am going to continue to strive not to overly rely on comparisons to convey my feelings about an anime. They certainly will happen and sometimes fairly thoughtlessly, but I hopefully won’t use them as my main summation of a show. In the case of The Morose Mononokean, through season two I have definitely come to appreciate it for what it is on its own and I’m no longer really looking at what I feel it is missing. Hopefully when it ends and I write my final review my thoughts on it as its own entity come through loud and clear.

Now here’s a question: The Little Fox or Fuzzy? Which is the cuter yokai?

In the meantime, I’d love to know your thoughts on comparisons in reviews and whether you find them helpful or not. Please leave a comment below and get the conversation started.

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In Case You Missed It

Rascal Does Not Dream of Bunny Girl Senpai Episode 11 Sakuta

For those who may not check back until next week, Merry Christmas and Happy Holidays. I’ll still be posting more or less as normal though Features and Reviews aren’t starting up again until the new year. Still, plenty of episode reviews, my Top 5, the 12 Days of Anime posts, and an OWLS post from last week so heaps of content coming out on the blog. For patrons there was also my second video review to check out which is linked to below and you can get the password from my patreon site. I’m definitely still learning the whole video editing thing and having to travel midway through putting it together didn’t really help, but I learned a lot and I’ve got quite a few ideas for the next one on Bloom Into You that should come out in the first few months of next year.

In the meantime, the ani-blogging community have been busy, busy, busy and there are some great posts to check out. Below I’ve linked to some of the great posts I found and as always feel free to give a shout out to a post you read last week that you think deserves some more attention in the comments. One more In Case You Missed It post for the year next week and then we’ll be into the new year. 

Posts from the Community

Ka-Chan has a great post as part of the 12 Days of Anime about Fruits Basket. They explore what drew them to the original anime, what they learned while checking out the manga, and why they are looking forward to the reboot. A great post for fans of Fruits Basket or those wanting to know why there’s a lot of anticipation around the new anime. Actually, Ka-Chan is on a roll with their 12 Days of Anime posts as their one about Free (an anime I can’t finish watching for reasons I’ve discussed previously) is pretty amazing in sharing their enthusiasm for this franchise and what it means to them.

OOCentral has a really fun post about Uchouten Kazoku (The Eccentric Family). This was an anime I loved but seems like it doesn’t get much discussion. However it is great fun and the sequel was pretty solid and I really enjoyed coming across this post last week. If you’ve never seen the anime, go check out this post.

On The Well Red Mage this week there was an excellent game review for Mario vs Donkey Kong. This little piece of nostalgia was a highly entertaining read and while a lot of people won’t be interested in reading a review of a game for an old system this one was a fun read and made me want to go back to these style of games (at least for a little bit).

Banana Fish Episode 21 Ash and Eiji

Ty-Chama looks at the different shapes and sizes romance has come in during 2018 and it was something I realised while putting together my best couple list for the year – there have been some awesome diverse couples in anime this year. This post celebrates some of the pairings that have confronted issues such as age, gender and even species differences, even while looking at issues that anyone in a relationship can relate to such as being lead on, codependency, etc. Really great post.

Floating Into Bliss looks at some of the really amazing Yuri anime out this season (and anime that may contain Yuri elements). When they line them all up like this it becomes fairly clear that Autumn 2018 has had a lot of same sex couples (and they weren’t even looking at the guys). So if you are interested in titles containing yuri, or anime that have potential yuri pairings, out this season, this is a video/transcript for you.

Bloom Into You Episode 11 Camp

Astral Gemini shares their top 5 favourite snowscapes from anime in a post that looks at different moods and ideas that are captured within snowscapes. It’s a really great post with some great images of snow scenes in anime and well worth checking out. 

Pick of the Week

Irina has a great post about Gurren Lagann this week and while she does do a fair amount of discussion about leadership within the anime, she really looks at why it is the emotional roller coaster it is and why it ends up resonating with so many viewers. It’s an excellent post looking at a series that despite initial impressions has quite a lot of depth to it (and is a lot of fun). This is one for all fans of the series to check out and if you haven’t watched it this may be the post that gives you the push to give it a go.

