My Hero Academia Season 2 Series Review: Shining the Light on Heroes and Villains

Overview:

There’s no denying that season 1 of this show made me sit up and take notice when I picked it up mid-season after reading many positive reviews. The second season continues Midoriya’s journey (as well as the rest of the students’ journies) to becoming a hero.

Earlier I covered some of the ideas in this series in Friday’s Feature: Not a Character, an Idea.

Review:

With the exception of Bleach (which even I’ll admit isn’t all that great when you break down the story) I’ve never been much for straight shonen action shows. I can’t stand the shouting, the long drawn out fight, the pointless arcs where a villain is built up to be beaten down, the random hero power ups, and all the other silliness that tends to infect those kinds of shows. Don’t get me wrong, I love a good action story, I just prefer something a little less aimed at teenage males. Surprisingly, My Hero Academia kind of has all of the qualities of a shonen story that usually annoy me and yet, much like Bleach before it, instead of turning me away it kind of manages to draw me in a little bit more with every ridiculous fight sequence.

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The first season was utterly charming and just plain fun to watch, and season 2, despite launching into firstly a tournament arc, and then a training/power up sequence, before going into an exam sequence (all of which should have killed any fun or momentum for me) managed to not alone maintain that sense of fun, it also fleshed out a very real and meaningful dialogue around the nature of heroes and villains. All of this while characters continued to grow and develop and come to a greater understanding of themselves.

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Now, there is nothing new to be found in My Hero Academia. We have seen each of these characters before and asking the question of what makes a hero is pretty much story-telling from cave-man days. So it isn’t the novel content that is keeping me fixated. It is all about the delivery.

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This world and these characters are bright and larger than life. Their actions, their ideals, their emotions, everything is heightened unapologetically and then dropped into a world is becoming more and more real with every point we learn about it. While we don’t have Quirks in the real world (or at least not that I’ve noticed), there is something extremely relatable about this social media, popularity focused society that has taken a noble calling (being a hero) and made it a vocation. One that is highly sought due to monetary rewards and social recognition. All of this makes for a very grand and highly energetic narrative even when not a lot is actually happening with the main characters. I’m pretty sure these students could make catching a bus entertaining at this point.

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Part of this is because of the sheer number of characters and their diverse personalities. While some of the less important classmates are still pretty one-note, a lot of these characters have had their moment in the spot light and have started to become far more interesting as the series has progressed. My Hero Academia is very big on giving characters clear motivations for their behaviours and attitudes and ensuring the audience understands these. That way, when a character begins to change or grow, or even just acts out of character, it is immediately apparent and the impact is even greater because we’ve understood why that trait was significant in the first place.

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It also helps that the characters are just fun to spend time with. Even Bakugo, the overly angry and shouty one, is always great fun on the screen. If he could learn to focus some of that rage he could be a truly awesome asset in the future, though at the moment he’s more of comic relief and occasional bringer of tension to an otherwise fairly happy group of kids.

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This season saw Todoroki and Uraraka both gain ground as characters. Each had a number of moments to shine throughout the series and learned from their own actions and the actions of others to progress toward their goals. Seeing the these two characters finding their way and seeing how that changed their relationships with other characters in the story, felt very rewarding. Both kind of gained ground in terms of being my favourite characters from this show by mid-season.

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However, the real spot-light this season needs to go on All Might and Midoriya’s relationship. If growth along a journey was the theme for the season, Midoriya truly personified this as he fought hard to gain control of his ability and also really considered why he wanted to become a hero. Early in the season he loses a fight in the tournament to Todoroki, not necessarily because he couldn’t win (although arguably at the time he couldn’t) but because he needed to help Todoroki. Midoriya chose a tournament loss to ensure a greater victory, helping a friend. And that more or less defined who he was. But, there are greater dangers coming and All Might is trying to prepare Midoriya for those. We see the greatest change in Midoriya, spurred on by Bakugo, when he actually strikes All Might during the exam. Season 1 Midoriya couldn’t have even tried to strike All Might. This transition from idolising All Might, to working to surpass him as a symbol of justice, is just another step on the road for Midoriya though for the audience, there’s the added tension of kind of suspecting All Might’s time is more limited than Midoriya knows. All Might is definitely holding back from telling Midoriya everything so that is one puzzle piece we’ll all be waiting for in the next season.

