I don’t have a huge amount to say about this final episode of Endro. It was, like most other episodes of Endro, cute and charming in it’s own way, played the tropes of its genre well with a few minor twists to keep things entertaining, and ultimately went for a saccharine ending that I really can’t fault it for. Overall, this anime reminds me a little bit of fairy floss (or I guess cotton candy depending on where you live). It looks pretty, kind of tastes great for a moment, but leaves you with very little substance.
I’ll probably look more at that idea when I review the series as a whole but this episode really didn’t deliver much in the way of surprises (and we are going to head into spoiler territory).
To no one’s surprise, Yulia is feeling conflicted about the idea of fighting Mao even if it is to save the Princess. After a sob-story from the golem it becomes even more clear that this is one epic hero vs demon lord battle that just isn’t going to happen. The overall solution is a little trite but very in keeping with the story. I do however like the story’s overall commitment to characterisation.
When faced with a part of the story they’ve spun that doesn’t quite add up, the girls ultimately shrug it off with a ‘whatever’ and get on with having fun. It keep beautifully with their actions up until now where they ponder things briefly but never get too deep into anything before becoming distracted by something new and shiny.
While ultimately we end up much where we started and it might seem like no advancement was made, it does feel like the characters are starting out a little wiser this time round and even if they make mistakes they’ll find a way to get through them.
In a season of fairly decent series, Endro isn’t topping my list but I’ve certainly had fun enough with this story and I’m kind of looking forward to doing my full series review of it.
Winter 2019 has had its ups and downs throughout but regardless of my final thoughts, I had a lot of fun this season. There was always something to look forward to and as some shows faltered, others rallied. While I know some shows are ongoing and some have not yet aired final episodes (and in the case of Boogiepop wa Warawanai I’m just hopelessly behind), this is my final standings for the Winter season.
In the listing I’ve commented on where the series was at the mid-season point in the list and whether it has moved or not but if you want to see my mid-season thoughts they are here.
Hopefully you enjoy and remember the results of the reader’s poll will come out later today.
Previously placed at position 13. It didn’t even deliver the little that was expected.
I was vaguely hopeful that this one would improve, but realistically I’m struggling just to convince myself to finish watching it. It has continued to be a meandering mess and while some have enjoyed the mystery I’ve mostly just found it frustrating.
Not aided by ugly visuals and characters that are pretty bland, there’s very little compelling me to keep going with this but I will finish it at this point. I kind of feel I past the point of no return a while a go. Still, if I wanted to pick the series on my watch list that I most regret watching, Boogiepop would be it.
Images from: Boogipop wa Warawanai (2019). Dir. S Natsume. Madhouse. 2019.
Number 14: Grimms Notes
Previously placed at position 15, Grimms Notes continued to underwhelm.
While it would be nice to say that it managed to pull its narrative and characters together, mostly I just felt this one oozed wasted potential until the very end. Not that there weren’t some fun moments along the way, but it just never felt satisfying to watch.
It isn’t all bad news with some of the character moments being cute enough and having a simple ‘save the story zone’ plot each week. Even if the main story line felt hopelessly underdeveloped and the themes unexplored, it wasn’t as if this ever became unwatchable.
Images from: Grimms Notes. Dir. S Shizutaka. Brain’s Base. 2019.
Number 13: Sword Art Online Alicization
Previously at position 10, how this has fallen.
I was disappointed when Sword Art Online Alicization was only managing position 10, and yet honestly I can’t say this has gotten any better. If anything, the faults with the pacing, character motives, exposition, and just idiocy have gotten worse to the point where I’m honestly wondering whether to keep going with episode reviews when it continues or whether to just let this one go and review it once they finally finish it.
An increasingly frustrating and underwhelming watch full of babble about things that barely make sense even in the context of the story, and characters who essentially break the rules of the world at will, it all just became fairly tiresome to watch this season.
Images from: Sword Art Online Alicization. Dir. M Ono. A-1 Pictures. 2018.
Number 12: Kaguya-Sama Love is War
Previously and still position 12.
For a comedy anime it wasn’t bad. It isn’t really my style and to be honest outside of the occasional moment where the characters really clicked there were a lot of times where watching this was just kind of empty. Still, the visuals, animation and sound design of this one were pretty fantastic so I can’t fault the production in the slightest.
However, ultimately, if I’d stopped watching this one it wouldn’t have mattered. There was no compelling reason to keep going and while I can see why it appeals to some, it really isn’t speaking much to me.
