Magical Girl Spec-Ops Asuka Episode 8 Review
Magical Girl Spec-Ops Asuka continues to hover on that narrow line between dark and violent with narrative purpose and gratuitous with a scene this week of Kurumi torturing the captured magical girl stepping over the line and firmly into gratuitous territory. While the themes and ideas in Spec-Ops continue to be interesting and characterisation at least for Asuka fairly solidly handled, it is scenes like this one, that could easily have been cut down and still maintained their effectiveness, that will make this series fairly hard to recommend without some strong caveats attached.
Kurumi’s character is also becoming something of a problem. While her obsession with Asuka was already known and understood, this week we see that Kurumi has really got some issues and needs a lengthy amount of mental health care at this point. What she doesn’t need to be is put in charge of extracting information from prisoners and while I get the need for the military to use magical girls, I’m not entirely convinced that relying on someone that unbalanced is exactly a great plan A.
However, equal opportunity for crazy this episode as we see another girl with some mental health issues (grounded firmly in trauma caused by drunken humans killing her mother and crippling her followed by abuse by her father) being given the opportunity to become a magical girl for the villains. Her transformed costume is perhaps the least subtle so far and isn’t exactly magical girl so much as BDSM and really makes you wonder how far they will push it. Not to mention, her initiation being to kill the four teens who kills her mother while in her human and un-transformed state really does make you wonder just how far she is willing to go.
Still, for all that this episode was definitely getting close to the line I’ll draw for myself, it continues to pose excellent questions for the characters to deal with and while the villain’s grand plan is still no where near clear at least these villains aren’t afraid to get their hands dirty. If you can handle the violence, blood and torture, Magical Girl Spec-Ops Asuka remains an intriguing viewing experience even if at times it isn’t as nuanced as it needs to be to really land the point it seems to be trying to make.
Magical Girl Spec-Ops Asuka Episode 9 Review
Episode 9 of Magical Girl Spec-Ops Asuka gives us almost an all out war as the military base hosting talks with the spirit world comes under attack by the Disas. It’s a tense situation and we have magical girls all ready to fight but civilian casualties are definitely going to happen.
For all that the episode ends up building to one of the biggest conflicts yet, we still have quite a bit of downtime early in the episode as they set up the scene and move all the characters into position. Kurumi and Asuka are reunited with Mia and Tamara as well as a general from the spirit world who apparently is the target of the most recent attack. Meanwhile their classmates are in the city currently being attacked.
But they still manage to waste time on a stupid fan-service joke which just kind of broke the tension of the episode entirely.
There’s a lot going on and a lot at stake and I’m really kind of looking forward to seeing where they go next episode. It would be great to see all the magical girls fighting and really great to see how the military handle this current threat.
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MAGICAL GIRL SPEC-OPS ASUKA LARGE TOTE BAG BLACK
- Episode 1: What Happens When a Magical Girl With PTSD is Drawn Back Into War?
- Episode 2: Not Brushing Aside Trauma Makes For A Better Narrative
- Episode 3: And The Award For Creepiest Visuals of the Week Goes To…
- Episode 4: This Is Not How One Puts Together A Solid Plan
- Episode 5: Magical Trauma and Political Intrigue a Plenty
- Episode 6: Everybody Loses in a Magical War
- Episode 7: It’s Raining Magical Girls and Deals With Other Worlds
- Episode 8 and 9: The Dark Side of the Magical Girl Myth
- Episode 10: The Battle of the Magical Girls Begins
- Images from: Magical Girl Spec-Ops Asuka. Dir. H Yamamoto. LIDENFILMS. 2019.