The Promised Neverland Episode 11 Review
The contrast in the way Emma and Ray see the world couldn’t have been clearer this week. We’ve seen these two bump before with Emma’s stance on rescuing everyone and Ray’s far more pragmatic view of the world and just in general Emma rushes at everything with energy and enthusiasm where Ray is more cautious and slow to act. However, it is in their final plan that the contrast becomes beautifully clear.
Emma still has hope despite playing the defeatist card for months. Partly this is because of the gift that Norman gave her, a potential plan that could overcome even the most recently discovered obstacle as well as insight into what Ray was planning. But partly this is because she is Emma. Actually being defeated and accepting it doesn’t seem like it fits her personality at all. We saw in the beginning of the season that Emma continued to compete against Norman in tag even though he always won. Each time she would try to think of better ways to outmanoeuvre him and while she continued to fail she never surrendered the war. Emma brings that resilience to the fore in this episode.
Meanwhile, Ray has his own plan. And I’ll admit, from Ray’s perspective it is a very good plan. It accomplishes his actual goal which was to save Norman and Emma (though too late for Norman which makes him even more desperate to save Emma), and is a plan that relies only on himself, which given his years planning alone makes perfect sense. It is a very Ray plan and one that doesn’t take his own safety and survival into consideration at all.
I can’t be the only one who flinched horribly as he poured that flammable liquid over his head. It was a truly horrifying moment, made more-so by the general feeling that this anime might very well go through with it. While outside of Connie’s death the anime hasn’t been gratuitous in death and horror, there’s the ongoing sense that things could go there at any moment and as a direct result scenes such as this one really make you sit up and sweat a little for the characters.
And even though Emma did have a plan to counter Ray, it isn’t as though they got off scott free. Both Ray and Emma had to part with their ear to leave the trackers in suitable locations. These kids are eleven (or twelve in the case of Ray after midnight) and they actually cut off their own ears, bandaged them up, and kept going.
I don’t know about you but I’d have cried over stubbing my toe at that age.
It is a really beautifully executed episode bringing everything together in a suitably dramatic fashion as we lean in to the final episode. While there are so many questions left unanswered, and a lot of these will probably remain unanswered unless we get a second season or unless I read the manga faster, so far only read book 1, I’m hoping that at the very least we find out what the deal with Phil actually is… oh yeah, and whether Norman is still alive.
This series is just good and I really want to binge watch it from the start again just to see if it holds up when you know the twists and turns of the narrative, but that will have to wait a few months. Either way, I’m loving where this has gone and this episode was solid viewing. Very much looking forward to the final episode.
Thanks for reading
100 Word Anime.
- The Promised Neverland Series Review
- Episode 1: The Promised Neverland’s First Episode Promises Much, Will It Deliver?
- Episode 2: Why Emma’s Lack of Compromise is Both Foolish and Brilliant
- Episode 3: How a Simple game Can Become Ominous
- Episode 4: The Best Way To Catch A Liar…
- Episode 5: The Friend of My Enemy Is… Maybe a Useful Information Source
- Episode 6: The Promise of a Traitor Times 2
- Episode 7: Playing With Fire (Or Trying to Deal With Sister Krone)
- Episode 8: After Making Us Wait, The Promised Neverland Is Going To Deliver
- Episode 9: The Promised Neverland Promises Yet More Pain
- Episode 10: Where to Without The Promise of Tomorrow?
- Episode 11: Someone Tell Ray That Self-Immolation Is Not A Plan
- Episode 12: The Great Escape
- Images from: The Promised Neverland. Dir. M Kanbe. CloverWorks. 2019.