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Turning our attention to the villains, we see the Hero Killer rise up during this season and his impact on both the narrative and the characters is enormous. Even other villains are launched into renewed vigour because of the Hero Killer’s actions. For me, this part of the season was by far the strongest and most interesting. Mostly because the rest of the season focused on the growth of the future heroes but didn’t really give them a real world challenge to face. Though, the final episode this season leaves little doubt as to where the story is going.

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To begin bringing things to a close, I wasn’t overly thrilled with the openings this season. They worked and they definitely grew on me after several episodes, but initially I was kind of underwhelmed by them. Also, some of the fights in both the tournament and the exam arcs just felt like they were there for the sake of completion rather than for adding anything into the story. But these are minor complaints when considering the season as a whole.

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Season 2 gave me more of what I loved about season 1, and continued to grow both the world and characters in an  immensely satisfying manner. While I would have liked a little bit more from the narrative as we seem to be moving very slowly forward, this is a minor nit-pick to what is a fun series to get into.

I’d love to know your thoughts on My Hero Academia so be sure to leave me a comment below.


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Juni Taisen: Zodiac War Episode 3: Points for the Episode Title

Review with spoilers:

I’ve made it fairly clear that so far Zodiac War hasn’t exactly been amazing viewing and this week isn’t an exception. That said, I actually enjoyed this episode significantly more than episode 1 or 2 because the Chicken was actually kind of a fun character: you know, before they inevitably cut down the one character we’ve actually learned about during the episode.

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This show has clearly set its formula in stone with giving us glimpses of a character’s past and the messed up life they have had, as well as their internal thoughts about the other characters and the fight, before terminating their life in a gory and what seems to be an attempt at surprising twist at the end of an episode though given it has now been repeated three times that leaves something to be desired.

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However, the Chicken had far more personality and was far more interesting to learn about than either the Boar or the Dog, though no better at making me sympathetic for the ending we all kind of saw coming. If we get another plus out of this episode it is that the Boar is finished for good and isn’t a walking zombie boar anymore.

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Although, as the post title suggests, this episode has a pretty fun title though ultimately that gives away not only the death of the Chicken (though I guess that was kind of inevitable) but also the one who will strike the blow:

Cutting a Chicken with a Beef Cleaver

Clever? Yes. Leaving any room for any kind of surprise in the episode? Not really.

And once again we learn nothing of why the zodiac’s are fighting or who is in charge of setting up this match or even what they actually achieve if they win. I was pretty sure I was going to drop this show this week but then I kind of liked the episode despite having issues with the overall story (or lack of overall story other than ‘kill each other’). Still, looking at the good points of this show (it looks great, the character designs are interesting if a little crazy at times, there is definitely potential for the story, and well it is hard to really stuff up a battle royal too much) I’m probably keeping this on my watch list and maybe it will grow on me.


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Katsugeki Touken Ranbu Series Review: Why Details Are Important

Overview:

Some group want to change history and the characters we follow want to stop them. And the characters we follow happen to be the spirit of swords brought to life by a sage from the future who can sense time distortions.

Review:

I kind of covered a lot of my issues with this show in my feature a few weeks ago where I asked what went wrong with Katsugeki Touken Ranbu?

I stand by that question now that the series has ended. Because, it seems like this show has what it needs to be truly great and yet what we have instead is a shallow dive into a story the audience never actually gets to experience and characters who really don’t progress beyond a name, a fighting style, and a single note personality. It is telling that after 13 episodes of this I’m still not actually sure of all the character names and had to resort to looking them up and even then when looking at a character list it took me a moment to remember what some of the characters had even done in the show.

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Part of this is definitely because this is a game adaptation and there is certainly some expectation from the anime that viewers are at least passingly familiar with these characters already. But I haven’t played the game and even if I had, source material does not excuse sloppy characterisation (or none as the case may be) in the anime. The same might be true for the lack of plot development but again, even if the answers can be found elsewhere, that doesn’t make watching the anime any better.

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Basically what is lacking from this anime are the details. We don’t know anything about any of the characters other than these two (Horikawa and Kanesada) used to work together serving the same master who died. That’s the one character plot that is developed and kind of resolved by the last episode. Still, given neither one of those characters has any personality beyond loyal to their master and mopey as they question their purpose, it isn’t exactly a draw to the show nor when we finally get the end of this sub-plot does it provide satisfaction. The heroes of this story are trying to stop events from changing so it is more or less obvious what the end of this story will be.

The other characters we get the names of and occasional references to their former lives and masters, but none of this information goes anywhere or leads to anything. It barely connects to the overall plot with the exception Mutsunokami when we meet his former master. And what is the overall plot?

