Visualist x 100!! – My Hero Academia Final Impressions with Kapodaco and Karandi

Karandi: Well, season three is now over and Kapodaco and I now have the chance to look back over the last six months of our lives viewing My Hero Academia and to think about how we feel about the series as a whole. That’s kind of a hard ask right now for me given I’m still kind of looking at that final episode and wondering what that was supposed to be, but I guess we’ll muddle through it. Kapodaco, what are you thinking?

Kapodaco: I was thinking about it at work today. It feels so perfectly succinct. I rated the first season a 7, the second a 7.5, and now I’m feeling a 6.5 for the third. On MAL, I have a 7 for all three of them, so if one isn’t looking to dig deeper, they’ll assume I saw them all the same. But that’s personal perks.

There’s a lot that the series does that got me just as excited as any other season, even more so on occasion. At the same time, there’s definitely some big befuddlement with the scope of the story and fighting off the temptation to introduce a thousand characters to keep the story spicy, but then having to keep up with said characters and make it harder to keep everything in focus. It detracts from the characters one actually cares about and wants to see more of. It happened a lot during the end of the season with other classmates simply noting their observations and little more, and I said very early on with this season that I was looking forward to seeing these classmates have more of a role—by the end, it was definitely underwhelming in that category. What say you, Karandi?

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Karandi: I’m in agreement. One of the biggest issues season three has had is that it insists on trying to keep the whole class in each of its sequences and has all of these characters essentially standing around and doing very little. All of these students got into the hero course and class A and yet they so rarely get to do anything.

Then season three had the fight sequence against the villains where we saw a couple of characters we’d already met but it introduced the pro-heroes doing the training, the random kid that Midoriya had to convince that heroes weren’t all bad, and half a dozen villains. We moved into the exam arc with a whole bunch of schools and characters. Then right at the end we have the Big Three introduced. None of these characters had anywhere near enough screen time or development to make them anything more than their name flashing across the screen and maybe their quirk so I have zero attachment to them.

I will admit, that while I’ve been throwing a lot of rocks at season three of My Hero Academia, compared to the vast majority of seasonal anime that I’ve been watching, even season three is pretty solid entertainment. My biggest issue is that it isn’t as good as season two. Which might seem a little petty but at the moment it is still a disappointment.

Outside of the characters though, I felt the overall narrative structure this season let it down a little bit and I touched on this a couple of reviews ago. What did you think?

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Kapodaco: I may have said a few times that the clichés had piled on a little more than with previous seasons. Even when they weren’t, I think a lot of the issues stems back to the fact that there are a thousand new characters introduced, such that the mangaka is biting off more than he can chew. He wants to make the scope huge so that it can feel like a giant world of all-encompassing heroism, much like how Capitalism is the entire world of my home country of the U.S.A. I can feel the mangaka wanting to do more with his script that perhaps anime isn’t accustomed to doing with a “mere” two-cour season.

When the season wanted to do more with the state of the world after the fall of All Might, it was fairly intriguing, because while the end result is fairly inevitable (villainy skyrockets), he tends to paint these villains as more than just “I’MMA BURN SHIT BECAUSE WHY NOT?!” These characters, who will inevitably have more of a point in the story at earlier junctions and with higher stakes, are better incorporated than the random heroes or one-off Big Three™ groups because their motivations are clear(-ish) and they have more to do than to let the pacing methods of introductory writing take the wheel.

In a phrase, he’s biting off more than he can chew. I may have said that before. And while I was writing that, I made the horrid realization that Mineta had more character-distinguishing moments than anyone else in the minor cast.

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But let’s ignore that and focus a little on the positives, yeah? I think I know the answer to this, but what was the best part of the season for you?

Karandi: Tricky question (not). My favourite part hands down was All Might’s final battle. Not so much for the fight itself (though that was pretty cool and Midoriya helping Bakugo without actually getting into the fight was also kind of cool) but more because of the greater implications in the world. I really wish that we’d get more on this because every time they touch on it, we get a moment that actually feels like it has weight and gets me very interested. Even during the exam arc, as dull as I found that, when they were actually discussing specific changes to the exam format because of how they wanted a different type of hero in the future, heroes focused on team work rather than individual achievements, it just felt like the previous events with Stain, All Might’s arc, and everything else were coming together to have a real impact on the society within the story.