Gurren Lagann - Yoko

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KIRBY STAR ALLIES – THE ORIGINAL SOUNDTRACK [LIMITED EDITION]
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Friday’s Feature: Plot vs Character and What is Darling in the Franxx?

There’s something of an ongoing debate going about whether stories are better when they are plot driven or character driven, or whether some sort of balance is needed in between the two. For me, it always comes down to what type of story it is as to what I prefer the focus to be.

For example, I loved Fruits Basket even though the anime has almost no plot. Tohru is living rough when she’s taken in by the Sohma’s and then she meets various Sohma’s and helps them out with various things but there’s no real driving plot. There’s the ongoing issue of the curse and some of the inner workings of the family that link things together as well as the characters themselves, but realistically it is the characters and their interactions that drive the audience’s engagement with the story. The plot itself isn’t really doing that.

fruitsbasket00

However, there are some anime that take the same approach as Fruits Basket and bore me silly. I end up wondering why the plot can’t get moving along. This is usually when I haven’t made any kind of a connection with the characters and so their interactions offer little of interest for me. Other people will find the cast perfectly charming and the story will work for them, but it ends up being very much about whether the characters work for them or not.

And I’d be lying if I didn’t say that my overall preference would be for stories that had a clear and driving plot. A definite goal that is being headed for and an end point that can either be achieved or failed. I’ll put up with some fairly ordinary characterisation as long as I can see where the average characters are trying to get to and I’m interested in that journey.

But what do we do with stories that can’t seem to decide what they are?

And by that, I don’t mean character driven stories that actually have a plot (such as Baccano) or plot driven stories that put some time into their characters (Psycho Pass), but rather stories where the character development seems to be actively competing with and at times undermining plot development.

psycho

Our current case study: Darling in the Franxx.

The first episode of Darling in the Franxx set up a real standard dystopian future with generic teens becoming mecha pilots and having to protect their city from some inhuman enemy. Certainly Zero Two as a character left an impression even back at episode 1, but the episode itself was very much setting up a plot driven story. At its core we had Hiro, the one who was being left behind having failed to become a pilot and having had to fight to overcome this, finally getting a chance to pilot with Zero Two, the rumoured pilot killer.

FRANXX1g

As expected, the next couple of episodes focused on this partnership that allowed Hiro to overcome this weakness and gave some backstory on the main character. There were some diversions as other characters had a little bit of development to flesh out the world. And then they face a minor crisis, the third time piloting which was meant to be the end of the road.

All of this was pretty standard fare for the genre and while some of it was clearly exaggerated to a level that almost became self-parody, it was setting up what should have been a really interesting story.

From episode 7 on, however, the story has kind of flopped about and if the last two episodes are anything to go by, we’ve become strictly a character drama set to a back-drop of the dystopian world.

Franxx7a

Episode 7 of course being the infamous beach episode. While it did some world building and had some character moments, we all know why the super controlling adults let the kids spend a day unsupervised on a beach. The production team wanted an excuse to put the cast in swimsuits. It broke the logic of the world and just because they give us an explainer about one of the scientists being eccentric and trying different things doesn’t mean we need to swallow it.

We had progressive episodes after that which moved us through the support cast and gave them all more depth and interest. It was lovely and all but it started to feel like a totally different show. Then we had the blow up with Ichigo and Zero Two in episode 14 where fans went crazy and I honestly had to stop and wonder why they cared so much. Sure there had always been the whole love triangle going on but to me it had always been background to a story that kept getting buried and delayed. The only reason I cared about it at all was because the character relationships directly effected their ability to pilot.

Franxx14d

Then episode 15 hit us with a massive amount of plot points, utterly and completely buried under a thinly disguised teen melodrama.

Which made me think that maybe the entire time I had it wrong. Maybe Darling in the Franxx never intended to be plot driven. Maybe the robots and dystopian setting were all just background to a teen version of Days of Our Lives and it just took me 15 episodes to notice.

My problem with that theory is that the first episode doesn’t support it. Actually, the first three episodes don’t support that idea. The characterisation is very much background as the plot is being firmly established. It is just after the ground work was laid down, the story abandoned it in favour of character development.

Franxx1a

And that’s where we get this character vs plot problem.

