This episode is classic D Gray Man in everyway imaginable (good and bad). While we get a few moments and discussions around the greater battle and the exorcists plan as usual Allen and crew are mostly in the dark so let’s put aside the main plot and go investigate a random thief who may or may not have Innocence. Well, there’s a reason the show already ran 103 episodes but has actually progressed the plot about as far as most anime do in 24. That isn’t to say that this episode is bad. As I said, it’s just the way D Gray Man has always been. And it flips the switch between random and ridiculous humour in a fight sequence to deadly serious (and hey, soon to be dead orphans) so quickly. It makes you laugh, groan, roll your eyes, fill with curiosity about all the things you don’t know, support the exorcists (or at least the ones you like) and fear the enemy (which isn’t easy given their frequently clown like appearances). I know that this aspect of D Gray Man always rubbed some people the wrong way but for me, even though the tone is all over the place, it just feels right. All the different elements come together and combine with overly dramatic music and fight sequences that just make you sit up and take notice. Besides, other than Kaneki (Tokyo Ghoul), I’ve yet to meet a protagonist other than Allen Walker who I genuinely feel is in peril on a regular basis.
Oh, and Kanda was awesome this episode.
Okay, totally blew my 100 words with my happy fan girl moment but other than the voice acting (which actually did annoy me a little in the first half of this episode) this episode was such a blast of everything I remembered liking about the original series.
D Gray Man is available on AnimeLab. If you haven’t watched the original, you really have to before you can watch this, but it is worth at least trying (this is one of the few series that hadn’t been given any kind of resolution that I still rewatched over and over). Of course, if you don’t like your anime dark than maybe give it a miss because this one has some real pain in store for its characters even if it isn’t as visually confrontational as some of the more contemporary anime.