That remains one of the great strengths of My Hero Academia even though, as you have said, the writer may very well be biting off more than he can chew. Unlike so many other super hero stories, this one really feels like events are shaping the lives of everyone in the world and the structure of society rather than just being a cool fight and then life goes on unchanged. I really enjoy that aspect of it and I really hope it continues as that is what keeps drawing me back into the story. How about your favourite part of the season?

Kapodaco: I am in total agreement. All Might’s final fight was the high point of the series bar-none. I don’t recall exactly, but I think I mentioned that the episode itself, the one where everything becomes “resolved,” was an easy 10/10 episode. So it wasn’t just the best episode of this series for me, but one of the best episodes of any anime I’ve ever seen. I can and cannot be emotional dependent on the subject matter, but that aspect of All Might and the significance of his passing of the torch was something that got me really hyped. It made me a fan of All Might, ironically in the same way it made everyone within the universe of the show a fan of All Might. That sheer, unquestioned passion and charisma to do what’s right was something this series can do phenomenally well with the amount of attention to detail in building upon it.

Though I will also give credit to a point where we tend to overlook because it directly followed a long chain of “meh” episodes. I really liked the final two episodes concerning the U-A students being ambushed by the League of Villains. It properly gave me what I wanted in other characters getting the spotlight and it presented an interesting potential for Bakugo’s character (which ended somewhat dully, but there’s still time) that I thought was intriguing at the time. It showcased the power of the League of Villains and the experience needed for the young heroes before they could properly handle a full-scale villain attack. There was a lot going on in those episodes that I really appreciated. I may also simply like it because it followed a lot of dull episodes, so I was really just looking for something to cheer for.

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Karandi: It is a good point that the power of the villains doesn’t get showcased very often and it is something that is somewhat lacking, particularly in the latter half of this season. We know there’s this threat sitting out there but we so rarely see them and that threat doesn’t feel overly connected to the main characters all that often, so this ambush was a really great moment in terms of seeing the students being at times overwhelmed by the villains and unprepared for dealing with the attack. It also gave them some great moments where we could see them working together and helping each other out in a fairly intense situation.

Alright, so which characters do you feel really shone in this season, if any?

Kapodaco: Well, the easy answer is Midoriya and Bakugo. Then again, they are the most important characters in this series, I think. All Might is definitely up there in importance, as well, but the moment he retired, it all fell to the younger generation, and Midoriya and Bakugo are two people who were totally inspired by All Might’s heroism. Their fight scene was a rare highlight in the second-part of the series, and they continue to be the only characters (okay, just Bakugo) that I see anyone I follow on Twitter care about. They were the shining spots of the season as an obvious answer.

If I had to give an answer concerning a minor character… It’s fairly difficult. A lot of the minor characters had some time to shine, specifically in the Provisional Exam Arc when they all had split up and what-not. I actually recall not minding the group consisting of Yaoyorozu, Asui, Jiro, and the masked dude with wings whose name I can never remember. Still, one episode—half an episode, really, doesn’t give them the credit of a “Shining spot” in the season. I guess if I had to pick a character among the minor cast… Aizawa. He may not have had any immensely notable scenes or important parts specifically to his character, but he’s the only character I’d consider minor who had an ever-present place on the season and provided enough input—whether serious or not—to give him a place in my memory banks. And hey, Aizawa’s cool. He should get a shout-out. What about you? Who do you like most rather than Wind Guy™?

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Karandi: What is Wind Guy’s name? He must have one, but I just don’t care enough to look it up. I think you are right about Aizawa. He was a fairly constant presence this season in each arc and while I still feel the basic education system in this world leaves a lot to be desired, he genuinely does look out for his students even if he doesn’t insist they all get a lot of therapy. I particularly liked his role after the first arc where he and All Might were apologising to parents and then his observations during the exam arc were fairly well received.