This story isn’t delivering a satisfying plot because for chunks of it at a time the plot has been forgotten and when we finally had some plot development it was rushed through and not given the time and attention needed to have an impact.

And the character drama, while it is definitely a drama, comes in after the fact and just kind of starts taking all the attention but at the same time what it is offering isn’t really that unique. It’s just another teen romance gone wrong and if that was what the show was going to be about, I probably wouldn’t have signed up to watch it.

Franxx15h

What really gets me here, is that we’ve seen character driven mecha anime done right. Neon Genesis Evangelion all but wrote the book on teen drama and mecha pilots. And it was extraordinary.

The key difference?

Even in episode 1 of Evangelion, when they were definitely setting up the setting and the plot, the audience became aware of Shinji as a character and his short comings and the issues he would overcome. He wasn’t generic pilot protagonist who we might get to know later, as Hiro definitely was early on in the Franxx (though I guess people who like Hiro’s character will probably disagree with me on that). It kind of links to what I said at the start of this post. I enjoy character driven stories when I connect with the character and Evangelion did it right.

evangelion5

Darling in the Franxx made me think I was getting a plot driven story and has since delivered more or less anything but, and the overall impression I’m left with is that it is just a bit of a mess that hasn’t quite figured out what it wanted to be. That isn’t to say that a lot of what has happened hasn’t been interesting. There are definitely things to think about and moments that have been pretty spectacular. But to look at the anime as a whole, my main impression would be that it is messy and a little bit problematic.

What do you think?


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Karandi James

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Tuesday’s Top 5: Characters Who Are a Bit Strange

Tuesday's Top 5

Alright, anime characters by their very nature are usually a bit strange. They are after all living in the anime universe and not the real world. That said, there are some characters that take being a bit peculiar to all new levels of strange. Sometimes there’s a really good reason for their actions (childhood trauma, etc), and other times they just like doing what they do. So today’s top 5, I’m focussing on my favourite top 5 strange characters. This list is kind of similar to my list on characters who weren’t all there but on that list I went more with characters who were a bit spacey and oblivious rather than characters who clearly have direction its just weird what direction they’ve chosen.

Please Note: There are some plot spoilers below if you read the descriptions.

Honourable mentions this week go to Oculus from Death Parade and Misaki Mei from Another.

Number 5: Koko Hekmatyar from Jormangand

Jormungand2

Koko is an arms dealer. She’s tough and almost impossible to phase even if you point a gun directly at her face. That said, she’s also more than a little bit odd. She’s got a strange moral code and at times her decisions about who to deal with and who to walk away from seems fairly arbitrary. Also, after spending a lot of her childhood on battlefields she has picked up one very strange habit after she was told by one of her body guards she should always be smiling. All and all, Koko is a character I love, but the girl is strange.

Number 4: Kagerou Shoukin from Inu X Boku

Kagerou.gif

This guy sees everything in the world through the classification of either being an S (sadist) or an M (masochist) and he goes to great lengths to explain his reasons and logic to those around him even when they tell him they don’t care. Even a Lazy Susan in a Chinese restaurant doesn’t escape classification. Kagerou is one seriously annoying character, but he does have style and you certainly can’t accuse him of not being true to who he is.

Number 3: Miyo Takano from Higurashi

Miyo.jpg

Miyo’s strangeness is really entirely understandable given the horrific experiences she had at the orphanage as a child, but that doesn’t excuse her decision to kill an innocent child and then massacre an entire village just to prove that her adopted father’s research was actually right all along. You do have to admire her dedication to the long term plan and she’s certainly tried to account for all the loose ends. If not for time looping and the power of friendship, she’d have definitely succeeded and she did many, many times before she was finally defeated.

Number 2: Akito Sohma from Fruits Basket

Akito.jpg

Alright, if you just watch the anime, Akito is just a bully and a nutjob. Violent temper tantrums, control issues, and outright torture of younger family members litter the scenes Akito appear in. There’s some attempt to justify this extreme personality in the manga, though while it helps you to see why Akito is so crazy it doesn’t really justify Akito’s actions given for the most part this is a case of misplaced anger. A tragic figure through and through, there’s something compelling about Akito so that even when you hate what Akito is doing, you can’t really look away.

