Kono Oto Tomare Review Episode 5

A Triumphant Performance

Episode 5

Time for the performance episode. While the Vice Principal’s challenge continues to sit as the explanation for the extra tension on this first performance, other than two minor scenes where he is on screen, the episode prefers to frame the emotional growth of the group and particularly focuses on Kudo. Having Houzuki realise her mistaken impression of him and the two reconciling early in the episode and then having his back story interspersed throughout the performance as he realises the connections he’s made and who he wants to reach with his music makes this a pretty perfect episode.

There is of course the early final push for the club as Kono Oto Tomare drives toward the one month deadline with relenting force. They meet before school, practice at lunches, and continue to go to the music shop in the evening. It all looks nice and dedicated, though one has to wonder what is happening to the rest of their lives in the process given the sudden surge in hours given to the Koto. Such questions kind of kill the romance of the narrative so let’s just go with it.

Likewise the old woman’s advice that they need to put their feelings into the music now. It is the kind of advice that comes out in almost every music or artistically themed anime and while there’s an element of truth in it, it is hardly the main bit of advice someone who has been playing a month needs when they are about to perform a piece in public. As enchanting as it might be to think that feelings are carried by music, at that stage of learning technical proficiency is kind of needed far more. That isn’t a slight against this story, but I find this same old trope fairly dull at this point and while the performance is lovingly connected to Kudo’s emotional state making it actually relevant to the plot, the old woman’s speech was probably the low point of the episode for me outside of the vice principal’s relentless and incredibly pointless attack on the club.

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But such minor nitpicks and personal preferences mean nothing when an episode comes together as well as this one did and reaches a climactic moment for the club. Their first performance, while not flawless by any means, is truly a work to be reckoned with given the inexperience of many of the members. Their effort pays off as they perform, feel they are losing their way midway along, and then find a way to bring it back together. There’s no cause for complaint and even if the final flourish has their music symbolised as metaphoric dragons reaching out to the audience in what might be the most literal symbolism given what they decided the song was about, it feels like a perfect cap to the performance even if it is ultimately quite a cheesy idea.

I also came to the conclusion that the OP to this anime is one of my favourites of the season. Not sure yet if it is my favourite as I’ve been really pushing myself to try to catch up with the anime I missed while travelling so I haven’t paid a huge amount of attention to the OP’s and ED’s yet but as I’ve now settled into my viewing pattern for the season I’m starting to take more note and Kono Oto Tomare has a very nice opening


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Karandi James



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