That said, if I was going to give a shout out to a minor cast member I’d probably go with Kirishima. He doesn’t do a huge amount that has a major impact on the plot, but I feel his presence with Bakugo has really helped to moderate Bakugo’s more extreme moments this season and it is a friendship that has formed gradually since season one to the point where you aren’t sure when they actually started being friends but it feels right that they are. I especially liked that he was involved in Bakugo’s rescue but even in the provisional license exam he was in Bakugo’s group for the duration. Anyway, he’s a character I hadn’t paid a huge amount of attention to previously and this season just made me realise that he’s a fairly useful presence with the dynamic of the group.

As far as main characters go, I was a little disappointed with Todoroki and Uraraka this season, though they both had their moments I just felt like they were just rehashing the same moments we’d already seen from these two characters. Don’t get me wrong, Uraraka is still adorable as she stares out the window at Midoriya and her decision to put her feelings to the side to focus on becoming a hero are pretty logical, but she’s just so underused in the story at this point. And Todoroki’s moment was a definite step backwards. So, yeah, I’d have to say Midoriya and Bakugo got the best moments from the main cast this season as well.

My Hero Academia - Episode 55 - Todoroki

Anything else you want to discuss before we wrap this up?

Kapodaco: Well, I would’ve suggested a worst moment of the season as a whole, though I guess we did sort of go on a spiel above about the series’ pacing and all. If I could say something about characters that disappointed me, I would agree with Todoroki, but would also like to throw in Iida. He had some good short moments here, but he was one of my favorite characters coming out of the first and second seasons, and here he’s basically a nagging mother to everyone and that’s kind of his shtick. Really would’ve liked to have seen more from him.

Karandi: I actually agree. Iida really has become a nagging mother and that’s his sole purpose at this point in the story. I’d really like to see him having a bit more personality next season, or they could just move him to the background rather than having him in scenes just to lecture.

Kapodaco: He’s not Mineta, though.

Karandi: True. And for the most part we’ve avoided mentioning Mineta. Though I wish the show would avoid mentioning Mineta. Or showing him. Or actually having him as a cast member. He gets more irritating every single episode. Or maybe I already hit my tolerance for his shtick and I wish they’d just drop it already.

Kapodaco: I regret bringing that up, because now we’re sort of just lingering before the finish line.

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Karandi: Right, so final thoughts?

Kapodaco: It was a letdown, but not so much that I think it hurts the overall appeal of the show. A lot of good foundational things are still present in the form of the League of Villains growing stronger, Midoriya (and now Bakugo) having more motivation to get stronger, and All For One promises to still be around, and I think he’s infinitely more interesting than half the other characters introduced in this show since the beginning. I’ll reiterate again that I want some focus on other characters, but it’s definitely hard with so little time for such hard, time-consuming work as animation. I’m still fairly enticed to watch the fourth season. I was actually a little intrigued by the end of your analysis this week on the final episode. Will you continue the series?

Karandi: I think I’m realising now how viewing seasonally changes my views on shows. My Hero Academia has a rich world and some really interesting ideas but season three I found really challenging to watch week to week. Between deliberate cliff-hanger endings, arcs that didn’t feel rewarding to watch, and just low points, I will admit that this season was a bit of a struggle. And it is a challenge I didn’t face when I watched Bleach because seasonal viewing wasn’t a thing (and I’m comparing to Bleach because other than Hunter x Hunter (still unfinished), these are the only long running shounen anime I’ve attempted). But if I picked season five of Bleach (or really any season after season three) and tried to review it episode to episode in a weekly format, I can imagine I’d be every bit as frustrated. Looking at the whole, there’s still a lot to like about My Hero Academia.

That kind of leaves me wondering if I will do episode reviews of season four or just wait until it is done and binge it. I did just buy the second season on DVD as a cheer me up present to myself and I’m really looking forward to binge watching that, and I think it might be my preferred viewing method for this kind of show. So, am I continuing? I think I’ll start season four episodicially, but I might end up bailing and waiting until it is done airing.

However, if you wanted to review it together again, I’d probably really enjoy that. It has been really great working with you on this and I’ve enjoyed discussing the show each week even when I haven’t enjoyed the show so much.