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Well, just in case we forget the swords mention it every other breath. They are going to protect history. They’ll stop history from changing. Why history is being targeted and by whom is something apparently the audience doesn’t need to know. I mean, yes, we are told the Time Retrograde Army are responsible, but who are they? No names, no discernible characters, no motive other than change history. No idea how many there are so basically they just spawn as many as they want in each occasion going so ridiculous as to have 1000 of them show up in the final episode only to do nothing but charge blindly forward and be mowed down by a significantly smaller force that previously struggled with groups of 10 or 20. Minor plot issue but whatever.

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It seems like this anime wanted to focus on Horikawa but didn’t want to leave out the other characters. So instead of getting a focused story revolving around Horikawa growing into his role in the second unit we kind of flit all over the place as we introduce a late addition to the second unit, then the entire first unit, and the we’ll finally get back to Horikawa but by that stage we haven’t really grown attached to him because he practically disappeared mid-season.

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However, this anime looks amazing and the sound is pretty impressive. Even when there is no tension to be found in a battle, if you close your eyes and just listen, it sounds super dramatic. But even mundane sounds like the leaves, the characters walking, gusts of wind, it all just very impressively done. If only even some of that attention to detail had gone into characters or plot (and I don’t mean the overdone character designs, I mean their personalities).

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While this show isn’t by any means unwatchable, there’s just not a lot of point. You won’t learn anything about the overall conflict or what the end game for either side might be. You won’t learn all that much about the characters and what you do learn could have been covered in about two episodes. Visually impressive fight sequences aside, there’s just not enough reason to bother with this show.

If you watched Katsugeki Touken Ranbu, I’d love to know your thoughts so please leave a comment below.


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Dies Irae Episode 1: Somewhat Less Confusing

 

Review:

I was actually kind of pleased at how normal most of this episode was when compared to the stupefying mess that was episode 0. We follow mostly normal high school guy as he is released from hospital, reunites with childhood girlfriend who drags him off to a sword exhibit.

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Then of course while viewing a guillotine he has a vision of a blonde girl singing about blood and death and later he has dreams of himself being beheaded. All pretty standard opening episode stuff really.

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We even throw in a senpai who makes deliberately misleading comments on the phone to stir up the childhood friend.

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Just when I think that maybe the craziness of episode 0 was just a bad dream we hit the final five minutes and off we go. Lots of names and people and random references in dialogue that makes no sense at this point between characters who can only be villains given they are all clearly unhinged. Still, this one seems watchable enough so I’ll stick it out another couple of episodes.


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Nurarihyon no Mago Series Review: Fascinated by Fear

Overview:

Rikuo is one quarter yokai and tries to live his life as a normal human. The problem is, his grandfather is the former supreme commander of yokai and his house is literally overflowing with them. That and his grandfather wants Rikuo to take over as the next commander of yokai. Despite this, Rikuo still fights to keep his human life separate until some dangerous yokai come to town endangering his friends.

Review:

It should be no surprise by now that I absolutely love stories about yokai and Nurarihyon certainly hits the mark. With some silly school comedy elements, some ho-hum romance, but a fair decent amount of action and supernatural antics, this show isn’t perfect by any means but is a pretty enjoyable ride. There is another season, and I will review that separately, but this is definitely a show that’s worth giving a go.

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That said, I’m going to start with the negative. Both opening songs are just plain wrong. The first one isn’t too bad. It kind of fits the show, but it doesn’t feel finished. It’s like they get to the end of the title animation and the song just kind of gets cut off. Every time it is jarring and kind of undermines what is a not-great but not-bad song. The second one however does not fit the show. It kind of highlights the silly school antic side of things in its tone and by that stage of the show, the school segments of the show are pretty small. When you are gearing up to watch a yokai vs yokai fight sequence and the opening is some lighthearted tune about sunshine, there’s a real disconnect.

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My other major negative is the way the human characters are treated. Rikuo has friends at school and even belongs to a club that apparently seeks out yokai but mostly that’s just one character’s obsession and the others all just kind of tag along. Early on, this is used helpfully to introduce a monster of the arc kind of feel but later, the human characters are pretty useless to the plot and yet just keep hanging around. Realistically you could have halved the number of students and they could have served the same purpose and gotten more development and screen time. Then again, this show wasn’t great at balancing things, which for a show that focuses primarily on the main character trying to find balance in his life, is kind of ironic really.

You could also criticise some of the animation, the choppy pace early on, and a number of other things but mostly these don’t interfere with enjoying the show.