Images from: Kaguya Sama: Love Is War. Dir. S Omata. A-1 Pictures. 2019.
Number 11: Endro
Previously placed at position 14, this one actually was kind of charming fun.
Despite the pastel colour scheme and cute girl antics, I actually did find this one entertaining from week to week. There were some moments that really just shone for both the story and the characters proving you really can take something fairly standard and make it shine if you put enough love and effort into it.
Honestly, this isn’t going to be something I watch again but if you like cute girl stories or just want a fun slice of life/comedy that has an adventurers setting thrown in, this is actually really cute and entertaining. The only reason it didn’t get higher up my list is because I’m just not that into cute girls and some of the friendship sequences made me roll my eyes hard.
Images from: Endro! Dir. Kaori. Studio Gokumi. 2019.
Number 10: That Time I Got Reincarnated as a Slime
Previously position 7 there’s just no denying the second cour was ordinary.
After slowly warming up to the show in the first cour, the second cour that aired during Winter 2019 of That Time I Got Reincarnated as a Slime was overwhelmingly average. Now source readers will pull out the ‘it gets better’ cards as well as explain that some bits were skipped over, but none of that changes the fact that the anime is most definitely average.
There were some cute moments and character encounters and a few fairly awesome moments in the occasional fight, but a lot of this second cour was sitting around talking, or introducing characters we were never given a reason to care about who effectively had their problems solved with minimum effort. It remained light and fun to watch but had absolutely nothing to hook the audience or to convince me this would ever be worth watching a second time.
Images from: That Time I Got Reincarnated as a Slime. Dir. Y Kikuchi. 8Bit. 2018.
Number 9: The Price of Smiles
Formally position 5. Okay, I was being optimistic.
It is almost scary how on the nose my prediction for this series was at the half-way point. I suspected we had a show that would simply kill off its characters towards the end and in the lead up to the final episode we had one prominent character death an episode all to serve the ‘war is bad’ slogan this anime seemed to want to plaster onto almost every episode. That doesn’t mean it was terrible. There was actually a lot of promise along the way. It just never quite delivered.
Still, there have certainly been worse mecha anime over the years and while the ending was foolishly optimistic and naive, much like the main character, I can’t say I’m upset with it. While The Price of Smiles never managed to break into being something truly good, it certainly skated along the edges of it and kept me hopeful throughout.
Images from: Egao no Daika. Dir. T Suzuki. Tatsunoko Production. 2019.
Number 8: Domestic Girlfriend
Previously in 6th position.
Right, so you get what you expect when you keep watching a melodrama and as the story progresses they have to push to increasingly forced and silly methods to up the ante. That said, there is a certain delight in watching this train wreck unfold and while I wouldn’t say I actually like any of the characters, I kind of am curious about where they will ultimately end up.
This one somehow manages to be trashy without actually being trash and while it isn’t great it is also something that is hard to stop watching. While the occasional scene pushes the sexual content a little further than I’d like and the basic premise and the idea of teachers and students dating isn’t something I’m thrilled about, I can’t say that this is actually a bad watch. Not really one I’d jump to recommend but one that I’d honestly have to admit I’ve been enjoying despite the many complaints I might muster about it.
Images from: Domestic Girlfriend. Dir. S Ibata. Diomedea. 2019.
Number 7: The Rising of the Shield Hero
Previously in position 4.
I’m honestly pleasantly surprised that this one has remained as entertaining as it has. With Sword Art and Slime both plummeting in the ranks during the Winter season it seemed isekai fantasy was taking a serious downward turn. While there are plenty of points against Shield Hero in terms of pacing and at times characterisation, I’ve mostly had fun watching it and continue to look forward to how it rolls out this story.
While this one might also take a downward turn as it moves into a second cour, I’m kind of hopeful of this one just keeping things moving. And while the fights remain fresh, the story doesn’t linger for too long on any one part, and Naofumi continues to be an interesting character to watch, I’ll probably keep enjoying this even though I would hardly call it great.
I kind of knew this one probably wouldn’t hold in the top 5 for the season but I was hopeful. A dark magical girl story that actually seemed willing to deal with the trauma a teenage girl would face if forced to fight to save the world and watch companions die? It is a good idea and at least provides some kind of grounding for the violence rather than just being opening gratuitous in killing off young characters grotesquely.