Kapodaco: If you want to collaborate with me again for the fourth season, I’d be more than willing. I came to you with this collaboration, if you recall. And this was certainly an experience I won’t ever forget. It’s likely the most rewarding thing I’ve done in the ani-blogging community ever. Should we do this again, however, I want the exclamation mark quantity increased to four.

Karandi: I think it’s agreed then (although maybe not about the exclamation marks). So on that note, let’s finish this because I think we’ve gone on quite long enough. I’m thinking we need a ‘Plus Ultra!’ or something to finish with, but I’ve got nothing.

Kapodaco: Leave it to me.

Everyone! Look forward to Karandi and I’s next collaboration on the fourth season of My Hero Academia! Visualist x100!!!!™ Coming again to a blog in the near future!!!!!!!! Plus Ultra!!!!!!!

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Thanks for reading and I hope you enjoyed following along with us this season. Looking forward to the next one. Plus Ultra!

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Visualist x 100!! – My Hero Academia Season Three Episode 24

Right so with one more episode to go My Hero Academia sets up… some sort of fight between first years and third years? I’m not entirely certain that this is really something I’m all that hyped for, but I guess we’ll see how it goes. In the meantime, this is how Kapodaco and I felt about the penultimate episode of the season.

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Karandi:

Well, I’m pretty much convinced at this point that season three is going to end on a reasonably unspectacular note despite the promise of a fight against one of UA’s top students. This season has just been all over the place and there’s no time left to build up to anything that would feel kind of actually climatic. I’m definitely feeling that from a seasonal point of view, it would have made more sense to have given us a single cour season ending with All Might’s retirement as that would have been a spectacular season end. Then this could be the mid-point of a new season rather than the ending.

Okay, now that I’m done rewriting the show, what was this episode like other than making me realise that there’s little next week will do to really reconsider my thoughts on this season?

Adequate. That’s really the best way to describe the episode.

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We get a half episode or so following around a monologuing villain and in the process get a feel for the genuine changes to society following All Might’s retirement. I genuinely enjoyed this section, though again, it isn’t going to build to something amazing in an episode (or at least it really shouldn’t). So if this had come earlier in the season I’d have been thrilled by this sequence but as a second last episode starting point I was kind of wondering where they think they are going with it.

The second half has the students attending their opening ceremony and we get some clear envy from Midoriya who feels like he’s being left out (due to the whole house arrest thing). And again, this section works well enough but isn’t exactly thrilling. I do wonder why at the end of the third season we’re still getting character names and quirks floating over the screen though. If you don’t know who Uraraka is at this point, you aren’t going to just because they put her name on the screen.

Honestly though, the introduction of the Big Three felt kind of lazy. Like they were just kind of dropped into the plot for the sake of convenience. Maybe they do something great with these characters but their introduction was a little bit underwhelming and again, we’ve only got one episode left so I’m not really expecting much to come from this at this point.

So, the episode works well enough. If this had been a mid-season episode it would have been fine. As a penultimate episode of a third season, I’m a little less than impressed though.

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Kapodaco:

There is absolutely nothing I could possibly add that would make my general thoughts on the episode any different from Karandi’s She is absolutely spot-on on just about everything.

I will add a few more thoughts on various moments, however. Notably with the beginning sequence.

I thought it was super cool to know more about… Two? Is that his name? The villain who reminds me a bit of anime Deadpool. His backstory is almost hilarious with how bizarre it is, and the fact that he seems like a reasonable dude despite his alignment is super fascinating. I was a little disappointed the whole episode wasn’t just about him. The state of the world after All Might’s “retirement” felt a little forced to me, though I suppose there’s little other way to make it known than to have things pan out in a point-blank fashion. Writing in this episode was also in danger of encroaching on Saturday-morning-cartoon levels of dumb (“If you’re trash, make like it and burn for me”) (paraphrasing).

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The moment I saw one of the “Big Three,” whose appearance is strikingly similar to that of All Might, I thought to myself, “Oh, God. Are we going to have one of those ‘I’M the proper replacement to All Might! Look how much he inspires me in my appearance and demeanor!’ type situations where Midoriya begins to question his worth as ‘the Chosen One’?” With one episode left, he’ll likely be prominent for any potential (or, frankly, inevitable) future seasons as the “new” rival or whatever. If correct, ugggggggggggggggh. This is such a lazy trope that I sincerely, sincerely hope the mangaka has some witty plans for, because doing it like any other of the thousands of series I’ve seen do it before would be very tiring.