Plus, there is a strong second half. Once we’ve been introduced to the idea that Rikuo has a night form that he can take and we’ve seen him in action a few times, the show finally introduces the main antagonist of the series, a yokai from out of town who has come to overthrow the Nura clan. With Rikuo’s grandfather missing in action and no one else to lead the defense, Rikuo is forced to step up his game and from then on the story really doesn’t take a break.

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There’s a great range of yokai and supernatural powers and these are used well to keep things fresh visually as well as provide some interesting moments in the story where they manage to turn things in a fight through an unconventional method. Admittedly, the second or third time that happens you are more or less expecting it, but they still manage to make it feel like something a bit different. Also, the yokai who surround Rikuo for the most part and act as his guards are pretty entertaining though could have been fleshed out a little more.

This show does get dark at times with humans being kidnapped by yokai and a real sense of danger permeating a lot of the fight sequences. Ultimately you know that no one of consequence will actually be killed but they do sustain some fairly substantial injuries. There’s blood and gore to be found but not so much that it is particularly shocking, though I was glad when one particular yokai finally was dealt with because at least it meant I didn’t have to worry about him licking anyone else.

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My favourite part of this show though is the central character. Rikuo is pretty stock standard in his human form. All jumps and worry when his friends visit his house as he worries about them seeing some of the yokai who conveniently hide just around corners and the like in a fairly poor attempt at humour. But he does have a more serious side. Even though he wants to be human, he does accept that there are things he has to do, so he isn’t just denying outright the yokai around him. This stops him crossing the line into whiney cry-baby territory that other protagonists of a similar style might fall into. And then we have his night form. I kind of get why the yokai are so fascinated by him. Admittedly, he’s just kind of smug and broody guy when all is said and done but everything about the presentation makes him look cool. The perpetually floating cherry blossoms, the music, the way he stands, everything is just perfect for presenting this ultra cool guy that you would want to follow. It works beautifully.

Anyway, if you are into supernatural stories at all and you haven’t checked this one out, it is worth your time. There are definitely some parts that won’t quite hit the mark, but overall this is a fun show to watch.


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UQ Holder Episode 1: Not A Total Disaster

Overview:

In the decade since the world became aware of the existence of magic, the world has undergone massive upheaval. However, a boy named Tōta lives in seclusion in a rural town far removed from these changes. His ordinary life is highlighted by his magic-using female teacher and his supportive friends. When his tranquil daily life is disrupted, he embarks on a unique adventure.

– From AnimeLab

Review:

This show opens with a scene of a group of school girls greeting a male teacher. The male teacher sneezes and magically blows the girls clothes off. Then we see some other blonde girl acting all smug who starts a monologue about being a 700 year old vampire. Then we get an opening sequence before we meet an entirely different group of boys who are trying to defeat their teacher so that they can go to the capital.

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Honestly, this introduction is a mess. I’m not exactly sure who that opening sequence was attempting to appeal to but it is just a confused mess of ambiguous, dull, or generic tropes and none of it really screamed keep watching me. As the episode progressed, things got better but Touta, the main character, is pretty much your stock standard shonen hero. He’s training to beat his teacher to achieve some nebulous goal that doesn’t seem well thought through, his parents are dead and he’s raised by his mentor, turns out he’s also lost his memory, and by the way, after nearly dying his mentor reveals that she turned him into an immortal to save his life.

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The episode ends with teacher and boy heading off to the capital and from the opening and ending it looks like we’ll meet a whole new cast of characters so no reason to really care about anyone we’ve met so far.

This is not a great introduction to a series, but there’s been worse opening episodes. I’ll give this one a couple more to see if it can settle in to something that might eventually come up with an original idea (seriously, this show has an orbital elevator which they keep referring to as a tower that he wants to climb – how many other anime just flashed through your mind). Or even if this show can find a way to present a generic story in an interesting manner given it kind of failed completely at that in this first episode.

If you checked out the first episode, let me know your thoughts.


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Drifters Series Review: Was This Worth The Wait?

Overview:

Toyohisa is injured in a battle and as he starts to die finds himself in a mysterious corridor facing a man in a suit reading a newspaper. A door opens and Toyohisa finds himself in a new world where he is called a Drifter. Uniting with other Drifters, they begin to fight, well, everyone.

This obviously came out last year but due to lack of access, it was only very recently I was finally able to watch it (thanks AnimeLab for brining it to Australia). So after reading all the reviews as it aired and series reviews of people who finished it after that, I had a fair idea of what I was getting into. So the questions is, was it worth waiting for?