However, the execution both from thematically and in the delivery of the narrative have been somewhat lacking and once again we’re left with a show that is more concept than delivery. The over the top torture segments also don’t help to ground this as anything more than something trying to be sensationalist when actually there’s a reasonable attempt at exploring trauma and PTSD buried here but alas the show can’t give it the time or weight it needs between the other ideas it wants to cram in an a desire to imperil Asuka’s classmates. I didn’t mind this but I kept wanting more from it and by the final few episodes it was clear that it wasn’t going to deliver.
Images from: Magical Girl Spec-Ops Asuka. Dir. H Yamamoto. LIDENFILMS. 2019.
Number 5: Meiji Tokyo Renka
Formally in position 10 – nice climb.
While this one reeks of mediocrity in visuals and almost everything else, this is the anime I’ve gone back to again and again just to feel good and kick back and relax. There’s something incredibly fun and infectious about Mei as a character and the cast of guys surrounding her aren’t too shabby. The supernatural elements work well but it is Mei’s ongoing relationship with Ougai that really grabs your attention.
While I won’t say this improved as it went, it maintained its standard throughout and the characters are naturally charming enough to slowly make you warm to them and each episode feels just that little bit more fun than the last. Not one to be proclaimed a master-piece but for those who don’t mind the occasional reverse harem romp this one is certainly a fun time waster to fit into your viewing schedule.
Images from: Meiji Tokyo Renka. Dir. A Daichi. TMS Entertainment. 2019.
Number 4: The Morose Mononokean
Previously number 8 on the list – this one exceeded expectations.
Season two of The Morose Mononokean continued to far outstrip season one and advanced the plot and character development in a way I’d been wishing the first season to but it just never got to. There is very little to complain about with this second season with almost everything being better than season one and the balance between yokai of the week episode and episodes developing the world and characters being pretty well thought out.
With cute yokai characters, conspiracies, blossoming powers and generally more supernatural fun, The Morose Mononokean ended up being one show I began to look forward to each weekend. The chats with Irina around the episodes were also a factor as watching a show is always better with friends, but honestly this one was a delight this Winter season.
Previously number 9 on the list (that’s quite the rise).
If I was asked whether this got better as the season went on and whether that accounts for its rise, the answer would be a clear no. This isn’t a story that gets better. There’s a solid character journey for Subaru and one that I greatly appreciated which certainly accounts for a lot of its rise through the ranks, but what My Roommate is a Cat does brilliantly is deliver a fairly consistent performance. Tie in consistently meeting expectations week after week with concluding a character arc in a fairly coherent manner and My Roommate is a Cat might be decidedly average in a lot of ways but it was one that I found a very satisfying watch in the end.
This anime definitely demonstrates the power of simplicity in that it has a very simple gimmick with the cat narrating part of the episode from its perspective but otherwise the character count is low, the scenarios very low key, and things tie in together way too neatly for real life but in a way that makes for a fairly entertaining weekly watch. Not to mention, there’s a cat in it and apparently having a cat in it is something that makes a story recommendable.
Images from: My Roommate is a Cat. Dir. K Suzuki. Zero-G. 2019.
Number 2: The Promised Neverland
Remaining in second place.
I feel a bit bad for The Promised Neverland. Given the genre and style of story in almost any other season this one would have been a sure number one for me. Yet, opposite Run With the Wind that mostly didn’t rely on cliff-hangers to maintain viewer interest or suspense, I just can’t say that the gimmick filled Neverland is better even if I’m certainly enjoying it a lot.
The mark of a great story where I want to know what happens, where it keeps me guessing and theorising, and when the reveal is made it may not be what I thought but everything kind of clicks into place as all the anomalies and hints suddenly make sense even while a new mystery rises to be solved. The cast are charming, the setting thrilling, and all and all this one has been a delight to watch this season.
Images from: The Promised Neverland. Dir. M Kanbe. CloverWorks. 2019.
Number 1: Run With The Wind
Maintaining first position.
While I never expected to like Run With The Wind that much, even with a fairly strong showing from The Promised Neverland, there just isn’t any reason to not make this my number one of the season. I’ve fallen in love with the team and through the final episodes I cried, I cheered, I cried some more and then I smiled through those tears in absolute delight. It really helps that every character had a moment to shine in those final episodes and each character journey felt like it was given time to draw to a conclusion. It was a lovely viewing experience and one I’m really glad I picked up.
Whether it was Shindo’s absolutely heroic actions during his leg of the race, the general camaraderie and support each member showed for the others, or the feat they accomplished together, there were just so many moments to celebrate. This anime is gorgeous, well put together and has just the perfect number of episodes to tell its story. For all that I do have some minor complaints, they are just that, minor. This is definitely my pick for must watch of the season.