Does anyone else notice that, aside from Todoroki, no other character than Midoriya and Bakugo seems to be getting any meaningful screentime? This episode has various characters make comments—Tsui says a thing, Tokoyami says a thing, Iida makes a few jokes—but they’re essentially background characters right now. I really miss the events when it displayed the input and potential for other characters, both in their powers and personality. It’s inevitable with about 365234625 characters that occasionally they’ll have to take a backseat, but with how well the series has been on showcasing them in the past, it feels like the mangaka is starting to bite off more than he can chew.

Meh. Wouldn’t it be ironic if the last episode turns out to be so unbelievably spectacular that it completely destroys Karandi and I’s expectations and makes us diehard fans for life? That’d be cool.

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Thanks for reading and be sure to check out Kapodaco’s blog next week when we review episode 25 and the season final.

Tada Doesn’t Fall in Love Series Review: The Classic Hollywood Tale That Doesn’t Quite Stick

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I will admit that Tada Doesn’t Fall in Love was one of the more consistent titles of the Spring season, but being consistently above average isn’t really something that will get you a rave review. That said, while dismissing this title might seem easy, there’s still quite a bit of charm to be found here. That said, there will be spoilers in the review.

Review:

Let’s take our typical stoic high school protagonist who lacks parents, has a strong sense of responsibility, and a single hobby that we can exploit to make him seem well rounded and have him literally bump into a foreign princess on student exchange in Japan. It is all pretty formulaic and if you’ve seen the likes of Roman Holiday, you already know more or less what you are in for.

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Teresa, as the blonde foreign Princess, is adorable in her excitement over Japanese culture, her involvement in the photography club, and her general outlook on life. She’s sweet but not to the point that it makes the viewer nauseated or unable to see her as a real person, and she’s certainly fairly responsible about dealing with her obligations regardless of personal feelings which becomes the major point of tension toward the end of the series as you might expect.

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Even Tada, as dull as I made him sound in the opening paragraph, is actually quite a solid male lead. While on the surface he is much like any other anime protagonist, there’s a depth to how he represents his fairly repressed emotions that makes him quite an interesting guy to watch. Examining the clutter in the cafe his grandfather runs that he works in or around his house there are endless traces of the personality of Tada and his family. And that is something I have to praise the series on all the way through; there’s a phenomenal amount of background detail in most settings filling the club room, the cafe, and Teresa and Tada’s rooms with enough things to give a sense of who these characters really are.

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The romance that develops between these two is pretty standard and goes through more or less what you would expect. The very close friends but are they more position lasts through most of the first two thirds with Tada’s jealousy only really being triggered when Teresa’s fiance shows up. While there’s potential there for high school drama and tension with your standard love triangle, the show actually avoids going for the low hanging fruit and for the most part Charles, as the fiance in question, is quite an interesting contribution to the cast and ultimately the resolution of the series hinges on his decisions far more than anyone else’s. He definitely could have taken the ending in a very different direction had he decided to play the jerk.

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The rest of the cast consists of Tada’s family and friends and Teresa’s friend and bodyguard. While these characters will vary in their appeal, they each bring something to the mix. What needs to be remembered though is this is strictly Tada and Teresa’s story and while at times it might seem the support cast have a more critical role, they really don’t. Part of this is because of the episode run count and the other part of it is probably because less is more in this case. While these characters are all charming and work in varying ways, more of them on screen may have just left them open to the obvious criticism that they really don’t have much purpose or existence outside of either of the main characters.

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Visually this is a very pretty show. I already mentioned the detailed in a lot of the backgrounds, but just the colours in general and the many views of the sky (stars, rainbows, and clouds all feature heavily) make this a visually satisfying though not extraordinary show. The music is a little on the average side but works. Just don’t expect to remember much after it is done.

