Drama, drama, drama. The Given Live-Action adaptation is pushing the drama up to 11 as band rehearsal falls into a conflict between Uenoyama, venting his emotions, and Mafuyu who is all but shut down, forcing the older band members to intervene. Mafuyu’s disclosure at the end of episode 3 hasn’t left Uenoyama any clearer about where they stand and cracks are definitely showing as the concert looms ever closer.
All things considered, Mafuyu has made excellent progress in two months. Later in the episode when he practices guitar alone he’s sounding pretty good (for a relative beginner). That he’s totally blocked on writing the lyrics and doesn’t really even know where to begin is hardly his fault and Uenoyama and the rest of the band’s expectations are clearly kind of crushing him.
The Given Live Action Adaptation sounds amazing.
One thing I did like about this episode of the Given Live-Action drama is that we returned to the girl who told Uenoyama the rumours about Mafuyu. She’s feeling pretty terrible about her actions though part of me thinks her pity party at the bins was more just to get any attention from Uenoyama than genuinely feeling too bad for spreading rumours about Mafuyu.
That the scene resolves a potential external conflict for Uenoyama is good. That it is also used to create some artificial drama as Mafuyu also witnesses the exchange from afar is less great given Mafuyu already had enough on his plate.
Still artificial drama and teen romance go hand in hand and this was hardly the most obvious forced plot convenience to be found in such a story. We’ll save that for Gamers with the many ridiculous misunderstandings and plot coincidences that essentially make up the entire story.
The other issue with the Given Live-Action adaptation that becomes a bit clearer in this episode is that t clearly isn’t working on a huge budget. The shaking camera when filming the motorbike on the road was distracting and while shaky-cam can be used to great effect, here it just felt like they didn’t have the right tools to steady it.
And this episode had a lot of external scenes compared to previous ones. Whether it was Uenoyama and Akihito on the roof with Tokyo Tower glowing in the background or the various car rides home or even Uenoyama taking out the rubbish, these characters spent a lot of time outdoors and it is in these scenes where Given feels less controlled in how it frames its characters.
Of course, the interior scenes were up to the usual standard with some clear attention placed on how the characters sat within the scene and there’s a truly adorable moment toward the end of the episode where Mafuyu, who is asleep, ends up resting his head on Uneoyama’s shoulder.
The Given Live-Action story here leaves us on a very unresolved note at the end of episode 4 and that’s fine. We’re two episodes from finished and leaving us hanging right now is definitely creating a sense that we are moving forward and that there’s something coming just ahead that is worth waiting for. Anticipation is great and it doesn’t feel like they’ve dropped a cliff-hanger without thought.
I’m not sure how I feel about Akihito’s interference. I know he involved himself in the anime as well, but perhaps because that had 12 episodes and was more spread out it didn’t feel as intrusive. Here it feels like he’s trying to set himself up as some kind of puppet-master and while Mafuyu and Uenoyama certainly needed a bit of a helping hand his manipulations are a little intense in this episode.
Still, looking forward to episode 5.
Images from: Given. Dir. K Miki. 2021
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