Review:

Drifters is one of those stories where it could be really cool, but at the moment we’re very much feeling like we’ve read the prologue to a much grander story and we still don’t really know what is going on. The obvious is the confrontation between Drifters and Ends except that the Ends don’t seem to be exactly what we’ve been told and the Drifters aren’t overly concerned with fighting them unless they happen to directly be in the path of what the Drifters are currently trying to do.

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Also, the Drifters aren’t all exactly united. It is clear some have been in the world for a long time and have their own plans and ideas and the three Japanese Drifters that are freeing elves and dwarves and generally going on a mission of conquest are really just out for their own ideals and don’t really seem to care much for the grander scheme (or anyone else’s plans). This makes it really hard to know what the actual end game for this whole story would be particularly as we don’t know the deal with the guy and the girl in the tunnel (other than a clear binary opposition though why we don’t know).

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Despite a lack of answers or real sense of urgency in any of the actions, Drifters manages to be pretty entertaining as we lurch from conflict to conflict. The time periods the various characters come from shape their fighting styles and philosophies and this allows for the action sequences to not get dull. The humour is at times crude but it actually works quite well and adds to the overall entertainment of the show.

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Visually Drifters is interesting. I’m not going to say I particularly like the character designs but it is striking and the characters are distinct and memorable. The art style very much suits the story being told and contributes to the overall tone so it is successful in that respect. Okay, I found it ugly, but that didn’t take away from my overall enjoyment of this series and it definitely stood out from a lot of other shows.

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The opening song is also quite distinct and again the visuals work. They aren’t what I would call pretty, but the opening very much gets you ready for the feel of the show and that is what it is supposed to be doing.

All and all, unless you don’t like the subject matter, which is pretty much various characters thinking of ways to more effectively kill and conquer other characters, with quite a bit of crude humour thrown in, Drifters is quite a nice action anime. I wouldn’t outright recommend it due to the narrative feeling like it barely got started but there is certainly some fun to be had in watching it. Basically, don’t think too hard, enjoy the gore, don’t even begin to try to figure out whether a character is actually supposed to be a good guy or a bad guy because that’s a lost cause.


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Katsugeki Touken Ranbu Episode 12 – Personal Crisis Trumps Greater Narrative

Review:

There were a few moments where I was watching this episode and felt bitterly disappointed that this show still has an episode to go. It isn’t that the action this week wasn’t pretty, they are still getting that part right, but the story is just not working at all.

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The master shows up and they discuss Horikawa and come up with some ultra-noble reason he’s actually going to attempt to change history and then, without actually worrying about the other guys in the second unit (apparently we should never have cared about them( they just jump in history to the final battle of Hijikata.

The Time Retrograde Army are there, but don’t worry because instead of half the second unit needing to desperately battle, we’ll just call for the first unit, who the audience barely know or care about from the anime, and they’ll just overpower the enemy in a flashy fight sequence before vowing to hold them off. Okay, if they aren’t a threat and they aren’t actually stopping the main plot, why as an audience member should I care that they exist?

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So basically it comes down to the main sword we’ve been following through the various existential crises this season going to his former master’s house and there, shockingly, is Horikawa (given he didn’t jump through time I guess he lived through however many years passed between the former time period and this one). That’s where we end and I guess it is supposed to be dramatic but this show really hasn’t done enough to make me care about any of these conflicts or the characters facing them.

Next week is the end.


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My Hero Academia Episode 36: And So They Fought

Review:

If this wasn’t the second last episode of the season, you would swear it was a filler episode. We get the match ups of most of the characters we don’t really care about (Uraraka is the exception here but her match is over and done in almost an instant). While there’s certainly merit to seeing some of these classmates in a fight, and some of the teachers that previously had been been in the background, there’s no plot progression and the main characters are sidelined quite literally, taking the role of commentators rather than participants.

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That isn’t to say the episode wasn’t fun or that there weren’t some cool moments to be found here. However, from a strictly plot point of view this episode gives us very little. Nother is really revealed about the characters that couldn’t have been surmised prior and none of this is leading to anything except Midoriya and Bakugou’s fight against All Might which of course doesn’t start until the final minute of the episode (almost as if the writers were worried we would suddenly stop watching without that bit of a cliff-hanger).

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All and all, as part of the overall feeling of My Hero Academia, this episode works, but it is hardly one of the better showings we’ve had from this second season and I think most of the tournament episodes earlier in the season were stronger than this.


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K Season 1 Series Review: Is Looking Good and Being Cool Enough For A Series?