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That’s really all there is to Tada Doesn’t Fall in Love. It is a straight forward boy meets girl story where both characters are genuinely nice people who find something in common. While there are plenty of other stories that do something similar, this one does it well enough to make it worth the time for those who are inclined to enjoy these kinds of stories, but it isn’t great enough that I would tell people who aren’t into romance that they should spend their time on it.  I had a lot of fun and found it quite charming but I know even from reading reviews from other bloggers that mileage on this one varied greatly.

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Karandi James

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Visualist x 100!! – My Hero Academia Season Three Episode 22

The exam is done and now we know who passed and who failed, but more importantly, My Hero Academia is finally turning its attention to what is coming next. The story kind of stalled during the last arc and it kind of felt like we were spinning our wheels and just waiting for it to pass but episode 22 plunges us straight back into the very dynamic world of heroes and villains and this episode is much better for it. Kapodaco and I share our thoughts below, but we’d love to hear what you thought of the latest episode.

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Kapodaco:

Well, what do you know? It really was the Provisional Exam arc bogging down all the potential quality. The moment it ended, I became intrigued with the series again.

First and foremost, not only did Todoroki and Wind Guy™ not pass, but Bakugo didn’t pass, either. I feel like justice has been served with all my griping in the past weeks. This was slightly mitigated by the examiners giving them a fallback plan via a three-month course to essentially “correct” their faults… but they were all bound to pass anyway, so it’s a fine substitute. Nice of the series to not take the easy way out. Now I’d like to see if it will ever show the three characters in said three-month course. Probably not, but we’ll see.

Even more ominously, the bearer of hormonal jealousy ended up being a member of the League of Villains, who also revealed she had a drop of Midoriya’s blood. Seeing as Midoriya’s ingested All Might’s DNA (which I think in this case means it’s ingrained in his blood), this might hint at All Might clones, or something of the sort. That’s interesting.

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What I found to be the most riveting part of the episode was the talk between All Might and All For One, even if I think the reasoning for the meeting was bogus. It laid the foundation of what the world may be coming to, as nothing All For One said was unreasonable, which was what made it so threatening. Even behind bars, his influence and perspective is one that seems like he’s in complete control. This is a good villain—a very good one. Just out of curiosity, I’d like to see an episode that looks at what All For One claimed in his spiel, whether the world really was on edge and if villains felt more motivated to act.

And as if the developments wouldn’t end, Bakugo has figured out Midoriya got his quirk from All Might (which, frankly, is pretty obvious if anyone paid close attention). Now he wants to fight him. I don’t know about myself, but this is a moment many have been dying to see since the beginning. Bakugo and Midoriya duking it out, presumably going all out. If I may make a prediction—as I normally do—the moment the fight actually kicks up, something bad will happen that’ll stop the fight midway… assuming they even fight at all with Midoriya fidgeting and hesitating.

While not quite a return to All Might form, this episode definitely went back to the formula that worked so well for the series in the past. Lots of developments happening all at once, great danger being seeded in the minds of the heroes, and the prospect of something bigger in the distance. I enjoyed this episode quite a bit, far more than the the last, say, four or five episodes. I’m sincerely hoping the season ends on a high note.

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Karandi:

I also found this episode far more enjoyable than pretty much anything we’ve seen since the exam started, though despite the many positives to come out of this episode I don’t think it makes the previous episodes any more palatable. It was great to see that they did fail some students but then I felt they undermined that by giving them that second chance rather than making them wait for the next exam.

Still, credit where it is due, and for the first time ever, they made a sensible move in terms of providing actual and real feedback to the students to assist them in improving. Why we don’t see this more often in exams and anime schools is a  little beyond me but so many of them take the Food Wars approach of pass or get out and never be heard from again, which kind of defeats the purpose of them being in school. That was a solid bit of world building and brought some credibility to everything we’d sat through in terms of the first elimination round and then the observations during the second round, including not just removing candidates who dropped below the pass mark.

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Like Kapodaco, I also really enjoyed the conversation between All Might and All For One. I love the idea that both mentors are essentially benched in terms of being active participants and it is the next generation and those that they’ve inspired (for better or worse) will carry on the fight. Though there’s definitely something ominous about the fact that All For One is still alive in general. All that security just seems like it is begging for a break in and break out by the villains later to rally the troops further and showing us what it all looks like means we’re now kind of expecting to see someone getting through all of that.

