FMA Archives | 100 Word Anime

There’s no doubt that Full Metal Alchemist Brotherhood is a well loved and popular anime title. The number of mentions on best anime of all time lists, it’s most favourited status on MAL, and the sheer number of fan arts and fan fictions about the characters speak volumes of how the fan base loves this particular work.

And there are plenty of good reasons to love it. Really great story that is given sufficient episodes to really develop, rising action that really drives toward a climax, a great main and supporting cast and even fairly solid villains, not to mention the heart and humour the anime brings to its tale. However, this isn’t going to be a review of FMA Brotherhood, but rather taking a look at 3 life lessons you can learn from watching the diminutive alchemist and his bound-to-a-suit-of-armour younger brother.

Full Metal Alchemist Brotherhood is more than just a story – it can teach you so much about how to live.

Full Metal Alchemist Brotherhood Alphone and Edward Elric

Lesson 1: Someone who shares the same goals as you is not necessarily your friend.

This one should be self-explanatory but sometimes it is almost as though people crave someone who understand them so much that they overlook this point. Throughout the course of the story, Edward and Alphonse run into many a character who is seeking a philosopher’s stone and their motives are wide ranging as are their uses for the incomplete stones they come across. In the case of Full Metal Alchemist, the brothers can almost assume that anyone sharing a similar goal as them is probably up to no good and will become a hindrance sooner rather than later.

Full Metal Alchemist Brotherhood Crimson Alchemist

At the same time, the brothers cannot complete this journey on their own. They need those who support their goal but may not necessarily share it to assist them on their way. And that’s the important lesson here.

Winry may not ever want to be an alchemist and she personally has no desire to possess a stone, but she does understand what drives Ed and Al and she supports them with everything she has. Her goal is not the same, but it complements what the brothers wish to achieve which makes Winry invaluable in more ways than one.

While finding someone who does share the same goal can be great, just because someone doesn’t necessarily want the same thing as you doesn’t mean they can’t understand what is driving you. This comes through incredibly clearly throughout Full Metal Alchemist Brotherhood.

Lesson 2: A government that can manipulate the information provided to its people cannot be trusted not to become corrupted.

As much as I try not to get political on my blog, Full Metal Alchemist Brotherhood, through its fictional institutions but based on fairly familiar government structures, manages to make some fairly good points about political power and corruption. While it gives no actual solutions to the points it raises, it becomes quite clear that Amestris as a country is rife with corruption with those in the inner circle benefiting while those on the outside simply become fodder for the machine.

Full Metal Alchemist Brotherhood Fuhrer Bradley

A large part of the issue is that the government controlled all the records and there did not appear to be much in the way of independent reporting of events going on. With both the war in the past and the ongoing events in the story, cover-ups and lies were frequently fed to the public and the main characters manipulating their actions and responses.

And while I don’t assume that our governments are actually being run by homunculi that are trying to bring about the end of the country, the point about providing truthful information to the public was fairly well made and is as relevant now as it was when this story first came out (if not more so).

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Lesson 3: You can’t stop tragedy but how you deal with the tragedy is more important.

Full Metal Alchemist Brotherhood is a story built on tragic events. The war in the past that took Winry’s parents, the death of the Elric’s mother, Nina, Hughes, and so on. However, on each of these occasions we see characters dealing with the tragedy in their own ways and we see that some responses are more helpful than others.

For Edward and Alphonse, they refused to let go of the past and the tragedy and instead of accepting what had happened and moving forward, they created a secondary tragedy when they tried to bring their mother back to life. This cost Edward a leg and his brother his whole body and Ed only saved him through giving up an arm (puts a whole new twist on the costing an arm and a leg). There were a few factors that played into this.

For instance, their incredibly young age and the absence of any other parental figure. While Winry’s grandmother certainly tried to look out for them, it wasn’t enough during such a tragedy to keep them from taking this path.

Full Metal Alchemist Brotherhood young edward

And the tragedy may have ended there with the brothers never going any further except that Mustang came along and offered Ed a lifeline. For the remainder of the series we see Edward clinging to that hope and thread as he journey’s forward. When he meets Tucker and Nina and that encounter inevitably leads to tragedy, Ed, while he feels the tragedy, doesn’t make the same mistake again of trying to deny the tragedy or make it go away. Instead he ensures Tucker can’t hurt anyone else and then seeks comfort. It doesn’t make the tragedy of Nina any better, but at least a secondary tragedy was avoided.

Full Metal Alchemist Brotherhood Nina — Let’s all just pretend she lived happily ever after.

What lessons have you learned watching Full Metal Alchemist Brotherhood or from another anime?

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Karandi James

Overview:

Ed and Al are brother’s who have been studying alchemy when their mother dies unexpectedly. Determined to bring her back, they commit a taboo and in the process Al loses his body and Ed loses his arm and leg. Now a State Alchemist, Ed is determined to learn the secret of the philosopher’s stone and use it to restore his brother’s body.

Review – With spoilers for those who have never read or seen any adaptation of this story:

I must admit, one of my greatest fears going in to this movie was that they would actually try to fit the whole saga of FMA into a movie which was guaranteed to fail without any chance of redemption. Fortunately, this movie seems to understand it was an adaptation and decided on a sensible stopping point in the narrative to bring the movie to a close and also made some pretty solid choices on what to cut and what to keep in the story.