Endro has a lot of downtime where it celebrates the cute girls being cute aspects of its story. For some, this is really appealing, and alone it would still make for a fairly watchable anime given the girls in question here are actually kind of fun as characters. For me, though, it isn’t that appealing. What has kept me watching this show, and at times quite appreciating it, is its ongoing retelling of the story of the hero defeating the demon lord. I wouldn’t go so far as to say it is subversive, but it most definitely takes a novel approach at times to the subject matter.
Episode 11 of Endro, really manages to use this to its advantage. What starts out as another fairly fluff filled episode with the girls defeating a monster and asking to go to Mao’s house as a reward ends up taking us into a fairly dramatic climax that beautifully reconnects us with the opening of the show where the hero defeated the demon lord but stuffed up the spell sending them to the past. The fact that the story manages the subtle transition from fluffy nonsense to fairly serious narrative reveals in an incredibly tight scene and it does so without being in any way jarring is actually a relatively impressive feat and honestly you have to give credit to the ground work that each episode has laid behind this episode for it working.
To put it briefly, the golem maid who served the demon lord is found without her memories (well puked out of a monster for reasons to do with anime cooking). After some incredibly cute montage scenes with Mao reconnecting with her in her new role as teacher, we gather the characters back at Mao’s house, this time with Princess Rona. Only this time the Princess has a legendary card that can unlock sealed memories.
However, the golem, if she ever lost her memories at all, isn’t the only one who recovers lost memories and the girls suddenly remember their previous adventure. It is a classically understated moment and yet it literally changes everything.
But, not content with that as a reveal and set up for the next episode, it takes this one further and so we end up more or less back at the beginning only this time with the demon lord and the hero’s party all knowing what transpired last time. It seems set for an amusing and interesting ending, and just in case you were concerned it was going to drop the cute girl thing and gentle amusements altogether, Mao’s reaction post credits is utterly hilarious. It is one of those priceless moments that describing won’t do justice and the only reason it works is because we’ve spent 11 episodes getting to know these characters. Still, that sequence alone makes this series worth watching to be honest.
Like me, you probably didn’t actually bother to think about where the Cartado the characters have been using in Endro have come from. I mean, it is hardly a critical plot point other than Mei’s obsessive fascination with everything to do with them. However, here’s an episode devoted entirely to the mystery of where they come from and how they are harvested.
That’s right, harvested. Because apparently these cards to grow on trees in a hidden village that the overly cute girls have just scored themselves an invitation to for a festival.
Arriving at the village takes a few little leaps but doesn’t eat much of the episode. It does, as normal, highlight the different personalities of the girls in the core group with Mei, the usually reserved one, being as determined as we’ve ever seen her to reach their destination.
Once there though the story just goes for full cute and weird with the girls seeing the trees laden with cards, changing outfits, and then participating in a competition to become the cartado king by harvesting the rarest ‘wild’ cartado. It’s all kind of good fun though I do like that the end result of becoming the king is a one off lap around the village and that’s all the pay-off, other than the bragging rights which I’m certain Mei is definitely holding onto even if the village location is a secret.
As usual for this series, we get a lot of fluff and silliness, a bit of heart, and some weird antics. It all works well and the episode plays nicely. Now I just wonder why they don’t grow those trees in more places.
Endro Episode 10 Review
Episode 10 of Endro is a little bit weird. Okay, a lot weird but only a little bit by Endro standards. The girls are on what was meant to be an ‘easy’ quest apparently sent by Mao which makes me wonder if the Demon Lord is back to trying to off the hero or whether the snow-storm was a genuine mistake.
Anyway, while huddled in the tent, they start sharing their dreams for the future in the hopes of keeping each other awake. They kind of fail but it turns out a monster was helping them along by showing them what they were dreaming of. Needless to say, each of the girls is dreaming of what we know they want, heroics, food, cards, and boobs, but Seira is able to break free of the dream when she realises it isn’t real.
There’s not a lot more to this episode other than Seira breaking the others out of their dream with the rather direct approach of smashing their dreamworlds to pieces with a hammer before they eat the combined crystallisation of their dreams (yep, weird even by Endro standards).
Still, if you just want a bit of fun, this episode certainly hits the spot. It also plays on the whole time travel element with Yuusha’s dream most definitely being a throw back to the memory of fighting the demon lord way back in episode one.