Overview:

There are 7 Kings and each King can bestow their powers upon their clan. While the Blue King works to keep order, the Red King is pretty much all about anger and right now the entire red clan is out for blood because one of their members was murdered by the self-declared colourless king.

Review:

For anyone who watches this story, there are two things that will become immediately apparent. The first is that there are a lot of males characters and most are drawn to be seen as the various types of attractive that they usually use in anime. So lots of tall and slender guys with various hair colours and accessories so that you can be sure to find your favourite type. Or why not just collect them all? And the second is that this show isn’t above relying on spectacle and shock to grab your attention if you aren’t into the predominantly bishonen cast.

The opening scene see HOMRA (the clan controlled by the Red King) essentially break into an apartment and beat the guys inside up for information (that they do not even have). This is break and enter followed by assault, and low level torture before the loli girl walks in and declares they know nothing and they all just walk out. If that isn’t actually enough to get the audience engaged and their hearts pumping, the red clan then walk smack into the blue clan for a fight that ends with the red king handing himself over.

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Throughout all of this, no explanation as to what kings are, or their swords, or why they have powers, or even what information the red clan are after, is given to the audience. It’s just expected that you are going to be so mesmerised by this cool and confronting action and gorgeous cast that you’ll shut up and buckle in for the ride.

And you know, it actually works pretty effectively.

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Admittedly, the good looking guys in the cast are kind of wasting their efforts trying to charm me, particularly the crew from HOMRA who they later on try to endear us to but to be honest they’ve come across as thugs and little that happens later changes my mind about that. So while they are the most exciting characters to watch, mostly because every scene they are in explodes with violence or humour, I don’t really care about what happens to them. Anna, the girl I described as the loli earlier, is the exception as she actually gets quite a nice character arc and isn’t quite so prone to violence, at least not the direct kind, as the others in the clan. Admittedly though, you’ll be waiting through the movie and season 2 before you really care about her.

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Still all of this is actually background because this is the story of Yashiro Isana. He starts out as a seemingly normal student who likes cats but is then chased by both HOMRA and Kuroh (a vigilante sent by the previous colourless king to kill the evil king).

The problem being that the carefree guy who slips in and out of trouble and through all the chaos of the clans throughout the series isn’t that compelling to watch when compared with the scenes dominated by the Kings and their clans. Most scenes involving Isana are only interesting because of Neko (the cat) and Kuroh and the banter between the two. While I don’t dispute that ultimately Isana’s story turns out to be interesting and quite compelling (and I’m not going into any spoilers here), as a character he is the low point of a lot of the early part of the first season. Part of this can be attributed to the trope of protagonist with missing memories. It is very hard to be compelling as a character where basically you get to tilt your head a lot and wonder about things you have no clue about.

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Fortunately, the rest of the cast, including the normal school students surrounding the central trio, have more than enough personality and presence to make up for what Isana is lacking. And I do mean more than enough. We have rivalries between clans, long standing histories, potential romances and bromances, old grudges, and just so many details that are touched upon or hinted at but because this story isn’t about them they seldom get to take centre stage and when they do it is at the cost of the actual central narrative.

But I have to wonder if that even matters in a story presented as this one is?

The pace keeps moving along as we go from one conflict to another. One chase sequences blends in to the next, and there are only a few moments in the early couple of episodes where the focus is on the school and kids getting ready for a festival where you have to wonder if things are going to actually progress. The sheer size of the cast and the complexity of the world (not the story because it is pretty straight forward when you separate it from setting) works in its favour because it means you are seldom bored by what is on the screen and the number of details makes it feel like a rich and real reality that has existed prior to the writing of the story and will continue afterward.

K Project 6

And of course the fight sequences look fantastic. They are full of energy and interesting uses of powers. They are visual feasts and usually accompanied by suitably energised music, and all and all they are just fun to watch. The final sequence between the blue and red king at the end of the series is both grandiose and heart breaking, and gets the balance right between visual spectacle and portraying the human emotions of the scene.

K Project 5

So while K is actually pretty easy to criticise for some of its story telling choices and its over-emphasis on looking good over actual characterisation, the end result is something that is reasonably compelling to watch and ultimately fairly rewarding for the viewer as things do come together. Obviously there is then a movie and a second series so don’t expect all the loose ends to be tied up, but Isana and the mystery of how and why he lost his memories, and who the real murderer was, all of that is concluded and you are left with a sense of real satisfaction.

I’d love to know your thoughts about K.


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Thanks,

Karandi James.

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