Admittedly, purists who want the source adhered to are going to hate it. There’s no Scar, the Fuhrer doesn’t appear at all, various actions and motives get attributed to the characters that were left in the story in order to fill some of the gaps left by the entire arcs that have literally been hacked out. But the end result is surprisingly okay. There’s a few bits of awkwardness, a couple of plot threads that people who aren’t familiar with the story are going to be puzzled over because they are just kind of floated out there and left dangling for a sequel, and the pacing isn’t spot on, but this definitely could have been worse.

And that is probably going to be the mantra of this review. It could have been worse. That is hardly a glowing recommendation but I honestly found that I enjoyed this movie well enough, but at the same time, I’d rather watch the anime. Either version of the anime.

Taking this logically, I’m going to point out the first twenty minutes of this feel need to be redone. It is a horrible beginning and almost had me reaching for the remote the first time through, unsure if I could stomach watching the farce FMA had become. The second try watching was actually worse and I would have stopped it except that I remembered things got better. So what is wrong?

The child versions of Ed and Al are not good actors (let’s not talk about the hair, really, we’ll save that for the grown up version of Ed). They do not pull off the whole tragic backstory that was so incredibly hard hitting in the anime. And possibly even the director realised this given the aftermath of their attempt to bring their mother back to life is only told in a dream sequence by Ed where the older version of Ed stands in instead of child-form. It is completely illogical that older Ed would be there and yet so much better than what that scene would have looked like if the younger version had attempted that scene.

But actually, the bigger issue with the start of the movie is the action sequence. Yep, FMA is a shounen story through and through and it has some incredible and fantastical fight sequences. These were always going to be really hard to translate into live action and yet somehow I think they could have done better than this.

Whether it is the pained expressions on the actor’s faces, the poor trajectory of Ed’s leap off the roof (seriously, he did not land anywhere near where the landing shot showed him landing, that was incredibly badly cut), the very average CG, the poor attempt at inserting some of the slapstick humour into the story (which just resulted in me declaring the main character dead about ten minutes into the movie), or even Al’s dreadful attempt at pacifying the crowd and explaining alchemy in one of the clunkiest exposition dumps I’ve seen in recent memory… Just no.

Quite literally the only good thing to come out of the opening sequence is Al’s first appearance and that was entirely deflated because we had already seen that exact moment in a teaser trailer. That moments and reveal utterly powerless because we were just kind of waiting for exactly that to happen.

Throw in the disappointment that came when I first saw Mustang (no, he did not live up to my impossibly high standards given he’s one of my all time favourite characters), and really the opening of this movie left me really wishing I’d decided not to bother.

By the end of the movie, I would re-evaluate that thought.

Mustang grew on me as the movie progressed and to be honest, while the actor never quite pulled off the nonchalant attitude Mustang usually has when not in combat, he certainly pulled off the final of this movie in the confrontation with the homunculus. He was every bit the Flame Alchemist I wanted to see in action. He delivered and to be honest the removal of the comedic Colonel wasn’t such a downside in this movie.

However, there is no escaping discussing the appearances of the characters. While I know the reasons they chose an all Japanese cast, one has to wonder why they then decided that they had to stay true to the Elric’s being blonde. Would having a hair colour that didn’t look totally ridiculous on the actor really have been that difficult? Given all the other changes to the FMA universe, would we have been that upset by a dark haired protagonist? I’d like to say no. And given FMA isn’t set in Japan in the first place, if you wanted to keep them blonde then don’t use a Japanese actor. There is genuinely no escaping that Ed looks bad. The hair is the main culprit here with the plait looking completely detached from the rest of his hair most of the time and the whole time it just looks nasty (distractingly so).

And the costumes themselves, while faithful reproductions of what the characters wore in the anime (and possible the manga – never read it), they don’t look good in real life. All of the characters look like they escaped from a cosplay convention where a few minor modifications would have brought the outfits in line with the reality they were trying to construct. This is a case where slavishly trying to replicate something has resulted in an inferior product rather than giving this movie the look it deserved.

Though, while still on appearances, they nailed Hughes, Lust and Envy (Gluttony, not so much – okay, not at all). Hughes particularly, though he had about four scenes, managed to be exactly the character he needed to. Similar enough to what we were familiar with and yet he made Hughes come alive in a way most of the other characters fail to do during most of the run time.

To get to more positives, I loved the attention on Ed’s feelings of guilt toward Al for the majority of the first half. While there were certainly other stories that could have taken the lime-light, this story managed to humanise the characters and it is a story that managed to play out in the time given. Some great choices in shots and the relationship between these brothers gets the spot light and it manages to hold up very well.

However, that does come at the expense of Nina and Alexander’s moment which becomes more a moment for Ed and Al. I didn’t mind this too much given it fit the context of the film, but the anime definitely handled this particular story better.

I also really liked that they realised that in their short length of time the Homunculi couldn’t be these massively unkillable creatures where fights took up episodes. Sure, they were tough enough to be a threat but reasonably scaled down to be dealt with in the course of the movie and while we might all be sad if our favourites didn’t appear, or were killed off too quickly, I think this was a sensible choice.

So it is a mixed bag. There are some great choices here and some really good moments, and then there are some poor choices and less outstanding scenes. I think your enjoyment of this movie will come from whether you are willing to accept the compromises that were needed to bring the movie to life or not and whether you are willing to ignore the incredibly bad hair on so many of the characters. It might seem like a petty complaint, but it is definitely distracting.

After a second watch through, I definitely know that I enjoyed this well enough, but if I want to see FMA again, I’ll watch the Brotherhood box set. However, will I watch a follow up movie to this? Probably.

Thanks for reading.

Karandi James

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