In case it doesn’t become immediately apparent, this discussion is mostly me musing on something that has bothered me in a handful of shows that I’m now generalising across anime. It is not actually intended to be an overly serious post but honestly, I’ve been wondering this for awhile and of all things it was Endro that brought me back to musing about the powers given to a hero in anime.
For those who aren’t watching the pastel painted moe fest that is Endro, it is the story of a girl who wants to be a hero and defeat a demon lord, only she kind of already did but stuffed it up sending the demon lord back to the past and now the demon lord is her teacher as she learns to be a hero. of course she has a team of friends along for the ride and a Princess who has fallen in love with her, but mostly it is just a lot of fun and silliness.
Now, as one of the symbols that Julia Charldetto is in fact the hero she comes across the ‘hero’s sword’ and draws it out. In fitting with the colour scheme of the anime it is pink. And it sparkles. But basically we have a hero who swings a sword and whacks things.
Meanwhile, we have Seiran in her squad who is an elven priest and when all else fails can actually put her glasses on and is a crack shot with a bow. Then we have Fai who is more hand to hand and likes pummelling things and jumping a lot. Lastly we have Mather with her obsession with Cartado and an array of interesting magic to bring to the fight. All of these characters have really cool abilities and yet the hero in their story has a pink, shiny sword.
Now I’m not dismissing swords. Swords can be super cool. Just look at Hitsugaya in Bleach with Hyourinmaru and how cool that sword can be with weather controlling effects and ice dragons. Seriously, that is a cool sword. As is Rukia’s zanpakuto and dozens of other blades in Bleach.
But, do you know who has a less than cool sword? Ichigo Kurosaki. The hero of Bleach. His sword is really big. About the only time it kind of looked cool was when Hollow Ichigo was swinging it around by the wrap and attempting to pummel Ichigo with it. Actually, Ichigo vs Hollow Ichigo is just a fantastic fight to watch in general and Hollow Ichigo provides some great entertainment throughout the course of Bleach.
Even when Ichigo steps up to the next level, his sword actually becomes less impressive and realistically, while he gets really fast and agile, and hits things even harder and faster, Ichigo’s power is the least interesting one to watch in Bleach (okay I take that back, there are worse powers in Bleach but when looking just at the main group of shinigami and Ichigo’s human friends, his power is just not that interesting by comparison).
Though, even if we move away from sword wielding heroes to a magical girl like Sailor Moon, what we see is a hero surrounded by characters with cool elemental powers that are showy and flashy, fairly versatile and interesting, and yet in season one she throws her head band and occasionally heals things. Even when she uses the Silver Imperium Crystal, other than a light show the power itself is not that interesting to watch. It might be the strongest force in the universe but that by itself doesn’t make it all that fascinating to watch as the bright pink light engulfs her enemy and thus ends the climax.
As the seasons continue, Sailor Moon upgrades from her Crescent Moon Wand to the Moon Sceptre and if nothing else she continues to get the absolute best accessories compared to the other scouts. The Moon Spiral Heart Attack is perhaps the longest one to get going of her general attacks and is so overblown in both the set up and execution that you almost have to laugh (actually, I was more worried Serena was going to trip over her own hair while doing the activation sequence) and yet realistically for all the increases in power Sailor Moon’s attacks remain much the same. She’s very much a one punch and they are dead kind of hero and once she lets off her attack in most cases the battle is done. While the other scouts might be less effective in battle, at least there are some interesting possibilities for outcomes when they attack.
Kirito kind of bucked this trend in Sword Art Online (at least in Aincrad). While his sword style was a bit weird to begin with, it was always fun to watch. This only got better when he demonstrated his dual wield ability which was unique in the game making his ability actually one of the more interesting in the story.
However, Sword Art Online decided to kick its own hero when they introduced magic in Fairy Dance, and Alicization has taken the Bleach approach where swords aren’t always swords. Suddenly, Kirito isn’t looking all that crash-hot even in his own series, though he is still one hero who kind of breaks this trend of having the most boring power going.
Actually, there are plenty of cases where the hero does have a cool power or hidden ability. The problem is, with a lot of these powers they are so OP that they kind of instantly end fights once they get going or can’t be used because of the general scale of destruction. So even when a hero has a very cool ability, its use outside of final battles is pretty minimal meaning we’re watching a hero fight at less than full capacity in a lot of fights and it doesn’t always make for engrossing viewing, particularly when you know that they can pull out another power if things get really tough.
