Little Brother Goes Boom?
Afterlost Episode 8
On the surface, episode 8 of Afterlost actually seems like a step forward. The characters are in a perpetual state of movement as all the main players finally push forward with a plan to reveal the machinations of the evil chemical company and the episode ends with a spectacularly close call to a second Lost event occurring. But then you think back and realise not one new bit of information came to light, with the exception of the fact that the only reason Souma didn’t blow up earlier was because his sister was hanging around him.
I’ll give Afterlost credit for that. It managed to keep things feeling like we were getting closer to something big and while on the surface it looks like we got it, really this just consolidates what we already knew. The conspiracy is vast and even with the public being let in on the information, with confessions from key players, with everything needed to end the farce, in walks in the commissioner and lets those who are apparently responsible walk. More than that, bows his head to them and apologises for the inconvenience.
They are however going to need to offer some real information soon. Like why Souma started turning into a monster just because his power was unstable and why that may have triggered a second Lost, and what actually happened when Yuki got there. Also, how was Akira back this week grabbing Yuki when she, once again, got thrown off the scooter? And why does Takuya keep riding that thing around without a helmet given the sheer number of times in the last 8 episodes he’s been tossed off of it?
On the brighter side, I did enjoy this episode more. It didn’t leave me looking at the clock and seeing when the episode would end. I had a sense of satisfaction and forward momentum even if the reflection afterwards made me realise we hadn’t really gotten anywhere.
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100 Word Anime:
- Afterlost Episodes 1 + 2
- Afterlost Episodes 3 + 4
- Afterlost Episode 5
- Afterlost Episodes 6 + 7
- Afterlost Episode 8
- Images from: Shoumetsu Toshi. Dir. S Miya. Madhouse. 2019.