And now the timeline makes sense.
So I’m A Spider, So What has jumped back and forth between the events in the Great Elroe Labyrinth and the events surrounding Shun, the newly titled hero, through the previous volumes. While I always had a sense that the events from the spider’s point of view were not in quite the same time as the events Shun was describing, it wasn’t until volume 4 where the reader is given a clear answer to exactly when both sequences are occurring and the relationship between them. It is a credit to this story that it has managed to come out of the reveal relatively neatly and with the story clicking nicely into place rather than becoming unravelled.
And just for those who are still utterly confused as to what happened first or the actual sequence of events that we’ve been told about but never saw first hand, this volume handily contains at the end a timeline of the events so that you can see the full sequence very quickly and help reconcile any further confusion. It isn’t intrusive and doesn’t add anything that couldn’t have been picked up through a return read but it just helps straighten out the whole affair.
Now if this time disparity was just another gimmick, like the protagonist being a spider, then I’d have to wonder if it was worth the effort, but realistically it has really helped to set up the different characters and their relative experiences before things start coming together.
That is where volume 4 of So I’m A Spider, So What? really starts to shine. While the spider story-line an the human story-line still haven’t actually collided, they are clearly on a collision course. With so many other reincarnated characters already assembled, the war in full swing, and everything about to come to a head, it is just a matter of time now. Where previous volumes I’ve found the spider grinding amusing but not overly purposeful at times and I’ve enjoyed the story of the goings on in the human world but we’ve only seen glimpses, volume 4 gives us some fairly specific purposes to the spider’s activities and the human story gets, if not equal space, at least equal weight in this volume.
My previous criticisms though of the intrusive nature of the game mechanics do still stand. As much as this volume actually starts revealing the reason why the world they reincarnated into seems so much like a game, there’s only so many times you can come across a page that is nothing but stats and skills after a monster has been appraised before you just stop looking at them and flick to the next page to get on with the story. It isn’t as though the spider doesn’t then point out the most significant stats in her next bit of narration anyway so reading the page is utterly pointless.
That said, while the execution of stats and skill lists may be intrusive, the basic function within the story is fairly purposeful. Not to mention, the spider is really using those skills and stats to their advantage and being quite innovative. On more than one occasion turning a one-sided battle into quite a thrilling nail-biter because of how they’ve used the level system to their advantage.
Which is why I can’t stop reading this series of books. As much as they rely on gimmicks to try to distinguish themselves from an overcrowded field, and as much as the game mechanics right from the beginning have been heavily weighing down the story, there’s a real cleverness at times to the way these standard elements are employed. While once or twice it really looks like they are over-reaching in order to extract the spider from an incredibly dire situation, they usually manage to make the events fit within the established rules and patterns of the world, even if that world is incredibly unfair and a lot of those skills and stats are clearly over-powered and close to cheating (Immortality? Really?).
While the spider gets the fun battle and exhilarating saves and victories, the humans are on the run after the events of book 3 and end up the elven village where the other reincarnated kids have been kept. This plot line is subdued, even dull in terms of events, by comparison, and yet we learn a lot through the course of the book and honestly I’m really looking forward to finding out what the next steps are for these characters with the new information they’ve acquired.
Needless to say, I am going to read the next volume in this series. It will very much depend on the individual as to whether or not they’ll enjoy this series though. I think most people who enjoy isekai stories and don’t object to game mechanics being used as the basis of a narrative will find a lot to like here but for other readers while there are some brilliant moments they probably won’t offset the parts of So I’m A Spider, So What they don’t like.
Thank-you for reading 100 Word Anime.
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