For instance, Bell in Is It Wrong To Try To Pick Up Girls in a Dungeon has a very cool attack. Admittedly, I like Bell’s fighting style anyway where he relies on speed and his fairly small knife, moving around his enemy and wearing them down rather than just smacking them really hard once. Bell’s fight against the Minotaur is still one of my favourite fights ever and for all that there are stronger warriors in DanMachi, Bell is actually just great to watch in action.
But, his Argonaut Skill is definitely an overpowered skill, tempered by the long time it takes to activate. In order for Bell to get a decent strike in with it, he requires a lengthy interval in which his companions are likely to get splattered if they aren’t careful. While the results of this attack are fairly spectacular, it essentially boils a fight down to the flies buzzing around an enemy and distracting it long enough for Bell to get a decent fly-swat and one punch end the battle.
Is there a solution to this? I mean, we want our heroes to win their fights and having a fairly unstoppable attack more or less guarantees it. Though, such a large scale attack usually ends up looking much the same as every other large scale attack. The personality and distinction of an ability is washed away by the effects given to promote the size and scale of the attack.
Anyway, as I said at the start, this wasn’t an overly serious post. I’ve just been thinking through anime heroes and wondering why more of them don’t have unique or interesting powers and why so many end up with giant swords. I’d love to know your take on anime heroes and whether they have interesting powers or not so leave a comment below.
When the Princess decides she wants to get to know the Hero’s companions, the audience is given an episode divided into three distinct segments each one having the Princess tail one of the companions for a day as they go about their business. While this could have been mind-numbingly dull, the Princess brings enough enthusiasm for both the companions and the history of previous companions to previous heroes to keep the episode bopping cutely along.
I do feel that this episode missed an opportunity to expand on each of the three characters. With Seiran, Mather, and Fai each pretty much playing true to form, while it was cute and fun it didn’t add much to what we already knew about the characters. No hidden layers or unexpected elements here, just what you see is what you get.
Again, that isn’t really a problem because the episode is light and frothy fun with the usual adorable antics at school, looking for Cartado or Fai’s eating contest. However, the tight focus on each one of these characters at various points provided space for them to be a little more fleshed out and I feel it is a bit of a pity that it wasn’t taken.
Mao was also pretty absent from this episode but I feel that was deliberate given the focus really was on the Hero’s supporting characters. So while nothing overly special, this was enjoyable enough.
Endro Episode 8 Review
Episode 8 continues the focus on Princess Rona but this time she enlists Mao’s help to see the Hero in action. After spending time with the Hero and her friends day to day, Rona decides she wants to see the Hero facing a threat and unwilling to wait for one, she fabricates one.
The end result is that the Hero’s party storms that ‘castle’ and takes on a range of threats, some less threatening than others before facing off against the Demon Lord while the Princess is trapped in a cage. Only, don’t expect a fight to the death, given the overall tone of this show, we end up getting a lesson about friendship and heroics before we all call it a day.
While I didn’t find this episode quite as charming as the previous one, I do enjoy seeing Princess Rona becoming more of a character and less of a trope. She’s probably the character outside of Mao getting the most actual development in this story and while she’s a little bit over the top she’s quite fun.
If you’ve been enjoying Endro so far, this episode continues to be cute enough, a little bit of fantasy and action, a little bit of comedy, and a lot of friendship and pastel colours.
I’m wondering if Endro really did just make me like a character that I’ve really not felt much connection to previously and did it through using a tired old character got sick trope. And yeah, it really did. This episode I really enjoyed finding out more about Mao and her life as a demon lord before the hero’s botched attempt at defeating her sent her back in time. It was also nice seeing her appreciate her students and their care of her.
There isn’t a whole lot to say about this pastel filled episode as the story is literally just Mao gets sick and in typical fashion has literally nothing in her house to eat and begins feeling sorry for herself when the hero’s party comes by and goes about cleaning up her house and preparing her a meal. It is all just sickly sweet and excessively optimistic and yet it manages to nicely round out Mao’s character. While we didn’t learn all that much new about her, this episode made it much easier to connect with her as a character and that was something I was kind of missing before.
Though, it really is evidence that you don’t need to reinvent the wheel to make something worth watching. While there isn’t really a single original point in this episode, they manage to deliver this fairly standard plot line in a way that makes it feel worth while and entertaining.
That said, kind of hoping for a bit more adventure in next week’s episode, but I kind of feel like this was one of the stronger mid-season episodes I’ve watched this week.