Then we have Midoriya and Bakugo. I’ll take a moment to happily jump up and down at how cute Midoriya was when he was smiling at his license and taking a photo of it to send to his mum and All Might. Then I’ll get to the more serious confrontation between these two which has been a very long time coming and while I’m expecting them both to get in trouble with a teacher if they actually start fighting at school (wasn’t the whole point of moving them on campus to provide actual supervision) I would very much like to see a one on one between these two characters.

While not a stand out episode, this one was a pretty solid return to what I enjoy about this anime and I kind of hope this season doesn’t lose steam again and manages to finish on a high note.

My Hero Academia Episode 60

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Thanks for reading and be sure to check out Kapodaco’s blog next week when we review episode 23.

Libra of Nil Admirari Series Review: Pretty Boys and Books

I can’t help but wonder if maybe this story would be more fun if it were interactive and allowed you to follow along with one guy’s story rather than chopping and changing to ensure each guy got screen time, but no chance of development.

Review:

Libra of Nil Admirari

During the spring 2018 season I chopped and changed a lot with my watch list. There were a lot of shows that potentially could have been interesting, or I wasn’t sure if they would stick, so I ended up watching quite a few shows without reviewing and then as I dropped other shows that didn’t work out I would end up picking them back up. Libra of Nil Admirari was one of those series. And really, the first episode defines the entire viewing experience:

  • It is reasonably unremarkable but has some potentially interesting ideas.
  • Characters are introduced but they don’t really seem to have any overly defined traits.
  • Small moments of danger are inserted to created drama but it never feels like things are actually going to get dangerous.

Libra of Nil Admirari Episode 1

Basically I ended up feeling luke-warm about this whole series. It didn’t help that mid-way through the run the subtitles changed from Ruze to Kuze (or maybe I just paid more attention) and I realised that most of the guys running around in the show I never knew the name of and was left looking it up at the ends of episodes if I actually wanted to talk about that character.

While that might make it seem like a fairly terrible viewing experience, it really wasn’t. The show isn’t bad at any point. However it fails to be interesting or memorable for the most part. The one thing it has going for it are the cursed tomes, and pretty much any episode that dealt directly with a cursed book had at least one moment that really grabbed my attention, but even this story-line ultimately didn’t go very far. While we do get to see who is behind the distribution of the cursed books and they even resolve the story well enough, it’s a pretty unsatisfying story when you simply look at that plot line without the clutter of all the issues the pretty boys bring into the story.

Libra of Nil Admirari Episode 5

And each of the boys does have a story to share. It might have even been an interesting story if they’d been given four or five episodes to develop it but instead we shift the focus to the guy of the week, learn a little about him, and then Kuze either gets herself in trouble and is rescued by him and somehow that results in him feeling better about whatever, or Kuze actually talks to them and makes them realise something about themselves, but either way it is usually resolved before I’ve had time to get invested. Some of the boys were lucky to have their story carry over more than one episode and Hisui was one of the few that actually had quite a reasonable build up. The tragedy of that was they then just kind of wrapped his story up because we were nearing the climax and it didn’t feel like he really had the screen time he needed to make his story actually work.

Libra of Nil Admirari - Episode 6

So what this mostly leaves us with is an anime that actually has some reasonable ideas, is pleasant enough, has a cast that work and individually are each potentially interesting but underused, and ultimately a fairly forgettable plot. The one thing this anime definitely has in its favour is a very upbeat OP and some interesting visuals during the ED, though I’m not entirely sure if either of these is enough to offset the mediocrity of what lies between those two things.

Libra of Nil Admirari Episode 12

As for a recommendation, I really can’t. If you happen to really love historical settings or reverse harems, then perhaps you will enjoy this more than I did, but mostly I think what was good about this show just served to highlight all the opportunities it missed. By the end I was mostly just wanting it over because I kept thinking about how it could have and should have been much better. So not inherently broken but neither is it recommendable.

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Thanks for reading.

Karandi James

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