Number 1: Ladd Russo and Claire Stanfield from Baccano

I couldn’t really split these two. In a show full of strange and extreme characters with strange and extreme personalities, these two still managed to distinguish themselves as being severely unhinged and yet fantastic fun to watch. Their show down on top of the train was one of the highlights of an anime I loved through and through. They are also oddly similar though Claire is clearly the more refined. Neither is squeamish or has an issue with blood and they both wholly believe in their abilities and that their actions and justified. They also severely lack empathy for pretty much anyone else except their chosen lady. All and all, these two guys are awesome to watch on screen but I would never, ever want to meet anyone like them.

Over to you: Who is your favourite strange anime character?


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Tuesday’s Top 5: Anime I’d Like to See Rebooted

Tuesday's Top 5

With the fantastic news that Fruits Basket is in fact getting a reboot in 2019, I decided to revamp this list.

So many anime have great ideas or start well but just can’t stick the landing or don’t have the resources they need behind them. This is my wish list of 5 anime I feel could be really amazing if redone (and by that I don’t mean following the manga or other source material more closely, but I mean they actually think about the story they want to tell and just tell it without all the clutter or distractions and with a clear purpose and end point).

I’d love to know what is on your wish list for anime reboots so please leave a comment below.

Please Note – There will be spoilers below.

Honourable mentions this week go to Higurashi, Sword Art Online, and Gilgamesh.

fruitsbasket00

Fruits Basket was taken off the list because it is getting a reboot.

Number 5: Record of Grancrest War

This one comes from this year. I really liked aspects of Record of Grancrest War and a desire for a fantasy anime (not an isekai one) kept me watching it, as did some great characters – not necessarily Theo. Unfortunately as this anime rushed through huge amounts of story, crossed vast realms geographically, introduced multiple threats and political as well as supernatural problems, and had a huge cast, it just never managed to find a pace that worked and didn’t execute its narrative well enough (though there were some unintentionally hilarious moments with the animation). All and all, I’d actually like to see this idea and these characters get the time and attention they deserve with a narrative that was straightened out, maybe simplified a bit, and given sufficient thought as to the pacing.

Number 4: Vampire Knight

vampite knight.jpg

As much as I have mocked vampire knight when talking about it (the anime version of Twilight) there is actually something quite interesting about the idea of a vampire hunter starting a school where humans and vampires co-exist. And the pure blooded vampire with his own agenda living at the school is kind of interesting. As is the child of the hunter family who has been bitten by a vampire and is slowly turning into one. I’d love to see this story redone with a little more focus on the darker aspects and a little less on Yuki’s indecisive love triangle (okay, every Vampire Knight fan now hates me).

Number 3: Claymore

claymore.jpg

I really loved Claymore. Until we got to the end which was rushed and inconclusive. Seriously. This is a great concept for a story and the characters are interesting. The world building was well done. Why did we get that ending? I’d love this anime to be redone with a clear focus on where it is going and an actual ending.

Number 2: Soul Eater

soul eater 4

Soul Eater has been showing up a lot lately. As much as I love this anime, that ending was bad. Inexcusably bad. That and there’s probably a lot of padding that the series could afford to lose. I’d love to see a much tighter focus on the main villain rather than all the other villains they face off against and actually just watch the students and teachers prepare for and fight that battle. It would be different but I think the show could really benefit from a much stronger focus and a conclusion that doesn’t leave people stunned by how lame it is.

Number 1: Bleach

bleach_hitsugaya_roars_by_daniel_sh

It had to be. As much as I am in love with Bleach as a series and as much as Bleach is a big part of the reason I became an anime fan as an adult, there are some real issues with Bleach as a story because of its excessive length, scope, and endless rounds of filler. Now that the manga is finished can we decide what the main point of the story is and just tell that story. 50 episodes. Bleach in 50 episodes. Really trim everything unnecessary from the mix and just tell the core story with the characters you actually need. I would absolutely love to see this. Either that or give Hitsugaya his own show. I’d be pretty happy with that (joking – kind of).

Okay, so over to you. What would you like to see rebooted?

Thanks for reading
Karandi James
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Fruits Basket Mini Shikishi Collection BOX (Set of 8 pack)
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